àÒÔÓθÁÓ‚‡ÌËÂ, ÒÓÁ‰‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÔÂÒÂÌ
á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl
àÒÔÓθÁÓ‚‡ÌË ÏËÍÓÙÓ̇
àÒÔÓθÁÓ‚‡ÌË ÏËÍÓÙÓ̇
ꉇÍÚËÓ‚‡ÌË ԇ‡ÏÂÚÓ‚ Vocal Harmony
Ç ˝ÚÓÏ ‡Á‰ÂΠ͇ÚÍÓ Ó·˙flÒÌflÂÚÒfl, Í‡Í ÒÓÁ‰‡Ú¸ ÒÓ·ÒÚ‚ÂÌÌ˚ ÚËÔ˚ ˝ÙÙÂÍÚ‡ Vocal Harmony ÒÚ. 54, Ë ÔË‚Ó‰ËÚÒfl ÔÓ‰Ó·Ì˚È ÒÔËÒÓÍ Ô‡‡ÏÂÚÓ‚, ÍÓÚÓ˚ ÏÓÊÌÓ Â‰‡ÍÚËÓ‚‡Ú¸.
åÓÊÌÓ ÒÓÁ‰‡Ú¸ Ë ÒÓı‡ÌËÚ¸ ‰Ó ‰ÂÒflÚË ÒÓ·ÒÚ‚ÂÌÌ˚ı ÚËÔÓ‚ ˝ÙÙÂÍÚ‡ Vocal Harmony.
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ç‡ÊÏËÚ ÍÌÓÔÍÛ [MIC SETTING/VOCAL HARMONY] (ç‡ÒÚÓÈ͇ ÏËÍÓÙÓ̇/˝ÙÙÂÍÚ VOCAL HARMONY).
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ç‡ÊÏËÚ ÍÌÓÔÍÛ [H] (VOCAL HARMONY TYPE) ‰Îfl ‚˚ÁÓ‚‡ ˝Í‡Ì‡ VOCAL HARMONY TYPE (íËÔ ˝ÙÙÂÍÚ‡ VOCAL HARMONY).ëÏ. «ä‡ÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó»
èÂÌË ÔÓ‰ ͇‡ÓÍ ËÎË ÔÓ‰ ÒÓ·ÒÚ‚ÂÌÌ˚È ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ... ÒÚ. 52 èÓ‰Íβ˜ÂÌË ÏËÍÓÙÓ̇ ...ÒÚ. 52 èÂÌËÂ Ò ÚÂÍÒÚÓÏ ÔÂÒÂÌ Ì‡ ˝Í‡ÌÂ...ÒÚ. 53 ì‰Ó·Ì˚ ÙÛÌ͈ËË ‰Îfl ͇‡ÓÍ ...ÒÚ. 53 ç‡ÒÚÓÈ͇ ÚÂÏÔ‡...ÒÚ. 30 í‡ÌÒÔÓÌËÓ‚‡ÌË ...ÒÚ. 53 èËÏÂÌÂÌË ˝ÙÙÂÍÚÓ‚ Í „ÓÎÓÒÛ ËÒÔÓÎÌËÚÂÎfl...ÒÚ. 54 ÑÓ·‡‚ÎÂÌË ˝ÙÙÂÍÚ‡ „‡ÏÓÌËÁ‡ˆËË Í „ÓÎÓÒÛ ËÒÔÓÎÌËÚÂÎfl ...ÒÚ. 54 ìÔ‡ÊÌÂÌËfl ‚ ÔÂÌËË Ë Ô‡‚ËθÌÓÏ ËÒÔÓÎÌÂÌËË ÌÓÚ
(Vocal CueTIME) ...ÒÚ. 135 ì‰Ó·Ì˚ ÙÛÌ͈ËË ‰Îfl ÔÂÌËfl ÔÓ‰ ÒÓ·ÒÚ‚ÂÌÌ˚È ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ...ÒÚ. 55 àÁÏÂÌÂÌË ÚÓ̇θÌÓÒÚË (í‡ÌÒÔÓÌËÓ‚‡ÌËÂ) ...ÒÚ. 55 Ç˚‚Ó‰ Ô‡ÚËÚÛ˚ ̇ ˝Í‡Ì ËÌÒÚÛÏÂÌÚ‡ Ë ÚÂÍÒÚ‡ ÔÂÒÂÌ Ì‡ ˝Í‡Ì
ÚÂ΂ËÁÓ‡ ...ÒÚ. 56 é·‡˘ÂÌËÂ Í ÔÛ·ÎËÍ ‚ ÔÂÂ˚‚‡ı ÏÂÊ‰Û ÔÂÒÌflÏË...ÒÚ. 56 ìÔ‡‚ÎÂÌË Á‡ÔÛÒÍÓÏ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË ‚Ó ‚ÂÏfl
ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ÔÂÌËfl (Karao-Key) ...ÒÚ. 135
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àÒÔÓθÁÓ‚‡ÌË ÏËÍÓÙÓ̇
ꉇÍÚËÓ‚‡ÌË ԇ‡ÏÂÚÓ‚ Vocal Harmony
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ç‡ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ [A]–[J] ‰Îfl ‚˚·Ó‡ ÚËÔ‡ ˝ÙÙÂÍÚ‡ Vocal Harmony, ÍÓÚÓ˚È ÌÛÊÌÓ ÓÚ‰‡ÍÚËÓ‚‡Ú¸.4
ç‡ÊÏËÚ ÍÌÓÔÍÛ [8††††] (EDIT) ‰Îfl ‚˚ÁÓ‚‡ ˝Í‡Ì‡ VOCAL HARMONY EDIT (ꉇÍÚËÓ‚‡ÌË ˝ÙÙÂÍÚ‡ VOCAL HARMONY).5
ÖÒÎË ÌÛÊÌÓ Á‡ÌÓ‚Ó ‚˚·‡Ú¸ ÚËÔ ˝ÙÙÂÍÚ‡ Vocal Harmony, ËÒÔÓθÁÛÈÚ ÍÌÓÔÍË [1ππ†ππ†††]/[2ππ†ππ†††].àÎË ÏÓÊÌÓ ÒÌÓ‚‡ ‚˚·‡Ú¸ ÚËÔ ˝ÙÙÂÍÚ‡ Vocal Harmony, ‚ÂÌÛ‚¯ËÒ¸ ̇ ˝Í‡Ì
‚˚·Ó‡ Vocal Harmony Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [8π†] (RETURN).
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ë ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [3ππ†ππ†††]–[5ππ†ππ†††] ‚˚·ÂËÚ ԇ‡ÏÂÚ (ÒÚ. 163), ÍÓÚÓ˚È ÌÛÊÌÓ ÓÚ‰‡ÍÚËÓ‚‡Ú¸.7
ᇉ‡ÈÚ Á̇˜ÂÌË ԇ‡ÏÂÚ‡, ‚˚·‡ÌÌÓ„Ó ‚˚¯Â.8
ç‡ÊÏËÚ ÍÌÓÔÍÛ [I] (SAVE) ‰Îfl ÒÓı‡ÌÂÌËfl ÓÚ‰‡ÍÚËÓ‚‡ÌÌÓ„Ó ÚËÔ‡ ˝ÙÙÂÍÚ‡Vocal Harmony (ÒÚ. 63).
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ÇçàåÄçàÖ
ë‰Â·ÌÌ˚ Á‰ÂÒ¸ ̇ÒÚÓÈÍË ·Û‰ÛÚ ÔÓÚÂflÌ˚, ÂÒÎË ÔÂÂÈÚË Í ‰Û„Ó-ÏÛ ÚËÔÛ ˝ÙÙÂÍÚ‡ Vocal Harmony ËÎË ÓÚÍβ˜ËÚ¸ ÔËÚ‡ÌËÂ, Ì ‚˚ÔÓÎ-ÌË‚ ÓÔ‡ˆË˛ ÒÓı‡ÌÂÌËfl.
àÒÔÓθÁÓ‚‡ÌË ÏËÍÓÙÓ̇ ꉇÍÚËÓ‚‡ÌË ԇ‡ÏÂÚÓ‚ Vocal Harmony
ꉇÍÚËÛÂÏ˚ ԇ‡ÏÂÚ˚ ̇ ˝Í‡Ì VOCAL HARMONY EDIT
VOCODER TYPE éÔ‰ÂÎflÂÚ, Í‡Í ÌÓÚ˚ „‡ÏÓÌËË ÔËÏÂÌfl˛ÚÒfl Í Á‚ÛÍÛ ÏËÍÓÙÓ̇, ÂÒÎË
‰Îfl ÂÊËχ Harmony (ÒÚ. 167) ‚˚·‡ÌÓ Á̇˜ÂÌË VOCODER.
CHORDAL TYPE éÔ‰ÂÎflÂÚ, Í‡Í ÌÓÚ˚ „‡ÏÓÌËË ÔËÏÂÌfl˛ÚÒfl Í Á‚ÛÍÛ ÏËÍÓÙÓ̇, ÂÒÎË
‰Îfl ÂÊËχ Harmony (ÒÚ. 167) ‚˚·‡ÌÓ Á̇˜ÂÌË CHORDAL.
HARMONY GENDER TYPE éÔ‰ÂÎflÂÚ, ÏÂÌflÂÚÒfl ÎË Ó‰ Á‚Û͇ „‡ÏÓÌËË Ì‡ ÏÛÊÒÍÓÈ ËÎË ÊÂÌÒÍËÈ.
Off
á‚ÛÍ „‡ÏÓÌËË Ì ÏÂÌflÂÚÒfl.
Auto
êÓ‰ Á‚Û͇ „‡ÏÓÌËË ÏÂÌflÂÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË.
LEAD GENDER TYPE éÔ‰ÂÎflÂÚ, ·Û‰ÂÚ ÎË ÏÂÌflÚ¸Òfl Ó‰ Á‚Û͇ ‚Â‰Û˘Â„Ó ‚Ó͇· (Ú.Â. Á‚Û͇, Ë‰Û˘Â„Ó ÔflÏÓ ÓÚ ÏËÍÓÙÓ̇) ̇ ÏÛÊÒÍÓÈ ËÎË ÊÂÌÒÍËÈ Ë Í‡ÍËÏ Ó·‡ÁÓÏ.
é·‡ÚËÚ ‚ÌËχÌË ̇ ÚÓ, ˜ÚÓ ÍÓ΢ÂÒÚ‚Ó ÌÓÚ „‡ÏÓÌËË Á‡‚ËÒËÚ ÓÚ
‚˚·-‡ÌÌÓ„Ó ÚËÔ‡. ÖÒÎË ‚˚·‡ÌÓ Á̇˜ÂÌË OFF, ÒÓÁ‰‡˛ÚÒfl ÚË ÌÓÚ˚ „‡-ÏÓÌËË. èË ‚ÒÂı ÓÒڇθÌ˚ı Á̇˜ÂÌËflı ÒÓÁ‰‡˛ÚÒfl ‰‚ ÌÓÚ˚ „‡„‡-ÏÓÌËË.
Off
êÓ‰ Ì ÏÂÌflÂÚÒfl.
Unison
êÓ‰ Ì ÏÂÌflÂÚÒfl. åÓÊÌÓ Ì‡ÒÚÓËÚ¸ Ô‡‡ÏÂÚ LEAD GENDER DEPTH (êÓ‰ ‚Â‰Û˘Â„Ó ‚Ó͇·), ÓÔËÒ‡ÌÌ˚È ÌËÊÂ.
Male
êÓ‰ ‚Â‰Û˘Â„Ó ‚Ó͇· ÏÂÌflÂÚÒfl ̇ ÏÛÊÒÍÓÈ.
Female
êÓ‰ ‚Â‰Û˘Â„Ó ‚Ó͇· ÏÂÌflÂÚÒfl ̇ ÊÂÌÒÍËÈ.
LEAD GENDER DEPTH ç‡ÒÚÓÈ͇ ÒÚÂÔÂÌË ËÁÏÂÌÂÌËfl Ó‰‡ ‚Â‰Û˘Â„Ó ‚Ó͇·. îÛÌ͈Ëfl ‰ÓÒÚÛÔ̇, ÂÒÎË ‰Îfl ‚˚¯ÂÛ͇Á‡ÌÌÓ„Ó Ô‡‡ÏÂÚ‡ LEAD GENDER TYPE Á‡‰‡ÌÓ
Á̇-˜ÂÌË OFF. óÂÏ ‚˚¯Â Á̇Á̇-˜ÂÌËÂ, ÚÂÏ «ÊÂÌÒÚ‚ÂÌÌÂÈ» „ÓÎÓÒ „‡ÏÓÌËË.
óÂÏ ÌËÊ Á̇˜ÂÌËÂ, ÚÂÏ «ÏÛÊÂÒÚ‚ÂÌÌÂÈ» „ÓÎÓÒ.
LEAD PITCH CORRECTION äÓ„‰‡ ‚˚·Ë‡ÂÚÒfl Á̇˜ÂÌË Correct, ‚˚ÒÓÚ‡ Á‚Û͇ ‚Â‰Û˘Â„Ó ‚Ó͇·
ÒÏ¢‡ÂÚÒfl ¯‡„‡ÏË ÔÓ ÔÓÎÚÓ̇. ÑÂÈÒÚ‚ÛÂÚ, ÂÒÎË ‚˚¯ÂÛ͇Á‡ÌÌ˚È Ô‡‡ÏÂÚ LEAD GENDER TYPE Ì ÛÒÚ‡ÌÓ‚ÎÂÌ Ì‡ OFF.
UPPER GENDER THRESHOLD ÇÂıÌËÈ ÔÓÓ„. êÓ‰ ÏÂÌflÂÚÒfl, ÍÓ„‰‡ ‚˚ÒÓÚ‡ Á‚Û͇ „‡ÏÓÌËË ÔÓ‰ÌËχÂÚÒfl ̇ Û͇Á‡ÌÌÓ ËÎË ·Óθ¯Â ˜ËÒÎÓ ÔÓÎÛÚÓÌÓ‚ ‚˚¯Â ‚˚ÒÓÚ˚ Á‚Û͇
‚‰Û-˘Â„Ó ‚Ó͇·.
LOWER GENDER THRESHOLD çËÊÌËÈ ÔÓÓ„. êÓ‰ ÏÂÌflÂÚÒfl, ÍÓ„‰‡ ‚˚ÒÓÚ‡ Á‚Û͇ „‡ÏÓÌËË ÓÔÛÒ͇ÂÚÒfl ̇ Û͇Á‡ÌÌÓ (ËÎË ·Óθ¯ÂÂ) ˜ËÒÎÓ ÔÓÎÛÚÓÌÓ‚ ÌËÊ ‚˚ÒÓÚ˚ Á‚Û͇
‚‰Û-˘Â„Ó ‚Ó͇·.
UPPER GENDER DEPTH ê„ÛÎËÛÂÚ ÒÚÂÔÂ̸ ËÁÏÂÌÂÌËfl Ó‰‡, ÔËÏÂÌflÂÏÓ„Ó Í ÌÓÚ‡Ï „‡ÏÓÌËË
‚˚¯Â ÔÓÓ„‡, Á‡‰‡ÌÌÓ„Ó Ô‡‡ÏÂÚÓÏ UPPER GENDER THRESHOLD.
óÂÏ ‚˚¯Â Á̇˜ÂÌËÂ, ÚÂÏ «ÊÂÌÒÚ‚ÂÌÌÂÈ» „ÓÎÓÒ „‡ÏÓÌËË. óÂÏ ÌËÊ Á̇˜ÂÌËÂ, ÚÂÏ «ÏÛÊÂÒÚ‚ÂÌÌÂÈ» „ÓÎÓÒ.
LOWER GENDER DEPTH ç‡Òڇ˂‡ÂÚ ÒÚÂÔÂ̸ ËÁÏÂÌÂÌËfl Ó‰‡, ÔËÏÂÌflÂÏÓ„Ó Í ÌÓÚ‡Ï ÌËÊ ÔÓÓ„‡, Á‡‰‡ÌÌÓ„Ó Ô‡‡ÏÂÚÓÏ LOWER GENDER THRESHOLD. óÂÏ
‚˚¯Â Á̇˜ÂÌËÂ, ÚÂÏ «ÊÂÌÒÚ‚ÂÌÌÂÈ» „ÓÎÓÒ „‡ÏÓÌËË. óÂÏ ÌËÊÂ
Á̇-˜ÂÌËÂ, ÚÂÏ «ÏÛÊÂÒÚ‚ÂÌÌÂÈ» „ÓÎÓÒ.
VIBRATO DEPTH ᇉ‡ÂÚ „ÎÛ·ËÌÛ ‚Ë·‡ÚÓ, ÔËÏÂÌflÂÏÓ„Ó Í Á‚ÛÍÛ „‡ÏÓÌËË. ÇÎËflÂÚ Ú‡ÍÊ ̇ Á‚ÛÍ ‚Â‰Û˘Â„Ó ‚Ó͇·, ÂÒÎË ‰Îfl Ô‡‡ÏÂÚ‡ LEAD GENDER TYPE ‚˚·‡ÌÓ Á̇˜ÂÌËÂ, ÓÚ΢ÌÓ ÓÚ Off.
VIBRATO RATE ìÒڇ̇‚ÎË‚‡ÂÚ ÒÍÓÓÒÚ¸ ‚Ë·‡ÚÓ. ÇÎËflÂÚ Ú‡ÍÊ ̇ Á‚ÛÍ ‚Â‰Û˘Â„Ó
‚Ó͇·, ÂÒÎË ‰Îfl Ô‡‡ÏÂÚ‡ LEAD GENDER TYPE ‚˚·‡ÌÓ Á̇˜ÂÌËÂ, ÓÚ΢ÌÓ ÓÚ Off.
VIBRATO DELAY ì͇Á˚‚‡ÂÚ Á‡‰ÂÊÍÛ Ô‰ ̇˜‡ÎÓÏ ‰ÂÈÒÚ‚Ëfl ˝ÙÙÂÍÚ‡ ‚Ë·‡ÚÓ, ÍÓ„‰‡
ÒËÌÚÂÁËÛÂÚÒfl ÌÓÚ‡. óÂÏ ‚˚¯Â Á̇˜ÂÌËÂ, ÚÂÏ ·Óθ¯Â Á‡‰ÂÊ͇.
HARMONY1/2/3 VOLUME ìÒڇ̇‚ÎË‚‡ÂÚ „ÓÏÍÓÒÚ¸ Ô‚ÓÈ (Ò‡ÏÓÈ ÌËÁÍÓÈ), ‚ÚÓÓÈ Ë ÚÂÚ¸ÂÈ (Ò‡ÏÓÈ ‚˚ÒÓÍÓÈ) ÌÓÚ˚ „‡ÏÓÌËÁ‡ˆËË.
àÒÔÓθÁÓ‚‡ÌË ÏËÍÓÙÓ̇
ç‡ÒÚÓÈ͇ ÏËÍÓÙÓ̇ Ë Á‚Û͇ ˝ÙÙÂÍÚ‡ „‡ÏÓÌËÁ‡ˆËË
ç‡ÒÚÓÈ͇ ÏËÍÓÙÓ̇ Ë Á‚Û͇ ˝ÙÙÂÍÚ‡
„‡ÏÓÌËÁ‡ˆËË
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ç‡ÊÏËÚ ÍÌÓÔÍÛ [MIC SETTING/VOCAL HARMONY].2
óÚÓ·˚ ‚˚Á‚‡Ú¸ ˝Í‡Ì MICROPHONE SETTING, ̇ÊÏËÚ ÍÌÓÔÍÛ [I](MIC SETTING).
HARMONY1/2/3 PAN ìÒڇ̇‚ÎË‚‡ÂÚ ÒÚÂÂÓÔÓÁËˆË˛ (Ô‡ÌÓ‡ÏÛ) Ô‚ÓÈ (Ò‡ÏÓÈ ÌËÁÍÓÈ),
‚ÚÓÓÈ Ë ÚÂÚ¸ÂÈ (Ò‡ÏÓÈ ‚˚ÒÓÍÓÈ) ÌÓÚ˚ „‡ÏÓÌËÁ‡ˆËË.
Random
ëÚÂÂÓÔÓÁˈËfl Á‚Û͇ ·Û‰ÂÚ ÒÎÛ˜‡ÈÌÓ ËÁÏÂÌflÚ¸Òfl ÔË Í‡Ê‰ÓÏ Ì‡Ê‡ÚËË Ì‡ Í·‚˯Ë. ùÚÓ ˝ÙÙÂÍÚË‚ÌÓ, ÍÓ„‰‡ ÂÊËÏ Harmony (ÒÚ. 167) ÛÒÚ‡ÌÓ‚ÎÂÌ ‚ Á̇˜ÂÌË VOCODER ËÎË CHORDAL.
L63>R – C – L<R63
á̇˜ÂÌË L63>R Ò‰‚Ë„‡ÂÚ Á‚ÛÍ ‰Ó ÍÓ̈‡ ‚΂Ó, 0 – ˆÂÌڇθ̇fl ÔÓÁˈËfl, ‡ L<R63 – ͇ÈÌflfl Ô‡‚‡fl.
HARMONY1/2/3 DETUNE ëÏ¢‡ÂÚ ÔÂ‚Û˛ (Ò‡ÏÛ˛ ÌËÁÍÛ˛), ‚ÚÓÛ˛ Ë ÚÂÚ¸˛ (Ò‡ÏÛ˛ ‚˚ÒÓÍÛ˛) ÌÓÚÛ „‡ÏÓÌËÁ‡ˆËË Ì‡ Û͇Á‡ÌÌ˚È ÔÓˆÂÌÚ.
PITCH TO NOTE ÖÒÎË ‚˚·‡ÌÓ Á̇˜ÂÌË ON, „ÓÎÓÒ ËÒÔÓÎÌËÚÂÎfl ÏÓÊÂÚ «Ë„‡Ú¸»
ÚÂÏ·‡ÏË ËÌÒÚÛÏÂÌÚ‡. (Clavinova ÓÚÒÎÂÊË‚‡ÂÚ ‚˚ÒÓÚÛ Á‚Û͇ „ÓÎÓÒ‡
ËÒÔÓÎÌËÚÂÎfl Ë ÔÂÓ·‡ÁÛÂÚ Â ‚ ÌÓÚÌ˚ ‰‡ÌÌ˚ ‰Îfl ÚÓÌ-„Â̇ÚÓ‡.
é‰Ì‡ÍÓ ‰Ë̇Ï˘ÂÒÍË ËÁÏÂÌÂÌËfl „ÓÎÓÒ‡ ËÒÔÓÎÌËÚÂÎfl Ì ‚ÎËfl˛Ú ̇
„ÓÏÍÓÒÚ¸ ÚÓÌ-„Â̇ÚÓ‡.)
PITCH TO NOTE PART éÔ‰ÂÎflÂÚ, ͇͇fl ËÁ Ô‡ÚËÈ ·Û‰ÂÚ ÛÔ‡‚ÎflÚ¸Òfl ‚Â‰Û˘ÂÏ ‚Ó͇ÎÓÏ, ÂÒÎË ‰Îfl Ô‡‡ÏÂÚ‡ PITCH TO NOTE ‚˚·‡ÌÓ Á̇˜ÂÌË ON.
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àÒÔÓθÁÓ‚‡ÌË ÏËÍÓÙÓ̇ ç‡ÒÚÓÈ͇ ÏËÍÓÙÓ̇ Ë Á‚Û͇ ˝ÙÙÂÍÚ‡ „‡ÏÓÌËÁ‡ˆËË
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ç‡ÊÏËÚ ÍÌÓÔÍÛ TAB [√], ˜ÚÓ·˚ ‚˚Á‚‡Ú¸ ˝Í‡Ì ‚Í·‰ÍË OVERALL SETTING.4
ë ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [A]–[J] ‚˚·ÂËÚ ˝ÎÂÏÂÌÚ/Ô‡‡ÏÂÚ (ÒÏ. ÌËÊÂ), ÍÓÚÓ˚È ÌÛÊÌÓ Ì‡ÒÚÓËÚ¸.5
àÒÔÓθÁÛÈÚ ÍÌÓÔÍË [1ππππ††††]–[8ππππ††††] ‰Îfl ‚˚·Ó‡ Á̇˜ÂÌËfl.6
ç‡ÊÏËÚ ÍÌÓÔÍÛ [EXIT] ‰Îfl ‚˚ıÓ‰‡ Ò ˝Í‡Ì‡ MICROPHONE SETTING.ç‡Òڇ˂‡ÂÏ˚ ˝ÎÂÏÂÌÚ˚ (Ô‡‡ÏÂÚ˚) ̇ ‚Í·‰Í OVERALL SETTING
■3BAND EQ (íÂıÔÓÎÓÒÌ˚È ˝Í‚‡Î‡ÈÁÂ)
EQ (˝Í‚‡Î‡ÈÁÂ) - ˝ÚÓ ÔÓˆÂÒÒÓ, ÍÓÚÓ˚È ‰ÂÎËÚ ˜‡ÒÚÓÚÌ˚È ÒÔÂÍÚ Ì‡ ÌÂÒÍÓθÍÓ ÔÓÎÓÒ,
ÍÓÚÓ-˚ ÏÓ„ÛÚ ÛÒËÎË‚‡Ú¸Òfl ËÎË ÔÓ‰‡‚ÎflÚ¸Òfl ‰Îfl ÒÓÁ‰‡ÌËfl ÌÛÊÌ˚ı ˜‡ÒÚÓÚÌ˚ı ı‡‡ÍÚÂËÒÚËÍ.
àÌÒÚÛÏÂÌÚ Clavinova ÓÒ̇˘ÂÌ ‚˚ÒÓÍÓÍ·ÒÒÌ˚Ï ÚÂıÔÓÎÓÒÌ˚Ï ˆËÙÓ‚˚Ï ˝Í‚‡Î‡ÈÁÂÓÏ (ÌËÁÍËÂ, Ò‰ÌËÂ Ë ‚˚ÒÓÍË ˜‡ÒÚÓÚ˚) ‰Îfl Ó·‡·ÓÚÍË Ò˄̇· ÏËÍÓÙÓ̇.
• Hz (Ɉ)
ê„ÛÎËӂ͇ ˆÂÌڇθÌÓÈ ˜‡ÒÚÓÚ˚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ ÔÓÎÓÒ˚.
• dB (‰Å)
ì‚Â΢ÂÌË ËÎË ÒÌËÊÂÌË ÛÓ‚Ìfl ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ ÔÓÎÓÒ˚ ̇ ‚Â΢ËÌÛ ‰Ó 12 ‰Å.
■NOISE GATE (òÛÏÓÔÓ‰‡‚ÎÂÌËÂ)
ùÚÓÚ ˝ÙÙÂÍÚ ÔÓÁ‚ÓÎflÂÚ Á‡„ÎÛ¯‡Ú¸ ‚ıÓ‰ÌÓÈ Ò˄̇Π‚ ÚÂı ÒÎÛ˜‡flı, ÍÓ„‰‡ ÒË„Ì‡Î Ò ÏËÍÓ-ÙÓÌÌÓ„Ó ‚ıÓ‰‡ Ô‡‰‡ÂÚ ÌËÊ Û͇Á‡ÌÌÓ„Ó ÛÓ‚Ìfl. Ç ÂÁÛθڇÚ ÒÛ˘ÂÒÚ‚ÂÌÌÓ ÒÌËʇÂÚÒfl ÛÓ‚Â̸ ÔÓÒÚÓÓÌÌËı ¯ÛÏÓ‚, ÔÓÁ‚ÓÎflfl ÔÓıÓ‰ËÚ¸ ÌÛÊÌÓÏÛ Ò˄̇ÎÛ (‚Ó͇ÎÛ Ë Ú.Ô.).
• SW (Switch) (Ç˚Íβ˜‡ÚÂθ)
ÇÍβ˜‡ÂÚ Ë ‚˚Íβ˜‡ÂÚ ˝ÙÙÂÍÚ Noise Gate.
• TH (Threshold) (èÓÓ„)
ᇉ‡ÂÚ ÛÓ‚Â̸ Á‚ÛÍÓ‚Ó„Ó Ò˄̇· ̇ ‚ıÓ‰Â, ̇˜Ë̇fl Ò ÍÓÚÓÓ„Ó Ò˄̇ΠÔÓÔÛÒ͇ÂÚÒfl.
A
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6 3
ÇçàåÄçàÖ
èË ‚˚ıӉ c ˝Í‡Ì‡ ‚Í·‰ÍË OVERALL SETTING ̇ÒÚÓÈÍË
‡‚ÚÓχÚ˘ÂÒÍË ÒÓı‡Ìfl˛ÚÒfl
‚ ËÌÒÚÛÏÂÌÚÂ. çÓ ‚ ÒÎÛ˜‡Â ÓÚ-Íβ˜ÂÌËfl ÔËÚ‡ÌËfl ‰Ó ‚˚ıÓ‰‡
Ò ˝Í‡Ì‡ ÓÌË ·Û‰ÛÚ ÔÓÚÂflÌ˚.
àÒÔÓθÁÓ‚‡ÌË ÏËÍÓÙÓ̇
ç‡ÒÚÓÈ͇ ÏËÍÓÙÓ̇ Ë Á‚Û͇ ˝ÙÙÂÍÚ‡ „‡ÏÓÌËÁ‡ˆËË
■COMPRESSOR
ùÚÓÚ ˝ÙÙÂÍÚ ÔÓÁ‚ÓÎflÂÚ ÒÌËʇڸ ‚˚ıÓ‰ÌÓÈ Ò˄̇Π‚ ÚÂı ÒÎÛ˜‡flı, ÍÓ„‰‡ ÒË„Ì‡Î Ò ÏËÍÓÙÓÌ-ÌÓ„Ó ‚ıÓ‰‡ Ô‚˚¯‡ÂÚ Û͇Á‡ÌÌ˚È ÛÓ‚Â̸. éÒÓ·ÂÌÌÓ ÔÓÎÂÁÂÌ ‰Îfl ҄·ÊË‚‡ÌËfl ‚Ó͇· Ò
·Óθ¯ËÏ ‰Ë̇Ï˘ÂÒÍËÏ ‰Ë‡Ô‡ÁÓÌÓÏ. î‡ÍÚ˘ÂÒÍË, Ò˄̇Π«ÒÊËχÂÚÒfl» Ú‡Í, ˜ÚÓ ÚËıËÂ
˜‡ÒÚË ÒÚ‡ÌÓ‚flÚÒfl „ÓϘÂ, ‡ „ÓÏÍË – Ú˯Â.
• SW (Switch) (Ç˚Íβ˜‡ÚÂθ)
ÇÍβ˜‡ÂÚ ËÎË ‚˚Íβ˜‡ÂÚ ÍÓÏÔÂÒÒÓ.
• TH (Threshold) (èÓÓ„)
ᇉ‡ÂÚ ÛÓ‚Â̸ Á‚ÛÍÓ‚Ó„Ó Ò˄̇· ̇ ‚ıÓ‰Â, ̇˜Ë̇fl Ò ÍÓÚÓÓ„Ó ÔËÏÂÌflÂÚÒfl ÒʇÚËÂ.
• RATIO (äÓ˝ÙÙˈËÂÌÚ ÒʇÚËfl) ᇉ‡ÂÚ ÍÓ˝ÙÙˈËÂÌÚ ÒʇÚËfl.
• OUT (Ç˚ıÓ‰)
ᇉ‡ÂÚ ËÚÓ„Ó‚˚È ÛÓ‚Â̸ ‚˚ıÓ‰ÌÓ„Ó Ò˄̇·.
■VOCAL HARMONY CONTROL (ìÔ‡‚ÎÂÌË „‡ÏÓÌËÂÈ ‚Ó͇·)
ëÎÂ‰Û˛˘Ë ԇ‡ÏÂÚ˚ ÓÔ‰ÂÎfl˛Ú ÒÔÓÒÓ· ÛÔ‡‚ÎÂÌËfl ˝ÙÙÂÍÚÓÏ „‡ÏÓÌËÁ‡ˆËË.
• VOCODER CONTROL
Ç ÂÊËÏ Vocoder (ÒÚ. 167) ˝ÙÙÂÍÚ Vocal Harmony ÍÓÌÚÓÎËÛÂÚÒfl ‰‡ÌÌ˚ÏË ÌÓÚ – ÌÓÚ, ÍÓÚÓ˚ ‚˚ Ë„‡ÂÚ ̇ Í·‚ˇÚÛÂ, Ë/ËÎË ÌÓÚ ÔÂÒÂÌ. ùÚÓÚ Ô‡‡ÏÂÚ ÔÓÁ‚ÓÎflÂÚ Á‡‰‡Ú¸, ͇ÍË ÌÓÚ˚ ·Û‰ÛÚ ÛÔ‡‚ÎflÚ¸ „‡ÏÓÌËÁ‡ˆËÂÈ.
• BAL.
ᇉ‡ÂÚ ÒÓÓÚÌÓ¯ÂÌË „ÓÏÍÓÒÚË ‚Â‰Û˘Â„Ó ‚Ó͇· (‚‡¯Â„Ó ÒÓ·ÒÚ‚ÂÌÌÓ„Ó „ÓÎÓÒ‡) Ë ˝Ù-ÙÂÍÚ‡ „‡ÏÓÌËÁ‡ˆËË ‚Ó͇·. ì‚Â΢ÂÌË Á̇˜ÂÌËfl ˝ÚÓ„Ó Ô‡‡ÏÂÚ‡ ÛÒËÎË‚‡ÂÚ „ÓÏ-ÍÓÒÚ¸ ˝ÙÙÂÍÚ‡ Vocal Harmony Ë ÛÏÂ̸¯‡ÂÚ „ÓÏ„ÓÏ-ÍÓÒÚ¸ ‚Â‰Û˘Â„Ó ‚Ó͇·.
ÖÒÎË ‚˚·‡ÌÓ Á̇˜ÂÌË L<H63 („‰Â L: ‚Â‰Û˘ËÈ ‚Ó͇Î, H: ˝ÙÙÂÍÚ Vocal Harmony),
Á‚Û-˜ËÚ ÚÓθÍÓ ˝ÙÙÂÍÚ Vocal Harmony. ÖÒÎË ‚˚·‡ÌÓ Á̇˜ÂÌË L63>H, Á‚ÛÁ‚Û-˜ËÚ ÚÓθÍÓ
‚‰Û-˘ËÈ ‚Ó͇Î.
SONG CHANNEL MUTE/PLAY
ÖÒÎË Á‡‰‡ÌÓ Á̇˜ÂÌË MUTE, ÚÓ ÔË ‚ÓÒÔÓËÁ‚‰ÂÌËË ÔÂÒÌË Í‡Ì‡Î,
‚˚·‡ÌÌ˚È ‰Îfl ÛÔ‡‚ÎÂÌËfl ˝ÙÙÂÍÚÓÏ „‡ÏÓÌËÁ‡ˆËË (ÒÏ. ÌËÊÂ), ÓÚÍβ˜‡ÂÚÒfl.
OFF/Channels 1–16
ÖÒÎË ÛÒÚ‡ÌÓ‚ÎÂÌÓ Á̇˜ÂÌË OFF, ‰‡ÌÌ˚ ÔÂÒÌË Ì ÛÔ‡‚Îfl˛Ú ˝ÙÙÂÍ-ÚÓÏ „‡ÏÓÌËÁ‡ˆËË. ÖÒÎË ‚˚·‡ÌÓ Ó‰ÌÓ ËÁ Á̇˜ÂÌËÈ ÓÚ 1–16, ˝ÙÙÂÍ˝ÙÙÂÍ-ÚÓÏ
„‡ÏÓÌËË ÛÔ‡‚Îfl˛Ú ÌÓÚÌ˚ ‰‡ÌÌ˚Â, ÒÓ‰Âʇ˘ËÂÒfl ‚
ÒÓÓÚ‚ÂÚÒÚ-‚Û˛˘ÂÏ Í‡Ì‡Î (ËÁ ÔÂÒÌË, ÔÓË„˚‚‡ÂÏÓÈ Ì‡ ËÌÒÚÛÏÂÌÚÂ, ËÎË Ò
‚̯ÌÂ„Ó MIDI-ÒÂÍ‚ÂÌÒÓ‡). ùÚ‡ ̇ÒÚÓÈ͇ Ò‚flÁ‡Ì‡ Ò Ì‡ÒÚÓÈÍÓÈ HARMONY CH (͇̇Î˚ „‡ÏÓÌËË) ̇ ˝Í‡Ì SONG SETTING (ç‡ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚ ÔÂÒÌË) (ÒÚ. 135).
KEYBOARD OFF
Ç˚Íβ˜ÂÌË ÛÔ‡‚ÎÂÌËfl ˝ÙÙÂÍÚÓÏ „‡ÏÓÌËÁ‡ˆËË Ò Í·‚ˇÚÛ˚.
UPPER
ɇÏÓÌ˲ Á‡‰‡˛Ú ÌÓÚ˚, ‡ÒÔÓÎÓÊÂÌÌ˚ ÒÔ‡‚‡ ÓÚ ÚÓ˜ÍË ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚.
LOWER
ɇÏÓÌ˲ Á‡‰‡˛Ú ÌÓÚ˚, ‡ÒÔÓÎÓÊÂÌÌ˚ Ò΂‡ ÓÚ ÚÓ˜ÍË ‡Á‰ÂÎÂÌËfl.
àÒÔÓθÁÓ‚‡ÌË ÏËÍÓÙÓ̇ ç‡ÒÚÓÈ͇ ÏËÍÓÙÓ̇ Ë Á‚Û͇ ˝ÙÙÂÍÚ‡ „‡ÏÓÌËÁ‡ˆËË
• MODE
íËÔ˚ „‡ÏÓÌËÁ‡ˆËË ‚Ó͇· ÔÓ‰‡Á‰ÂÎfl˛ÚÒfl ̇ ÚË ÂÊËχ, ÔË ÍÓÚÓ˚ı „‡ÏÓÌËÁ‡ˆËfl ÔÓËÁ‚Ó‰ËÚÒfl ‡Á΢Ì˚Ï Ó·‡ÁÓÏ. ùÙÙÂÍÚ „‡ÏÓÌËÁ‡ˆËË Á‡‚ËÒËÚ ÓÚ Á‡‰‡ÌÌÓ„Ó ÂÊËχ.
чÌÌ˚È Ô‡‡ÏÂÚ ÓÔ‰ÂÎflÂÚ, ͇ÍËÏ Ó·‡ÁÓÏ ˝ÙÙÂÍÚ „‡ÏÓÌËÁ‡ˆËË ·Û‰ÂÚ ÔËÏÂÌflÚ¸Òfl Í
„ÓÎÓÒÛ ËÒÔÓÎÌËÚÂÎfl. ùÚË ÚË ÂÊËχ ÓÔËÒ‡Ì˚ ÌËÊÂ.
• CHORD
ëÎÂ‰Û˛˘Ë ԇ‡ÏÂÚ˚ Û͇Á˚‚‡˛Ú, ͇ÍË ‰‡ÌÌ˚ Á‡ÔËÒ‡ÌÌÓÈ ÔÂÒÌË ËÒÔÓθÁÛ˛ÚÒfl ‰Îfl ÓÔ‰ÂÎÂÌËfl ‡ÍÍÓ‰Ó‚.
■MIC
ëÎÂ‰Û˛˘Ë ԇ‡ÏÂÚ˚ Á‡‰‡˛Ú ÒÔÓÒÓ·˚ ÛÔ‡‚ÎÂÌËfl Á‚ÛÍÓÏ ÏËÍÓÙÓ̇.
• MUTE
ÖÒÎË ‚˚·‡ÌÓ Á̇˜ÂÌË ON, Á‚ÛÍ ÏËÍÓÙÓ̇ ÓÚÍβ˜ÂÌ.
• VOLUME
ç‡Òڇ˂‡ÂÚ „ÓÏÍÓÒÚ¸ ‚˚ıÓ‰ÌÓ„Ó Ò˄̇· ÏËÍÓÙÓ̇.
AUTO ÖÒÎË ‚Íβ˜Â̇ ÍÌÓÔ͇ [ACMP ON/OFF] ËÎË [LEFT] (‚˚·‡ÌÓ Á̇˜ÂÌË ON) Ë ‚ ‰‡ÌÌ˚ı ÔÂÒÌË ÂÒÚ¸ ‡ÍÍÓ‰˚, ‡‚ÚÓχÚ˘ÂÒÍË ‚Íβ˜‡ÂÚÒfl ÂÊËÏ CHORDAL. ÇÓ ‚ÒÂı ÓÒڇθÌ˚ı ÒÎÛ˜‡flı ËÒÔÓθÁÛÂÚÒfl ÂÊËÏ VOCODER.
VOCODER çÓÚ˚ „‡ÏÓÌËË ÓÔ‰ÂÎfl˛ÚÒfl ÌÓÚ‡ÏË, ÔÓË„˚‚‡ÂÏ˚ÏË Ì‡ Í·‚ˇÚÛÂ, Ë/ËÎË ‰‡ÌÌ˚ÏË ÔÂÒÌË. åÓÊÌÓ Û͇Á‡Ú¸, ˜ÚÓ ·Û‰ÂÚ ÛÔ‡‚ÎflÚ¸ ˝ÙÙÂÍÚÓÏ Vocoder: Í·‚ˇÚÛ‡ ËÎË ‰‡ÌÌ˚ ÔÂÒÌË (ÒÚ. 166).
CHORDAL çÓÚ˚ „‡ÏÓÌËË ÓÔ‰ÂÎfl˛ÚÒfl ÚÂÏfl ÒÎÂ‰Û˛˘ËÏË ÚËÔ‡ÏË ‡ÍÍÓ‰Ó‚:
‡ÍÍÓ‰‡ÏË, ÔÓË„˚‚‡ÂÏ˚ÏË ‚ ‡Á‰ÂΠ‡ÍÍÓ‰Ó‚ ̇ Í·‚ˇÚÛ (ÂÒÎË
‚Íβ˜Â̇ ÍÌÓÔ͇ [ACMP]), ‡ÍÍÓ‰‡ÏË, ÔÓË„˚‚‡ÂÏ˚ÏË ‚ ‡Á‰ÂΠÚÂÏ·‡ LEFT ̇ Í·‚ˇÚÛ (ÂÒÎË ÍÌÓÔ͇ [ACMP] ÓÚÍβ˜Â̇, ‡ ÍÌÓÔ͇
[LEFT] ‚Íβ˜Â̇), Ë ‡ÍÍÓ‰‡ÏË, ÒÓ‰Âʇ˘ËÏËÒfl ‚ ‰‡ÌÌ˚ı ÔÂÒÌË Ë ÍÓÌÚÓÎËÛ˛˘ËÏË „‡ÏÓÌ˲. (ùÚÓÚ ÂÊËÏ Ì‰ÓÒÚÛÔÂÌ, ÂÒÎË ‚ ÔÂÒÌ ÌÂÚ ‡ÍÍÓ‰Ó‚.)
OFF èÓËÒÍ ‡ÍÍÓ‰Ó‚ ‚ ‰‡ÌÌ˚ı ÔÂÒÌË Ì ÔÓËÁ‚Ó‰ËÚÒfl.
XF ÑÎfl ÛÔ‡‚ÎÂÌËfl ˝ÙÙÂÍÚÓÏ Vocal Harmony ËÒÔÓθÁÛ˛ÚÒfl ‡ÍÍÓ‰˚ ‚ ÙÓχÚ XF.
1–16 ê‡ÒÔÓÁ̇˛ÚÒfl ‡ÍÍÓ‰˚ ËÁ ÌÓÚÌ˚ı ‰‡ÌÌ˚ı ‚ Û͇Á‡ÌÌÓÏ Í‡Ì‡Î ÔÂÒÌË.
àÒÔÓθÁÓ‚‡ÌË ÏËÍÓÙÓ̇