࠾ࡘ࡛ࠢ࠲ࠗࡓ࠭ߩ⸥ࠍߋࠆ⠨ኤ
⧎ᧁޓ੧
ⷐޓޓᣦ ߎߩ⺰ᢥߢߪ㧘ࡏࡉ࠺ࠖࡦߩࡁࡌ࡞ᢥቇ⾨ฃ⾨ߦኻߒߡ㧘࠾ࡘ࡛ ࠢ࠲ࠗࡓ࠭߇ߤߩࠃ߁ߦᔕߒߚߩ߆ࠍಽᨆߔࠆޕ ᐕ ᣣ㧘 ࠬ࠙ࠚ࠺ࡦࠕࠞ࠺ࡒߪࠕࡔࠞวⴐ࿖ߩࡒࡘࠫࠪࡖࡦ㧘ࡏࡉ࠺ࠖ ࡦߦࡁࡌ࡞ᢥቇ⾨ࠍਈߔࠆߣ⊒ߒߚޕࡒࡘࠫࠪࡖࡦ߇ࡁࡌ࡞ᢥ ቇ⾨ࠍฃ⾨ߔࠆߩߪೋߡߩߎߣߢࠅ㧘ߎߩ᧪ߪࡔ࠺ࠖࠕߩᵈ⋡ࠍ㓸 ߚޕ࠺ࠖࡦ߇↢߹ࠇ⢒ߜ㧘ߘߩᵴേὐߣߒߡ߈ߚࠕࡔࠞวⴐ࿖ߩࡔ ࠺ࠖࠕߪ㧘ߎߩ࠺ࠖࡦߦࠃࠆࡁࡌ࡞ᢥቇ⾨ฃ⾨ߩ⍮ࠄߖߦኻߒߡ㧘ߤߩ ࠃ߁ߦᔕߒߚߩߛࠈ߁߆ޕࠕࡔࠞวⴐ࿖ߩࡔ࠺ࠖࠕߪ㧘࠺ࠖࡦߦࠃࠆ ࡁࡌ࡞ᢥቇ⾨ฃ⾨ߦߤߩࠃ߁ߥᗧࠍઃਈߒ㧘ߤߩࠃ߁ߥࡏࡉ࠺ࠖࡦ ࠍឬ߈ߒߚߩߛࠈ߁߆ޕߎߩ⺰ᢥߢߪ㧘ߎࠇࠄߩߦኻߔࠆ৻ߟߩᔕ ╵ࠍ⹜ߺࠆޕ․ߦ㧘ࠕࡔࠞวⴐ࿖ࠍઍߔࠆᣂ⡞ߢࠅ㧘⧯߈ᣣߩ࠺ࠖ ࡦ߇ᵴേὐߣߒߚ࠾ࡘ࡛ࠢߩᣂ⡞ߢ߽ࠆ࠾ࡘ࡛ࠢ࠲ࠗࡓ࠭ߩ ⸥ߦᵈ⋡ߔࠆޕ㧚ߪߓߦ
ޓ ᐕ ᣣ㧘ࠬ࠙ࠚ࠺ࡦࠕࠞ࠺ࡒߪࠕࡔࠞวⴐ࿖ߩࡒࡘ ࠫࠪࡖࡦ㧘ࡏࡉ࠺ࠖࡦ㧔Bob Dylan㧕ߦࡁࡌ࡞ᢥቇ⾨ࠍਈߔࠆߣ⊒ ߒߚޕࡒࡘࠫࠪࡖࡦ߇ࡁࡌ࡞ᢥቇ⾨ࠍฃ⾨ߔࠆߩߪೋߡߩߎߣߢ ࠅ㧘ߎߩ᧪ߪࡔ࠺ࠖࠕߩᵈ⋡ࠍ㓸ߚޕᣣᧄߩਥⷐᣂ⡞ฦ⚕߽ߎߩ࠾ࡘࠬࠍᄢ߈ߊขࠅߍߚ㧔ጟㇱ㧘 ᐕ ᣣ; ዊṚ㧘 ᐕ ᣣ ; ᐢἑ㧘 ᐕ ᣣ; ޟࡏࡉ࠺ࠖࡦߐࠎߦࡁࡌ࡞ᢥቇ⾨ޠ㧘 ᐕ ᣣ㧕ޕ ޓᣣᧄߩᣂ⡞ߪ㧘࠺ࠖࡦߦࠃࠆࡁࡌ࡞ᢥቇ⾨ฃ⾨ߩታ㧘⾨ߩℂ↱㧘 㖸ᭉ߇ᢥቇ⾨ߩኻ⽎ߣߐࠇߚߎߣߩ․⇣ᕈ㧘⾨ᑼߩᣣ⒟㧘⾨㊄㗵ߥߤ ߦߟߡવ߃ߚߢ㧘࠺ࠖࡦߩߎߣࠍᔅߕߒ߽⍮ࠄߥઍᣣᧄߩ⺒⠪ߩ ߚߦ㧘࠺ࠖࡦߩ⚻ᱧࠍ⚫ߒߚޕߎࠇࠄߩ⸥ㅀߪ㧘࠺ࠖࡦ߇ࡁࡌ࡞ ᢥቇ⾨ࠍฃ⾨ߒߚߣ߁ታߣߘߩᗧ㧘߹ߚࡏࡉ࠺ࠖࡦߣ߁ᄙ㕙⊛ ߥࡒࡘࠫࠪࡖࡦߩ৻㕙ࠍઍᣣᧄߩ⺒⠪ะߌߦࠊ߆ࠅ߿ߔߊવ߃ߡࠆޕ ߎ߁ߒߚࡔ࠺ࠖࠕߩᵴേߪ㧘ઍᣣᧄߣ߁ࠦࡒࡘ࠾ࠤ࡚ࠪࡦⓨ㑆ߦ߅ ߡ㧘࠺ࠖࡦߦࠃࠆࡁࡌ࡞ᢥቇ⾨ฃ⾨ߣ߁᧪ࠍߋࠆ৻ߟߩ⸃㉼ࠍ ឭ␜ߒߡࠆޕ ޓߘࠇߢߪ㧘ࠕࡔࠞวⴐ࿖ߢߪߤ߁ߛࠈ߁߆ޕ࠺ࠖࡦ߇↢߹ࠇ⢒ߜ㧘ߘ ߩᵴേὐߣߒߡ߈ߚࠕࡔࠞวⴐ࿖ߩࡔ࠺ࠖࠕߪ㧘࠺ࠖࡦߦࠃࠆࡁࡌ ࡞ᢥቇ⾨ฃ⾨ߩ⍮ࠄߖߦኻߒߡ㧘ߤߩࠃ߁ߦᔕߒߚߩߛࠈ߁߆ޕࠕࡔࠞ วⴐ࿖ߩࡔ࠺ࠖࠕߪ㧘࠺ࠖࡦߦࠃࠆࡁࡌ࡞ᢥቇ⾨ฃ⾨ߦߤߩࠃ߁ߥᗧ ࠍઃਈߒ㧘ߤߩࠃ߁ߥࡏࡉ࠺ࠖࡦࠍឬ߈ߒߚߩߛࠈ߁߆ޕߎߩ⺰ᢥ ߢߪ㧘ߎࠇࠄߩߦኻߔࠆ৻ߟߩᔕ╵ࠍ⹜ߺࠆޕ․ߦ㧘ࠕࡔࠞวⴐ࿖ࠍ ઍߔࠆᣂ⡞ߢࠅ㧘⧯߈ᣣߩ࠺ࠖࡦ߇ᵴേὐߣߒߚ࠾ࡘ࡛ࠢߩᣂ ⡞ߢ߽ࠆ࠾ࡘ࡛ࠢ࠲ࠗࡓ࠭ߩ⸥ߦᵈ⋡ߔࠆޕ
㧚⎇ⓥߩᗧ⟵
ޓߎߩ⎇ⓥߦߪ㧘એਅߩਃߟߩᗧ⟵߇ࠆޕ߹ߕ㧘ࡏࡉ࠺ࠖࡦߣ߁ੱ ‛ߩᢥൻ⊛㊀ⷐᕈ߇ߎߩ⎇ⓥߦᗧ⟵ࠍਈ߃ߡࠆޕ࠺ࠖࡦߪ ᐕߩ ࠦ࠼࠺ࡆࡘએ᧪㧘ඨ♿એߦࠊߚߞߡ㧘ࡒࡘࠫࠪࡖࡦߣߘࠇએᄖߩ ੱ߮ߣߦᄢ߈ߥᓇ㗀ࠍਈ߃ߡ߈ߚޕߘߩᓇ㗀ജߩ৻┵ࠍ␜ߔታߣߒߡ㧘࠺ࠖࡦߪࠣࡒ⾨㧘ࠧ࡞࠺ࡦࠣࡠࡉ⾨㧘ࠕࠞ࠺ࡒ⾨ࠍฃ⾨ߔࠆߣߣ߽
ߦ㧘ࡠ࠶ࠢߩᲚၴ㧔Rock and Roll Hall of Fame㧕߳ߩᲚၴࠅࠍᨐߚߒߡࠆ
㧔Dansby, 2001, March 26; Golden Globe Awards, n.d.; Grammy.com, 2018; Rock & Roll Hall of Fame, n.d.㧕ޕ߹ߚ㧘 ᐕߦߪޟ㘃߹ࠇߥߩജࠍᜬߟ⹖ᵴേ
ߦ⽎ᓽߐࠇࠆࡐࡇࡘ㖸ᭉߣࠕࡔࠞᢥൻ߳ߩ᷹ࠅ⍮ࠇߥᓇ㗀㧔For his
profound impact on popular music and American culture, marked by lyrical compositions of extraordinary poetic power㧕ޠߦࠃߞߡࡇࡘ࠷ࠔ⾨․⾨
ࠍฃ⾨ߒ㧘 ᐕߦߪᄢ⛔㗔⥄↱ൟ┨㧔Presidential Medal of Freedom㧕ࠍฃ
┨ߒߡࠆ㧔Rolling Stone, 2012, May 29; The 2008 Pulitzer Prize Winner, 2018㧕ޕ ߘߒߡ㧘 ᐕ㧘࠺ࠖࡦߪࡁࡌ࡞ᢥቇ⾨ࠍฃ⾨ߒߚޕߎࠇࠄߩ⾨ߩᅷ ᒰᕈ߿ᱜᒰᕈߦߟߡߪ⼏⺰ߩ߇ࠆߛࠈ߁ߒ㧘࠺ࠖࡦ⥄り߽ߎࠇࠄ ߩ⾨ࠍᦸࠎߢฃߌขߞߚߣ߁ߎߣߢߪߥ߆߽ߒࠇߥޕߒ߆ߒ㧘ߘࠇࠍ Ꮕߒᒁߡ߽㧘ߎࠇࠄߩቴⷰ⊛ታߪ࠺ࠖࡦߩᢥൻ⊛ᓇ㗀ജߩ৻┵ࠍ␜ߒ ߡࠆߣ⸒߃ࠆޕ ޓᰴߦ㧘ࡁࡌ࡞⾨ߦኻߔࠆ␠ળ⊛㑐ᔃߩ㜞ߐ߇ߎߩ⎇ⓥߦᗧ⟵ࠍਈ߃ߡ ࠆޕࠕ࡞ࡈ࠶࠼ࡁࡌ࡞ߩㆮ⸒ߦࠃߞߡ ᐕ߆ࠄਈߐࠇߡࠆࡁ ࡌ࡞⾨ߪ㧘․ቯಽ㊁ߦ߅ߡఝࠇߚഞ❣ࠍㆮߒߚੱ‛ߦ⿅ࠄࠇࠆ⇇⊛ߥ⾨ ߣߒߡᵈ⋡ߐࠇߡ߈ߚ㧔ࡁࡌ࡞⾨ߩ⸥㍳✬㓸ᆔຬળ㧘2017㧕ޕߦ߅ ߡߪࡁࡌ࡞⾨ߩሽ߿ㆬ⠨ᣇᴺߦኻߔࠆᛕ್߽ᄙߊ㧘ߘߩᮭᆭࠍ⥄ⷞߔ ࠆߎߣߪߢ߈ߥޕߒ߆ߒ㧘⢐ቯ⊛ߥ߽ߩߢࠇ㧘ุቯ⊛ߥ߽ߩߢࠇ㧘ࡁ ࡌ࡞⾨߇㑆ߩᵈ⋡ࠍ㓸ߡࠆߎߣߦᄌࠊࠅߪߥޕࡔ࠺ࠖࠕߪฃ⾨⠪߇ ߹ࠆ೨߆ࠄ㧘ߘߩᐕߩฃ⾨⠪߇⺕߆ࠍ੍ᗐߒ㧘ฃ⾨⠪߇߹ߞߚᓟߦߪ㧘 ߘࠇߦߟߡᄢ߈ߊႎߔࠆޕߎࠇߪᢥቇ⾨ߦ߅ߡ߽ᄌࠊࠄߥޕ ᐕߦᴦኅߩ࠙ࠖࡦࠬ࠻ࡦ࠴ࡖ࠴࡞߇ฃ⾨ߒߡએ㒠㧘ࡁࡌ࡞ᢥቇ⾨ߪ વ⛔⊛ߥᗧߢߩᢥቇߩ㗔ၞߢᵴേߔࠆ⠪ߚߜߦ⿅ࠄࠇߡ߈ߚ߇㧘 ᐕ ߦࠫࡖ࠽ࠬ࠻ߩࠬࡧࠚ࠻࠽ࠕࠢࠪࠛࡧࠖ࠶࠴߇ߎࠇࠍฃ⾨ߒ ߚޕߎߩฃ⾨ߪ㧘ࠬ࠙ࠚ࠺ࡦࠕࠞ࠺ࡒ߇⠨߃ࠆᢥቇߩቯ⟵ߦᄌൻ߇↢
ߓߡࠆߎߣࠍ␜ߔ᧪ߣߒߡ㗴ࠍࠎߛޕਥߦࡐࡇࡘ㖸ᭉߩ㗔ၞ ߢᵴべߔࠆ࠺ࠖࡦߦࠃࠆ ᐕߩฃ⾨ߪ㧘ߘߩᄌൻࠍߐࠄߦផߒㅴࠆ ߽ߩߣߒߡ⾥ุਔ⺰ࠍᏎ߈ߎߒߚޕߎߩࠃ߁ߥ㗴ᕈߩࠆ⾨ߩฃ⾨ߦߟ ߡ㧘ࡔ࠺ࠖࠕ߇ߤߩࠃ߁ߦᔕߒߚߩ߆ࠍᬌ⸛ߔࠆᗧ⟵ߪᄢ߈ޕ ޓᦨᓟߦ㧘࠾ࡘ࡛ࠢ࠲ࠗࡓ࠭ߣ߁ࡔ࠺ࠖࠕߩ␠ળ⊛㊀ⷐᕈ߇ߎߩ⎇ ⓥߦᗧ⟵ࠍਈ߃ߡࠆޕ࠾ࡘ࡛ࠢ࠲ࠗࡓ࠭ߪ㧘ࠕࡔࠞวⴐ࿖ߢ߽ߞ ߣ߽ᓇ㗀ജߩᄢ߈ᣂ⡞ߩ৻ߟߛߣߐࠇࠆޕߎߩߎߣߪ㧘⦟⾰ߩࠫࡖ࠽ ࠭ࡓߦਈ߃ࠄࠇࠆࡇࡘ࠷ࠔ⾨ࠍ࠾ࡘ࡛ࠢ࠲ࠗࡓ࠭߇ ࿁ฃ ⾨ߒߡࠆߣ߁ታߦ߽ࠇߡࠆ㧔Pulitzer Prizes, 2018㧕ޕߎࠇߪႎᯏ 㑐ߩਛߢᦨᄙߩฃ⾨࿁ᢙߢࠆޕ⚕ᇦߣ㔚ሶᇦߩᣂ⡞߇ᷙߒߡࠆ ߦ߅ߡ㧘ߘߩ⊒ⴕㇱᢙࠍᱜ⏕ߦᛠីߔࠆߎߣߪ㔍ߒ߇㧘࠾ࡘ࡛ࠢ ࠲ࠗࡓ࠭ߩ⊒ⴕㇱᢙ߇ో☨ߢᦨᄢ⚖ߢࠆߎߣߪ㑆㆑ߥ㧔2016 Annual Report, 2017㧕ޕઁߩ⾨ߣห᭽㧘ࡇࡘ࠷ࠔ⾨ߩᮭᆭߦߟߡᛕ್⊛ߦᬌ ⸛ߔࠆߎߣߪߢ߈ࠆߒ㧘⊒ⴕㇱᢙߩᄙߐ߇ߘߩᣂ⡞ߩ⾰ߩ㜞ߐࠍ␜ߒߡࠆ ߣ߽⸒ಾࠇߥޕߘߩ৻ᣇߢ㧘ߎࠇࠄߩታߪ㧘࠾ࡘ࡛ࠢ࠲ࠗࡓ࠭ ߇ߩࠕࡔࠞ␠ળߦ߅ߡήⷞߔࠆߎߣߩߢ߈ߥࡑࠬࡔ࠺ࠖࠕߢࠆ ߎߣࠍ␜ߒߡࠆޕߒߚ߇ߞߡ㧘࠾ࡘ࡛ࠢ࠲ࠗࡓ࠭߇࠺ࠖࡦߩࡁ ࡌ࡞ᢥቇ⾨ฃ⾨ߦߤߩࠃ߁ߦᔕߒߚߩ߆ࠍีߔࠆߎߣߦߪ৻ቯߩଔ୯߇ ࠆߣ⠨߃ࠄࠇࠆޕߎࠇߦട߃ߡ㧘⧯߈ᣣߩ࠺ࠖࡦ߇ࡒࡘࠫࠪࡖࡦߣߒ ߡߩၮ␆ࠍ▽ߚߩ߇࠾ࡘ࡛ࠢߛߞߚߣ߁ታ߽㧘࠾ࡘ࡛ࠢ࠲ ࠗࡓ࠭ߩ⸥ߦᵈ⋡ߔࠆ߽߁৻ߟߩℂ↱ߣߥࠆߛࠈ߁ޕ
㧚⎇ⓥߩ┙႐
ޓࡔ࠺ࠖࠕࠍ㗴᧚ߣߒߚઁߩᄙߊߩࠦࡒࡘ࠾ࠤ࡚ࠪࡦ⎇ⓥߣห᭽ߦ㧘ߎߩ ⎇ⓥߪ␠ળ⊛ታ߇ࠦࡒࡘ࠾ࠤ࡚ࠪࡦߦࠃߞߡഃࠄࠇࠆߣ߁⠨߃ᣇߦ ┙ߞߡࠆ㧔Berger & Luckmann, 1967; Gergen, 2015; Leeds-Hurwitz, 2009㧕ޕ࠺ࠖࡦߦࠃࠆࡁࡌ࡞ᢥቇ⾨ฃ⾨ߣ߁᧪ߪ৻ߟߛߣߒߡ߽㧘ߎߩ᧪ ࠍߋࠆ⸃㉼ߪήᢙߦࠆޕߘߒߡ㧘ߘߩ⸃㉼ߩᢙߛߌ㧘␠ળ⊛ታ߇ࠆ ߣ⠨߃ࠆߎߣ߇ߢ߈ࠆޕߎߩ⎇ⓥߢߪ㧘․ߦ࠾ࡘ࡛ࠢ࠲ࠗࡓ࠭ߣ߁ ࡑࠬࡔ࠺ࠖࠕߦᵈ⋡ߒ㧘ߎߩᣂ⡞߇࠺ࠖࡦߦࠃࠆࡁࡌ࡞ᢥቇ⾨ฃ⾨ߣ ߁᧪ࠍߤߩࠃ߁ߦឬ߈ߒߚߩ߆㧘߹ߚߎߩ᧪ߦߤߩࠃ߁ߥᗧࠍ ਈ߃ߚߩ߆ࠍีߔࠆޕ
㧚࠾ࡘ࡛ࠢ࠲ࠗࡓ࠭߇વ߃ߚ࠺ࠖࡦߩࡁࡌ࡞ᢥቇ⾨ฃ⾨
ޓ࠾ࡘ࡛ࠢ࠲ࠗࡓ࠭ߦឝタߐࠇߚ࠺ࠖࡦߩࡁࡌ࡞ᢥቇ⾨ฃ⾨ߦߟ ߡߩ⸥ߪᄙ߇㧘ߎߎߢߪ․ߦฃ⾨ߩ࠾ࡘࠬ߇ᦨೋߦવ߃ࠄࠇߚ ᐕ ᣣ㗃ߦឝタߐࠇߚ⸥ߩਛ߆ࠄ․ᓽ⊛ߥ߽ߩࠍㆬࠎߢ㧘ߘ ߩౝኈࠍีߒߡߊޕ ̆㧚৻⥸⊛ߥႎ⸥ ޓSisario㧘Alter㧘Chan ߦࠃࠆ⸥ߪ㧘࠺ࠖࡦߩࡁࡌ࡞ᢥቇ⾨ฃ⾨ߦߟߡ㧘৻⥸⊛ߦવ߃ߚ߽ߩߣ⸒߃ࠆ㧔Sisario, Alter, & Chan, 2016, October 13㧕ޕ ⸥ߪ㧘ࡁࡌ࡞ᢥቇ⾨߇ࡒࡘࠫࠪࡖࡦߦਈ߃ࠄࠇࠆߩ߇ೋߡߢࠆߣ ߁ታࠍ⏕ߒߚߢ㧘ߎࠇߪ ᐕߦᆎ߹ߞߚࡁࡌ࡞ᢥቇ⾨ߩᱧผ
ߩਛߢ߽ߞߣ߽ޟ࠺ࠖࠞ࡞㧔radical㧕ޠߥㆬᛯ߆߽ߒࠇߥߣㅀߴߡࠆ
㧔Sisario, Alter, & Chan, 2016, October 13㧕ޕߘߒߡ㧘ࡒࡘࠫࠪࡖࡦߦᢥቇ⇇ᦨ 㜞ߩᩕࠍਈ߃ࠆߎߣߦࠃߞߡ㧘ࠬ࠙ࠚ࠺ࡦࠕࠞ࠺ࡒߪᢥቇߩႺ⇇✢ ࠍᒁ߈⋥ߘ߁ߣߒߡ߅ࠅ㧘ߘߩߎߣ߇⹖ߦ߿ዊ⺑ߣห╬ߩ⧓ⴚ⊛ଔ୯߇
ࠆ߆ߤ߁߆ࠍߋࠆ⺰ࠍᏎ߈ߎߒߡࠆߣવ߃ߡࠆ㧔Sisario, Alter,
& Chan, 2016, October 13㧕ޕ
ޓSisario㧘Alter㧘Chan ߦࠃࠇ߫㧘ኅߩࠨ࡞ࡑࡦࠪࡘ࠺ࠖߪ࠺ࠖࡦࠍ
October 13㧕ޕ߹ߚ㧘ੱߩࡆࠦࡦ࠭ߪ㧘࠺ࠖࡦߩ⹖ߦߟߡ㧘ޟࡂ
ࡕ࠾ࠞߣࠡ࠲ߣᓐ․ߩჿ߇ߥ߆ߞߚߣߒߡ߽⥝ᷓߊޠ㧘ߣߒߡචಽ
ߦㅢ↪ߔࠆߣㅀߴߚߣ߁ޕ⸥ߪ㧘ࡒࡘࠫࠪࡖࡦ߇ᢥቇ⾨ࠍฃ⾨ߔࠆߎ ߣࠍ⇼ⷞߔࠆኅߚߜ߇ࠆߎߣࠍࠊߖߡવ߃ߡߪࠆ߽ߩߩ㧘ߤߜࠄ ߆ߣ⸒߃߫㧘࠺ࠖࡦߩฃ⾨ࠍᡰᜬߔࠆࠃ߁ߥታࠍࠃࠅᄙߊ⚫ߒߡࠆ 㧔Sisario, Alter, & Chan, 2016, October 13㧕ޕ
ޓᢥቇߩႺ⇇✢ࠍᒁ߈⋥ߔߣ߁ߎߣߦߟߡ㧘Sisario㧘Alter㧘Chan ߪ㧘
࿁ߩ࠺ࠖࡦߩฃ⾨߇ࡂࠗࠞ࡞࠴ࡖߣࡠ࠙ࠞ࡞࠴ࡖߩ㑆ߩḴࠍၒࠆ߽ ߩߛߣ␜ໂߒߡࠆޕવ⛔⊛ߥᗧߢߩ⚐ᢥቇࠍࡂࠗࠞ࡞࠴ࡖߦዻߔࠆ߽ ߩߣߒ㧘࠺ࠖࡦߩຠߩࠃ߁ߥࡐࡇࡘ㖸ᭉࠍࡠ࠙ࠞ࡞࠴ࡖߦዻߔࠆ ߽ߩߣߔࠆੑ㗄ኻ┙⊛ߥᝒ߃ᣇߪ㧘ᤨઍߩᵹࠇߣߣ߽ߦ⺑ᓧജࠍᄬߟߟ
ࠆ㧔Barker & Jane, 2016㧕ޕ⸥ߪ㧘㖸ᭉ⹏⺰ኅߩ⸒⪲ࠍᒁ↪ߒߟߟ㧘࿁ߩ࠺ࠖ
ࡦߦࠃࠆࡁࡌ࡞ᢥቇ⾨ฃ⾨߇ߘߩᵹࠇࠍᓟߒߔࠆ߽ߩߛߣ⸥ߒߡࠆ 㧔Sisario, Alter, & Chan, 2016, October 13㧕ޕ
ޓߎߩႺ⇇✢ߩᒁ߈⋥ߒߪ㧘ᢥቇߣቯ⟵ߐࠇࠆᵴേߩ▸࿐ࠍߎࠇ߹ߢߦ ߥߊᐢߍࠆⴕὑߩࠃ߁ߦ߃ࠆ߇㧘ᔅߕߒ߽ߘ߁ߣߪ㒢ࠄߥޕ⸥ߦࠃࠇ ߫㧘ᢥቇ⎇ⓥ⠪ߢࠬ࠙ࠚ࠺ࡦࠕࠞ࠺ࡒߩㆬ⠨ᆔຬߢࠆࠨ࠳࠾࠙ ࠬߪ㧘ࡎࡔࡠࠬ߿ࠨ࠶ࡈࠜߩࠃ߁ߥฎઍࠡࠪࡖߩੱߚߜ߇ญ⺆ߢຠ ࠍߒߚߎߣࠍᒁ߈วߦߒ㧘࠺ࠖࡦ߇ߘߩญᛚᢥቇߩવ⛔ࠍ⛮ᛚߒ ߡࠆߣ␜ໂߒߚޕߘߩᗧߦ߅ߡ㧘࿁ߩ࠺ࠖࡦߦࠃࠆࡁࡌ࡞ᢥቇ ⾨ฃ⾨ߪ㧘⁜ߊ㒢ቯߐࠇࠆะߦߞߚᢥቇߩ▸࿐ࠍฎઍࠡࠪࡖᤨઍߦߘ
߁ߢߞߚ▸࿐ߦ߹ߢᐢߍ⋥ߔ⹜ߺߣᝒ߃ࠄࠇࠆߛࠈ߁㧔Sisario, Alter, &
Chan, 2016, October 13㧕ޕ
ޓSisario㧘Alter㧘Chan ߪ㧘࠺ࠖࡦߩ⚻ᱧߦߟߡ߽߆ߥࠅ⚦ߦ⚫ߒߡ
ࠆޕ ᐕ㧘ࡒࡀ࠰࠲Ꮊ࠳࡞ࠬ㧔Duluth㧕ߦ↢߹ࠇߚ࠺ࠖࡦߪ㧘࠙
࠺ࠖࠟࠬߩવ⛔ࠍ⛮ᛚߔࠆࡈࠜࠢࠪࡦࠟߣߒߡ㧘ࡑࡦࡂ࠶࠲ ࡦධㇱࠣ࠾࠶ࠫࡧࠖ࠶ࠫߩࠢࡉ߿ࠞࡈࠚߢᵴേࠍᆎߚޕ⁛․ߩ
⹖ߣᭉᦛߦࠃߞߡઁߩࠕ࠹ࠖࠬ࠻߿ᛕ⹏ኅߚߜߩᵈ⋡ࠍ㓸ߚ࠺ࠖࡦ ߪ㧘ᢙᐕߩ㑆ߦߘߩ㖸ᭉࠍࠃࠅᵞ✵ߐߖࠆߣหᤨߦ㧘ࡠ࠶ࠢ߳ߣធㄭߒߡߞ ߚޕ ᐕߩ࠾ࡘࡐ࠻ࡈࠜࠢࡈࠚࠬ࠹ࠖࡃ࡞ߢߪ㧘ࡠ࠶ࠢࡃࡦ ࠼ࠍߞߡṶᄼߒ㧘৻ㇱߩࡈࠔࡦ߆ࠄᬺਥ⟵߳ߩりᄁࠅߛߣߒߡ㕖㔍ߐࠇ ߚޕ ᐕߩࠝ࠻ࡃࠗᓟߪ㧘ߒ߫ࠄߊ㑆ߩ⋡ࠍㆱߌߥ߇ࠄ㖸ᭉᵴ േࠍ⛯ߌߚޕ
ޓ ᐕ⊒ߩࠕ࡞ࡃࡓ Blood on the Tracks ߢੱ㑆㑐ଥ߇፣უߒߡߊ᭽ሶࠍ
✺ኒߦឬ౮ߒ㧘ߘߩ ᐕᓟߦ⊒ߐࠇߚ Slow Train Coming ߢߪࠠࠬ࠻ᢎࠍ
ਥ㗴ߣߒߚߎߣߢ⾥ุਔ⺰ࠍᏎ߈ߎߒߚޕᦨㄭߩຠߢߪ㧘߆ߟߡࡈࡦ ࠢࠪ࠽࠻ߥߤ߇ߞߚᵹⴕࠍ⥄Ꮖᵹߦ⸃㉼ߒߡࠆޕ߹ߚ࠺ࠖࡦߪ㧘 ᐕએ㒠㧘ㅢ⒓ޟࡀࡧࠔࠛࡦ࠺ࠖࡦࠣ࠷ࠕޠߣ߫ࠇࠆࠦࡦࠨ ࠻࠷ࠕࠍ⛘߃㑆ߥߊ⛯ߌߡࠆ㧔Sisario, Alter, & Chan, 2016, October 13㧕ޕ
ޓߎߩࠃ߁ߦ࠺ࠖࡦߩ⇛ᱧࠍ⸥ߒߚߩߜ㧘Sisario㧘Alter㧘Chan ߪ㧘
ᐕઍߦ߅ߌࠆ࠺ࠖࡦߩ㘑ߩᄌൻߦߟߡ㧘Giles Harvey ߩᢥ┨ࠍ⚫ߔ
ࠆޕHarvey ߦࠃࠇ߫㧘࠺ࠖࡦߪᒰᤨߩࡈࠜࠢ⇇ߦ⬧ᑧߒߡߚޟᢎ᧦
ਥ⟵⊛ߥᏀᵷᴦ㧔doctrinaire leftist politics㧕ޠߦህ᳇߇ߐߒ㧘ࠃࠅⓨᗐ⊛ߢ
࠽ࡦࡦࠬߥ⹖ࠍᦠߊࠃ߁ߦߥߞߚߣ߁ޕߘߎߢߪ㧘વ⛔⊛ߥࡈࠜࠢ
߇ឬߊޟ☻ߊ㧘ਅຠߢ㧘ήᴺߥ㧔rough, ribald, lawless㧕ޠ⇇ⷰ߇㧘ᱧผ㧘ᢥቇ㧘
વ⺑㧘⡛ᦠߥߤߩ⊓႐ੱ‛ߚߜߣ߱ߟ߆ࠅว߁ߣ Harvey ߪㅀߴࠆ㧔Sisario,
Alter, & Chan, 2016, October 13㧕ޕ
ޓᦨᓟߦ Sisario㧘Alter㧘Chan ߪ㧘࠺ࠖࡦߩᓇ㗀ജߩᄢ߈ߐࠍ⏕ߒߡ⸥ ࠍ✦ߊߊࠆޕߘߎߢߪ㧘࠺ࠖࡦ߇ઍߩ㖸ᭉߦਈ߃ߚᓇ㗀߇ᷓ㆙ߢ ࠆߎߣ㧘߹ߚ࠺ࠖࡦߦߟߡᄙߊߩᢥ₂߇↢ߺߐࠇ⛯ߌߡࠆߎߣ߇⸥ ߐࠇࠆޕߐࠄߦ࠺ࠖࡦ߇㧘ࠣࡒ⾨㧘ࠕࠞ࠺ࡒ⾨㧘ࠧ࡞࠺ࡦࠣࡠ ࡉ⾨㧘ࡇࡘ࠷ࠔ⾨․⾨㧘ᄢ⛔㗔⥄↱ൟ┨ࠍฃߌขࠆߣหᤨߦ㧘ࡠ࠶ ࠢߩᲚၴ߳ߩᲚၴࠅࠍᨐߚߒߡࠆߎߣ߽⚫ߐࠇࠆޕ ޓSisario㧘Alter㧘Chan ߦࠃࠆ⸥ߪ㧘࠺ࠖࡦߩࡁࡌ࡞ᢥቇ⾨ฃ⾨ߦߟ
ߡߩ৻⥸⊛ߥᖱႎࠍ⺒⠪ߦਈ߃ࠆߎߣࠍ⋡ᜰߒߚ߽ߩߛߣ⸒߃ࠆ㧔Sisario, Alter, & Chan, 2016, October 13㧕ޕ⸥ߪ㧘࠺ࠖࡦߦࠃࠆࡁࡌ࡞ᢥቇ⾨ฃ ⾨ߩታࠍવ߃ࠆߣหᤨߦ㧘ߎࠇ߇ᢥቇߩႺ⇇✢ࠍᒁ߈⋥ߔ᧪ߢࠆߣ ߁⸃㉼ࠍឭ␜ߒߡࠆޕ߹ߚ㧘࠺ࠖࡦߩ⚻ᱧࠍ߆ߥࠅߒߊ⚫ߔࠆߣ หᤨߦ㧘ߘߩᓇ㗀ജߩᄢ߈ߐࠍ⏕ߒߡࠆޕᣣᧄߩᣂ⡞ߦឝタߐࠇߚห᭽ ߩ⸥ߣૃߚౝኈߢߪࠆ߇㧘ߎߎߢߪࠃࠅ〯ߺㄟࠎߛ⸥ㅀ߇⹜ߺࠄࠇߡ ࠆߣ⸒߃ࠆߛࠈ߁ޕ ̆㧚␠⺑ ޓ ᐕ ᣣઃߩ␠⺑ߪ㧘࠺ࠖࡦߦࠃࠆࡁࡌ࡞ᢥቇ⾨ฃ⾨ࠍ⢐ ቯ⊛ߦฃߌᱛߡࠆޕ߹ߕ౨㗡ߦ߅ߡ␠⺑ߪ㧘࠺ࠖࡦߦࠃࠆࡁࡌ࡞ ᢥቇ⾨ฃ⾨ߩ࠾ࡘࠬ߇ᒰᤨࠊࠇߡߚᄢ⛔㗔ㆬએᄖߦ߆⠨߃ࠆߴ߈ߎ ߣ㧘⼏⺰ߔߴ߈ߎߣࠍੱ߮ߣߦਈ߃ߚߣߒߡ㧘ߎࠇࠍޟࠅ߇ߚࠄ߉㧔a
blessed relief㧕ޠߣߔࠆ㧔The Editorial Board, 2016, October 13㧕ޕߘࠇߣห ᤨߦ␠⺑ߪ㧘ߎߩ࠾ࡘࠬ߇࠾ࡘ࡛ࠞߚߜߦߣߞߡ․ߥᗧࠍᜬߟ ߎߣࠍᒝ⺞ߔࠆޕ࠺ࠖࡦߪ࠾ࡘ࡛ࠢߢ⥄ಽߩ⧓ⴚ⊛ᚽ⢻ࠍ㐿⧎ߐߖ㧘 ⁛⥄ߩ㖸ᭉ⇇ࠍഃㅧߒߚޕߘߩᗧߦ߅ߡ㧘࠺ࠖࡦߪ࠾ࡘ࡛ࠢߩ ᕷሶߢࠅ㧘࠾ࡘ࡛ࠢ߇↢ࠎߛࡁࡌ࡞⾨ฃ⾨⠪ߩࠃ߁ߥ߽ߩߛߣ␠⺑ ߪᦠߊ㧔The Editorial Board, 2016, October 13㧕ޕ
ޓ⛯ߡ␠⺑ߪ㧘࠾ࡘ࡛ࠢߣ߁႐ᚲ߇࠺ࠖࡦߣ߁ࡒࡘࠫࠪࡖࡦ ࠍ↢ߺߔߢᨐߚߒߚᓎഀࠍᒝ⺞ߔࠆޕ␠⺑ߦࠃࠇ߫㧘ࡒࡀ࠰࠲߆ࠄ⒖ ߒߚ߫߆ࠅߩ⧯߈ᣣߩ࠺ࠖࡦߪ㧘࠾ࡘ࡛ࠢߩࠣ࠾࠶ࠫࡧࠖ࠶ࠫ ߢṶᄼߩᯏળࠍᓧࠆߎߣߢ㧘ࡔ࠺ࠖࠕߩᵈ⋡ࠍ㓸ߚޕ࠾ࡘ࡛ࠢ࠲ࠗ ࡓ࠭ߩ㖸ᭉ⹏⺰ኅ Robert Shelton ߦࠃࠆ ᐕߩ⸥ߪ㧘࠺ࠖࡦߩᵴേࠍ ゠ߦਸ਼ߖࠆߢ㊀ⷐߛߞߚޕ߹ߚ㧘࠺ࠖࡦ߇ᢘᗲߔࠆ࠙࠺ࠖࠟࠬ ࠍ⸰ߨߚవߪ㧘࠾ࡘ࡛ࠢ㇠ᄖߩࠢࠗࡦ࠭ߛߞߚޕᒰᤨ㧘ᄙߊߩࡈࠜ ࠢࡒࡘࠫࠪࡖࡦߚߜࠍᗖ߈ߟߌߚ࠾ࡘ࡛ࠢࠪ࠹ࠖߩ⥄↱ߢࡌ
࡞ߥ㔓࿐᳇߇㧘࠺ࠖࡦߩ⧓ⴚᕈߣഃㅧᕈࠍೝỗߒߚߩߛࠈ߁ߣ␠⺑ߪផ ᷹ߔࠆ㧔The Editorial Board, 2016, October 13㧕ޕ
ޓ␠⺑ߦࠃࠇ߫㧘ࡁࡌ࡞ᢥቇ⾨ㆬ⠨ᆔຬળ߇㜞ߊ⹏ଔߒߚߩߪ㧘ᄙ⒳ᄙ᭽ ߥ߽ߩࠍๆߒ㧘⥄ಽߩຠߩਛߦขࠅㄟ࠺ࠖࡦߩ⢻ജߢࠆޕߘࠇࠍ
ⵣઃߌࠆߴߊ㧘␠⺑ߪవߦㅀߴߚ Robert Shelton ߩ⸒⪲ࠍ⚫ߔࠆޕShelton
ߪ㧘࠺ࠖࡦ߇ࡈࠜࠢ࠰ࡦࠣࠍᭂߡ⁛․ߥᣇߢ⸃㉼ߒߡࠆߎߣ㧘 ߹ߚߘߩᚻᴺ߇⛘߃㑆ߥߊㅴൻߒߡࠆߎߣߦᗵ㌏ࠍฃߌ㧘࠺ࠖࡦߪޟ
࿐߆ࠄߩᓇ㗀ࠍࠬࡐࡦࠫߩࠃ߁ߦๆߒ⛯ߌߡࠆޠߣᦠߚߣ߁㧔The
Editorial Board, 2016, October 13㧕ޕ
ޓShelton ߩ⸒⪲ߤ߅ࠅ㧘ߘߩᓟߩ࠺ࠖࡦߩ㖸ᭉᵴേߪᐢߊ㧘㆙ߊߦ߹ߢ
ࠎߛߣ␠⺑ߪ⸥ߔޕ࠺ࠖࡦߪࡈࠜࠢߩᨒߦ⇐߹ࠆߎߣߥߊ㧘ࡉ࡞࠭㧘
ࠧࠬࡍ࡞㧘ࡅ࡞ࡆ㧘ࡠ࠶ࠢࡦࡠ࡞ߥߤߦធㄭߒ㧘ߘࠇࠄߩ㖸ᭉ߆ࠄᷓ ᓇ㗀ࠍฃߌࠆߣหᤨߦ㧘ߘࠇࠄߩ㖸ᭉߦ⁛⥄ߩᓇ㗀ࠍਈ߃ߚޕ␠⺑ߪ㧘 ࡈࠜࠢ߿ࡉ࡞࠭ߥߤߩ㖸ᭉߦߤߞ߲ࠅߣᶐࠆߎߣ߇ޟ࠺ࠖࡦߩᦛᵴ േࠍน⢻߆ߟਇนㆱߦߒߡࠆ㧔made his songwriting possible, even inevitable㧕ޠ
ߣㅀߴߚߢ㧘એਅߩ࠺ࠖࡦߩ⸒⪲ࠍᒁ↪ߔࠆ㧔The Editorial Board, 2016,
October 13㧕ޕ
You just do it subliminally and unconsciously, because that’s all enough, and that’s all you know. That was all that was dear to me. They were the only kinds of songs that made sense.㧔Bob Dylan, quoted in The Editorial Board, 2016, October 13㧕
ᦨᓟߦ␠⺑ߪ㧘ඨ♿ߦ߱㖸ᭉᵴേߩਛߢ࠺ࠖࡦ߇↢ߺߒߡ߈ߚᭉᦛ ߩᢙޘࠍౣ߮⒓߃ߥ߇ࠄ㧘ߘߩ⸥ㅀࠍ⚳߃ߡࠆޕ ޓ࠾ࡘ࡛ࠢ࠲ࠗࡓ࠭ߩ␠⺑߇࠺ࠖࡦߦࠃࠆࡁࡌ࡞ᢥቇ⾨ฃ⾨ࠍ⢐ ቯ⊛ߦฃߌᱛߡࠆߎߣߪ㧘㛳ߊߦߪߚࠄߥߛࠈ߁ޕ࠾ࡘ࡛ࠢߪ ࠺ࠖࡦߣ✼ߩᷓ႐ᚲߢࠆߒ㧘࠾ࡘ࡛ࠢ߿࠾ࡘ࡛ࠢ࠲ࠗࡓ࠭ ߩࡌ࡞ߥ᳇㘑ߣ࠺ࠖࡦߩ㘑ߦߪㅢߓࠆߣߎࠈ߇ࠆޕߘߩ৻ᣇߢ㧘
వ߶ߤีߒߚ Sisario㧘Alter㧘Chan ߦࠃࠆ⸥߿㧘ߎࠇ߆ࠄีߔࠆߊ ߟ߆ߩ⸥ߣᲧߴߡ㧘␠⺑ߩ⸥ㅀ߇߿߿◲⚛ߥශ⽎ࠍਈ߃ࠆߩ߽ታߢࠆޕ ࠕࡔࠞวⴐ࿖ߦ߅ߡߪ㧘ߔߢߦ࠺ࠖࡦߦߟߡᄙߊ߇⺆ࠄࠇߡ߅ࠅ㧘 ߹ߚ࿁ߩฃ⾨ߦߟߡߪઁߩ⸥߇ࠃࠅ〯ߺㄟࠎߛ⸥ㅀࠍឭଏߒߡࠆߎ ߣ߆ࠄ㧘␠⺑߇ߘߎߦ߃ߡ⸒⪲ࠍ⿷ߔᔅⷐߪߥ߆ߞߚߣ߁ߎߣ߆߽ߒࠇ ߥޕ ̆㧚ᛕ⹏⸥
ޓᢥቇᛕ⹏ኅ Dwight Garner ߦࠃࠆ⸥ߣ㖸ᭉᛕ⹏ኅ Jon Pareles ߦࠃࠆ⸥
ߪ㧘৻⥸⊛ߥ⸥߿␠⺑ࠃࠅ߽㧘⋥ធ⊛ߦ㧘ജᒝߊ㧘࠺ࠖࡦߩࡁࡌ࡞ᢥ
ቇ⾨ฃ⾨ࠍᡰᜬߒߡࠆޕ߹ߕᢥቇᛕ⹏ኅ Dwight Garner ߪ㧘࿁ߩࠬ࠙ࠚ
࠺ࡦࠕࠞ࠺ࡒߩㆬᛯ߇ઁߩᢥቇ⠪ߚߜࠍផߒߡߚᄙߊߩੱ߮ߣࠍ࿎ᖺ ߐߖߚߢࠈ߁ߎߣࠍߚߢ㧘⥄ಽ⥄りߪߘߩㆬᛯࠍએਅߩࠃ߁ߦᡰᜬ ߔࠆޕ
This Nobel acknowledges what we’ve long sensed to be true: that Mr. Dylan is among the most authentic voices America has produced, a maker of images as audacious and resonant as anything in Walt Whitman or Emily Dickinson.㧔Garner, 2016, October 13㧕
ߎߎߢ Garner ߪ㧘࠺ࠖࡦࠍࠕࡔࠞวⴐ࿖߇↢ߺߒߚਛߢᦨ㜞᳓Ḱߩ ޟᧄ‛ߩჿ㧔authentic voice㧕ޠࠍᜬߟ⠪ߢࠆߣߒߟߟ㧘ߘߩᢥቇ⊛ᗐജࠍ ࠙ࠜ࡞࠻࠙ࠖ࠶࠻ࡑࡦ߿ࠛࡒ࠺ࠖࠠࡦ࠰ࡦߣߞߚਇേߩฬჿࠍ ࠆੱߚߜߩߘࠇߦᢜߔࠆߣㅀߴߡࠆ㧔Garner, 2016, October 13㧕ޕ ޓߘߩ৻ᣇߢGarner ߪ㧘࠺ࠖࡦߩ⹖߇⚕ߩߦᢥሼߣߒߡᦠ߆ࠇߚ ߣߪ㆑߁ߎߣߦᵈ⋡ߔࠆޕ ᐕߩ࠺ࠖࡦߩᭉᦛޟDesolation Rowޠߩ ⹖ࠍޟ↢ߌ߆߽ߒࠇߥ㧔possibly half-baked㧕ޠߣ⹏ߒߚࠗࠡࠬߩੱ
Philip Larkin ߩ⸒⪲ࠍᒁ↪ߒߟߟ㧘Garner ߪ࠺ࠖࡦߩ⸒⪲߇⚕ߩߢߘߩ
ߢ Garner ߪ㧘࠺ࠖࡦߩ⸒⪲߇㖸ߣߒߡ⊒ߖࠄࠇߚߣ߈ߦߟ㝯ജߦߟ ߡએਅߩࠃ߁ߦᦠߊޕ
But Mr. Dylan’s work ̆ ̌with its iambics, its clackety-clack rhymes, and its scattergun images,̍ as the critic Robert Christgau wrote ̆ has its own kind of emblematic verbal genius. His diction, focus and tone are those of a caustically gifted word man; his metrical dexterity is everywhere apparent. He is capable of rhetorical organization; more often he scatters his rhetoric like seed, or like curses.㧔Garner, 2016, October 13㧕
⒳ࠍ᠋߈ᢔࠄߔࠃ߁ߦ㧘ࠆߪࠍ᠋߈ᢔࠄߔࠃ߁ߦ⊒ߖࠄࠇࠆ࠺ࠖ ࡦߩ⸒⪲ߪ㧘ᢥሼߣߒߡ⺒߹ࠇࠆࠃࠅ߽㖸ߣߒߡ⡬߆ࠇߚߣ߈ߦᒝജࠍ
ߟޕߘ߁ㅀߴࠆ Garner ߪ㧘࠺ࠖࡦߣหᤨઍߦ↢߈ࠆᐘㆇߦᗵ⻢ߒߥ߇ࠄ
⸥ࠍ✦ߊߊߞߡࠆޕ
ޓ㖸ᭉᛕ⹏ኅ Jon Pareles ߪ㧘࠺ࠖࡦߩࡁࡌ࡞ᢥቇ⾨ฃ⾨ߦߟߡ㧘ޟߥ
ߗߎࠎߥߦ߽ᤨ㑆߇߆߆ߞߚߩ߆㧔what took them so long? 㧕ޠߣ߆ߌߥ
߇ࠄ㧘⸥ࠍᆎࠆ㧔Pareles, 2016, October 13㧕ޕPareles ߦࠃࠇ߫㧘࠺ࠖࡦ
ߪᧄᩰ⊛ߥഃᵴേࠍᆎߚ ᐕઍ߆ࠄ⸒⪲ߣ㖸ᭉࠍ㊀ࠎߓࠆੱ߮ߣߦ
㜞ߊ⹏ଔߐࠇߡ߈ߚޕߘࠇߪ㧘࠺ࠖࡦߩ㘑ࠍߔޟDylanesqueޠߣ߁
ᒻኈ⹖߇߆ߥࠅᣧᤨᦼ߆ࠄࠊࠇߡ߈ߚߣ߁ታߦࠃߞߡ߽␜ߐࠇߡ
ࠆ㧔Pareles, 2016, October 13㧕ޕޟ࠺ࠖࡦ㘑㧔Dylanesque㧕ޠߣߒ߆ߔࠆߎ
ߣ߇ߢ߈ߥࠃ߁ߥ࠺ࠖࡦ․ߩഃᵴേߦߟߡ㧘Pareles ߪએਅߩࠃ߁
ߦᦠߊޕ
But there’s no question that Mr. Dylan has created a great American songbook of his own: an e pluribus unum of high-flown and down-home, narrative and imagistic, erudite and earthy, romantic and cutting, devout and iconoclastic, finger-pointing and oracular, personal and universal, compassionate and pitiless. His example has taught writers of all sorts ̆ not merely poets and novelists ̆ about strategies of both pinpoint clarity and anyone’s-guess free association, of telegraphic brevity and ambiguous, kaleidoscopic moods.㧔Pareles, 2016, October 13㧕
ߎߩ Pareles ߩ⸒⪲ߪ㧘࠺ࠖࡦߩຠ߇ౝ൮ߔࠆਔ⟵ᕈࠍ߁߹ߊᝒ߃ߡ
ࠆޕ࠺ࠖࡦߩຠߪ㧘ޟⴙቇ⊛ߢࠆߣหᤨߦ⚛ᧉ㧘ࡠࡑࡦ࠹ࠖ࠶ࠢߢ
ࠆߣหᤨߦ∩ὓ㧘ᢘ⯩ߢࠆߣหᤨߦ࿃⠌ᛂ⎕⊛㧘ᛕ್⊛ߢࠆߣหᤨߦ㗍 ⸒⊛㧘ੱ⊛ߢࠆߣหᤨߦ᥉ㆉ⊛㧘ᖱߌᷓߣหᤨߦήᘏᖤޠߢࠆߣ Pareles ߪᦠߊ㧔Pareles, 2016, October 13㧕ޕߎߩࠃ߁ߦߦ⍦⋫ߔࠆⷐ⚛ࠍ ࠊߖߡขࠅㄟߺߥ߇ࠄ㧘৻ߟߩ߹ߣ߹ߞߚຠࠍࠅߍߡߒ߹߁ߣߎࠈ ߦ࠺ࠖࡦߩ⧓ⴚ⊛ᚻ⣨ࠍ⏕ߔࠆߎߣ߇ߢ߈ࠆޕ ޓPareles ߦࠃࠇ߫㧘࠺ࠖࡦߪߘߩᵴേߩೋᦼ߆ࠄࡂࠗࠞ࡞࠴ࡖߣࡠ࠙ࠞ ࡞࠴ࡖߩႺ⇇✢ࠍਸ਼ࠅ߃ߡ߈ߚޕ࠺ࠖࡦߪߘߩຠߩਛߦ㧘ᵗᢥቇ ߛߌߢߥߊ㧘ࡉ࡞࠭߿࠾ࡘࠬߩ⸒⪲ࠍขࠅㄟࠎߢ߈ߚޕࠪࠚࠗࠢࠬࡇࠕ㧘 ࠙࠺ࠖࠟࠬ㧘ࡠࡃ࠻࡚ࠫࡦ࠰ࡦ㧘ࠕ࡞࠴ࡘ࡞ࡦࡏ㧘⡛ ᦠ㧘ࡆ࠻ᢥቇ⠪ߚߜ㧘ߘߒߡήฬߩࡈࠜࠢࠪࡦࠟߚߜߩ⸒⪲ࠍ⥄ಽ ߩຠߦ⥄ߦ❱ࠅߗࠆ࠺ࠖࡦࠍ Pareles ߪޟࡐࠬ࠻ࡕ࠳ࡦߩవ㚟⠪
㧔postmodern pioneer㧕ޠ㧘ࠆߪޟ৻ੱࠗࡦ࠲ࡀ࠶࠻㧔one-man internet㧕ޠ
ߣ߱㧔Pareles, 2016, October 13; see Baker & Jane, 2016; Belsey, 2002; Butler, 2002;
ࡃࡈ࠴ࡦ㧘1995㧕ޕ
ޓߐࠄߦ Pareles ߪ㧘࠺ࠖࡦߩᵴേ߇ޟญᛚߩવ⛔㧔oral tradition㧕ޠࠍ
ฃ ߌ ⛮ ߋ ߽ ߩ ߢ ࠆ ߎ ߣ ߦ ᵈ ᗧ ࠍ ଦ ߔ㧔Pareles, 2016, October 13; see Ong, 1982㧕ޕPareles ߦࠃࠇ߫㧘࠺ࠖࡦߩ⸒⪲ߪࠊࠇࠆߚߦᦠ߆ࠇߡࠆޕ
ߘࠇߪ㧘ᕷ㆜㧘࠭ࡓ㧘㖸ߩ㜞ૐ߿ᒝᒙߣኒធߦ⛊ߺวߞߡࠆޕޟࡀࡧࠔ
ࠛࡦ࠺ࠖࡦࠣ࠷ࠕޠߦ߅ߡ㧘࠺ࠖࡦߪࠬ࠹ࠫߏߣߦ໒ߣṶᄼࠍ ᄌൻߐߖࠆޕߘߩᐲߦ࠺ࠖࡦߩ⸒⪲ߪᣂߒᗧࠍ₪ᓧߔࠆޕߘ߁ߔࠆߎ ߣߢ㧘࠺ࠖࡦߪޟ߹ࠆߢ⥄ಽ߇ߘࠇࠍ৻ᐲ߽ᚻߦߒߚߎߣ߇ߥ߆ߩࠃ߁ ߦ㧘 ฬ ჿ ࠍ ข ࠅ ᚯ ߒ ⛯ ߌ ߡ ࠆ㧔constantly recharging his reputation, as if he hadn’t already earned it all㧕ޠࠃ߁ߛߣ Pareles ߪᦠߊ㧔Pareles, 2016, October 13㧕ޕ
ޓᦨᓟߦ Pareles ߪ㧘࠺ࠖࡦߩ⹖߇߆ߦᢥቇ⊛ߢࠆ߆ࠍએਅߩࠃ߁
Mr. Dylan’s place in literature ̆ the way he drew his very individual, paradigm-shifting radicalism from folk music’s memory, its imaginative preservation of tradition ̆ was clear long before the literary establishment deigned to recognize him. The Nobel doesn’t have to certify Mr. Dylan; half a century of literature and songwriting have heard him and responded. Long before the prizes started rolling in, he had already rewired our minds. Still, better late than never.㧔Pareles, 2016, October 13㧕
Pareles ߦࠃࠇ߫㧘࠺ࠖࡦߪࡈࠜࠢࡒࡘࠫ࠶ࠢߩવ⛔ࠍ〯߹߃ߟߟ㧘 ߘࠇࠍᭂߡ⁛․߆ߟ࠺ࠖࠞ࡞ߥᣇߢౣ᭴▽ߒߡ߈ߚޕߘߒߡߘߩታ ߪ㧘ࠬ࠙ࠚ࠺ࡦࠕࠞ࠺ࡒ߇࠺ࠖࡦࠍࠆࠃࠅ߽ߕߞߣ೨߆ࠄ㧘
ኅ߿㖸ᭉኅߚߜߦ⼂ߐࠇߡ߈ߚޕߘߩࠃ߁ߦᦠߊ Pareles ߪ㧘࿁ߩ࠺ࠖ
ࡦߩࡁࡌ࡞ᢥቇ⾨ฃ⾨ࠍޟㆃ߆ߞߚߌࠇߤ߽㧘ߥࠃࠅߪ߹ߒ㧔better
late than never㧕ޠߣ᱑ㄫߒߡ⸥ࠍ⚳߃ߡࠆޕ
ޓએߢ⏕ߒߚࠃ߁ߦ㧘Garner ߣ Pareles ߦࠃࠆᛕ⹏⸥ߪ㧘࠺ࠖࡦߩ ᵴേߩ⁛ഃᕈߣᢥቇᕈࠍ⒓߃ߟߟ㧘࿁ߩ࠺ࠖࡦߦࠃࠆࡁࡌ࡞ᢥቇ ⾨ฃ⾨ࠍᡰᜬߔࠆਥᒛࠍዷ㐿ߒߡࠆޕߎࠇࠄߩ⸥ߪ㧘࠺ࠖࡦߩ⸒⪲߇ ᢥሼߣߒߡ⺒߹ࠇࠆࠃࠅ߽㖸ߣߒߡ⡬߆ࠇߚߣ߈ߦᒝജࠍߟߣ߁ߎ ߣ㧘ߔߥࠊߜ࠺ࠖࡦߩᵴേ߇ญᛚߩવ⛔ࠍߒߡࠆߎߣࠍᒝ⺞ߒ ߡࠆޕ߹ߚ㧘࠺ࠖࡦߩຠ߇⍦⋫߿ኻ┙ࠍౝ൮ߔࠆਔ⟵⊛ߥ߽ߩߢࠆ ߎߣ㧘ߘߒߡࡂࠗࠞ࡞࠴ࡖߣࡠ࠙ࠞ࡞࠴ࡖߩႺ⇇✢ࠍਸ਼ࠅ߃ࠆࠃ߁ߥ ߽ߩߢࠆߎߣࠍ⏕ߒߡࠆޕ ̆㧚࠾ࡘ࡛ࠢߦᩮᏅߒߚ⸥ ޓJoseph Berger ߦࠃࠆ⸥ߪ㧘࠺ࠖࡦߣ࠾ࡘ࡛ࠢߩ㑐ࠊࠅߩᷓߐࠍ⸥
ㅀߔࠆߎߣߦὶὐࠍ⛉ߞߡࠆ㧔Berger, 2016, October 14㧕ޕBerger ߦࠃࠇ߫㧘
⧯߈ᣣߩ࠺ࠖࡦߪࠣ࠾࠶ࠫࡧࠖ࠶ࠫߩࠦࡅࡂ࠙ࠬߦࠅߔࠆ ࡈࠜࠢࠪࡦࠟߣߒߡ㧘㑆ߩᵈ⋡ࠍ㓸ࠆࠃ߁ߦߥߞߚޕࡒࡀ࠰࠲Ꮊ ߆ࠄ⒖ߒߚᓟ㧘࠺ࠖࡦ߇ᦨೋߦ୫ࠅߚࠕࡄ࠻ߪࡑࡦࡂ࠶࠲ࡦධㇱߩ
࠙ࠚࠬ࠻ࡈࠜࠬࠬ࠻࠻ ⇟㧔161 West Fourth Street㧕ߦߞߚޕ
ᐕߩᭉᦛޟDon’t Think Twice, It’s All Rightޠߩ⹖ߦޟᄛߌߦ߅ࠎߤ
ࠅ߇㡆ߊߣ߈㧘⓹ߩᄖࠍߡߏࠄࠎ㧘ߪߥߊߥߞߡࠆࠃ㧔When your
rooster crows at the break of dawn, Look out your window and I’ll be gone㧕ޠߣ߁
৻▵߇ࠆ߇㧘ߎߩ߅ࠎߤࠅߪᒰᤨ࠻ࡦࡊ࠰ࡦࠬ࠻࠻㧔Thompson
Street㧕ߣࡉࠞࠬ࠻࠻㧔Bleecker Street㧕ߩᏅὐߦߞߚ㢚⡺ደ
ߩ߅ࠎߤࠅߛߞߚߣ߁ޕߎࠇߪࠬ࠭ࡠ࠻ࡠ㧔Suze Rotolo㧕߇ߘߩ࿁㘈
㍳ߦᦠߡࠆߎߣߛ߇㧘ࡠ࠻ࡠߪ࠺ࠖࡦߩᒰᤨߩᕜੱߢ㧘ᓐᅚ߇࠺ࠖ
ࡦߣ⣨ࠍ⚵ߺߥ߇ࠄᱠߡࠆ౮⌀ߪ㧘 ᐕߩࠕ࡞ࡃࡓ The Freewheelin̉ Bob
Dylan ߩࠫࡖࠤ࠶࠻ߦࠊࠇߡࠆ㧔Berger, 2016, October 14㧕ޕ
ޓBerger ߪ㧘࠺ࠖࡦߣ࠾ࡘ࡛ࠢߩ㑐ଥࠍޟⶄ㔀ߢߪࠆ߇㧘㕖Ᏹߦ⼾
㙷ߥࡠࡑࡦࠬ㧔complicated, but extraordinary fertile romance㧕ޠߣߔࠆ㧔Berger, 2016, October 14㧕ޕBerger ߦࠃࠇ߫㧘࠺ࠖࡦߪ ᐕઍ߆ࠄ ᐕઍߦ ߆ߌߡߩ߽ߞߣ߽↢↥⊛ߥᤨᦼࠍ࠾ࡘ࡛ࠢߢㆊߏߒߚޕࡈࠜࠢࠪࡦ ࠟ㧘࡚ࠫࡦࡃࠛ࠭㧔Joan Baez㧕ߣ⑳ߣ߽ߦᷓ㑐ଥߦߥࠅ㧘ࠦࡠࡦ ࡆࠕࠦ࠼ߣߩᄾ⚂ࠍᚻߦߒ㧘ߩߜߦሶߤ߽ߚߜߩ߁ߜߩᢙੱࠍ⢒ߡߚ ߩ߽࠾ࡘ࡛ࠢߛߞߚޕ ޓ࠺ࠖࡦ߇ࡒࡀ࠰࠲߆ࠄ࠾ࡘ࡛ࠢࠪ࠹ࠖߦ⒖ࠅࠎߛ ᐕ㗃 ߩࠣ࠾࠶ࠫࡧࠖ࠶ࠫߪ㧘ࡈࠜࠢࡒࡘࠫ࠶ࠢߩਛᔃߛߞߚߣ Berger ߪᦠߊޕ࠺ࠖࡦߪೋߡࠣ࠾࠶ࠫࡧࠖ࠶ࠫࠍ⸰ࠇߚᣣ㧘Cafe Wha? ߢṶᄼߒ㧘ߘߩᓟ㧘Gerde’s Folk City ߿ Gaslight Cafe ߳ߣᵴേߩ႐ࠍᐢ
ߍߡߞߚޕ ᐕ 㧘Gerde’s Folk City ߢ࠺ࠖࡦߩṶᄼࠍ⋡ߦߒߚ
࠾ࡘ࡛ࠢ࠲ࠗࡓ࠭ߩ㖸ᭉ⹏⺰ኅ Robert Shelton ߪ㧘ߎࠇࠍ⛘⾥ߒ㧘ߘ
ߩ⹏ଔ߇࠺ࠖࡦߩࠦࡠࡦࡆࠕࠦ࠼ߣߩᄾ⚂ߦߟߥ߇ߞߚߣ߁ 㧔Berger, 2016, October 14㧕ޕ
ޓBerger ߪ㧘ࠬ࠭ࡠ࠻ࡠ߇࠺ࠖࡦߦਈ߃ߚᓇ㗀ߦߟߡ߽ᄙߊࠍ⸥ߒ
✜ߦࠄߒᆎߚ࠺ࠖࡦߣࡠ࠻ࡠߪ㧘ࡑࡦࡂ࠶࠲ࡦධㇱࠍᓨᓝߒ㧘ઁߩ ࡒࡘࠫࠪࡖࡦ߿⧓ⴚኅߚߜߣᵹߒߚޕࠗ࠲ࠕ♽↥ౄຬߩਔⷫߩ߽ߣ㧘 ࠢࠗࡦ࠭ߢ⢒ߞߚࡠ࠻ࡠߪ㧘Ꮐᵷ⊛ߥᴦᕁᗐࠍᜬߞߡ߅ࠅ㧘࠺ࠖࡦߪ ᓐᅚ߆ࠄ␠ળ㗴ߦߟߡቇࠎߛޕ࠺ࠖࡦߪࡠ࠻ࡠߦㅪࠇࠄࠇߡ⟤ⴚ㙚߿ ዊ႐ࠍ⸰ࠇ㧘ߘߎߢ⋡ߦߒߚ⛗↹߿߆ࠄೝỗࠍฃߌߚ㧔Berger, 2016, October 14㧕ޕ ޓߎߩࠃ߁ߦ Berger ߩ⸥ߪ㧘࠺ࠖࡦߣ࠾ࡘ࡛ࠢߩ㑐ࠊࠅߩᷓߐࠍ ౕߣߣ߽ߦ⸥ㅀߒߡߊޕߘߎߦߪ㧘࠾ࡘ࡛ࠢ߇⧯߈ᣣߩ࠺ࠖࡦ ߦṶᄼߣᚑഞߩᯏળࠍਈ߃㧘ߘߎߢળߞߚੱ߮ߣ߇࠺ࠖࡦߩᗵᕈࠍೝỗ ߒߡߊ᭽ሶ߇ឬ߆ࠇߡࠆޕ߹ߚ㧘࠺ࠖࡦߩ㖸ᭉߣᢥቇ߇࠾ࡘ࡛ࠢ ߣ߁ഃߩფߦࠃߞߡ⢒߹ࠇߚߎߣ߇⸥ߐࠇߡࠆޕ
㧚߹ߣߣ⠨ኤ
ޓ࠾ࡘ࡛ࠢ࠲ࠗࡓ࠭ߦឝタߐࠇߚ⸥ߦߪ㧘࠺ࠖࡦߩࡁࡌ࡞ᢥቇ ⾨ฃ⾨ࠍ৻⥸⊛ߦવ߃ࠆ⸥㧘ฃ⾨ߦኻߔࠆ࠾ࡘ࡛ࠢ࠲ࠗࡓ࠭ߣߒߡ ߩ┙႐ࠍߔࠆ␠⺑㧘ᢥቇᛕ⹏ኅ߿㖸ᭉᛕ⹏ኅ߇ฃ⾨ߦߟߡߩ⥄ಽߩᗧ ࠍㅀߴࠆᛕ⹏⸥㧘ߘߒߡ࠺ࠖࡦߣ࠾ࡘ࡛ࠢߩ㑐ࠊࠅࠍ⚫ߒߚ ၞ⦡ߩᒝ⸥߇߹ࠇߡߚޕߎࠇࠄߩ⸥ߦߪߊߟ߆ߩ․ᓽ߇ࠆޕ ޓ߹ߕ㧘ో⊛ߥะߣߒߡ㧘࠾ࡘ࡛ࠢ࠲ࠗࡓ࠭ߩ⸥ߪ࠺ࠖࡦߩ ࡁࡌ࡞ᢥቇ⾨ฃ⾨ߦᅢᗧ⊛ߛߣ⸒߃ࠆޕ␠⺑ߪ㧘࠺ࠖࡦߩࡁࡌ࡞⾨ฃ ⾨ࠍޟࠅ߇ߚࠄ߉㧔a blessed relief㧕ޠߣߒ㧘ర߇↢ࠎߛࡁࡌ࡞⾨ฃ⾨⠪ߣߒߡ࠺ࠖࡦࠍ⒓߃ߚ㧔The Editorial Board, 2016, October 13㧕ޕ
ᢥቇᛕ⹏ኅߩ Dwight Garner ߪ㧘࠺ࠖࡦࠍ࠙ࠜ࡞࠻࠙ࠖ࠶࠻ࡑࡦ߿ࠛࡒ
࠺ࠖࠠࡦ࠰ࡦߦᢜߔࠆኅߣ⹏ଔߒ㧘㖸ᭉᛕ⹏ኅߩ Jon Pareles ߪ㧘
࠺ࠖࡦߩ⧓ⴚᕈߩ㜞ߐߪࠬ࠙ࠚ࠺ࡦࠕࠞ࠺ࡒ߇ࠆߕߞߣ೨߆ࠄ ኅ ߿ 㖸 ᭉ ኅ ߚ ߜ ߦ ⼂ ߐ ࠇ ߡ ߈ ߚ ߣ ㅀ ߴ ߚ㧔Garner, 2016, October 13;
Pareles, 2016, October 13㧕ޕ࠺ࠖࡦߩ㘑ߣ࠾ࡘ࡛ࠢ࠲ࠗࡓ࠭ߩࡌ ࡞ߥ᳇㘑ߦㅢὐ߇ࠆߎߣࠍ〯߹߃ࠆߣ㧘࠾ࡘ࡛ࠢ࠲ࠗࡓ࠭߇࠺ࠖ ࡦߩฃ⾨ࠍ⒓⾥ߔࠆߩߪ⥄ὼߥߎߣ߆߽ߒࠇߥޕ ޓߎࠇߦ㑐ㅪߒߡ㧘࠾ࡘ࡛ࠢ࠲ࠗࡓ࠭ߩ⸥ߪ㧘࠺ࠖࡦߣ࠾ࡘ࡛ ࠢߩ㑐ࠊࠅߩᷓߐߦߟߡㅀߴߡࠆޕ ᐕઍߦ࠺ࠖࡦ߇ᧄᩰ⊛ߥ㖸 ᭉᵴേࠍዷ㐿ߒ㧘ࡒࡘࠫࠪࡖࡦߣߒߡߩฬჿࠍ₪ᓧߒߡߊὐߣߥߞߚ ߩ߇࠾ࡘ࡛ࠢߛߞߚޕ࠺ࠖࡦߪ㧘࠾ࡘ࡛ࠢߢߩ⚻㛎ߣᵹࠍߣ߅ ߒߡ㧘⥄ࠄߩ⧓ⴚᕈߣജࠍ㜞ߡߞߚޕ߹ߢ⡬߈⛮߇ࠇߡࠆ The Freewheelin̉ Bob Dylan㧔1963㧕㧘The Times They Are a-Changin̉㧔1964㧕㧘Bringing It All Back Home㧔1965㧕㧘Highway 61 Revisited㧔1965㧕㧘Blonde on Blonde㧔1966㧕ߥߤߩ࠺ࠖ ࡦߩઍߦߪ㧘ࠣ࠾࠶ࠫࡧࠖ࠶ࠫࠍਛᔃߣߔࠆᒰᤨߩ࠾ࡘ࡛ ࠢߩ㔓࿐᳇߇⦡ỚߊᤋߐࠇߡࠆޕJoseph Berger ߦࠃࠆ⸥ߪ㧘࠾ࡘ࡛ ࠢߢߩ⚻㛎߇࠺ࠖࡦߩഃᵴേߣ߆ߦኒធߦ⚿߮ߟߡߚ߆ࠍߒߊ ⸥ㅀߒߡࠆ㧔Berger, 2016, October 14㧕ޕ ޓߊߟ߆ߩ⸥ߪ㧘࠺ࠖࡦߩᵴേ߇ࡂࠗࠞ࡞࠴ࡖߣࡠ࠙ࠞ࡞ ࠴ ࡖ ߩ 㑆 ߩ Ḵ ࠍ ၒ ࠆ ߽ ߩ ߢ ࠆ ߎ ߣ ࠍ ᒝ ⺞ ߒ ߡ ࠆ㧔Pareles, 2016, October 13; Sisario, Alter, & Chan, 2016, October 13; see Barker & Jane, 2016㧕ޕ࠺ࠖ ࡦߪߘߩຠߩਛߦ㧘ࠪࠚࠗࠢࠬࡇࠕ߿⡛ᦠ߆ࠄߩᒁ↪ߣหᤨߦ㧘ࡈࠜ ࠢ߿ࡉ࡞࠭ߩ⹖ࠍ⥄ߦ❱ࠅߗࠆޕ࠺ࠖࡦߩᭉᦛߦ߅ߡߪ㧘⚐ᢥ ቇߩ⸒⪲ߣࡐࡇࡘࡒࡘࠫ࠶ࠢߩ⸒⪲߇㆑ᗵߥߊ૬ሽߒߡࠆޕߘߒ
ߡ㧘ߘߩࠃ߁ߥᵴേߦࡁࡌ࡞ᢥቇ⾨ࠍਈߔࠆߎߣߦࠃߞߡ㧘ࠬ࠙ࠚ
࠺ࡦࠕࠞ࠺ࡒߪᢥቇߩႺ⇇✢ࠍᒁ߈⋥ߒߡࠆߣ࠾ࡘ࡛ࠢ࠲ࠗࡓ ࠭ߩ⸥ߪㅀߴߡࠆ㧔Sisario, Alter, & Chan, 2016, October 13㧕ޕ
ޓ࠺ࠖࡦߩຠߪ㧘ࡂࠗࠞ࡞࠴ࡖߣࡠ࠙ࠞ࡞࠴ࡖߩ㑆ߩḴࠍၒߡ ߊߛߌߢߥߊ㧘᭽ߑ߹ߥੑ㗄ኻ┙߿⍦⋫ࠍࠊߖߡᛴ߃ㄟജࠍᜬߞߡࠆ ߣᜰ៰ߔࠆ⸥߽ࠆޕ࠺ࠖࡦߩຠߦߪ㧘㔍⸃ߥ㕙߽ࠇ߫㧘ᐔᤃߥ㕙 ߽ࠆޕᗵ்⊛ߥ㕙߽ࠇ߫㧘㕖ᖱߥ㕙߽ࠆޕ㕟ᣂ⊛߆ߟ೨ⴡ⊛ߥ㕙߽
ࠇ߫㧘⊛߆ߟવ⛔⊛ߥ㕙߽ࠆޕ␠ળ⊛ਇᱜߦኻߔࠆᙍࠅࠍ₸⋥ߦ ߒߚ߆ߣᕁ߃߫㧘ੱ⊛ߥ‛⺆ࠍ❫⚦ߦ⺆ࠆޕ࠺ࠖࡦߩຠ߇ᜬߟߎߩࠃ
߁ߥਔ⟵ᕈࠍ㖸ᭉᛕ⹏ኅ Jon Pareles ߪޟࡐࠬ࠻ࡕ࠳ࡦ㧔postmodern㧕ޠߣ߁
⸒⪲ߢߒߚ㧔Pareles, 2016, October 13㧕ޕ࠺ࠖࡦߩຠࠍ⽎ᓽߔࠆਔ⟵ᕈ㧘
㔀⒳ᕈ㧘ࠆߪᄙჿᕈߪ㧘ࠆᗧߢߪ㧘⏕߆ߦޟࡐࠬ࠻ࡕ࠳ࡦޠߣ߮ ᓧࠆ߽ߩ߆߽ߒࠇߥ㧔Barker & Jane, 2016; Belsey, 2002; Butler, 2002; ࡃࡈ࠴ࡦ㧘 1995㧕ޕߘߩ৻ᣇߢ㧘࠺ࠖࡦߩຠߦߪ㧘ߘߩޟࡐࠬ࠻ࡕ࠳ࡦޠߣ߁࠶ ࠹࡞ߐ߃߽⋥ߜߦᜎ⛘ߒߡߒ߹߁ᝒ߃ߤߎࠈߩߥߐ߇ࠆߩ߽ታߢࠆޕ ࠆߪ㧘ࠄࠁࠆߟߌߦኻߒߡุࠍ⓭߈ઃߌ⛯ߌࠆߣߎࠈ߇㧘࠺ࠖ
ࡦߩഃߩ․ᓽߛߣ⸒߃ࠆ߆߽ߒࠇߥ㧔⧎ᧁ㧘2007㧕ޕ
ޓᦨᓟߦ㧘࠾ࡘ࡛ࠢ࠲ࠗࡓ࠭ߩ⸥ߪ㧘࠺ࠖࡦߩຠ߇ญᛚᢥቇߩ
વ⛔ࠍ⛮ᛚߒߡࠆߎߣࠍᒝ⺞ߒߡࠆ㧔Garner, 2016, October, 13; Pareles,
2016, October 13; Sisario, Alter, & Chan, 2016, October 13㧕ޕ࠺ࠖࡦߩ⹖ߪ㧘 ⚕ߩߢᢥሼߣߒߡ⺒߹ࠇࠆߚߢߪߥߊ㧘Ṷᄼࠍߞߚߣߒߡ⡬߆ࠇࠆ ߚߦᦠ߆ࠇߡࠆޕߘࠇߪ㧘ᕷ㆜㧘࠭ࡓ㧘㖸ߩ㜞ૐߣᒝᒙ㧘ߐࠄߦߪ ႐ߩ㔓࿐᳇߿⡬ⴐߣߩ㑐ଥᕈߦࠃߞߡ㧘ߘߩᗧࠍᄌኈߐߖࠆޕᢥቇߣߪ⚕ ߦᦠ߆ࠇߚᢥሼߩᒻߢឭ␜ߐࠇࠆ߽ߩߢࠆߣ߁ℂ⸃ߪ㧘ㄭઍએ㒠ߩᵗ ␠ળߦ߅ߡᮡḰ⊛ߥ߽ߩߣߐࠇߡ߈ߚ㧔Ong, 1982㧕ޕߘߩ৻ᣇߢ㧘ญᛚᢥ ቇߦߪࡎࡔࡠࠬ߿ࠨ࠶ࡈࠜߩࠃ߁ߥฎઍࠡࠪࡖߩੱߚߜߦ߹ߢߐ߆ߩ ߷ࠆ㐳વ⛔߇ࠆޕ࠾ࡘ࡛ࠢ࠲ࠗࡓ࠭ߩ⸥ߪ㧘࠺ࠖࡦ߇ߎ߁ߒ ߚญᛚᢥቇߩવ⛔ࠍ⛮ᛚߒߡࠆߎߣࠍ⏕ߔࠆߣหᤨߦ㧘࠺ࠖࡦߦࡁ ࡌ࡞⾨ࠍਈߔࠆߎߣߦࠃߞߡ㧘ࠬ࠙ࠚ࠺ࡦࠕࠞ࠺ࡒ߇ޟᢥሼޠߦ ࠅㆊ߉ߚᢥቇߩቯ⟵ࠍޟჿޠߩᣇะߦᒁ߈ᚯߘ߁ߣߒߡࠆߣ␜ໂߒߡࠆޕ
㧚߅ࠊࠅߦ
ޓߎߩ⺰ᢥߢߪ㧘ࠕࡔࠞวⴐ࿖ߩࡒࡘࠫࠪࡖࡦ㧘ࡏࡉ࠺ࠖࡦߩࡁࡌ࡞ᢥቇ⾨ฃ⾨ߦኻߒߡ㧘࠾ࡘ࡛ࠢ࠲ࠗࡓ࠭߇ߤߩࠃ߁ߦᔕߒߚߩ ߆ࠍีߒߚޕߘߩ㓙㧘␠ળ⊛ታ߇ࠦࡒࡘ࠾ࠤ࡚ࠪࡦߦࠃߞߡഃࠄࠇࠆ ߣ ߁ ⠨ ߃ ᣇ ࠍ ೨ ឭ ߣ ߒ ߚ㧔Berger & Luckmann, 1967; Gergen, 2015; Leeds-Hurwitz, 2009㧕ޕߔߥࠊߜ㧘࠾ࡘ࡛ࠢ࠲ࠗࡓ࠭ߣ߁ࡑࠬࡔ࠺ࠖࠕ߇㧘࠺ࠖ ࡦߦࠃࠆࡁࡌ࡞ᢥቇ⾨ฃ⾨ߦߤߩࠃ߁ߥᗧࠍઃਈߒ㧘ߤߩࠃ߁ߥࡏࡉ ࠺ࠖࡦࠍឬ߈ߒߚߩ߆ߦᵈ⋡ߒߚޕ ޓ࠺ࠖࡦ߇ࠕࡔࠞวⴐ࿖ࠍઍߔࠆࡐࡇࡘࡒࡘࠫࠪࡖࡦߢࠆ ߣ߁ߎߣߪ㧘ᄙߊߩࠕࡔࠞੱߚߜ߇ߡࠆޕ࠺ࠖࡦ߇ࡔ࠺ࠖࠕߩ ᵈ⋡ࠍ㓸ࠆࠃ߁ߦߥߞߚ ᐕઍએ㒠㧘࠺ࠖࡦࠍߋࠆ⸒⺑ߪࠕࡔ ࠞวⴐ࿖ߦ߅ߡᄢ㊂ߦ↢↥ߐࠇߡ߈ߚޕߘߩࠃ߁ߥᢥ⣂ߩߦ㧘࿁ߩ࠺ࠖ ࡦߦࠃࠆࡁࡌ࡞ᢥቇ⾨ฃ⾨ߩ⍮ࠄߖ߇߽ߚࠄߐࠇߚޕߘߒߡ㧘࠾ࡘ࡛ ࠢ࠲ࠗࡓ࠭ߪߘࠇߦᔕߒߚޕ ޓᣣᧄߩᣂ⡞ߪ㧘࠺ࠖࡦߩߎߣࠍ߶ߣࠎߤ⍮ࠄߥ⺒⠪߇ࠆߎߣࠍᗐቯ ߒߡ࠺ࠖࡦߦߟߡߩၮ␆⊛ߥᖱႎࠍવ߃ߚ߇㧘࠾ࡘ࡛ࠢ࠲ࠗࡓ࠭ ߦߪ㧘ߘߩࠃ߁ߦߔࠆᔅⷐߪߥ߆ߞߚޕߘߩઍࠊࠅߦ࠾ࡘ࡛ࠢ࠲ࠗࡓ ࠭ߪ㧘ࡒࡘࠫࠪࡖࡦ߇ࡁࡌ࡞ᢥቇ⾨ࠍฃ⾨ߔࠆߎߣߩᗧߦߟߡᄙߊ ࠍ⸥ㅀߒߚޕ߹ߚ㧘࠺ࠖࡦߦࠃࠆࡁࡌ࡞ᢥቇ⾨ฃ⾨ࠍᡰᜬߔࠆ┙႐߆ࠄ ᗧࠍߒߚޕߘߩ৻ᣇߢ㧘࠾ࡘ࡛ࠢ࠲ࠗࡓ࠭ߪ㧘ઍߩࠕࡔࠞ ੱߚߜߦᔅߕߒ߽⍮ࠄࠇߡߥ߆߽ߒࠇߥ࠺ࠖࡦߣ࠾ࡘ࡛ࠢߩ㑐 ࠊࠅߦߟߡ⚫ߒߚޕ․ߦ ᐕઍ㧘࠺ࠖࡦ߇࠾ࡘ࡛ࠢࠪ࠹ࠖ ࠍὐߦ㖸ᭉᵴേࠍᧄᩰൻߐߖߡߊ᭽ሶߦߟߡߒߊㅀߴߚޕ ޓ৻⥸⊛ߦ⸒ߞߡ㧘࠾ࡘ࡛ࠢ࠲ࠗࡓ࠭ߩ⸥ߪ㧘࠺ࠖࡦߩࡁࡌ࡞ ᢥቇ⾨ฃ⾨ࠍᡰᜬߔࠆะߦߞߚޕ࠾ࡘ࡛ࠢ߇࠺ࠖࡦߩ㊀ⷐߥᵴേ ὐߛߞߚߎߣ㧘࠺ࠖࡦߩຠߦ ᐕઍߩࡑࡦࡂ࠶࠲ࡦධㇱߩ⥄↱ߢ ࡌ࡞ߥ㔓࿐᳇߇⦡Ớߊᤋߐࠇߡࠆߎߣࠍ〯߹߃ࠇ߫㧘ߘࠇߪ⥄ὼߥߎ ߣߛߞߚߣᕁࠊࠇࠆޕ࠾ࡘ࡛ࠢ࠲ࠗࡓ࠭߇࠺ࠖࡦߦࠃࠆࡁࡌ࡞ᢥ ቇ⾨ฃ⾨ߦਈ߃ߚᗧ㧘߅ࠃ߮࠾ࡘ࡛ࠢ࠲ࠗࡓ࠭߇ឬ߈ߒߚࡏࡉ࠺ࠖ
ࡦߦߪ㧘৻ቯߩ⺑ᓧജ߇ࠆߛࠈ߁ޕߘߩ৻ᣇߢ㧘ߘࠇࠄߪ⛘ኻ⊛ߥ߽ ߩߢ߽㧘᥉ㆉ⊛ߥ߽ߩߢ߽ߥޕઁߩࡔ࠺ࠖࠕߪ࠺ࠖࡦߦࠃࠆࡁࡌ࡞ᢥ ቇ⾨ฃ⾨ߦߩᗧࠍઃਈߒ㧘࠾ࡘ࡛ࠢ࠲ࠗࡓ࠭ߣߪ⇣ߥࠆࡏࡉ࠺ࠖ
ࡦࠍឬ߈ߒߚߛࠈ߁ޕߘࠇࠄࠍีߔࠆᬺߪ㧘ᓟߩ⎇ⓥߦᆔߨߚޕ
ᒁ↪ᢥ₂
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The New York Times.
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knowledge. Garden City, NY: Doubleday.
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Award for Best Original Song. Rolling Stone.
Dylan, B.㧔1963㧕. The freewheelin’ Bob Dylan. New York: Columbia Records. Dylan, B.㧔1964㧕. The times they are a-changin’. New York: Columbia Records. Dylan, B.㧔1965㧕. Bringing it all back home. New York: Columbia Records. Dylan, B.㧔1965㧕. Highway 61 revisited. New York: Columbia Records. Dylan, B.㧔1966㧕. Blonde on blonde. New York: Columbia Records.
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https://www.goldenglobes.com/person/bob-dylan
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Leeds-Hurwitz, W.㧔2009㧕. Social construction of reality. In S. W. Littlejohn, & K. A. Foss 㧔Eds.㧕, Encyclopedia of communication theory.㧔pp. 891̆894㧕. Thousand Oaks, CA: Sage.
Ong, W. J.㧔1982㧕. Orality and literacy. New York, NY: Routledge.
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Prizes. Retrieved from http://www.pulitzer.org/winners/bob-dylan 2016 Annual Report.㧔2017㧕. The New York Times Company.
ጟㇱિ㧔 ᐕ ᣣ㧕ޟࡁࡌ࡞⾨㧘ᢥቇ⾨ߦࡏࡉ࠺ࠖࡦ᳁㧘ޡᣂߚ ߥ⊛ࠍഃㅧޢ㧘᳁ߪฃ⾨ㅏߔޠ↥⚻࠾ࡘࠬ ዊṚ㤗ℂሶ㧔 ᐕ ᣣ㧕ޟࡏࡉ࠺ࠖࡦ᳁ߦࡁࡌ࡞ᢥቇ⾨㧘ࠪࡦࠟ ࠰ࡦࠣࠗ࠲ޡ⊛ࠍഃㅧޢޠᣣᧄ⚻ᷣᣂ⡞㔚ሶ ࡁࡌ࡞⾨ߩ⸥㍳✬㓸ᆔຬળ㧔 ᐕ㧕ޡࡁࡌ࡞⾨ ᐕߩ⸥㍳ޢጊᎹ ␠ ⧎ᧁ੧㧔 ᐕ㧕ޟࠕࡔࠞ␠ળߦౝߔࠆઁ⠪̆࠼ࠠࡘࡔࡦ࠲ᤋ↹ޡࡁ ࠺࡚ࠖࠢࠪࡦࡎࡓޢߦឬ߆ࠇࠆࡏࡉ࠺ࠖࡦߩ৻⸃㉼ޠ㧘ޡᤨ⧷ ⺆ቇ⎇ⓥޢ╙ ภ㧘pp. ̆. ࡃࡈ࠴ࡦ㧘ࡒࡂࠗ࡞㧔 ᐕ㧕ޡ࠼ࠬ࠻ࠛࡈࠬࠠߩቇޢߜߊ߹ቇ⧓ᢥᐶ ᐢἑ⊓㧔 ᐕ ᣣ㧕ޟࡁࡌ࡞ᢥቇ⾨㧘ࡏࡉ࠺ࠖࡦߐࠎߦ㧘ᚻߢೋޠ Ფᣣᣂ⡞㔚ሶ ޟࡏࡉ࠺ࠖࡦߐࠎߦࡁࡌ࡞ᢥቇ⾨㧘㖸ᭉኅ⹖ኅޠ㧔 ᐕ ᣣ㧕 ᦺᣣᣂ⡞࠺ࠫ࠲࡞
