àÒÔÓθÁÓ‚‡ÌËÂ, ÒÓÁ‰‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÒÚËÎÂÈ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
àÒÔÓθÁÓ‚‡ÌËÂ, ÒÓÁ‰‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÒÚËÎÂÈ
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
àÒÔÓθÁÓ‚‡ÌËÂ, ÒÓÁ‰‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÒÚËÎÂÈ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
ÇÓÒÔÓËÁ‚‰ÂÌË ÚÓθÍÓ ËÚÏ˘ÂÒÍËı ͇̇ÎÓ‚ ÒÚËÎfl
ÇÓÒÔÓËÁ‚‰ÂÌË ÚÓθÍÓ ËÚÏ˘ÂÒÍËı ͇̇ÎÓ‚ ÒÚËÎfl
êËÚÏ – ˝ÚÓ Ó‰Ì‡ ËÁ Ò‡Ï˚ı ‚‡ÊÌ˚ı ˜‡ÒÚÂÈ ÒÚËÎfl. èÓÔÓ·ÛÈÚ Ò˚„‡Ú¸ ÏÂÎӉ˲ ‚ÏÂÒÚÂ Ò ËÚÏÓÏ. Ç˚ ÏÓÊÂÚ ËÒÔÓθÁÓ‚‡Ú¸ ‡ÁÌ˚ ËÚÏ˚ ‰Îfl Í‡Ê‰Ó„Ó ÒÚËÎfl. é‰Ì‡ÍÓ ËÏÂÈÚÂ
‚ ‚ˉÛ, ˜ÚÓ ÌÂ Û ‚ÒÂı ÒÚËÎÂÈ ÂÒÚ¸ ËÚÏ˘ÂÒÍË ͇̇Î˚.
1
Ç˚·ÂËÚ ÒÚËθ (ÒÚ. 45).2
ÑÎfl ‚˚Íβ˜ÂÌËfl ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ̇ÊÏËÚ ÍÌÓÔÍÛ [ACMP ON/OFF].3
ÑÎfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ËÚÏ˘ÂÒÍËı ͇̇ÎÓ‚ ̇ÊÏËÚ ÍÌÓÔÍÛ [START/STOP]̇ Ô‡ÌÂÎË STYLE CONTROL (ìÔ‡‚ÎÂÌË ÒÚËÎÂÏ).
AI:
àÒÍÛÒÒÚ‚ÂÌÌ˚È ËÌÚÂÎÎÂÍÚ
á‡ÔÛÒÍ ËÚχ Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ÙÛÌ͈ËË Sync Start (ÒËÌıÓÌÌ˚È Á‡ÔÛÒÍ)
ÖÒÎË Á‡‰ÂÈÒÚ‚Ó‚‡Ì‡ ÙÛÌ͈Ëfl Sync Start (ÍÌÓÔ͇ [SYNC.START] ‚ ÔÓÎÓ-ÊÂÌËË ON (ÇÍÎ.)), ËÚÏ ÏÓÊÌÓ Á‡ÔÛÒ-ÚËÚ¸ ̇ʇÚËÂÏ Î˛·ÓÈ Í·‚˯Ë
‚ ‡ÍÍÓ‰Ó‚ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚.
êËÚÏ Ì Á‚Û˜ËÚ ‰Îfl ÒÚËÎÂÈ Pianist (ËÎË ‰Û„Ëı ÔÓıÓÊËı ÒÚËÎÂÈ). ÇÒ„‰‡
ÔÓ‚ÂflÈÚÂ, ̇ʇڇ ÎË ÍÌÓÔ͇
[ACMP ON/OFF], ÍÓ„‰‡ ıÓÚËÚÂ
‚ÓÒÔÓθÁÓ‚‡Ú¸Òfl Ó‰ÌËÏ ËÁ ˝ÚËı ÒÚËÎÂÈ.
SINGLE FINGER (é‰ÌËÏ Ô‡Î¸ˆÂÏ)
èÓÁ‚ÓÎflÂÚ Î„ÍÓ ÒÓÁ‰‡‚‡Ú¸
ÓÍÂÒÚÓ‚ÍË Ò ËÒÔÓθÁÓ‚‡-ÌËÂÏ Ï‡ÊÓÌ˚ı Ë ÏËÌÓÌ˚ı
‡ÍÍÓ‰Ó‚, ‡ Ú‡ÍÊÂ
ÒÂÔÚ‡ÍÍÓ-‰Ó‚, ̇ÊËχfl ÏËÌËχθÌÓ ÍÓ΢ÂÒÚ‚Ó Í·‚˯ ‚ ‡ÍÍÓ‰-Ó‚ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚. ùÚÓÚ ÚËÔ ‰ÓÒÚÛÔÂÌ ÚÓθÍÓ ‰Îfl ‚ÓÒ-ÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl. Ç ˝ÚÓÏ ÂÊËÏ ËÒÔÓθÁÛ˛ÚÒfl ‡ÍÍÓ‰-Ó‚˚ ‡ÔÔÎË͇ÚÛ˚, Û͇Á‡ÌÌ˚ ÒÔ‡‚‡.
MULTI FINGER (çÂÒÍÓθÍËÏË Ô‡Î¸ˆ‡ÏË)
Ä‚ÚÓχÚ˘ÂÒÍË ‡ÒÔÓÁ̇ÂÚ ÚËÔ˚ ‡ÔÔÎË͇ÚÛ˚ ‡ÍÍÓ‰Ó‚ Single Finger Ë Fingered. ùÚÓ ÔÓÁ‚ÓÎflÂÚ ËÒÔÓθÁÓ‚‡Ú¸ β·ÓÈ ËÁ ˝ÚËı ÚËÔÓ‚ ‡ÔÔÎË͇-ÚÛ˚, Ì ÔÂÂÍβ˜‡fl ÂÊËÏ˚.
FINGERED (퇉ˈËÓÌÌ˚È)
èÓÁ‚ÓÎflÂÚ ·‡Ú¸ ÒÓ·ÒÚ‚ÂÌÌ˚ ‡ÍÍÓ‰˚ ‚ ‡ÍÍÓ‰Ó‚ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚, ÔË
˝ÚÓÏ CVP ‰Ó·‡‚ÎflÂÚ ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ ÓÍÂÒÚÓ‚‡ÌÌ˚È ËÚÏ, ·‡Ò˚ Ë ‡ÍÍÓ‰˚
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ‚ ‚˚·‡ÌÌÓÏ ÒÚËÎÂ. êÂÊËÏ Fingered ‡ÒÔÓÁ̇ÂÚ ‡Á΢Ì˚ ÚËÔ˚ ‡ÍÍÓ‰Ó‚, Ô˜ËÒÎÂÌÌ˚ ‚ ÓÚ‰ÂθÌÓÏ Ò·ÓÌËÍ ڇ·Îˈ. àı Ú‡ÍÊ ÏÓÊÌÓ ÔÓÒÏÓÚÂÚ¸ ÔË ÔÓÏÓ˘Ë ÙÛÌ͈ËË Chord Tutor (ÒÚ. 48).
FINGERED ON BASS (퇉ˈËÓÌÌ˚È Ò ·‡ÒÓÏ)
èÓ‰‰ÂÊË‚‡ÂÚ Ú Ê ‡ÔÔÎË͇ÚÛ˚, ˜ÚÓ Ë ÂÊËÏ Fingered, ÌÓ Ò‡Ï‡fl ÌËÁ͇fl ÌÓÚ‡ ‚ ‡ÍÍÓ‰Ó‚ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚ ËÒÔÓθÁÛÂÚÒfl ‚ ͇˜ÂÒÚ‚Â ·‡ÒÓ‚ÓÈ ÌÓÚ˚,
˜ÚÓ ÔÓÁ‚ÓÎflÂÚ ÔÓË„˚‚‡Ú¸ ‡ÍÍÓ‰˚ «Ò ‰Ó·‡‚ÎÂÌËÂÏ ·‡Ò‡» (‚ ÂÊËÏ Fingered
‚ ͇˜ÂÒÚ‚Â ·‡ÒÓ‚ÓÈ ÌÓÚ˚ ‚Ò„‰‡ ËÒÔÓθÁÛÂÚÒfl ÓÒÌÓ‚ÌÓÈ ÚÓÌ ‡ÍÍÓ‰‡).
FULL KEYBOARD (ÇÒfl Í·‚ˇÚÛ‡)
ê‡ÒÔÓÁ̇ÂÚ ‡ÍÍÓ‰˚, Ò˚„‡ÌÌ˚ ‚ β·ÓÏ ÏÂÒÚ Í·‚ˇÚÛ˚. ê‡ÒÔÓÁ̇‚‡ÌËÂ
‡ÍÍÓ‰Ó‚ ̇ÔÓÏË̇ÂÚ ÏÂÚÓ‰, ÔËÌflÚ˚È ‚ ÂÊËÏ Fingered. ÄÍÍÓ‰˚ ÓÔ‰Â-Îfl˛ÚÒfl ‰‡Ê ‚ ÚÂı ÒÎÛ˜‡flı, ÍÓ„‰‡ ÓÌË ·ÂÛÚÒfl Ò‡ÁÛ ‰‚ÛÏfl Û͇ÏË: ̇ÔËÏÂ, ÍÓ„‰‡ ΂ÓÈ ‚˚ ·ÂÂÚ ·‡ÒÓ‚Û˛ ÌÓÚÛ, ‡ Ô‡‚ÓÈ — ‡ÍÍÓ‰, ËÎË ÍÓ„‰‡ ‡ÍÍÓ‰
·ÂÂÚÒfl ΂ÓÈ ÛÍÓÈ, ‚ ÚÓ ‚ÂÏfl Í‡Í Ô‡‚‡fl ‚‰ÂÚ ÏÂÎӉ˘ÂÒÍÛ˛ ÎËÌ˲.
AI FINGERED (퇉ˈËÓÌÌ˚È Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ËÒÍÛÒÒÚ‚ÂÌÌÓ„Ó ËÌÚÂÎÎÂÍÚ‡)
Ç ÓÒÌÓ‚ÌÓÏ ÔÓıÓÊ Ì‡ ÂÊËÏ FINGERED. Ö‰ËÌÒÚ‚ÂÌÌÓ ÓÚ΢ˠÒÓÒÚÓËÚ ‚ ÚÓÏ,
˜ÚÓ ‰Îfl Û͇Á‡ÌËfl ‡ÍÍÓ‰‡ ‰ÓÒÚ‡ÚÓ˜ÌÓ Ì‡Ê‡Ú¸ Ì ÚË ÌÓÚ˚, ‡ ÏÂ̸¯Â. ÑÎfl ‚ÓÒ-ÒÓÁ‰‡ÌËfl ‡ÍÍÓ‰‡ ËÒÔÓθÁÛ˛ÚÒfl ҂‰ÂÌËfl Ó ÔÓÒΉÌÂÏ Ò˚„‡ÌÌÓÏ ‡ÍÍÓ‰Â Ë Ú.‰.
AI FULL KEYBOARD (ÇÒfl Í·‚ˇÚÛ‡ Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ËÒÍÛÒÒÚ‚ÂÌÌÓ„Ó ËÌÚÂÎÎÂÍÚ‡)
èË ‚˚·Ó ˝ÚÓ„Ó ÛÒÎÓÊÌÂÌÌÓ„Ó ÚËÔ‡ ‡ÔÔÎË͇ÚÛ˚ CVP ·Û‰ÂÚ ‡‚ÚÓχÚ˘ÂÒÍË ÒÓÁ‰‡‚‡Ú¸ ÔÓ‰ıÓ‰fl˘ËÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ÌÂÁ‡‚ËÒËÏÓ ÓÚ ÚÓ„Ó, ͇ÍË ÌÓÚ˚ Ë ‚ ͇ÍÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚ ËÒÔÓÎÌfl˛ÚÒfl. à„‡Ú¸ ÔË ˝ÚÓÏ ÏÓÊÌÓ Ó·ÂËÏË Û͇ÏË.
Ç‡Ï Ì ÔˉÂÚÒfl Û͇Á˚‚‡Ú¸ ‡ÍÍÓ‰˚ ÒÚËÎfl. ïÓÚfl ÂÊËÏ AI FULL KEYBOARD Ô‰̇Á̇˜ÂÌ ‰Îfl ‡ÍÍÓÏÔ‡ÌËÓ‚‡ÌËfl ÏÌÓ„ËÏ ÔÂÒÌflÏ, ‰Îfl ÌÂÍÓÚÓ˚ı ‡‡ÌÊË-Ó‚ÓÍ ÓÌ ÏÓÊÂÚ Ó͇Á‡Ú¸Òfl ÌÂÔËÂÏÎÂÏ˚Ï. ùÚÓÚ ÂÊËÏ ÔÓıÓÊ Ì‡ ÂÊËÏ FULL KEYBOARD. Ö‰ËÌÒÚ‚ÂÌÌÓ ÓÚ΢ˠÒÓÒÚÓËÚ ‚ ÚÓÏ, ˜ÚÓ ‰Îfl Û͇Á‡ÌËfl ‡ÍÍÓ‰‡
‰ÓÒÚ‡ÚÓ˜ÌÓ ‚ÁflÚ¸ Ì ÚË ÌÓÚ˚, ‡ ÏÂ̸¯Â. ÑÎfl ‚ÓÒÒÓÁ‰‡ÌËfl ‡ÍÍÓ‰‡
ËÒÔÓθÁÛ-˛ÚÒfl ҂‰ÂÌËfl Ó ÔÓÒΉÌÂÏ Ò˚„‡ÌÌÓÏ ‡ÍÍÓ‰Â Ë Ú.‰. ÄÍÍÓ‰˚ Ò 9, 11 Ë 13 ÒÚÛÔÂÌflÏË ÔÓË„‡Ú¸ ÌÂθÁfl. ùÚÓÚ ÚËÔ ‰ÓÒÚÛÔÂÌ ÚÓθÍÓ ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl.
Cm C
Cm7 C7
óÚÓ·˚ Ò˚„‡Ú¸ χÊÓÌ˚È ‡ÍÍÓ‰,
‰ÓÒÚ‡ÚÓ˜ÌÓ Ì‡Ê‡Ú¸ ÚÓθÍÓ Í·‚Ë¯Û ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇.
óÚÓ·˚ Ò˚„‡Ú¸ ÏËÌÓÌ˚È ‡ÍÍÓ‰, ̇‰Ó Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡Ê‡Ú¸ Í·‚Ë¯Û ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇ Ë
˜ÂÌÛ˛ Í·‚Ë¯Û Ò΂‡ ÓÚ ÌÂÂ.
óÚÓ·˚ Ò˚„‡Ú¸ ÒÂÔÚ‡ÍÍÓ‰,
̇‰Ó Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡Ê‡Ú¸ Í·‚Ë¯Û ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇ Ë
·ÂÎÛ˛ Í·‚Ë¯Û Ò΂‡ ÓÚ ÌÂÂ.
óÚÓ·˚ Ò˚„‡Ú¸ ÏËÌÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰, ̇‰Ó Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡Ê‡Ú¸ Í·‚Ë¯Û ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇ Ë
·ÂÎÛ˛ Ë ˜ÂÌÛ˛ Í·‚Ë¯Û Ò΂‡ ÓÚ ÌÂÂ.
ÇÓÒÔÓËÁ‚‰ÂÌË ÚÓθÍÓ ËÚÏ˘ÂÒÍËı ͇̇ÎÓ‚ ÒÚËÎfl
àÒÔÓθÁÓ‚‡ÌËÂ, ÒÓÁ‰‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÒÚËÎÂÈ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
4
óÚÓ·˚ Ô‚‡Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌË ËÚχ, ̇ÊÏËÚ ÍÌÓÔÍÛ [START/STOP]̇ Ô‡ÌÂÎË STYLE CONTROL.
ÇÍβ˜ÂÌËÂ Ë ‚˚Íβ˜ÂÌË ͇̇ÎÓ‚ ÒÚËÎfl
ëÚËθ ÒÓÒÚÓËÚ ËÁ ‚ÓÒ¸ÏË Í‡Ì‡ÎÓ‚: RHY1 (Rhythm 1) – PHR2 (Phrase 2). Ç˚ ÏÓÊÂÚÂ
‰Ó·‡‚ÎflÚ¸ ‚‡Ë‡ˆËË Ë ËÁÏÂÌflÚ¸ Á‚Û˜‡ÌË ÒÚËÎfl, ‚Íβ˜‡fl Ë ‚˚Íβ˜‡fl ͇̇Î˚ ‚Ó
‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl.
1 ç‡ÊÏËÚ ÍÌÓÔÍÛ [CHANNEL ON/OFF], ˜ÚÓ·˚ ‚˚Á‚‡Ú¸ ˝Í‡Ì CHANNEL ON/OFF (ÇÍβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË ͇̇ÎÓ‚).
ÖÒÎË ‚Í·‰Í‡ STYLE (ëÚËθ) Ì ‚˚·‡Ì‡, ̇ÊÏËÚ ÍÌÓÔÍÛ [CHANNEL ON/OFF]
¢ ‡Á.
2 äÌÓÔ͇ÏË [1††††]–[8††††] ‚Íβ˜ËÚ ËÎË ‚˚Íβ˜ËÚ ͇̇Î˚.
óÚÓ·˚ ÒÎÛ¯‡Ú¸ ÚÓθÍÓ Ò‡Ï ËÌÒÚÛÏÂÌÚ, ̇ÊÏËÚÂ Ë Û‰ÂÊË‚‡ÈÚÂ
ÒÓÓÚ‚ÂÚÒÚ‚Û˛-˘Û˛ ÍÌÓÔÍÛ Í‡Ì‡Î‡, ˜ÚÓ·˚ Á‡‰‡Ú¸ ͇̇ΠSOLO (ëÓÎÓ). ÑÎfl ÓÚÏÂÌ˚ SOLO ̇ÊÏËÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÍÌÓÔÍÛ Í‡Ì‡Î‡ ¢ ‡Á.
èÓË„˚‚‡ÌË ‡ÍÍÓ‰Ó‚ ‚ Ò‚Ó·Ó‰ÌÓÏ ÚÂÏÔ (·ÂÁ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl) åÓÊÌÓ Ò‰Â·ڸ Ú‡Í, ˜ÚÓ ‡ÍÍÓ‰˚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ·Û‰ÛÚ Á‚Û˜‡Ú¸ ·ÂÁ
‚ÓÒÔÓËÁ‚Â-‰ÂÌËfl ÒÚËÎfl. ÑÎfl ˝ÚÓ„Ó ÌÛÊÌÓ ÛÒÚ‡ÌÓ‚ËÚ¸ [ACMP ON/OFF] ‚ ÔÓÎÓÊÂÌË ON (ÇÍÎ.),
‡ [SYNC START] – ‚ ÔÓÎÓÊÂÌË OFF (Ç˚ÍÎ.). ç‡ÔËÏÂ, ÂÒÎË ‚˚·‡Ì ÂÊËÏ MULTI FINGER (ÒÚ. 102), ‚˚ ÏÓÊÂÚ ˄‡Ú¸ ‚ Û‰Ó·ÌÓÏ ‰Îfl Ò·fl ÚÂÏÔÂ, Á‡ÒÚ‡‚Îflfl ‡ÍÍÓ‰
Á‚Û˜‡Ú¸ Ò ÔÓÏÓ˘¸˛ ̇ʇÚËfl Ó‰ÌËÏ Ô‡Î¸ˆÂÏ Í·‚Ë¯Ë ‚ ‡ÍÍÓ‰Ó‚ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚.
ìÒÚ‡Ìӂ͇ ‚ÂÏÂÌË ÛÒËÎÂÌËfl/Á‡ÚÛı‡ÌËfl Á‚Û͇
åÓÊÌÓ Á‡‰‡Ú¸ ‚ÂÏfl ÛÒËÎÂÌËfl Ë Á‡ÚÛı‡ÌËfl Á‚Û͇ (ÒÚ. 47).
1 Ç˚ÁÓ‚ËÚ ÓÔ‡ˆËÓÌÌ˚È ˝Í‡Ì.
[FUNCTION] → [I] UTILITY → TAB[√] CONFIG 1 → [A] FADE IN/OUT/HOLD TIME 2 ìÒÚ‡ÌÓ‚ËÚ ԇ‡ÏÂÚ˚ ÛÒËÎÂÌËfl Ë Á‡ÚÛı‡ÌËfl Á‚Û͇ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ
[3ππ†ππ†††]–[5ππ†ππ†††].
FADE IN TIME (ÇÂÏfl ÛÒËÎÂÌËfl Á‚Û͇)
ᇉ‡ÂÚ ‚ÂÏfl ‰Îfl Û‚Â΢ÂÌËfl „ÓÏÍÓÒÚË ËÎË ÔÂÂıÓ‰‡
ÓÚ ÏËÌËχθÌÓÈ „ÓÏÍÓÒÚË Í Ï‡ÍÒËχθÌÓÈ.
FADE OUT TIME (ÇÂÏfl Á‡ÚÛı‡ÌËfl Á‚Û͇)
ᇉ‡ÂÚ ‚ÂÏfl ‰Îfl ÛÏÂ̸¯ÂÌËfl „ÓÏÍÓÒÚË ËÎË ÔÂÂıÓ‰‡
ÓÚ Ï‡ÍÒËχθÌÓÈ „ÓÏÍÓÒÚË Í ÏËÌËχθÌÓÈ.
FADE OUT HOLD TIME (ÇÂÏfl ÏËÌËχθÌÓÈ
„ÓÏÍÓÒÚË Á‚Û͇
ÔÓÒΠÁ‡ÚÛı‡ÌËfl)
ᇉ‡ÂÚ ‚ÂÏfl, ̇ ÔÓÚflÊÂÌËË ÍÓÚÓÓ„Ó „ÓÏÍÓÒÚ¸ ·Û‰ÂÚ ÏËÌËχθÌÓÈ ÔÓÒΠÁ‡ÚÛı‡ÌËfl.
àÒÔÓθÁÓ‚‡ÌËÂ, ÒÓÁ‰‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÒÚËÎÂÈ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
ç‡ÒÚÓÈÍË, Ò‚flÁ‡ÌÌ˚Â Ò ‚ÓÒÔÓËÁ‚‰ÂÌËÂÏ ÒÚËÎfl
ç‡ÒÚÓÈÍË, Ò‚flÁ‡ÌÌ˚Â Ò ‚ÓÒÔÓËÁ‚‰ÂÌËÂÏ ÒÚËÎfl
Ç CVP ÂÒÚ¸ ÏÌÓÊÂÒÚ‚Ó ‡Á΢Ì˚ı ÙÛÌ͈ËÈ, Ò‚flÁ‡ÌÌ˚ı Ò ‚ÓÒÔÓËÁ‚‰ÂÌËÂÏ ÒÚËÎÂÈ, ‚ ÚÓÏ
˜ËÒΠÚӘ͇ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ Ë ÏÌÓ„Ë ‰Û„ËÂ, ‰ÓÒÚÛÔ Í ÍÓÚÓ˚Ï ÏÓÊÌÓ ÔÓÎÛ˜ËÚ¸
Ò ÌËÊÂÛ͇Á‡ÌÌÓ„Ó ˝Í‡Ì‡.
1
Ç˚ÁÓ‚ËÚ ÓÔ‡ˆËÓÌÌ˚È ˝Í‡Ì.[FUNCTION] → [C] STYLE SETTING/SPLIT POINT/CHORD FINGERING → TAB[√] STYLE SETTING/SPLIT POINT
2
óÚÓ·˚ ÛÒÚ‡ÌÓ‚ËÚ¸ ÚÓ˜ÍÛ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ (Split Point) (ÒÏ. ÌËÊÂ), ËÒÔÓθÁÛÈÚ ÍÌÓÔÍË [F]–[H] Ë ‰Îfl ͇ʉÓÈ Ì‡ÒÚÓÈÍË ËÒÔÓθÁÛÈÚ ÍÌÓÔÍË [1ππππ††††]–[5ππ†ππ†††] (ÒÚ. 105).•SPLIT POINT
è‰ÛÒÏÓÚÂÌ˚ ̇ÒÚÓÈÍË (‰‚ ÚÓ˜ÍË ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚), ‡Á‰ÂÎfl˛˘Ë Í·‚ˇ-ÚÛÛ Ì‡ ‡Á΢Ì˚ ˜‡ÒÚË: ‡Á‰ÂÎ ‡ÍÍÓ‰Ó‚, ‡Á‰ÂÎ Ô‡ÚËË LEFT Ë ‡Á‰ÂÎ Ô‡ÚËÈ RIGHT 1 Ë 2. é·Â ÚÓ˜ÍË ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ (ÒÏ. ÌËÊÂ) Û͇Á˚‚‡˛ÚÒfl Í‡Í Ì‡Á‚‡ÌËfl ÌÓÚ.
•íӘ͇ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ (S) – ÓÚ‰ÂÎflÂÚ ‡Á‰ÂÎ ‡ÍÍÓ‰Ó‚ ‰Îfl
‚ÓÒÔÓËÁ-‚‰ÂÌËfl ÒÚËÎÂÈ ÓÚ ‡Á‰ÂÎÓ‚ ‰Îfl ÔÓË„˚‚‡ÌËfl ÚÂÏ·Ó‚
(RIGHT 1, 2 Ë LEFT).
•íӘ͇ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ (L) – ‡Á‰ÂÎflÂÚ ‰‚ ˜‡ÒÚË ‰Îfl ÔÓË„˚‚‡ÌËfl ÚÂÏ·Ó‚, LEFT Ë RIGHT 1-2.
ùÚË ‰‚ ̇ÒÚÓÈÍË ÏÓ„ÛÚ ·˚Ú¸ Á‡‰‡Ì˚ Ó‰ÌÓÈ Ë ÚÓÈ Ê ÌÓÚÓÈ (Ú‡Í Ò‰Â·ÌÓ ÔÓ ÛÏÓΘ‡Ì˲) ËÎË ‰‚ÛÏfl ‡ÁÌ˚ÏË ÌÓÚ‡ÏË.
íÓ˜ÍÛ ‡Á‰ÂÎÂÌËfl (L) ÌÂθÁfl ÛÒڇ̇‚ÎË‚‡Ú¸ ΂ ÚÓ˜ÍË (S), ‡ ÚÓ˜ÍÛ (S) ÌÂθÁfl ÛÒڇ̇‚ÎË‚‡Ú¸ Ô‡‚ ÚÓ˜ÍË (L).
臇ÏÂÚ˚
ç‡ÒÚÓÈÍË ÚÓ˜ÍË
‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚
ì͇Á‡ÌË ÚÓ˜ÍË ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ ÔÓ Ì‡Á‚‡Ì˲ ÌÓÚ˚
ç‡ÊÏËÚ ÍÌÓÔÍÛ [7π†]/[8π†] (SPLIT POINT) (íӘ͇ ‡Á‰ÂÎÂÌËfl).
íÓ˜ÍÛ ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚ÓÈ Ë
‡ÍÍÓ‰Ó‚ÓÈ ˜‡ÒÚÂÈ Í·‚ˇÚÛ˚
ÏÓÊÌÓ Á‡‰‡Ú¸ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË STYLE ̇ ‰ËÒÔÎÂÂ, ‡ ÚÓ˜ÍÛ
‡Á‰ÂÎÂÌËfl ÎÂ‚Ó„Ó Ë Ô‡‚Ó„Ó
íÂÏ· RIGHT 1 Ë 2 íӘ͇ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ (S+L)
ê‡Á‰ÂÎ ‡ÍÍÓ‰Ó‚ + ÚÂÏ· LEFT
ç‡ÊÏËÚ ÍÌÓÔÍÛ [F] (S+L) Ë ÔÓ‚ÂÌËÚ ‰ËÒÍ ÛÔ‡‚ÎÂÌËfl [DATA ENTRY].
ç‡ÊÏËÚ ÍÌÓÔÍÛ [H] (S) ËÎË [G] (L) Ë ÔÓ‚ÂÌËÚ ‰ËÒÍ ÛÔ‡‚ÎÂÌËfl [DATA ENTRY].
íӘ͇ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ (S) íӘ͇ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ (L)
ê‡Á‰ÂÎ ‡ÍÍÓ‰Ó‚ íÂÏ· LEFT íÂÏ· RIGHT 1 Ë 2
é·ÓÁ̇˜ÂÌË ÚÓ˜ÂÍ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ (S) Ë (L) Ó‰ÌÓÈ Ë ÚÓÈ Ê ÌÓÚÓÈ
é·ÓÁ̇˜ÂÌË ÚÓ˜ÂÍ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ (S) Ë (L) ‡ÁÌ˚ÏË ÌÓÚ‡ÏË
ç‡ÒÚÓÈÍË, Ò‚flÁ‡ÌÌ˚Â Ò ‚ÓÒÔÓËÁ‚‰ÂÌËÂÏ ÒÚËÎfl
àÒÔÓθÁÓ‚‡ÌËÂ, ÒÓÁ‰‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÒÚËÎÂÈ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
•éÒÚ‡Ìӂ͇ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
ÖÒÎË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ‚Íβ˜ÂÌ (ÍÌÓÔ͇ [ACMP ON/OFF] ‚ ÔÓÎÓÊÂÌËË ON), ‡ ÙÛÌ͈Ëfl ÒËÌıÓÌÌÓ„Ó Á‡ÔÛÒ͇ ‚˚Íβ˜Â̇ (ÍÌÓÔ͇ [SYNC START] ‚ ÔÓÎÓÊÂÌËË OFF), ÏÓÊÌÓ
ÔÓË„-˚‚‡Ú¸ ‡ÍÍÓ‰˚ ‚ ‡ÍÍÓ‰Ó‚ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚ ÔË ÓÒÚ‡ÌÓ‚ÎÂÌÌÓÏ ÒÚËΠË, ÚÂÏ Ì ÏÂÌÂÂ, ÒÎ˚¯‡Ú¸ ‡ÍÍÓ‰ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. Ç ˝ÚÓÏ ÒÓÒÚÓflÌËË, ÍÓÚÓÓ ̇Á˚‚‡ÂÚÒfl «ÓÒÚ‡Ìӂ͇ ‡ÍÍÓÏ-Ô‡ÌÂÏÂÌÚ‡», ‡ÒÔÓÁ̇˛ÚÒfl ‚Ò ԇ‚ËθÌ˚ ‡ÔÔÎË͇ÚÛ˚ ‡ÍÍÓ‰Ó‚, Ë Ì‡ ˝Í‡Ì ‚˚‚Ó‰ËÚÒfl ÓÒÌÓ‚ÌÓÈ ÚÓÌ/ÚËÔ ‡ÍÍÓ‰‡.
ç‡ ˝Í‡Ì (ÒÏ. ÒÚ. 104) ÏÓÊÌÓ Û͇Á‡Ú¸, ·Û‰ÂÚ ÎË ‡ÍÍÓ‰, Ò˚„‡ÌÌ˚È ‚ ‡Á‰ÂΠ‡ÍÍÓ‰Ó‚, Á‚Û˜‡Ú¸ ÔË ÓÒÚ‡ÌÓ‚ÎÂÌÌÓÏ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÂ.
OFF... ÄÍÍÓ‰, Ò˚„‡ÌÌ˚È ‚ ‡Á‰ÂΠ‡ÍÍÓ‰Ó‚, Á‚Û˜‡Ú¸ Ì ·Û‰ÂÚ.
STYLE...ÄÍÍÓ‰, Ò˚„‡ÌÌ˚È ‚ ‡Á‰ÂΠ‡ÍÍÓ‰Ó‚, ·Û‰ÂÚ Á‚Û˜‡Ú¸ ˜ÂÂÁ ÚÂÏ·˚ ‚˚·‡ÌÌÓ„Ó ÒÚËÎfl.
FIXED...ÄÍÍÓ‰, Ò˚„‡ÌÌ˚È ‚ ‡Á‰ÂΠ‡ÍÍÓ‰Ó‚, ·Û‰ÂÚ Á‚Û˜‡Ú¸ ˜ÂÂÁ ÓÔ‰ÂÎÂÌÌ˚È ÚÂÏ· ÌÂÁ‡‚ËÒËÏÓ ÓÚ ‚˚·‡ÌÌÓ„Ó ÒÚËÎfl.
•îÛÌ͈Ëfl OTS Link Timing
ùÚÓ ÓÚÌÓÒËÚÒfl Í ÙÛÌ͈ËË OTS Link (ÒÚ. 50). ùÚÓÚ Ô‡‡ÏÂÚ ÓÔ‰ÂÎflÂÚ ÒËÌıÓÌËÁ‡ˆË˛
ËÁÏÂÌÂÌËfl ̇ÒÚÓÂÍ ÙÛÌ͈ËË One Touch Settings Ò ËÁÏÂÌÂÌËÂÏ ÙÛÌ͈ËË MAIN VARIATION [A]–[D]. (äÌÓÔ͇ [OTS LINK] ‰ÓÎÊ̇ ·˚Ú¸ ‚ ÔÓÎÓÊÂÌËË ON.)
Real Time ... ç‡ÒÚÓÈ͇ ÙÛÌ͈ËË One Touch Setting Á‡„ÛʇÂÚÒfl Ò‡ÁÛ Ê (Ç Â‡Î¸ÌÓÏ ‚ÂÏÂÌË) ÔÓÒΠ̇ʇÚËfl ÍÌÓÔÍË [MAIN VARIATION].
Next Bar ... ç‡ÒÚÓÈ͇ ÙÛÌ͈ËË One Touch Setting Á‡„ÛʇÂÚÒfl ̇
(ëÓ ÒÎÂ‰Û˛˘Â„Ó Ú‡ÍÚ‡) ÒÎÂ‰Û˛˘ËÈ Ú‡ÍÚ ÔÓÒΠ̇ʇÚËfl ÍÌÓÔÍË [MAIN VARIATION].
•éÍÌÓ ÙÛÌ͈ËË Synchro Stop
éÔ‰ÂÎflÂÚ, ÒÍÓθÍÓ ‚ÂÏÂÌË ÏÓÊÌÓ Û‰ÂÊË‚‡Ú¸ ‡ÍÍÓ‰, ÔÂʉ ˜ÂÏ ÙÛÌ͈Ëfl Synchro Stop ‡‚ÚÓχÚ˘ÂÒÍË ÓÚÍβ˜ËÚÒfl. ÖÒÎË ÍÌÓÔ͇ [SYNC STOP] ̇ʇڇ Ë ÛÒÚ‡ÌÓ‚ÎÂ̇ ̇
Á̇˜ÂÌËÂ, ÓÚ΢ÌÓ ÓÚ «OFF», ÙÛÌ͈Ëfl Synchro Stop ‡‚ÚÓχÚ˘ÂÒÍË ÓÚÍβ˜‡ÂÚÒfl, ÂÒÎË
‡ÍÍÓ‰ Û‰ÂÊË‚‡ÂÚÒfl ‰Óθ¯Â, ˜ÂÏ Û͇Á‡ÌÓ Á‰ÂÒ¸. ùÚ‡ ۉӷ̇fl ÙÛÌ͈Ëfl ÔÂÂÍβ˜‡ÂÚ ÛÔ‡‚ÎÂÌË ‚ÓÒÔÓËÁ‚‰ÂÌËÂÏ ÒÚËÎfl ̇ Ó·˚˜ÌÓÂ, Ú‡Í ˜ÚÓ ÏÓÊÌÓ ÓÚÔÛÒÚËÚ¸ Í·‚˯Ë,
‡ ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl ÔÓ‰ÓÎÊËÚÒfl.
•îÛÌ͈Ëfl Style Touch
ÇÍβ˜‡ÂÚ Ë ‚˚Íβ˜‡ÂÚ ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í Ì‡Ê‡Ú˲ Í·‚˯ ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl. èË ‚˚·Ó Á̇˜ÂÌËfl «ON» „ÓÏÍÓÒÚ¸ ÒÚËÎfl Á‡‚ËÒËÚ ÓÚ ÒËÎ˚ ̇ʇÚËfl ̇ Í·‚˯Ë
‚ ‡ÍÍÓ‰Ó‚ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚.
•îÛÌ͈Ëfl Section Set
ᇉ‡ÂÚ ˜‡ÒÚ¸ ÔÓ ÛÏÓΘ‡Ì˲, ÍÓÚÓ‡fl ·Û‰ÂÚ ‡‚ÚÓχÚ˘ÂÒÍË ‚˚Á˚‚‡Ú¸Òfl ÔË ‚˚·Ó ‰Û„Ó„Ó ÒÚËÎfl (ÂÒÎË ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl ÓÒÚ‡ÌÓ‚ÎÂÌÓ). ÖÒÎË ÛÒÚ‡ÌÓ‚ÎÂÌÓ Á̇˜ÂÌË «OFF» Ë ‚ÓÒ-ÔÓËÁ‚‰ÂÌË ÒÚËÎfl ÓÒÚ‡ÌÓ‚ÎÂÌÓ, ‡ÍÚ˂̇fl ˜‡ÒÚ¸ ÔÓ‰ÓÎʇÂÚ Á‚Û˜‡Ú¸, ‰‡Ê ÂÒÎË ‚˚·‡Ì
‰Û„ÓÈ ÒÚËθ.
ÖÒÎË ‚ ÒÚËΠÌÂÚ Í‡ÍÓÈ-ÎË·Ó ËÁ ˜‡ÒÚÂÈ MAIN A-D, ‡‚ÚÓχÚ˘ÂÒÍË ‚˚·Ë‡ÂÚÒfl ·ÎËʇȯ‡fl Í ÌÂÈ ˜‡ÒÚ¸. ç‡ÔËÏÂ, ÂÒÎË ‚ ‚˚·‡ÌÌÓÏ ÒÚËΠÌÂÚ ˜‡ÒÚË MAIN D, ‚ÏÂÒÚÓ Ì ·Û‰ÂÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl ˜‡ÒÚ¸ MAIN C.
чÌÌ˚Â, Á‡ÔËÒ˚‚‡ÂÏ˚ ÔË Á‡ÔËÒË ÔÂÒÌË
é·‡ÚËÚ ‚ÌËχÌË ̇ ÚÓ, ˜ÚÓ, ÂÒÎË ÛÒÚ‡ÌÓ‚ÎÂÌÓ Á̇˜ÂÌË «STYLE»,
·Û‰ÛÚ Á‡ÔËÒ‡Ì˚ Ë Á‚ÛÍ ÚÂÏ·‡, Ë
‰‡ÌÌ˚ ӷ ‡ÍÍÓ‰‡ı, ‡ ÂÒÎË ÛÒÚ‡-ÌÓ‚ÎÂÌÓ Á̇˜ÂÌË «OFF» ËÎË
«FIXED», ·Û‰ÛÚ Á‡ÔËÒ‡Ì˚ ÚÓθÍÓ
‰‡ÌÌ˚ ӷ ‡ÍÍÓ‰‡ı.
àÒÔÓθÁÓ‚‡ÌËÂ, ÒÓÁ‰‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÒÚËÎÂÈ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
ꉇÍÚËÓ‚‡ÌË „ÓÏÍÓÒÚË Ë ÚÂÏ·‡ ÒÚËÎfl (MIXING CONSOLE) (äÓÌÒÓθ ÏËͯ‡)
ꉇÍÚËÓ‚‡ÌË „ÓÏÍÓÒÚË Ë ÚÂÏ·‡ ÒÚËÎfl (MIXING CONSOLE) (äÓÌÒÓθ ÏËͯ‡)
ÑÎfl ÒÚËÎfl ÏÓÊÌÓ Á‡‰‡‚‡Ú¸ ‡Á΢Ì˚ ԇ‡ÏÂÚ˚, ÓÚÌÓÒfl˘ËÂÒfl Í ÏËͯËÓ‚‡Ì˲.
(ëÏ. ‡Á‰ÂÎ «ç‡Òڇ˂‡ÂÏ˚ ӷ˙ÂÍÚ˚ (Ô‡‡ÏÂÚ˚) ̇ ˝Í‡Ì MIXING CONSOLE» ̇
ÒÚ. 84.) Ç˚ÁÓ‚ËÚ ˝Í‡Ì STYLE PART (ó‡ÒÚ¸ ÒÚËÎfl), Í‡Í ˝ÚÓ ÓÔËÒ‡ÌÓ ‚ ¯‡„ 3
ÔÓ‰-‡Á‰Â· «éÒÌÓ‚Ì˚ ‰ÂÈÒÚ‚Ëfl» ÔÓ‰-‡Á‰Â· «ê‰‡ÍÚËÓ‚‡ÌË „ÓÏÍÓÒÚË Ë ÚÂÏ·‡ ÒÚËÎfl (MIXING CONSOLE)» ̇ ÒÚ. 82, Ë ÒΉÛÈÚ ‰‡Î¸ÌÂȯËÏ ËÌÒÚÛ͈ËflÏ.