1
óÚÓ·˚ ‚˚Á‚‡Ú¸ ˝Í‡Ì MIXING CONSOLE, ̇ÊÏËÚ ÍÌÓÔÍÛ [MIXING CONSOLE].2
àÒÔÓθÁÛÈÚ ÍÌÓÔÍË TAB [√]/[®] ‰Îfl ‚˚ÁÓ‚‡ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â„Ó ˝Í‡Ì‡Ì‡ÒÚÓÂÍ.
ÑÎfl ÔÓÎÛ˜ÂÌËfl ËÌÙÓχˆËË Ó ‰ÓÒÚÛÔÌ˚ı Ô‡‡ÏÂÚ‡ı, ÒÏÓÚËÚ ‡Á‰ÂÎ
«ç‡ÒÚ‡Ë-‚‡ÂÏ˚ ӷ˙ÂÍÚ˚ (Ô‡‡ÏÂÚ˚) ̇ ˝Í‡Ì MIXING CONSOLE» ̇ ÒÚ. 84.
VOLUME ùÚÓÚ Ô‡‡ÏÂÚ ‰ÓÒÚÛÔÂÌ ‰Îfl ‚ÒÂı ÚËÔÓ‚, ÍÓÏ «Multi Assign». éÔ‰ÂÎflÂÚ
„ÓÏÍÓÒÚ¸ ÌÓÚ, ÒÓÁ‰‡ÌÌ˚ı ˝ÙÙÂÍÚÓÏ Harmony/Echo.
SPEED ùÚÓÚ Ô‡‡ÏÂÚ ‰ÓÒÚÛÔÂÌ Î˯¸ ÔË ‚˚·Ó ÚËÔÓ‚ Echo, Tremolo ËÎË Trill. ᇉ‡ÂÚ ÒÍÓÓÒÚ¸ ˝ÙÙÂÍÚÓ‚ Echo, Tremolo, Ë Trill.
ASSIGN ùÚÓÚ Ô‡‡ÏÂÚ ‰ÓÒÚÛÔÂÌ ‰Îfl ‚ÒÂı ÚËÔÓ‚, ÍÓÏ «Multi Assign». èÓÁ‚ÓÎflÂÚ Á‡‰‡Ú¸
Ô‡Ú˲, ˜ÂÂÁ ÍÓÚÓÛ˛ ·Û‰ÛÚ Á‚Û˜‡Ú¸ ÌÓÚ˚ „‡ÏÓÌËÁ‡ˆËË/˝ı‡.
CHORD NOTE ONLY ùÚÓÚ Ô‡‡ÏÂÚ ‰ÓÒÚÛÔÂÌ ÔË ‚˚·Ó ӉÌÓ„Ó ËÁ ÚËÔÓ‚ ˝ÙÙÂÍÚ‡ Harmony. ÖÒÎË
‰Îfl ˝ÚÓ„Ó Ô‡‡ÏÂÚ‡ ‚˚·‡ÌÓ Á̇˜ÂÌË «ON», ÚÓ ˝ÙÙÂÍÚ Harmony ÔËÏÂÌflÂÚÒfl ÚÓθÍÓ Í ÌÓÚ‡Ï ‡ÍÍÓ‰‡ (Ë„‡ÂÏ˚Ï ‚ ‰Ë‡Ô‡ÁÓÌ Í·‚˯ Ô‡‚ÓÈ ÛÍË),
Ò˚„‡ÌÌÓ-„Ó ‚ ‡Á‰ÂΠ‡ÍÍÓ‰Ó‚ ̇ Í·‚ˇÚÛÂ.
TOUCH LIMIT ùÚÓÚ Ô‡‡ÏÂÚ ‰ÓÒÚÛÔÂÌ ‰Îfl ‚ÒÂı ÚËÔÓ‚ ÍÓÏ «Multi Assign». ᇉ‡ÂÚ ÏËÌËχθ-ÌÓ Á̇˜ÂÌË ÒÍÓÓÒÚË Ì‡Ê‡ÚËfl, ÌÂÓ·ıÓ‰ËÏÓÂ, ˜ÚÓ·˚ Á‡Á‚Û˜‡Î‡ ÌÓÚ‡ „‡ÏÓÌË-Á‡ˆËË. ùÚÓ ÔÓÁ‚ÓÎflÂÚ ÔËÏÂÌflÚ¸ ˝ÙÙÂÍÚ Harmony ‚˚·ÓÓ˜ÌÓ, ËÁÏÂÌflfl ÒËÎÛ Ì‡Ê‡ÚËfl ̇ Í·‚˯Ë, Ë ‡ÒÒÚ‡‚ÎflÚ¸ „‡ÏÓÌ˘ÂÒÍË ‡ÍˆÂÌÚ˚ ‚ ÏÂÎÓ‰ËË.
ùÙÙÂÍÚ Harmony ÔËÏÂÌflÂÚÒfl, ÂÒÎË ÒË· (ÒÍÓÓÒÚ¸) ̇ʇÚËfl ̇ Í·‚˯Û
‚˚¯Â Á‡‰‡ÌÌÓ„Ó Á̇˜ÂÌËfl.
A
B
C
E D
F
G
H
J I
1 2 3 4 5 6 7 8
1, 3
2
5
4 4
ꉇÍÚËÓ‚‡ÌË „ÓÏÍÓÒÚË Ë ÚÓ̇θÌÓ„Ó ·‡Î‡ÌÒ‡ (MIXING CONSOLE)
ëÓÁ‰‡ÌËÂ, ËÒÔÓθÁÓ‚‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÚÂÏ·Ó‚
3
óÚÓ·˚ ÔÂÂÈÚË Í ˝Í‡ÌÛ MIXING CONSOLE ‰Îfl ÌÛÊÌÓÈ Ô‡ÚËË, ÌÂÒÍÓθÍÓ ‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ [MIXING CONSOLE].ù͇Ì˚ MIXING CONSOLE ̇ Ò‡ÏÓÏ ‰ÂΠÒÓÒÚÓflÚ ËÁ ÌÂÒÍÓθÍËı ˝Í‡ÌÓ‚ ‰Îfl
‡ÁÌ˚ı Ô‡ÚËÈ. ç‡Á‚‡ÌË ԇÚËË Û͇Á˚‚‡ÂÚÒfl ‚‚ÂıÛ ˝Í‡Ì‡. ç‡ ‡Á΢Ì˚ı
˝Í‡Ì‡ı MIXING CONSOLE ‚˚‰ÂÎfl˛Ú ÒÎÂ‰Û˛˘Ë ˝Í‡Ì˚:
˝Í‡Ì PANEL PART → ˝Í‡Ì STYLE PART → ˝Í‡Ì SONG CH 1-8 → ˝Í‡Ì SONG CH 9-16
4
óÚÓ·˚ ‚˚·‡Ú¸ Ê·ÂÏ˚È Ô‡‡ÏÂÚ, ̇ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ ÓÚ [A] ‰Ó [J].5
àÒÔÓθÁÛÈÚ ÍÌÓÔÍË [1ππππ††††]–[8ππππ††††] ‰Îfl ÛÒÚ‡ÌÓ‚ÍË Á̇˜ÂÌËfl.6
ëÓı‡ÌËÚ ̇ÒÚÓÈÍË ˝Í‡Ì‡ MIXING CONSOLE.•ëÓı‡ÌÂÌË ̇ÒÚÓÂÍ ˝Í‡Ì‡ PANEL PART á‡Ô˯ËÚ Ëı ‚ Ô‡ÏflÚ¸ Registration Memory (ÒÚ. 125).
•ëÓı‡ÌÂÌË ̇ÒÚÓÂÍ ˝Í‡Ì‡ STYLE PART ëÓı‡ÌËÚ Ëı Í‡Í ‰‡ÌÌ˚ ÒÚËÎfl.
1 ç‡ÊÏËÚ ÍÌÓÔÍÛ [DIGITAL RECORDING].
2 óÚÓ·˚ ‚˚Á‚‡Ú¸ ˝Í‡Ì STYLE CREATOR, ̇ÊÏËÚ ÍÌÓÔÍÛ [B].
3 óÚÓ·˚ Á‡Í˚Ú¸ ˝Í‡Ì RECORD, ̇ÊÏËÚ ÍÌÓÔÍÛ [EXIT].
4 óÚÓ·˚ ‚˚Á‚‡Ú¸ ˝Í‡Ì ‚˚·Ó‡ ÒÚËÎÂÈ Ò ˆÂθ˛ ÒÓı‡ÌÂÌËfl ‰‡ÌÌ˚ı, ̇ÊÏËÚ ÍÌÓÔÍÛ [I] (SAVE) Ë Á‡ÚÂÏ ÒÓı‡ÌËÚ ‰‡ÌÌ˚ (ÒÚ. 63).
•ëÓı‡ÌÂÌË ̇ÒÚÓÂÍ ˝Í‡Ì‡ SONG CH 1-8/9-16
ë̇˜‡Î‡ Á‡Â„ËÒÚËÛÈÚ ÓÚ‰‡ÍÚËÓ‚‡ÌÌ˚ ̇ÒÚÓÈ͇ Í‡Í ˜‡ÒÚ¸ ‰‡ÌÌ˚ı ÔÂÒÌË (SET UP), Á‡ÚÂÏ ÒÓı‡ÌËÚ ÔÂÒÌ˛.
ëÏ. SONG CREATOR → ˝Í‡Ì CHANNEL → ÓÔËÒ‡ÌË ÍÓχ̉˚ SETUP ̇ ÒÚ. 156.
é Ô‡ÚËflı ëÏ. ‰‡ÎÂÂ.
å„ÌÓ‚ÂÌÌÓ ÔËÒ‚ÓÂÌË ӉË̇-ÍÓ‚˚ı Á̇˜ÂÌËÈ ‚ÒÂÏ Ô‡ÚËflÏ èÓÒΠ‚˚·Ó‡ Ô‡‡ÏÂÚ‡ ‚ ¯‡„ 4 ‚˚
ÏÓÊÂÚ ÌÂωÎÂÌÌÓ ÔËÒ‚ÓËÚ¸ ÚÓ Ê Á̇˜ÂÌË ‚ÒÂÏ ÓÒڇθÌ˚Ï Ô‡ÚËflÏ.
ÑÎfl ˝ÚÓ„Ó, Û‰ÂÊË‚‡fl Ó‰ÌÛ ËÁ ÍÌÓÔÓÍ [A] – [J], ̇ÊÏËÚ ÍÌÓÔÍÛ [1]–[8] ËÎË
‚ÓÒÔÓθÁÛÈÚÂÒ¸ ‰ËÒÍÓÏ ÛÔ‡‚ÎÂÌËfl [DATA ENTRY].
é Ô‡ÚËflı PANEL PART
ç‡ ˝Í‡Ì PANEL PART ˝Í‡Ì‡ MIXING CONSOLE, ÏÓÊÌÓ ÌÂÁ‡‚ËÒËÏÓ Ì‡ÒÚÓËÚ¸ „ÓÏ-ÍÓÒÚ¸ Ô‡ÚËÈ Í·‚ˇÚÛ˚ (RIGHT 1, RIGHT 2 Ë LEFT) Ô‡ÚËÈ SONG, STYLE Ë MIC.
ùÍ‡Ì ÒÓ‰ÂÊËÚ Ú Ê ԇ‡ÏÂÚ˚, ˜ÚÓ ÔÓfl‚Îfl˛ÚÒfl ̇ ˝Í‡Ì ÔË Ì‡Ê‡ÚËË ÍÌÓÔÍË [BALANCE] ̇ Ô‡ÌÂÎË.
STYLE PART
ëÚËθ ÒÓÒÚÓËÚ ËÁ ‚ÓÒ¸ÏË ÓÚ‰ÂθÌ˚ı ͇̇ÎÓ‚. á‰ÂÒ¸ ÏÓÊÌÓ Ì‡ÒÚÓËÚ¸ ·‡Î‡ÌÒ ˝ÚËı
‚ÓÒ¸ÏË Í‡Ì‡ÎÓ‚ ËÎË Ô‡ÚËÈ. ùÍ‡Ì ÒÓ‰ÂÊËÚ Ú Ê ԇ‡ÏÂÚ˚, ˜ÚÓ ÔÓfl‚Îfl˛ÚÒfl ̇
˝Í‡Ì ÔË Ì‡Ê‡ÚËË ÍÌÓÔÍË [CHANNEL ON/OFF] ̇ Ô‡ÌÂÎË ‰Îfl ‚˚ÁÓ‚‡ ˝Í‡Ì‡ STYLE.
SONG CH 1–8/9–16
èÂÒÌfl ÒÓÒÚÓËÚ ËÁ ¯ÂÒÚ̇‰ˆ‡ÚË ÓÚ‰ÂθÌ˚ı ͇̇ÎÓ‚. á‰ÂÒ¸ ÏÓÊÌÓ Ì‡ÒÚÓËÚ¸ ·‡Î‡ÌÒ
˝ÚËı ¯ÂÒÚ̇‰ˆ‡ÚË Í‡Ì‡ÎÓ‚ ËÎË Ô‡ÚËÈ. ê‡Á‰ÂÎ ÒÓ‰ÂÊËÚ Ú Ê ԇ‡ÏÂÚ˚, ˜ÚÓ ÔÓfl‚-Îfl˛ÚÒfl ̇ ˝Í‡Ì ÔË Ì‡Ê‡ÚËË ÍÌÓÔÍË [CHANNEL ON/OFF] ̇ Ô‡ÌÂÎË ‰Îfl ‚˚ÁÓ‚‡
˝Í‡Ì‡ SONG.
ëÓÁ‰‡ÌËÂ, ËÒÔÓθÁÓ‚‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÚÂÏ·Ó‚
ꉇÍÚËÓ‚‡ÌË „ÓÏÍÓÒÚË Ë ÚÓ̇θÌÓ„Ó ·‡Î‡ÌÒ‡ (MIXING CONSOLE)
ç‡Òڇ˂‡ÂÏ˚ ԇ‡ÏÂÚ˚ ̇ ˝Í‡Ì‡ı MIXING CONSOLE чΠ‡Á˙flÒÌfl˛ÚÒfl ‰ÓÒÚÛÔÌ˚ ԇ‡ÏÂÚ˚ ̇ ˝Í‡Ì‡ı MIXING CONSOLE.
VOL/VOICE
FILTER
TUNE
EFFECT
•ä‡Ì‡Î RHY2 ̇ ˝Í‡Ì STYLE PART ÏÓÊÂÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl ÚÓθÍÓ ‰Îfl ÚÂÏ·Ó‚ Û‰‡Ì˚ı ËÌÒÚÛÏÂÌÚÓ‚ (Drum Kit) ËÎË ÒÔˆ˝ÙÙÂÍÚÓ‚ (SFX).
•èË ‚ÓÒÔÓËÁ‚‰ÂÌËË ‰‡ÌÌ˚ı ‚ ÙÓχÚ GM, 10-È Í‡Ì‡Î (ÒÚ‡Ìˈ‡
SONG CH 9 -16) ÏÓÊÌÓ
ËÒÔÓθÁÓ-‚‡Ú¸ ÚÓθÍÓ ‰Îfl ÚÂÏ·‡ ËÁ „ÛÔÔ˚
Û‰‡Ì˚ı Drum Kit.
SONG AUTO REVOICE ëÏ. ÒÚ. 85.
VOICE èÓÁ‚ÓÎflÂÚ ÔÂÂÓÔ‰ÂÎËÚ¸ ÚÂÏ· ͇ʉÓÈ ËÁ Ô‡ÚËÈ. ÖÒÎË ËÒÔÓθÁÛ˛ÚÒfl ͇̇Î˚ ÒÚËÎfl, ÌÂθÁfl ‚˚·‡Ú¸ ÚÂÏ·˚ Organ Flutes ËÎË ÒÓÁ‰‡ÌÌ˚ ÔÓθ-ÁÓ‚‡ÚÂÎÂÏ. ÖÒÎË ËÒÔÓθÁÛ˛ÚÒfl ͇̇Î˚ ÔÂÒÌË, ÌÂθÁfl ‚˚·‡Ú¸ ÒÓÁ‰‡ÌÌ˚ ÔÓθÁÓ‚‡ÚÂÎÂÏ ÚÂÏ·˚.
PANPOT éÔ‰ÂÎflÂÚ ÒÚÂÂÓÔÓÎÓÊÂÌË ‚˚·‡ÌÌÓÈ Ô‡ÚËË (͇̇·)
VOLUME éÔ‰ÂÎflÂÚ „ÓÏÍÓÒÚ¸ ͇ʉÓÈ Ô‡ÚËË ËÎË Í‡Ì‡Î‡. ë ÔÓÏÓ˘¸˛ ˝ÚÓ„Ó Ô‡‡ÏÂÚ‡ ÏÓÊÌÓ ÚÓ˜ÌÓ ÍÓÌÚÓÎËÓ‚‡Ú¸ ·‡Î‡ÌÒ ‚ÒÂı Ô‡ÚËÈ
HARMONIC CONTENT èÓÁ‚ÓÎflÂÚ Â„ÛÎËÓ‚‡Ú¸ ˝ÙÙÂÍÚ ÂÁÓ̇ÌÒ‡ (ÒÏ. ÒÚ. 95) ‰Îfl ͇ʉÓÈ Ô‡ÚËË.
BRIGHTNESS éÔ‰ÂÎflÂÚ flÍÓÒÚ¸ Á‚Û͇ ͇ʉÓÈ Ô‡ÚËË ÔÛÚÂÏ Â„ÛÎËÓ‚ÍË „‡Ì˘-ÌÓÈ ˜‡ÒÚÓÚ˚ (ÒÚ. 95).
PORTAMENTO TIME èÓÚ‡ÏÂÌÚÓ – ÙÛÌ͈Ëfl Ô·‚ÌÓ„Ó ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚ Á‚Û͇ ÓÚ Ô‚ÓÈ ÌÓÚ˚, Ò˚„‡ÌÌÓÈ Ì‡ Í·‚ˇÚÛÂ, Í ÒÎÂ‰Û˛˘ÂÈ. ÇÂÏfl ÔÓÚ‡ÏÂÌÚÓ
ÓÔÂ-‰ÂÎflÂÚ ‚ÂÏfl ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚ Á‚Û͇. óÂÏ ‚˚¯Â Á̇˜ÂÌËÂ, ÚÂÏ ‰Óθ¯Â ËÁÏÂÌflÂÚÒfl ‚˚ÒÓÚ‡ Á‚Û͇. ÖÒÎË ‰Îfl Ô‡‡ÏÂÚ‡ ‚˚·‡ÌÓ Á̇˜ÂÌË «0», ËÁÏÂÌÂÌËfl Ì ÔÓËÒıÓ‰ËÚ. ùÚÓÚ Ô‡‡ÏÂÚ ‰ÓÒÚÛÔÂÌ, ÂÒÎË ‰Îfl ÚÂÍÛ˘ÂÈ Ô‡ÚËË Í·‚ˇÚÛ˚ ‚˚·‡Ì ÂÊËÏ Mono (ÒÚ. 80).
PITCH BEND RANGE éÔ‰ÂÎflÂÚ ‰Ë‡Ô‡ÁÓÌ ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚ Á‚Û͇ ‚ ÔÓÎÛÚÓ̇ı ‰Îfl ͇ʉÓÈ Ô‡ÚËË Í·‚ˇÚÛ˚ (ÔË ËÒÔÓθÁÓ‚‡ÌËË Ô‰‡ÎË ‰Îfl ‚Íβ˜ÂÌËfl ˝ÚÓÈ ÙÛÌ͈ËË).
OCTAVE éÔ‰ÂÎflÂÚ ‰Ë‡Ô‡ÁÓÌ ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚ Á‚Û͇ ‚ ÓÍÚ‡‚‡ı ‰Îfl ͇ʉÓÈ Ô‡ÚËË Í·‚ˇÚÛ˚.
TUNING éÔ‰ÂÎflÂÚ ‚˚ÒÓÚÛ Á‚Û͇ ͇ʉÓÈ Ô‡ÚËË Í·‚ˇÚÛ˚.
TRANSPOSE èÓÁ‚ÓÎflÂÚ Á‡‰‡Ú¸ Ú‡ÌÒÔÓÌËÓ‚‡ÌË ‰Îfl ‚˚ÒÓÚ˚ Á‚Û͇ Í·‚ˇÚÛ˚
(KEYBOARD), ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË (SONG) ËÎË ‚ÒÂ„Ó ÔÓËÁ‚Ó‰Ë-ÏÓ„Ó ËÌÒÚÛÏÂÌÚÓÏ Á‚Û͇ (MASTER), ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ.
TYPE Ç˚·ÂËÚ Ê·ÂÏ˚È ÚËÔ ˝ÙÙÂÍÚ‡ (ÒÚ. 87). èÓÒΠ‰‡ÍÚËÓ‚‡ÌËfl
‡Á΢Ì˚ı Ô‡‡ÏÂÚÓ‚ ‚˚·‡ÌÌÓ„Ó ÚËÔ‡ ˝ÙÙÂÍÚ‡, ÏÓÊÌÓ ÒÓı‡ÌËÚ¸
ÂÁÛÎ¸Ú‡Ú ‚ ‚ˉ ÌÓ‚Ó„Ó ˝ÙÙÂÍÚ‡.
REVERB ê„ÛÎËÛÂÚ ÛÓ‚Â̸ Ó·‡·ÓÚÍË Í‡Ê‰ÓÈ Ô‡ÚËË ËÎË Í‡Ì‡Î‡ ˝ÙÙÂÍÚÓÏ Reverb. ëÔ‡‚‡ ÓÚ Ì‡‰ÔËÒË «REVERB» ‚ Á‡„ÓÎÓ‚Í ÓÚÓ·‡Ê‡ÂÚÒfl ̇Á‚‡ÌË ‚˚·‡ÌÌÓ„Ó ÚËÔ‡ ‚·‡ˆËË.
CHORUS ê„ÛÎËÛÂÚ ÛÓ‚Â̸ Ó·‡·ÓÚÍË Í‡Ê‰ÓÈ Ô‡ÚËË ËÎË Í‡Ì‡Î‡ ˝ÙÙÂÍÚÓÏ Chorus.
DSP ê„ÛÎËÛÂÚ ÛÓ‚Â̸ Ó·‡·ÓÚÍË Í‡Ê‰ÓÈ Ô‡ÚËË ËÎË Í‡Ì‡Î‡ ˝ÙÙÂÍÚÓÏ DSP.
ꉇÍÚËÓ‚‡ÌË „ÓÏÍÓÒÚË Ë ÚÓ̇θÌÓ„Ó ·‡Î‡ÌÒ‡ (MIXING CONSOLE)
ëÓÁ‰‡ÌËÂ, ËÒÔÓθÁÓ‚‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÚÂÏ·Ó‚
EQ (ùÍ‚‡Î‡ÈÁÂ)
CMP (Master Compressor)
ëÏ ÒÚ. 91. ùÚÓ Ó͇ÊÂÚ ‚ÎËflÌË ̇ Á‚Û˜‡ÌË ëVP ‚ ˆÂÎÓÏ.