ȈIJȚȢ ǼȚțȩȞİȢ 83 țĮȚ 86 ʌĮȡȠȣıȚȐȗȠȞIJĮȚ IJĮ ijĮıȝĮIJȠȖȡĮijȒȝĮIJĮ IJȦȞ įȚʌȜȫȞ GMid țĮȚ ǼMid IJȩȞȦȞ. ȋĮȡĮțIJȘȡȚıIJȚțȩ IJȦȞ įȚʌȜȫȞ IJȩȞȦȞ İȓȞĮȚ ȑȞĮȢ IJȩȞȠȢ ȝȚțȡȩIJİȡȘȢ Ȓ ȝİȖĮȜȪIJİȡȘȢ șİȝİȜȚȫįȠȣȢ ıȣȤȞȩIJȘIJĮȢțĮȚ ȝȚțȡȒȢ įȚȐȡțİȚĮȢʌȡȚȞ Įʌȩ IJȠȞ İʌȚįȚȦțȩȝİȞȠ IJȩȞȠ. ȈIJȘȞ ǼȚțȩȞĮ 83 Ƞ ĮȡȤȚțȩȢIJȩȞȠȢ İȓȞĮȚȤĮȝȘȜȩIJİȡȘȢșİȝİȜȚȫįȠȣȢ ıȣȤȞȩIJȘIJĮȢ ĮʌȩIJȠȞ GMid, İȞȫıIJȘȞ ǼȚțȩȞĮ 84 Ƞ ĮȡȤȚțȩȢIJȩȞȠȢ įİȞ İȓȞĮȚțĮșĮȡȩȢțĮȚ ıIJȠijĮıȝĮIJȠȖȡȐijȘȝĮ İȓȞĮȚİȝijĮȞȒȢȝȩȞȠ ȘșİȝİȜȚȫįȘȢıȣȤȞȩIJȘIJĮȘȠʌȠȓĮ İȓȞĮȚ ȣȥȘȜȩIJİȡȘĮʌȩĮȣIJȒIJȠȣʌȡȠIJȚșȑȝİȞȠȣIJȩȞȠȣ. ȈIJȚȢȣȥȘȜȩIJİȡİȢıȣȤȞȩIJȘIJİȢIJȠijĮıȝĮIJȠȖȡȐijȘȝĮİȓȞĮȚ șȠȜȩțĮȚȠIJȩȞȠȢȝȠȚȐȗİȚʌİȡȚııȩIJİȡȠȝİșȩȡȣȕȠ.
ǼȚțȩȞĮ 85 :ȂȑıȠ ȖȡĮȝȝȚțȩ ijȐıȝĮ IJȠȣ ʌȡȠȕȜȘȝĮIJȚțȠȪ įȚʌȜȠȪ GMid IJȩȞȠȣ
101
ǼȚțȩȞĮ 86 :īȡĮȝȝȚțȐ ijȐıȝĮIJĮ IJȠȣ ĮȡȤȚțȠȪIJȩȞȠȣ ıİ IJȡİȚȢ įȚĮijȠȡİIJȚțȑȢ ȤȡȠȞȚțȑȢ ıIJȚȖȝȑȢ țĮȚ ȝȑıȠ ȖȡĮȝȝȚțȩ ijȐıȝĮ IJȠȣ įİȪIJİȡȠȣ IJȝȒȝĮIJȠȢ, ǼMid
ȈIJȘȞ ǼȚțȩȞĮ 85 ȕȜȑʌȠȣȝİ IJȠ ȝȑıȠ ȖȡĮȝȝȚțȩ ijȐıȝĮ IJȠȣ ʌȡȠȕȜȘȝĮIJȚțȠȪ įȚʌȜȠȪ GMid IJȩȞȠȣ. ȆĮȡĮIJȘȡȠȪȝİȩIJȚȠĮȡȤȚțȩȢIJȩȞȠȢİȓȞĮȚȝİIJĮIJȠʌȚıȝȑȞȠȢʌȡȠȢȝȚțȡȩIJİȡİȢıȣȤȞȩIJȘIJİȢȝİIJȘșİȝİȜȚȫįȘ ıȣȤȞȩIJȘIJĮȞĮİȓȞĮȚ 281Hz, ʌȠȣİȓȞĮȚȘ f0IJȠȣ D#MidIJȩȞȠȣ.
ȈIJȘȞ ǼȚțȩȞĮ 86 ʌĮȡȠȣıȚȐȗȠȞIJĮȚ IJĮ ȖȡĮȝȝȚțȐ ijȐıȝĮIJĮ IJȠȣ ĮȡȤȚțȠȪ IJȩȞȠȣ ıİ IJȡİȚȢ įȚĮijȠȡİIJȚțȑȢ ȤȡȠȞȚțȑȢıIJȚȖȝȑȢȝĮȗȓȝİIJȠȝȑıȠȖȡĮȝȝȚțȩijȐıȝĮIJȠȣįİȪIJİȡȠȣIJȝȒȝĮIJȠȢ, ǼMid. ȅĮȡȤȚțȩȢIJȩȞȠȢįİȞ ȑȤİȚ ȚįȚĮȓIJİȡİȢ ȠȝȠȚȩIJȘIJİȢ ȝİ IJȠ įİȪIJİȡȠ ȝȑȡȠȢ IJȠȣ IJȩȞȠȣ. Ǿ șİȝİȜȚȫįȘȢ ıȣȤȞȩIJȘIJĮ ıIJȚȢ ȤȡȠȞȚțȑȢ ıIJȚȖȝȑȢ 0,09sec țĮȚ 0,12 sec ıȣȝʌȓʌIJİȚıIJĮ 344 Hz, șİȝİȜȚȫįȘıȣȤȞȩIJȘIJĮțȠȞIJȐıIJȠȞIJȩȞȠ GMid. ǹʌȩ IJȠijȐıȝĮıIJĮ 0,05 sec ȕȜȑʌȠȣȝİȩIJȚȝȠȚȐȗİȚʌİȡȚııȩIJİȡȠȝİșȩȡȣȕȠʌĮȡȐȝİIJȩȞȠ.
ȈȣȝʌȑȡĮıȝĮ
ȅȚ įȚʌȜȠȓ IJȩȞȠȚ ȖȓȞȠȞIJĮȚ ĮȞIJȚȜȘʌIJȠȓ ȦȢ įȪȠ ıȣȞİȤȩȝİȞȠȚ IJȩȞȠȚ ȝİ įȚĮijȠȡİIJȚțȐ ȪȥȘ, ȑȞĮȞ IJȣȤĮȓȠ ȤĮȝȘȜȒȢ ȑȞIJĮıȘȢ țĮȚ IJȠȞ İʌȚįȚȦțȩȝİȞȠ ȝİȖĮȜȪIJİȡȘȢ ȑȞIJĮıȘȢ IJȩȞȠ. ǹʌȩ ĮȞȐȜȣıȘ ʌȡȠȑțȣȥİ ȩIJȚ ȠȚ įȚʌȜȠȓ IJȩȞȠȚ ȠijİȓȜȠȞIJĮȚ ıİ țĮțȩ ıȣȞIJȠȞȚıȝȩ IJȦȞ įĮțIJȪȜȦȞ. ȅȚ įȚʌȜȠȓ IJȩȞȠȚ İȝijĮȞȓȗȠȣȞ įȪȠ įȚĮijȠȡİIJȚțȐ IJȝȒȝĮIJĮ ıIJȠ ijĮıȝĮIJȠȖȡȐijȘȝȐ IJȠȣȢ, ȑȞĮ IJȩȞȠȝȚțȡȩIJİȡȘȢ įȚȐȡțİȚĮȢ țĮȚ įȚĮijȠȡİIJȚțȒȢ șİȝİȜȚȫįȠȣȢ ıȣȤȞȩIJȘIJĮȢ Įʌȩ IJȠȞ İʌȚįȚȦțȩȝİȞȠ IJȩȞȠ țĮȚ IJȠȞ İʌȚįȚȦțȩȝİȞȠ IJȩȞȠ. ȅ IJȩȞȠȢ ʌȠȣ ʌȡȠȘȖİȓIJĮȚ IJȠȣ İʌȚįȚȦțȩȝİȞȠȣ ȝʌȠȡİȓ ȞĮ ȑȤİȚ țȐʌȠȚİȢ Įʌȩ IJȚȢ ĮȡȝȠȞȚțȑȢ IJȠȣ İʌȚįȚȦțȩȝİȞȠȣ IJȩȞȠȣ Ȓ ȞĮĮʌȠIJİȜİȓIJĮȚĮʌȩIJȘșİȝİȜȚȫįȘıȣȤȞȩIJȘIJĮțĮȚȝȩȞȠșȩȡȣȕȠıIJȚȢȣȥȘȜȩIJİȡİȢıȣȤȞȩIJȘIJİȢ.
102
4.7 ȈȣȝʌİȡȐıȝĮIJĮ
ȈIJȠțİijȐȜĮȚȠĮȣIJȩ ȝİȜİIJȒıĮȝİ ĮȡȤȚțȐ IJȘ ȜİȚIJȠȣȡȖȓĮțĮȚ IJȘ ȝȑșȠįȠ IJȘȢȕĮșȝȓįĮȢ ĮȟȚȠȜȩȖȘıȘȢ IJȘȢ İțIJȑȜİıȘȢ. ȈIJȘ ıȣȞȑȤİȚĮ ȝİȜİIJȒıĮȝİ țĮIJȘȖȠȡȓİȢ ʌȡȠȕȜȘȝĮIJȚțȫȞ IJȩȞȦȞ, ıIJȘȞ ʌȡȠıʌȐșİȚĮ İȞIJȠʌȚıȝȠȪIJȦȞ ȖİȞȚțȫȞȤĮȡĮțIJȘȡȚıIJȚțȫȞ IJȠȣȢ. ȉĮȤĮȡĮțIJȘȡȚıIJȚțȐ ĮȣIJȐ ȝʌȠȡȠȪȞ ȞĮ ĮȟȚȠʌȠȚȘșȠȪȞ ȖȚĮ IJȠȞ ĮȣIJȩȝĮIJȠ İȞIJȠʌȚıȝȩ IJȘȢ ʌȠȚȩIJȘIJĮȢ IJȠȣ ȒȤȠȣ, ȤĮȡĮțIJȘȡȚıIJȚțȐ ʌȠȣ ȝʌȠȡİȓ ȞĮ įȑȤİIJĮȚ ȦȢ İȓıȠįȠȘȕĮșȝȓįĮĮȟȚȠȜȩȖȘıȘȢIJȘȢĮʌȩįȠıȘȢȖȚĮIJȘȞȠʌIJȚțȠʌȠȓȘıȘIJȘȢIJȠȞȚțȒȢʌȠȚȩIJȘIJĮȢ.
ȅȡȓȗȠȞIJĮȢʌȠıȠIJȚțȑȢʌĮȡĮȝȑIJȡȠȣȢȖȚĮțȐșİȝȓĮĮʌȩIJȚȢʌĮȡĮʌȐȞȦțĮIJȘȖȠȡȓİȢʌȡȠȕȜȘȝĮIJȚțȫȞȞȠIJȫȞ, ȩʌȦȢ «hollowness», «squeakness», «doubleness» țĮȚ «unstability» ȝʌȠȡȠȪȝİ ȞĮ İȜȑȖȟȠȣȝİ ıİ ȑȞĮȞ ȒȤȠIJȚȢ IJȚȝȑȢ IJȦȞ ʌĮȡĮȝȑIJȡȦȞıİ ʌȡĮȖȝĮIJȚțȩ ȤȡȩȞȠțĮȚ ȞĮ IJȚȢȤȡȘıȚȝȠʌȠȚȒıȠȣȝİ ıİ ȝȚĮİijĮȡȝȠȖȒ ȠʌIJȚțȠʌȠȓȘıȘȢ. ǼțIJȩȢĮʌȩ IJȚȢʌĮȡĮȝȑIJȡȠȣȢ IJȠȞȚțȒȢʌȠȚȩIJȘIJĮȢ, țĮȚȐȜȜİȢʌĮȡȐȝİIJȡȠȚ ȩʌȦȢIJȠ tempo țĮȚȘȑȞIJĮıȘIJȘȢȞȩIJĮȢȝʌȠȡȠȪȞȞĮİȞıȦȝĮIJȦșȠȪȞ.
ȅʌIJȚțȠʌȠȚȫȞIJĮȢIJȘȞʌȠȚȩIJȘIJĮȝİȑȞĮijȚȜȚțȩʌȡȠȢIJȠȤȡȒıIJȘ IJȡȩʌȠ, İȓȞĮȚİȪțȠȜȠȖȚĮIJȠȞ ȝĮșȘIJȒȞĮ ĮȞIJȚȜȘijșİȓIJĮ ȜȐșȘıIJȘȞʌȠȚȩIJȘIJĮIJȠȣȒȤȠȣ. ǹȞIJȚıIJȠȚȤȓȗȠȞIJĮȢȤĮȡĮțIJȘȡȚıIJȚțȐIJȠȣ ȠʌIJȚțȠʌȠȚȘȝȑȞȠȣ ĮȞIJȚțİȚȝȑȞȠȣ (ʌ.Ȥ. ȤȡȫȝĮ, ȕĮșȝȩȢ įȚĮijȐȞİȚĮȢ, ȝȑȖİșȠȢ, ȡȣșȝȩ ĮȞĮʌȒįȘıȘȢ, ț.IJ.Ȝ.) ȝİ IJȚȢ ʌĮȡĮʌȐȞȦ ʌĮȡĮȝȑIJȡȠȣȢʌĮȡȑȤȠȣȝİıIJȠȝĮșȘIJȒȑȞĮȝȑıȠȞĮĮȞIJȚȜĮȝȕȐȞİIJĮȚȝİİȪțȠȜȠIJȡȩʌȠțȐʌȠȚİȢįȪıțȠȜİȢ ȑȞȞȠȚİȢ.
103
5 ȈȣȝʌİȡȐıȝĮIJĮ
IJȘȢȑȡİȣȞĮȢ. ȈIJȘ ıȣȞȑȤİȚĮįȩșȘțİ
ȚȝȠʌȠȚȒıĮȝİ ıIJĮ ıIJȐįȚĮ IJȘȢ İȟĮȖȦȖȒȢ
ȕİȜIJȚȫıİȚȢ.
ıȘȢ IJȘȢ İțIJȑȜİıȘȢ IJȠȣ ȝĮșȘIJȒ, Ș
IJȩȞȦȞ.
IJȘ įȚȐȡțİȚĮ IJȘȢ ıȣȖȖȡĮijȒȢ ĮȞIJȚȜȘijșȒțĮȝİ IJȘ ıȘȝĮıȓĮ IJȘȢ ĮȟȚȠȜȩȖȘıȘȢ IJȘȢ ĮʌȩįȠıȘȢ IJȦȞ İijĮȡȝȠȖȫȞ ʌȠȣȣȜȠʌȠȚȠȪȞIJĮȚ. ǾĮȟȚȠȜȩȖȘıȘ İȓȞĮȚ ȑȞĮ ĮʌĮȡĮȓIJȘIJȠ ȕȒȝĮ ȩȤȚ ȝȩȞȠȖȚĮ IJȘ ıȪȖțȡȚıȘ
ȚĮijȠȡİIJȚțȫȞȣȜȠʌȠȚȒıİȦȞ, ĮȜȜȐțĮȚȖȚĮIJȘȕİȜIJȓȦıȘȝȚĮȢıȣȖțİțȡȚȝȑȞȘȢȣȜȠʌȠȓȘıȘȢ.
ȈIJȠ țİijȐȜĮȚȠ ĮȣIJȩ ıȣȞȠȥȓȗȠȣȝİ IJȚȢ ȝİșȩįȠȣȢ țĮȚ IJĮ İȣȡȒȝĮIJĮ IJȘȢ ıȣȖțİțȡȚȝȑȞȘȢ ȑȡİȣȞĮȢ, ʌİȡȚȖȡȐijȠȞIJĮȢıȪȞIJȠȝĮIJĮįȚĮijȠȡİIJȚțȐțİijȐȜĮȚĮʌȠȣʌȡȠȘȖȒșȘțĮȞ.
ȈIJȠ ʌȡȫIJȠțİijȐȜĮȚȠįȩșȘțİ ȝȚĮʌİȡȚȖȡĮijȒ IJȘȢıȪȖȤȡȠȞȘȢ țĮIJȐıIJĮıȘȢ IJȘȢȂȠȣıȚțȒȢȉİȤȞȠȜȠȖȓĮȢ. ǹȞĮȜȪșȘțĮȞ ȠȚ IJȠȝİȓȢ ıȪȖȤȡȠȞȘȢ ȑȡİȣȞĮȢ țĮȚ ȠȚ İijĮȡȝȠȖȑȢ IJȠȣȢ, țȣȡȓȦȢ ıIJȘȞ İțʌĮȓįİȣıȘ, ȩʌȠȣ ʌȡȠȠȡȓȗȠȞIJĮȚ ȞĮ ȤȡȘıȚȝȠʌȠȚȘșȠȪȞ țĮIJȐ țȪȡȚȠ ȜȩȖȠIJĮ İȣȡȒȝĮIJĮ
ȝȚĮ ıȪȞIJȠȝȘ șİȦȡȘIJȚțȒ ʌİȡȚȖȡĮijȒ ȕĮıȚțȫȞ İȞȞȠȚȫȞ IJȦȞ ĮțȠȣıIJȚțȫȞ ıȘȝȐIJȦȞ ʌȠȣ ȤȡȘıȚȝȠʌȠȚȠȪȞIJĮȚ ıIJȘȞʌĮȡȠȪıĮİȡȖĮıȓĮ. ȆİȡȚȖȡȐijȘțİȠıțȠʌȩȢIJȘȢİȡȖĮıȓĮȢțĮșȫȢțĮȚȘįȚĮįȚțĮıȓĮțĮȚȝȑșȠįȠȢʌȠȣ ĮțȠȜȠȣșȒșȘțİȖȚĮIJȘȞİȟĮȖȦȖȒIJȦȞİʌȚȝȑȡȠȣȢıȣȝʌİȡĮıȝȐIJȦȞ.
ȈIJȠ įİȪIJİȡȠ țİijȐȜĮȚȠ ĮıȤȠȜȘșȒțĮȝİ ȝİ IJȘȞ ĮȞĮȖȞȫȡȚıȘ ȝȠȞȠijȦȞȚțȒȢ ȝȠȣıȚțȒȢ. ǻȩșȘțİ ȝȚĮ ıȪȞIJȠȝȘ ʌİȡȚȖȡĮijȒ ȣʌĮȡȤȠȣıȫȞ IJİȤȞȚțȫȞ ıIJȠȞ ıȣȖțİțȡȚȝȑȞȠ IJȠȝȑĮ țĮȚ ıIJȘȞ ıȣȞȑȤİȚĮ ʌİȡȚȖȡȐijȘțĮȞ ĮȞĮȜȣIJȚțȐ ȠȚ IJİȤȞȚțȑȢ IJȘȢ İijĮȡȝȠȖȒȢ ʌȠȣ ȤȡȘı
IJȠȣȪȥȠȣȢ, IJȘȢ ĮȞȓȤȞİȣıȘȢ IJȠȣ onset, IJȘ įȚȐțȡȚıȘ IJȘȢȝȠȣıȚțȒȢ, IJȘȞ ĮȞĮȖȞȫȡȚıȘ IJȘȢȞȩIJĮȢțĮȚ IJȘȞ ĮȞȓȤȞİȣıȘ IJȠȣ IJȩȞȠȣ. ǹțȠȜȠȪșȘıİ Ș ĮȟȚȠȜȩȖȘıȘ IJȘȢ İijĮȡȝȠȖȒȢ, IJĮ ʌȡȠȕȜȒȝĮIJĮ IJĮ ȠʌȠȓĮ ʌĮȡȠȣıȓĮȗİțĮȚİȡİȣȞȒșȘțĮȞȠȚĮȚIJȓİȢțĮȚʌȚșĮȞȑȢ
ȈIJȠIJȡȓIJȠ țİijȐȜĮȚȠȝİȜİIJȒıĮȝİ IJȠʌȡȩȕȜȘȝĮ IJȠȣ Score Following/ Matching. ȂİIJȐĮʌȩ ȝȚĮȖİȞȚțȒ İʌȚıțȩʌȘıȘ țĮȚ ʌİȡȚȖȡĮijȒ IJȘȢ ȣʌȐȡȤȠȣıĮȢ ȑȡİȣȞĮȢ ıIJȠ ıȣȖțİțȡȚȝȑȞȠ ʌȡȩȕȜȘȝĮ, ĮȞĮȜȪșȘțİ Ș ȂȘȤĮȞȒ Score Matching ʌȠȣ ȤȡȘıȚȝȠʌȠȚȒıĮȝİ.
ȈIJȠ IJȑIJĮȡIJȠ țİijȐȜĮȚȠ ʌİȡȚȖȡȐijȘțİ Ș ȂȠȞȐįĮ ǹȟȚȠȜȩȖȘ
ĮȡȤȚIJİțIJȠȞȚțȒIJȘȢȝȠȞȐįĮȢțĮȚİȡİȣȞȠȪȞIJĮȚ IJȡȩʌȠȚʌȡȠıįȚȠȡȚıȝȠȪIJȘȢIJȠȞȚțȒȢʌȠȚȩIJȘIJĮȢ. ȂİȜİIJȐȝİ ȑȞĮ ıȪȞȠȜȠ Įʌȩ IJȣʌȚțȐ ȜȐșȘ țĮȚ ʌȡȠȕȜȘȝĮIJȚțȠȪȢ ȒȤȠȣȢ ıİ İțIJİȜȑıİȚȢ ĮȡȤĮȡȓȦȞ țĮȚ İȡİȣȞȠȪȞIJĮȚ IJȡȩʌȠȚĮȣIJȩȝĮIJȠȣʌȡȠıįȚȠȡȚıȝȠȪIJȦȞʌȡȠȕȜȘȝĮIJȚțȫȞ
ȉĮ ʌĮȡĮʌȐȞȦ İȡȖĮȜİȓĮ ȝʌȠȡȠȪȞ ȞĮ ȤȡȘıȚȝȠʌȠȚȘșȠȪȞ IJȩıȠ ȖȚĮ İțʌĮȚįİȣIJȚțȑȢ İijĮȡȝȠȖȑȢ ȝȠȣıȚțȒȢ, ȩıȠțĮȚȦȢȕȠȘșȒȝĮIJĮıIJȘȝȠȣıȚțȒįȘȝȚȠȣȡȖȓĮ.
Ȉ į
104
ȆĮȡȐȡIJȘȝĮ – ȉȠ ǼȡİȣȞȘIJȚțȩ DzȡȖȠ VEMUS
ǼȚțȩȞĮ 87: VEMUS
ȉȠ VEMUS ("Virtual European Music School") İȓȞĮȚ ȑȞĮ İȡİȣȞȘIJȚțȩ țĮȚ ĮȞĮʌIJȣȟȚĮțȩ ȑȡȖȠ ʌȠȣ ıȣȖȤȡȘȝĮIJȠįȠIJİȓIJĮȚ Įʌȩ IJȘȞ ǼȣȡȦʌĮȧțȒ ǼʌȚIJȡȠʌȒ ıIJȠ ʌȜĮȓıȚȠ IJȠȣ ȆȡȠȖȡȐȝȝĮIJȠȢ IJȦȞ ȉİȤȞȠȜȠȖȚȫȞ IJȘȢȀȠȚȞȦȞȓĮȢIJȘȢȆȜȘȡȠijȠȡȓĮȢ (IST - Information Society Technologies) IJȠȣDzțIJȠȣȆȡȠȖȡȐȝȝĮIJȠȢ -ȆȜĮȚıȓȠȣ (FP6 - Sixth Framework Program).
ȉȠ VEMUS ȟİțȓȞȘıİ IJȠȞ ȅțIJȫȕȡȚȠ IJȠȣ 2005 ȝİ ıIJȩȤȠ IJȘȞ ĮȞȐʌIJȣȟȘ țĮȚ ĮȟȚȠȜȩȖȘıȘ
ʌȡȦIJȠʌȠȡȚĮțȫȞ IJİȤȞȠȜȠȖȚțȫȞ ıIJȠȚȤİȓȦȞ ıȤİįȚĮıȝȑȞȦȞ ȝİ ȕȐıȘ ʌĮȚįĮȖȦȖȚțȐ țȡȚIJȒȡȚĮ. ȆȚȠ ıȣȖțİțȡȚȝȑȞĮ, ıIJȠȤİȪİȚıIJȘȞįȘȝȚȠȣȡȖȓĮİȞȩȢʌȜĮȚıȓȠȣȝȠȣıȚțȒȢįȚįĮıțĮȜȓĮȢȖȚĮįȘȝȠijȚȜȒȝȠȣıȚțȐ ȩȡȖĮȞĮ ʌȠȣ șĮ İȓȞĮȚ ĮȞȠȚțIJȩ, įȚĮįȚțIJȣĮțȩ țĮȚ ʌȠȜȪȖȜȦııȠ țĮȚ șĮ ʌȡȠıijȑȡİȚ ȣȥȘȜȒ ĮȜȜȘȜİʌȚįȡĮıIJȚțȩIJȘIJĮțĮșȫȢțĮȚȑȞĮıȪȞȠȜȠĮʌȩțĮȚȞȠIJȩȝĮİȡȖĮȜİȓĮȘȜİțIJȡȠȞȚțȒȢȝȐșȘıȘȢ. ȂȚĮ Įʌȩ IJȚȢ ȕĮıȚțȑȢ İʌȚįȚȫȟİȚȢ IJȠȣ ȑȡȖȠȣ VEMUS İȓȞĮȚ ȞĮ ıȣȞİȚıijȑȡİȚ ıIJȘȞ İȞȓıȤȣıȘ țĮȚ IJȘȞ ȠȜȠțȜȒȡȦıȘ IJȠȣ ǼȣȡȦʌĮȧțȠȪ İȡİȣȞȘIJȚțȠȪ ʌİįȓȠȣ ıIJȠȞ IJȠȝȑĮ IJȦȞ IJİȤȞȠȜȠȖȚȫȞ IJȘȢ ȀȠȚȞȦȞȓĮȢ IJȘȢ
105
ȆȜȘȡȠijȠȡȓĮȢ, ȝȑıȦIJȘȢİȞİȡȖȠȪȢıȣȝȝİIJȠȤȒȢijȠȡȑȦȞĮʌȩIJĮȃȑĮ ȀȡȐIJȘȝȑȜȘ. īȚĮIJȠȞıțȠʌȩĮȣIJȩ, ıIJȘȞȀȠȚȞȠʌȡĮȟȓĮIJȠȣ DzȡȖȠȣ ıȣȝȝİIJȑȤȠȣȞ 8 ȠȡȖĮȞȚıȝȠȓĮʌȩ 6 ȤȫȡİȢ, 3 Įʌȩ IJȚȢȠʌȠȓİȢİȓȞĮȚȃȑĮ Ȓ ȈȣȞİȡȖĮȗȩȝİȞĮ ȀȡȐIJȘ.
ȉȠ VEMUS șĮıIJȘȡȚȤșİȓıIJȘȞȖȞȫıȘțĮȚIJĮĮʌȠIJİȜȑıȝĮIJĮIJȠȣİʌȚIJȣȤȘȝȑȞȠȣȑȡȖȠȣ IMUTUS project ʌȠȣȣȜȠʌȠȓȘıİȑȞĮ ĮʌȠįȠIJȚțȩ ʌİȡȚȕȐȜȜȠȞȝȠȣıȚțȒȢ İȟȐıțȘıȘȢȖȚĮ IJȘȞijȜȠȖȑȡĮ. ĬĮİʌİțIJİȓȞİȚ IJȘȞ IJİȤȞȠȜȠȖȚțȒ țĮȚ ʌĮȚįĮȖȦȖȚțȒ ȕȐıȘIJȠȣ IMUTUS ȫıIJİ ȞĮ țĮȜȪȥİȚ İʌȚʌȡȩıșİIJĮ įȘȝȠijȚȜȒ ȝȠȣıȚțȐ ȩȡȖĮȞĮ ȩʌȦȢ IJȠ ijȜȐȠȣIJȠ, IJȠ țȜĮȡȚȞȑIJȠ, IJȠ ıĮȟȩijȦȞȠ țĮȚ Ș ijȜȠȖȑȡĮ, İʌȚʌȡȩıșİIJĮ ʌİȡȚȕȐȜȜȠȞIJĮ İțȝȐșȘıȘȢțĮȚ İȞȚıȤȣȝȑȞĮİțʌĮȚįİȣIJȚțȐ ıİȞȐȡȚĮ. ȉȠ ıȪıIJȘȝĮĮʌİȣșȪȞİIJĮȚ ıİĮȡȤȐȡȚȠȣȢȑȦȢ ȝȑıȠȣ İʌȚʌȑįȠȣ ıʌȠȣįĮıIJȑȢ ȉĮ ʌȡȠțĮIJĮȡțIJȚțȐ ĮʌȠIJİȜȑıȝĮIJĮ Įʌȩ IJȘȞ ĮȟȚȠȜȩȖȘıȘ IJȠȣ IMUTUS țĮIJȑıIJȘıĮȞ ijĮȞİȡȒ IJȘȞ ȚıȤȣȡȒ įȣȞĮȝȚțȒ IJȘȢ ʌȡȠıȑȖȖȚıȘȢ ʌȠȣ ȣȚȠșİIJȒșȘțİ. ȉȠ VEMUS șĮ ıȣȞİȤȓıİȚ țĮȚ șĮ țȜȚȝĮțȫıİȚ IJȚȢ įȡĮıIJȘȡȚȩIJȘIJİȢ ĮȟȚȠȜȩȖȘıȘȢ, İʌȚįȚȫțȠȞIJĮȢ ĮijİȞȩȢ IJȘȞ ıȣȜȜȠȖȒ ʌȣțȞȩIJİȡȦȞ țĮȚ ıIJĮIJȚıIJȚțȐ ʌȜȘȡȑıIJİȡȦȞ ʌĮȡĮIJȘȡȒıİȦȞ țĮȚ ĮijİIJȑȡȠȣ IJȠȞ ʌȡȠıįȚȠȡȚıȝȩ IJȦȞ țȡȓıȚȝȦȞ İțİȓȞȦȞ ʌĮȡĮȖȩȞIJȦȞ ʌȠȣ șĮ İʌȚIJȡȑȥȠȣȞ ȝȚĮ İȣȡȪIJİȡȘȢ țȜȓȝĮțĮȢ ĮȟȚȠʌȠȓȘıȘ IJȠȣ ıȣıIJȒȝĮIJȠȢ.
ȈIJȠ IJȡȑȤȠȞ ʌȡȩȖȡĮȝȝĮ VEMUS (İȚțȠȞȚțȩ İȣȡȦʌĮȧțȩ ıȤȠȜİȓȠ ȝȠȣıȚțȒȢ) ĮȞĮʌIJȪııİIJĮȚ ȑȞĮ ʌİȡȚȕȐȜȜȠȞİȚțȠȞȚțȒȢ ȐıțȘıȘȢȖȚĮ ʌȞİȣıIJȐ ȩȡȖĮȞĮ ȩʌȦȢ ijȜȠȖȑȡĮ, ijȜȐȠȣIJȠ, țȜĮȡȚȞȑIJȠ, ıĮȟȩijȦȞȠ țĮȚIJȡȠȝʌȑIJĮ. Ǿ ȠȝȐįĮ-ıIJȩȤȠȢ ȤȡȘıIJȫȞİȓȞĮȚıʌȠȣįĮıIJȑȢ ʌȞİȣıIJȫȞȠȡȖȐȞȦȞ țĮIJȐIJȘ įȚȐȡțİȚĮ IJȦȞ ʌȡȫIJȦȞ 4 -5 İIJȫȞ IJȘȢ ȝȠȣıȚțȒȢ İțʌĮȓįİȣıȒȢ IJȠȣȢ. ȉȠ VEMUS șĮ ȝʌȠȡȠȪıİ ȞĮ șİȦȡȘșİȓ ȦȢ İȚțȠȞȚțȩȢȕȠȘșȘIJȚțȩȢįȐıțĮȜȠȢʌȠȣțĮșȠįȘȖİȓIJȠıʌȠȣįĮıIJȒİȞȫİȟĮıțİȓIJĮȚ.
ȉȠ VEMUS țĮIJĮȖȡȐijİȚ IJȠ ĮțȠȣıIJȚțȩ ıȒȝĮ İȞȫ Ƞ ıʌȠȣįĮıIJȒȢ ʌĮȓȗİȚ ȝȚĮ ȝİȜȦįȓĮ țĮȚ ĮȞĮȜȪİȚ țĮȚ ĮȟȚȠȜȠȖİȓ IJȘȞ ĮʌȩįȠıȘ ıȣȖțȡȓȞȠȞIJȐȢ IJȘ ȝİ IJȘȞ ʌĮȡIJȚIJȠȪȡĮ ĮȞĮijȠȡȐȢ. ȈIJȘ ıȣȞȑȤİȚĮ, įȓȞİIJĮȚ ĮȞĮIJȡȠijȠįȩIJȘıȘ ıIJȠıʌȠȣįĮıIJȒ ȖȚĮ IJĮ ȜȐșȘ țĮȚ ʌȡȠIJİȓȞȠȞIJĮȚ IJȡȩʌȠȚ ȖȚĮ ȞĮ IJĮ įȚȠȡșȫıİȚ. ǹȣIJȒ Ș ĮȞĮIJȡȠijȠįȩIJȘıȘʌİȡȚȠȡȓȗİIJĮȚıİȜȓȖĮıIJȠȚȤİȓĮȕĮıȚıȝȑȞȠȚıİʌĮȚįĮȖȦȖȚțȑȢİțIJȚȝȒıİȚȢ.
ȉȠ ʌİȡȚȕȐȜȜȠȞ IJȠȣ VEMUS șĮ İȞıȦȝĮIJȫıİȚ țĮȚȞȠIJȠȝȚțȐ, ʌĮȚįĮȖȦȖȚțȐ ıIJȠȚȤİȓĮ ȘȜİțIJȡȠȞȚțȒȢ ȝȐșȘıȘȢ ȫıIJİ ȞĮ İʌİțIJİȓȞİȚ IJȘ ʌĮȡĮįȠıȚĮțȒ įȚįĮıțĮȜȓĮ IJȘȢ ȝȠȣıȚțȒȢ ıİ įȚĮijȠȡİIJȚțȐ ȝĮșȘıȚĮțȐ ʌİȡȚȕȐȜȜȠȞIJĮ:
ǹȣIJȩ-İȟȐıțȘıȘ: DzȞĮıȪȞȠȜȠ İijĮȡȝȠȖȫȞșĮıȤİįȚĮıIJİȓ, IJȠȠʌȠȓȠ șĮİȞȚıȤȪıİȚIJȘȞĮȣIJȩ-İȟȐıțȘıȘ, ıIJȠıʌȓIJȚ ȒıIJȠ İȡȖĮıIJȒȡȚȠ, ȫıIJİ ȞĮ ȖȓȞȠȞIJĮȚȠȚ ıȣȞİįȡȓİȢ İȟȐıțȘıȘȢ ʌİȡȚııȩIJİȡȠ İʌȚȝȠȡijȦIJȚțȑȢ, įȘȝȚȠȣȡȖȚțȑȢ țĮȚ ȥȣȤĮȖȦȖȚțȑȢ. Ǿ ĮȣIJȩȝĮIJȘ ĮȟȚȠȜȩȖȘıȘ IJȘȢ İțIJȑȜİıȘȢ țĮȚ Ș ȣȥȘȜȠȪ İʌȚʌȑįȠȣ ĮȞȐįȡĮıȘ, ʌȡȠıĮȡȝȠıȝȑȞȘ ıİ țȐșİ ıʌȠȣįĮıIJȒ ĮȞĮȝȑȞİIJĮȚ ȞĮ ȝİȖȚıIJȠʌȠȚȠȪȞ IJȘȞ ĮʌȠIJİȜİıȝĮIJȚțȩIJȘIJĮIJȘȢİȟȐıțȘıȘȢıIJȠıʌȓIJȚ.
ǹȓșȠȣıĮ įȚįĮıțĮȜȓĮȢ ȂȠȣıȚțȒȢ: ȉȠ VEMUS șĮ İȡİȣȞȒıİȚ țĮȚ șĮ ĮȟȚȠȜȠȖȒıİȚ țĮȚȞȠIJȠȝȚțȐ İȡȖĮȜİȓĮ ȫıIJİ ȞĮ ȣʌȠıIJȘȡȓȟİȚ IJȘ įȚįĮıțĮȜȓĮ IJȘȢ ȝȠȣıȚțȒȢ ıİ ʌİȡȚȕȐȜȜȠȞ ȠȝȐįĮȢ, ȝİ įȚįĮțIJȚțȐ ȕȠȘșȒȝĮIJĮʌȠȣșĮȣʌȠıIJȘȡȓȗȠȣȞIJȠȞįȐıțĮȜȠ
IJȘȞȠȝĮįȚțȒ ȝȐșȘıȘ țĮȚ IJȚȢȠȝĮįȚțȑȢ įȡĮıIJȘȡȚȩIJȘIJİȢ. ǹȣIJȐ IJĮ İȡȖĮȜİȓĮ șĮ ĮʌȠIJİȜȑıȠȣȞ IJȘ ȕȐıȘ IJȘȢ İȝijȐȞȚıȘȢ IJȠȣ VEMUS ıIJȘȞ ĮȓșȠȣıĮ įȚįĮıțĮȜȓĮȢ
İȞȚıȤȪȠȞIJĮȢIJȚȢįȚĮįȚțĮıȓİȢįȚįĮıțĮȜȓĮȢIJȘȢȝȠȣıȚțȒȢțĮȚIJȘȞİȝʌİȚȡȓĮİțȝȐșȘıȘȢIJȠȣȝĮșȘIJȒ. ǼʌİțIJȐıİȚȢ ȝȐșȘıȘȢ İȟ ĮʌȠıIJȐıİȦȢ : ȉȠʌİȡȚȕȐȜȜȠȞIJȠȣ VEMUS șĮʌĮȡȑȤİȚİʌİțIJȐıİȚȢ ȝȐșȘıȘȢ İȟĮʌȠıIJȐıİȦȢ, ıȣȞIJȘȡȫȞIJĮȢțĮȚįȚĮȤİȚȡȓȗȠȞIJĮȢȝȚĮʌȘȖȒĮȞȠȚȤIJȠȪʌİȡȚİȤȠȝȑȞȠȣ
ʌȡȠıijȑȡȠȞIJĮȢ İȡȖĮȜİȓĮ ıȣȖȖȡĮijȒȢ ʌȡȠȢ ĮȪȟȘıȒ IJȠȣ, ʌĮȡȑȤȠȞIJĮȢ İȡȖĮȜİȓĮ İʌȚțȠȚȞȦȞȓĮȢ țĮȚ İʌȚIJȡȑʌȠȞIJĮȢ įȚįĮıțĮȜȓĮ İȟ ĮʌȠıIJȐıİȦȢ ȝĮșȘIJȫȞ țĮȚ ȑȜİȖȤȠ IJȘȢʌȡȠȩįȠȣ IJȠȣȢ ȝİIJȠ ʌȑȡĮıȝĮ IJȠȣ ȤȡȩȞȠȣ. ǹȣIJȐ IJĮȖȞȦȡȓıȝĮIJĮșĮȕȠȘșȒıȠȣȞıIJȘȞʌİȡĮȚIJȑȡȦİȞȓıȤȣıȘIJȘȢıȤȑıȘȢįĮıțȐȜȠȣ-ȝĮșȘIJȒ
106
İȞȫ șĮ țĮșȚıIJȠȪȞ įȣȞĮIJȒ IJȘ ıȣȝȝİIJȠȤȒ ȝĮșȘIJȫȞ ʌȠȣ įȚĮijȠȡİIJȚțȐ șĮ ȒIJĮȞ ĮįȪȞĮIJȘ İȟĮȚIJȓĮȢ ȖİȦȖȡĮijȚțȫȞȒȐȜȜȦȞʌİȡȚȠȡȚıȝȫȞ.
ǹʌİȣșȣȞȩȝİȞȠ ı’ ĮȣIJȐ IJĮ IJȡȓĮ įȚĮijȠȡİIJȚțȐ ĮȜȜȐ ıȣȝʌȜȘȡȦȝĮIJȚțȐ ʌİȡȚȕȐȜȜȠȞIJĮ İțȝȐșȘıȘȢ įȚĮȝȑıȠȣİȞȩȢ ʌİȡȚȕȐȜȜȠȞIJȠȢ țĮȚ įȚĮȜİȚIJȠȣȡȖȚțȫȞ İȡȖĮȜİȓȦȞ, IJȠ VEMUS șĮıȣȞįȣȐıİȚ ȠȝĮȜȐ IJȘȞ ȘȜİțIJȡȠȞȚțȒ ȝȐșȘıȘ ȝİ IJĮ ʌĮȡĮįȠıȚĮțȐ ȝĮșȒȝĮIJĮ. ǹȣIJȐ șĮ ʌĮȡȑȤȠȣȞ IJȘȞ IJİȤȞȠȜȠȖȚțȒ țĮȚ ʌĮȚįĮȖȦȖȚțȒ ȕȐıȘȖȚĮ ȝȚĮİȚțȠȞȚțȒıȣȞȐȞIJȘıȘ țĮȚ ȤȫȡȠİȟȐıțȘıȘȢȖȚĮ ıʌȠȣįĮıIJȑȢ țĮȚįĮıțȐȜȠȣȢ ıİ ȩȜȘ IJȘȞ ǼȣȡȫʌȘ: ȑȞĮ İȚțȠȞȚțȩ İȣȡȦʌĮȧțȩ ȝȠȣıȚțȩ ıȤȠȜİȓȠ. Ǿ ʌĮȡȠȣıȓĮıȘ țĮȚȞȠIJȠȝȚțȫȞ IJİȤȞȠȜȠȖȚțȫȞ İȡȖĮȜİȓȦȞ ȖȚĮ įȚįĮıțĮȜȓĮ ȝȠȣıȚțȒȢ șĮ İʌȚIJȡȑȥİȚ IJȘȞ ȑȡİȣȞĮ ȞȑȦȞ ȝİșȩįȦȞ įȚįĮıțĮȜȓĮȢ ȖȚĮ ȝȠȣıȚțȒ ʌȠȣ șĮ İȝʌȜȠȣIJȓıȠȣȞ IJȚȢ ʌĮȡĮįȠıȚĮțȑȢ įȚĮįȚțĮıȓİȢ.
ȉȠ VEMUS șĮıIJȘȡȚȤșİȓ ıIJĮĮʌȠIJİȜȑıȝĮIJĮ, IJĮİȡȖĮȜİȓĮțĮȚ IJȘȞʌȜĮIJijȩȡȝĮ ʌȠȣĮȞĮʌIJȪȤșȘțĮȞțĮȚ İȜȑȖȤșȘțĮȞ ıIJȠ ʌȜĮȓıȚȠ IJȠȣ İʌȚIJȣȤȘȝȑȞȠȣ ȑȡȖȠȣ IMUTUS ʌȠȣ ʌȡȩıijĮIJĮ ȠȜȠțȜȘȡȫșȘțİ. ȉȠ
IMUTUS (IST-2001-32270) ĮʌȠIJİȜİȓ ȑȞĮ ĮʌȠįȠIJȚțȩ ʌİȡȚȕȐȜȜȠȞ ĮȣIJȩ-İȟȐıțȘıȘȢ ȝİ
ĮȣIJȠȝĮIJȠʌȠȚȘȝȑȞĮ ȣȥȘȜȠȪ İʌȚʌȑįȠȣ ȤĮȡĮțIJȘȡȚıIJȚțȐ ĮȟȚȠȜȩȖȘıȘȢ IJȘȢ İțIJȑȜİıȘȢ țĮȚ ȝȚĮ ȣʌȠįȠȝȒ ȝȐșȘıȘȢ İȟ ĮʌȠıIJȐıİȦȢ ȖȚĮ țȠȚȞȩȤȡȘıIJȠ ĮȞIJȚțİȓȝİȞȠ ȝȐșȘıȘȢ țĮȚ ȖȚĮ İʌȚțȠȚȞȦȞȓĮ. Ǿ ĮȟȚȠȜȩȖȘıȘ țĮȚ Ƞ ȑȜİȖȤȠȢIJȠȣ IMUTUS ȑȤȠȣȞĮʌȠįİȓȟİȚIJȚȢȝİȖȐȜİȢ įȣȞĮIJȩIJȘIJİȢ IJȘȢțĮȚȞȠIJȠȝȚțȒȢʌȡȠıȑȖȖȚıȘȢ ȖȚĮİȟȐıțȘıȘȝİȝȠȣıȚțȐȩȡȖĮȞĮ.
ȉȠ VEMUS șĮ İʌİțIJİȓȞİȚ ĮȣIJȒ IJȘȞ ʌȡȠıȑȖȖȚıȘ ıİ ȞȑĮ ʌİȡȚȕȐȜȜȠȞIJĮ İțȝȐșȘıȘȢ țĮȜȪʌIJȠȞIJĮȢ ĮȞȐȖțİȢİʌȚʌȜȑȠȞȝĮșȘıȚĮțȫȞ IJȠʌȠșİIJȒıİȦȞțĮȚ ȑȞĮȝİȖĮȜȪIJİȡȠțȠȚȞȩ. ȉȠ VEMUS șĮĮȞĮʌIJȣȤșİȓ ıİʌİȡȚȕȐȜȜȠȞȝȐșȘıȘȢİȟ ĮʌȠıIJȐıİȦȢ țĮȚșĮİȝʌȜȠȣIJȓıİȚIJĮ ĮȞIJȚțİȓȝİȞĮ ȝȐșȘıȘȢȝİİʌȚʌȡȩıșİIJĮ ȠȣıȚȫįȘ įİįȠȝȑȞĮ ʌȠȣ șĮ ȠįȘȖȒıȠȣȞ ıIJȠ ʌİȡȚİȤȩȝİȞȠ ȤĮȡĮțIJȘȡȚıȝȠȪ ȕĮıȚıȝȑȞȠ ıİ ȕĮıȚțȑȢ ȚțĮȞȩIJȘIJİȢ İȜȑȖȤȠȣ ȝȠȣıȚțȒȢ țĮȚ ȠȡȖȐȞȦȞ. ȊȥȘȜȐ țĮȚȞȠIJȠȝȚțȐ ȤĮȡĮțIJȘȡȚıIJȚțȐ IJȘȢ ĮȓșȠȣıĮȢ įȚįĮıțĮȜȓĮȢ ȩʌȦȢ țȠȚȞȒ ȤȡȒıȘ ʌȘȖȫȞ țĮȚ ĮȞIJȚțİȚȝȑȞȦȞ ȝȐșȘıȘȢ șĮ İȡİȣȞȘșȠȪȞ ȫıIJİ ȞĮ İȟĮıijĮȜȓıȠȣȞ ȝȚĮ įȚĮȡțȒ İʌĮijȒ ȝİIJĮȟȪ IJȘȢ İȟȐıțȘıȘȢ ıIJȘȞ ĮȓșȠȣıĮ įȚįĮıțĮȜȓĮȢ țĮȚ IJȘȢ İȟȐıțȘıȘȢıIJȠıʌȓIJȚȝİȣȜȚțȩʌȠȣıȣȖțİȞIJȡȫșȘțİıIJȘȞĮȓșȠȣıĮ.
Ǿ țȠȚȞȠʌȡĮȟȓĮ IJȠȣ VEMUS (VEMUS Consortium) ĮʌȠIJİȜİȓIJĮȚ Įʌȩ 6 ȤȫȡİȢ, 3 Įʌȩ IJȚȢ ȠʌȠȓİȢ İȓȞĮȚ ȞȑĮ Ȓ ȣʌȠȥȒijȚĮ țȡȐIJȘ-ȝȑȜȘ. ȉȠ VEMUS ıȣȖțȑȞIJȡȦıİ ȩȜȘ IJȘȞ ĮʌĮȡĮȓIJȘIJȘ ʌȡĮȖȝĮIJȠȖȞȦȝȠıȪȞȘ ĮʌȩȩȜȠȣȢIJȠȣȢIJȠȝİȓȢʌȠȣİȞȑȤȠȞIJĮȚțĮȚȣȚȠșİIJİȓțĮșĮȡȐȝȚĮİȣȡȦʌĮȧțȒ įȚȐıIJĮıȘȝİIJȘıȣȝȝİIJȠȤȒ İIJĮȓȡȦȞĮʌȩ 6 ȤȫȡİȢ. DzȤȠȞIJĮȢ IJȘȝȠȣıȚțȒȦȢ țȪȡȚȠȩȤȘȝĮțĮȚİȝʌȜȑțȠȞIJĮȢȠȝȐįİȢıİįȚĮijȠȡİIJȚțȑȢ ȤȫȡİȢțĮȚįȚȐijȠȡİȢ ȖȜȫııİȢ, IJȠ VEMUS ĮȞĮȗȘIJȐ ȞĮ ʌȜȘıȚȐıİȚĮȞșȡȫʌȠȣȢ ȝİįȚĮijȠȡİIJȚțȒȚıIJȠȡȓĮ țĮȚ țȠȣȜIJȠȪȡĮ, įȘȝȚȠȣȡȖȫȞIJĮȢ ʌȠȜȚIJȚıIJȚțȠȪȢ įİıȝȠȪȢ țĮȚ įȚĮıijĮȜȓȗȠȞIJĮȢ ȝȚĮ ȝİȖĮȜȪIJİȡȘ ıȣȝȝİIJȠȤȒıIJȘȖȞȫıȘțĮȚıIJĮĮʌȠIJİȜȑıȝĮIJĮIJȘȢȑȡİȣȞĮȢțĮșȫȢțĮȚȑȞĮȝİȖĮȜȪIJİȡȠĮȞIJȓțIJȣʌȠ. ȉȠ VEMUS ȣȚȠșİIJİȓ ȝȚĮ ʌȡȠıȑȖȖȚıȘ ȚıȤȣȡȐ ʌȡȠıĮȞĮIJȠȜȚıȝȑȞȘ ıIJȠ ȤȡȒıIJȘ, ȝİ ȠȝȐįİȢ ȤȡȘıIJȫȞ ( user groups) ʌȠȣıȣȝȝİIJȑȤȠȣȞİȞİȡȖȐıİȩȜȘIJȘįȚȐȡțİȚĮIJȠȣȑȡȖȠȣ: ĮʌȩʌȡȠȨʌȠșȑıİȚȢ, ıİįȠțȚȝȑȢıİ įȚȐijȠȡĮʌİįȓĮ, ĮȟȚȠȜȩȖȘıȘțĮȚȐȜȜĮ. ǾıȣȝȝİIJȠȤȒ ȠȝȐįȦȞȤȡȘıIJȫȞıIJȘȞțȠȚȞȠʌȡĮȟȓĮİʌȚȕİȕĮȚȫȞİȚ ȝȓĮȚıȤȣȡȐʌȡȠıĮȞĮIJȠȜȚıȝȑȞȘ ıIJȠȤȡȒıIJȘįȚĮįȚțĮıȓĮİijĮȡȝȠȖȒȢțĮȚįȓȞİȚIJȘȞİȣțĮȚȡȓĮıIJȠȑȡȖȠȞĮ ĮȞĮʌIJȪȟİȚ IJȘȞ ʌȡȠıȑȖȖȚıȒ IJȠȣ ıİ ĮțȩȝȘ ȝİȖĮȜȪIJİȡȘ țȜȓȝĮțĮ țĮȚ ȞĮ țĮIJĮʌȚĮıIJİȓ ȝİ ıȘȝĮȞIJȚțȠȪȢ ʌĮȡȐȖȠȞIJİȢʌȠȣșĮĮʌȠIJİȜȑıȠȣȞIJȘȕȐıȘȖȚĮİȣȡȪIJİȡİȢȝİIJĮȖİȞȑıIJİȡİȢʌȡȦIJȠȕȠȣȜȓİȢ.
ȂİʌȡȠȖȡĮȝȝĮIJȚıȝȑȞİȢ ıȤİIJȚțȐ ȝİ IJȘȞ ĮȖȠȡȐ įȡĮıIJȘȡȚȩIJȘIJİȢ țĮȚ IJȘ ıȣȝȝİIJȠȤȒ İʌȚȤİȚȡȒıİȦȞ, ȝȚĮ ĮʌȩIJȚȢ ȠʌȠȓİȢİȓȞĮȚ ȑȞĮȢıȘȝĮȞIJȚțȩȢȠȓțȠȢ ȝȠȣıȚțȒȢıIJȘȞ ǼȜȜȐįĮ ȝİıȘȝĮȞIJȚțȒ țĮȚ ʌĮȡĮIJİIJĮȝȑȞȘ İȝʌİȚȡȓĮıIJȠȞ IJȠȝȑĮ, IJȠ VEMUS șĮİȓȞĮȚ ıİșȑıȘ İʌȓıȘȢ ȞĮ İȞıȦȝĮIJȫıİȚ ȝȚĮ ĮʌİȣșȣȞȩȝİȞȘıIJȘȞ ĮȖȠȡȐįȚȐıIJĮıȘ, İȡİȣȞȫȞIJĮȢ, ʌȡȠȖȡĮȝȝĮIJȓȗȠȞIJĮȢțĮȚĮțȠȜȠȣșȫȞIJĮȢIJȚȢİȣțĮȚȡȓİȢȖȚĮIJȘȞĮȟȚȠʌȠȓȘıȘ IJȦȞĮʌȠIJİȜİıȝȐIJȦȞIJȠȣʌȡȠȖȡȐȝȝĮIJȠȢ.
ǹȣIJȒȞ IJȘȞ ʌİȡȓȠįȠ, įİȞ ȣʌȐȡȤİȚ țĮȞȑȞĮ İȝʌȠȡȚțȩ Ȓ ȐȜȜȠ ıȪıIJȘȝĮ ʌȠȣ İȞıȦȝĮIJȫȞİȚ IJĮ ȤĮȡĮțIJȘȡȚıIJȚțȐ ȖȞȦȡȓıȝĮIJĮ ʌȠȣ ʌȡȠȖȡĮȝȝĮIJȓȗȠȞIJĮȚ ȖȚĮ IJȠ VEMUS. ȉĮ ȣʌȐȡȤȠȞIJĮ ıȣıIJȒȝĮIJĮ
107
țĮȜȪʌIJȠȣȞȝİȝȠȞȦȝȑȞĮ ȝȑȡȘ țĮȚ IJȚȢʌİȡȚııȩIJİȡİȢ ijȠȡȑȢ, ȤȦȡȓȢ ȚțĮȞȠʌȠȚȘIJȚțȩ ĮʌȠIJȑȜİıȝĮ. ǼȐȞ IJȠ IMUTUS İȓȞĮȚ ȝȚĮ țĮȚȞȠIJȠȝȓĮ ıIJȘȞ ĮȣIJȩ-İȟȐıțȘıȘ, IJȠ VEMUS ȝʌȠȡİȓ ȞĮ İʌȚijȑȡİȚ IJİȤȞȠȜȠȖȚțȒ İʌĮȞȐıIJĮıȘ ıIJȘȞ İțʌĮȓįİȣıȘ IJȘȢ ȝȠȣıȚțȒȢ ʌĮȡȠȣıȚȐȗȠȞIJĮȢ ȝȚĮ ʌȜȒȡȘ ʌȡȠıȑȖȖȚıȘ ʌȠȣ țĮȜȪʌIJİȚ ȐIJȠȝĮ, ȠȝȐįİȢ țĮȚ IJȐȟİȚȢ ȝȠȣıȚțȒȢ, țĮșȫȢ İʌȓıȘȢ țĮȚ ȠȡȖĮȞȫıİȚȢ ȩʌȦȢ ıȤȠȜİȓĮ ȝȠȣıȚțȒȢ, ıȣȞįȣȐȗȠȞIJĮȢ IJȘȞ İȟ ĮʌȠıIJȐıİȦȢ ȝȐșȘıȘ țĮȚ IJȚȢ țĮȚȞȠIJȩȝİȢ IJİȤȞȠȜȠȖȚțȑȢ ȕİȜIJȚȫıİȚȢ ȝİ IJĮ ʌĮȡĮįȠıȚĮțȐʌȡȩıȦʌȠȝİʌȡȩıȦʌȠȝĮșȒȝĮIJĮıİȝȚĮʌȜȒȡİȢʌİȡȚȕȐȜȜȠȞİțȝȐșȘıȘȢ.
ȂȚĮĮʌȩ IJȚȢ ȠȝȐįİȢ ȤȡȘıIJȫȞ ʌȠȣ ıȣȝȝİIJȑȤȠȣȞ İȞİȡȖȐ ıIJȠ ʌȡȩȖȡĮȝȝĮ İȓȞĮȚ ȠȚȝĮșȘIJȑȢ ʌȠȣ ȝİIJȚȢ İțIJİȜȑıİȚȢ IJȠȣȢ ıİ įȚȐijȠȡĮ ȝȠȣıȚțȐ țȠȝȝȐIJȚĮ İȝʌȜȠȣIJȓȗȠȣȞ IJȘ ȕȐıȘ įȠțȚȝȫȞ IJȠȣ VEMUS, ʌĮȡȑȤȠȞIJĮȢ ȝ’ ĮȣIJȩȞ IJȠȞ IJȡȩʌȠ ȑȞĮ ȚıȤȣȡȩ İȡȖĮȜİȓȠ ȖȚĮ IJȘ ȝİȜȑIJȘ IJȦȞ ȤĮȡĮțIJȘȡȚıIJȚțȫȞ IJȦȞ ȘȤȠȖȡĮijȘȝȑȞȦȞ İțIJİȜȑıİȦȞ. ȋĮȡĮțIJȘȡȚıIJȚțȐ ȩʌȦȢ Ƞ ʌİȡȚȕĮȜȜȠȞIJȚțȩȢ șȩȡȣȕȠȢ ıİ ʌȡĮȖȝĮIJȚțȑȢ ĮȓșȠȣıİȢ įȚįĮıțĮȜȓĮȢ ȝȠȣıȚțȒȢ, ȠȚ İʌȚįȩıİȚȢ IJȦȞ ıʌȠȣįĮıIJȫȞ ıİ įȚĮijȠȡİIJȚțȐ İʌȓʌİįĮ İțȝȐșȘıȘȢ țĮȚ įȚĮijȠȡİIJȚțȒȢ įȣıțȠȜȓĮȢ ȝȠȣıȚțȐ țȠȝȝȐIJȚĮ, IJĮ įȚȐijȠȡĮ ȜȐșȘ ʌȠȣ țȐȞȠȣȞ țĮȚ Ƞ IJȡȩʌȠȢ ĮȞIJȓįȡĮıȘȢIJȠȣȢı’ ĮȣIJȑȢIJȚȢʌİȡȚʌIJȫıİȚȢİȓȞĮȚțȐʌȠȚĮĮʌȩ IJȠıȪȞȠȜȠIJȦȞȖȞȦȡȚıȝȐIJȦȞ ʌȠȣȑȤȠȣȝİ IJȘ įȣȞĮIJȩIJȘIJĮ ȞĮ ȝİȜİIJȒıȠȣȝİ ȜİʌIJȠȝİȡȫȢ ȤȐȡȘ ı’ ȑȞĮ ʌȜȒșȠȢ ʌȡĮȖȝĮIJȚțȫȞ İțIJİȜȑıİȦȞ ʌȠȣ ȑȤȠȣȝİ ıIJȘ įȚȐșİıȒ ȝĮȢ. ȅȚ İțIJİȜȑıİȚȢ ĮȣIJȑȢ ʌȡĮȖȝĮIJȠʌȠȚȒșȘțĮȞ Įʌȩ įȚĮijȠȡİIJȚțȠȪȢ ȝĮșȘIJȑȢ, įȚĮijȩȡȦȞ İʌȚʌȑįȦȞ, ıİ įȚĮijȠȡİIJȚțȐ ȝȠȣıȚțȐ țȠȝȝȐIJȚĮ, ȝİ įȚĮijȠȡİIJȚțȐ ȝȠȣıȚțȐ ȩȡȖĮȞĮ țĮȚ ȝİ ȑȞĮ ıȪȞȠȜȠ įĮıțȐȜȦȞ ȫıIJİ ȝİ IJȠ ʌȜȒșȠȢ ĮȣIJȩ IJȦȞ įȚĮijȠȡİIJȚțȫȞ ıȣȞșȘțȫȞ ȞĮ ʌĮȡȑȤİȚ ȑȞĮ ȚțĮȞȠʌȠȚȘIJȚțȐ İțIJİIJĮȝȑȞȠıȪȞȠȜȠʌİȡȚʌIJȫıİȦȞįȠțȚȝȒȢ.
108
ȆĮȡȐȡIJȘȝĮ – ȆȓȞĮțĮȢ ȂİIJȐijȡĮıȘȢ ǼʌȚȜİȖȝȑȞȦȞ ǵȡȦȞ
Score
following/matching
ǹȞIJȚıIJȠȓȤȚıȘ IJȦȞ ȝȠȣıȚțȫȞ ıȣȝȕȐȞIJȦȞ (ȞȠIJȫȞ, ʌĮȪıİȦȞ ț.Ȝʌ) IJȘȢ ʌĮȡIJȚIJȠȪȡĮȢ ȝİ IJĮ ȝȠȣıȚțȐ ıȣȝȕȐȞIJĮ ȝȚĮȢ İțIJȑȜİıȘȢ ȩʌȦȢ ĮȣIJȐ ĮȞĮȖȞȦȡȓȗȠȞIJĮȚ ıİ ʌȡĮȖȝĮIJȚțȩ (following) Ȓ ȝȘ ʌȡĮȖȝĮIJȚțȩ (matching) ȤȡȩȞȠ.
Centroid ĭĮıȝĮIJȚțȩțȑȞIJȡȠȕȐȡȠȣȢ
Peak picking ǹȜȖȩȡȚșȝȠȢİʌȚȜȠȖȒȢȝİȖȓıIJȦȞ
Partials ȂİȡȚțȑȢ
Harmonics ǹȡȝȠȞȚțȑȢ
Pitch ǶȥȠȢ ȝȠȣıȚțȠȪ ȒȤȠȣ. ǼȞĮȜȜĮțIJȚțȐ, șİȝİȜȚȫįȘȢ ıȣȤȞȩIJȘIJĮ (f0).
Frame ȆȜĮȓıȚȠ
Onset (note ~) ȋȡȠȞȚțȩıȘȝİȓȠİțțȓȞȘıȘȢ (ȞȩIJĮȢ)
Offset (note ~) ȋȡȠȞȚțȩıȘȝİȓȠIJİȡȝĮIJȚıȝȠȪ (ȞȩIJĮȢ)
Attack ȈIJȘȞ ȝȠȣıȚțȒ ĮȞĮijȑȡİIJĮȚ țĮȚ ȦȢ «ĮIJȐțĮ». ȉȠ İȚıĮȖȦȖȚțȩ IJȝȒȝĮ ȝȚĮȢ
ȞȩIJĮȢ, Ș «ȑțȡȘȟȘ» țĮșȫȢĮȣIJȒıȤȘȝĮIJȓȗİIJĮȚ, IJȠ «ȝʌȐıȚȝȩ» IJȘȢ.
Transient ȂİIJĮȕĮIJȚțȒıȣȝʌİȡȚijȠȡȐȞȩIJĮȢ.
Hollow/empty (note) ȀİȞȒ/ ȐįİȚĮ (ȞȩIJĮ).
Squeak "ȉȡȓȟȚȝȠ".
Decay ǼȟĮıșȑȞȚıȘȞȩIJĮȢ.
109
ǼȣȡİIJȒȡȚȠ ǼȚțȩȞȦȞ țĮȚ ȆȚȞȐțȦȞ
ǼȚțȩȞĮ 1: ǹʌİȚțȩȞȚıȘ įȚİʌȚıIJȘȝȠȞȚțȩIJȘIJĮȢ IJȘȢ ȂȠȣıȚțȒȢ ȉİȤȞȠȜȠȖȓĮȢ... 9
ǼȚțȩȞĮ 2 : ǹȡĮȚȫıİȚȢ țĮȚ ʌȣțȞȫıİȚȢ țĮIJȐ IJȘ įȚȐįȠıȘ İȞȩȢ țȪȝĮIJȠȢ... 16
ǼȚțȩȞĮ 3:ȅȒȤȠȢȦȢțȪȝĮʌȓİıȘȢ... 17
ǼȚțȩȞĮ 4: ȂȒțȠȢțȪȝĮIJȠȢ... 17
ǼȚțȩȞĮ 5 : ȈȣȤȞȩIJȘIJİȢȞȠIJȫȞıIJȠʌȚȐȞȠ... 17
ǼȚțȩȞĮ 6:ȀȣȝĮIJȠȝȠȡijȒ ıIJȠ ʌİįȓȠ IJȠȣ ȤȡȩȞȠȣ țĮȚ ıIJȠ ʌİįȓȠ IJȘȢ ıȣȤȞȩIJȘIJĮȢ... 19
ǼȚțȩȞĮ 7: ȈȪȖțȡȚıȘ ĮȡȝȠȞȚțȫȞ țĮȚ ȠțIJȐȕȦȞ. ȅȚ ĮȡȝȠȞȚțȑȢ İȓȞĮȚ ȖȡĮȝȝȚțȐ ıȣıȤİIJȚıȝȑȞİȢ İȞȫ ȠȚ ȠțIJȐȕİȢȜȠȖĮȡȚșȝȚțȐ... 20
ǼȚțȩȞĮ 8: ȂȒțȠȢțȪȝĮIJȠȢțĮȚʌȜȐIJȠȢțȣȝĮIJȠȝȠȡijȒȢ. ... 21
ǼȚțȩȞĮ 9 : ȀĮȝʌȪȜİȢȓıȘȢȘȤȘȡȩIJȘIJĮȢ... 22
ǼȚțȩȞĮ 10 ... 23
ǼȚțȩȞĮ 11 :ǻİıȝȠȓ țĮȚ ǹȞIJȓ-įİıȝȠȓ... 25
ǼȚțȩȞĮ 12: ǹȞĮʌĮȡȐıIJĮıȘ IJȘȢ ȂȠȣıȚțȒȢ ȀĮIJĮȖȡĮijȒȢ... 27
ǼȚțȩȞĮ 13 :ȈIJȐįȚĮ İʌİȟİȡȖĮıȓĮȢ ʌȠȣ ĮʌĮȚIJȠȪȞIJĮȚ ȖȚĮ IJȘȞ ȝȠȣıȚțȒ ĮȞĮȖȞȫȡȚıȘ țĮȚ ȠȚ ȝİIJĮȟȪ IJȠȣȢ ĮȜȜȘȜİȟĮȡIJȒıİȚȢ... 28
ǼȚțȩȞĮ 14:ȁĮȞșĮıȝȑȞĮĮȞȚȤȞİȣȝȑȞĮȝȑȡȘıȚȦʌȒȢȝİIJȘȤȡȘıȚȝȠʌȠȓȘıȘIJȦȞĮʌȜȫȞIJȚȝȫȞijĮțȑȜȦȞ... 32
ǼȚțȩȞĮ 15 :ǹʌİȚțȩȞȚıȘ IJȘȢ ʌĮȡĮȝȑIJȡȠȣ IJȘȢ ȑȞIJĮıȘȢ țĮȚ IJȘȢ ĮʌȠįȠIJȚțȩIJȘIJȐȢ IJȠȣ ıİ ıȒȝĮIJĮ ȝİ șȩȡȣȕȠ33 ǼȚțȩȞĮ 16: Ǿ ĮțȠȜȠȣșȓĮ ĮȣIJȠıȣıȤȑIJȚıȘȢ İȞȩȢ ıȒȝĮIJȠȢ ȝİ ijȦȞȒ țĮȚ İȞȩȢ ȤȦȡȓȢ. ... 33
ǼȚțȩȞĮ 17:ǹʌİȚțȩȞȚıȘIJȘȢʌİȡȚȠįȚțȩIJȘIJĮȢȖȚĮIJȘȞȑțijȡĮıȘIJȘȢĮȞȓȤȞİȣıȘ... 34
ǼȚțȩȞĮ 18: ȀĮșȠȡȚıȝȩȢ IJȠȣ țĮIJȫIJĮIJȠȣ ȠȡȓȠȣ ȑțijȡĮıȘȢ Įʌȩ IJȠ ȚıIJȩȖȡĮȝȝĮ IJȠȣ İʌȚʌȑįȠȣ ʌİȡȚȠįȚțȩIJȘIJĮȢ... 35
ǼȚțȩȞĮ 19 : ȀȣȝĮIJȠȝȠȡijȒȤȦȡȓȢȣȥȘȜȩIJİȡİȢĮȡȝȠȞȚțȑȢ... 36
ǼȚțȩȞĮ 20: ȀȣȝĮIJȠȝȠȡijȒ ȝİ ȣȥȘȜȩIJİȡİȢ ĮȡȝȠȞȚțȑȢ ȝȚțȡȩIJİȡȘȢ ȚıȤȪȠȢ... 36
ǼȚțȩȞĮ 21: ȀȣȝĮIJȠȝȠȡijȒ ȝİ ȣȥȘȜȩIJİȡİȢ ĮȡȝȠȞȚțȑȢ ȝİȖĮȜȪIJİȡȘȢ ȚıȤȪȠȢ... 36
ǼȚțȩȞĮ 22 :ȀȣȝĮIJȠȝȠȡijȒ ȝİȣȥȘȜȩIJİȡİȢĮȡȝȠȞȚțȑȢȝȚțȡȩIJİȡȘȢ ȚıȤȪȠȢțĮȚȤȦȡȓȢșİȝİȜȚȫįȘ ıȣȤȞȩIJȘIJĮ ... 36
ǼȚțȩȞĮ 23: FFT-based įȠȝȒȣʌȠȜȠȖȚıȝȠȪȪȥȠȣȢȝİİțIJȓȝȘıȘijȐıȘȢ... 38
ǼȚțȩȞĮ 24:ǹȡȝȠȞȚțȑȢ țĮȚ İțIJȓȝȘıȘ IJȘȢ F0. ... 40
ǼȚțȩȞĮ 25: ǻȚȐȖȡĮȝȝĮ ȡȠȒȢ ȖȚĮ IJȠ įȚĮȤȦȡȚıȝȩ IJȦȞ ȝȠȣıȚțȫȞ ıȘȝȐIJȦȞ ıİ ȖİȖȠȞȩIJĮ ȞȠIJȫȞ... 42
ǼȚțȩȞĮ 26: Onset, attack, transient țĮȚ decay ȝȚĮȢȞȩIJĮȢ... 43
ǼȚțȩȞĮ 27: ȆĮȡĮįİȓȖȝĮIJĮȒȤȦȞȩʌȠȣʌĮȡȠȣıȚȐȗȠȞIJĮȚIJĮ onset ... 44
ǼȚțȩȞĮ 28:ĭȐțİȜȠȚ İȪȡȠȣȢ ȖȚĮ IJȠȣȢ IJȩȞȠȣȢ ʌȠȣ ʌĮȡȐȖȠȞIJĮȚ Įʌȩ (Įʌȩ țȐIJȦ ʌȡȠȢ IJĮ ʌȐȞȦ) ȕȚȠȜȓ, IJȡȠȝʌȑIJĮțĮȚijȜȐȠȣIJȠ. ǾĮȡȤȒIJȠȣijȜȐȠȣIJȠȣİȓȞĮȚıȤİįȩȞıIJȚȖȝȚĮȓĮ. (ȆȘȖȒ [Mar98]) ... 45
ǼȚțȩȞĮ 29: ȁĮȞșĮıȝȑȞȘ ȞȩIJĮ ıIJȠ 1Ƞ ıIJȐįȚȠ țĮȚ ıȦıIJȒ ıIJȠ 2Ƞ... 46
ǼȚțȩȞĮ 30: īȡĮijȚțȒ ʌĮȡȐıIJĮıȘ ȝȘȤĮȞȒȢ ĮʌȩijĮıȘȢ 3 İʌȚʌȑįȦȞ... 47
ǼȚțȩȞĮ 31: ǹȣIJȩȝĮIJȘĮȞȓȤȞİȣıȘIJȩȞȠȣIJȘȢijȜȠȖȑȡĮȢȝȑıȦIJȠȣ PDF IJȦȞIJȚȝȫȞȪȥȠȣȢ... 49
ǼȚțȩȞĮ 32 : ȆİȡȚȕȐȜȜȠȞIJȠȣʌȡȠȖȡȐȝȝĮIJȠȢ Praat ... 52
ǼȚțȩȞĮ 33: ǹȞIJȚıIJȠȚȤȓĮȞȠIJȫȞțĮȚıȣȤȞȠIJȒIJȦȞ... 53
ǼȚțȩȞĮ 34 :ȆĮȡȐįİȚȖȝĮ įȚȐıʌĮıȘȢ ȞȩIJĮȢ ʌȠȣ ȠijİȓȜİIJĮȚ ıİ ȝȚțȡȒ įȚĮțȪȝĮȞıȘ IJȠȣ ȪȥȠȣȢ. Test-case «Martin_The Christmas song»_3.33 sec-3.699 sec. ... 55
ǼȚțȩȞĮ 35 :ȆĮȡȐįİȚȖȝĮ įȚȐıʌĮıȘȢ ȞȩIJĮȢ ʌȠȣ ȠijİȓȜİIJĮȚ ıİ ȝȚțȡȒ įȚĮțȪȝĮȞıȘ IJȠȣ ȪȥȠȣȢ. Test-case «Martin_The Christmas song»_39.68 sec-39.129 sec. ... 56
ǼȚțȩȞĮ 36 : ȆĮȡȐįİȚȖȝĮ įȚȐıʌĮıȘȢ ȞȩIJĮȢ ʌȠȣ ȠijİȓȜİIJĮȚ ıİ įȚĮțȪȝĮȞıȘ IJȘȢ ȑȞIJĮıȘȢ. Test-case «Martin_The Christmas_song»_71.44 sec-71.53 sec. ... 57
ǼȚțȩȞĮ 37: ȆĮȡȐįİȚȖȝĮ ıȣȖȤȫȞİȣıȘȢ ȞȠIJȫȞ ȝİ įȚĮijȠȡȐ İȞȩȢ ȘȝȚIJȠȞȓȠȣ. Test-case «Sankta_Lucia»_2.50 sec-3.23 sec. ... 58
110
ǼȚțȩȞĮ 38 :ȀȠȝȝȐIJȚʌĮȡIJȚIJȠȪȡĮȢ «Sankta_Lucia» ... 58
ǼȚțȩȞĮ 39 : ȆĮȡȐįİȚȖȝĮ ıȣȖȤȫȞİȣıȘȢ ȞȠIJȫȞ ȝİ įȚĮijȠȡȐ İȞȩȢ ȘȝȚIJȠȞȓȠȣ. Test-case «Fredrik_Jag_vill_ha_en_egen» 47.43 sec-48.03 sec ... 59
ǼȚțȩȞĮ 40: ȀȠȝȝȐIJȚʌĮȡIJȚIJȠȪȡĮȢ «Jag_vill_ha_en_egen» ... 59
ǼȚțȩȞĮ 41: ȆĮȡȐįİȚȖȝĮıȣȖȤȫȞİȣıȘȢȞȠIJȫȞȝİįȚĮijȠȡȐİȞȩȢIJȩȞȠȣ Test-case «Johan_Moritz_julen er her» 47.43 sec-48.03 sec ... 60
ǼȚțȩȞĮ 42: ȀȠȝȝȐIJȚʌĮȡIJȚIJȠȪȡĮȢ julen er her... 60
ǼȚțȩȞĮ 43 : ǻȚȐȖȡĮȝȝĮ İȚıȩįȦȞ-İȟȩįȦȞ IJȘȢ ıȪȤȡȠȞȘȢ ȕĮșȝȓįĮȢ ĮȞIJȚıIJȠȓȤȚıȘȢ. ... 65
ǼȚțȩȞĮ 44 : ǻȚȐȖȡĮȝȝĮ İȚıȩįȦȞ-İȟȩįȦȞ IJȠȣ IJȘȢ ĮıȪȖȤȡȠȞȘȢ ȕĮșȝȓįĮȢ ĮȞIJȚıIJȠȓȤȚıȘȢ. ... 65
ǼȚțȩȞĮ 45 :ȈȣȝʌİȡȚijȠȡȐIJȘȢıȪȤȡȠȞȘȢȕĮșȝȓįĮȢĮȞIJȚıIJȠȓȤȚıȘȢıIJȘȞʌİȡȓʌIJȦıȘʌĮȡȐȜİȚȥȘȢȝȚĮȢȞȩIJĮȢ. ... 72
ǼȚțȩȞĮ 46: ȈȣȝʌİȡȚijȠȡȐIJȘȢıȪȤȡȠȞȘȢȕĮșȝȓįĮȢĮȞIJȚıIJȠȓȤȚıȘȢıIJȘȞʌİȡȓʌIJȦıȘİȚıĮȖȦȖȒȢȝȚĮȢȞȩIJĮȢ73 ǼȚțȩȞĮ 47: ȆİįȓĮ “Reference & Performance” ... 76
ǼȚțȩȞĮ 48: ȆİįȓȠ “Mathing”... 76
ǼȚțȩȞĮ 49: ǻȚȐȜȠȖȠȢ İʌȚȜȠȖȒȢ ĮȡȤİȓȠȣ... 77
ǼȚțȩȞĮ 50: ȆĮȡȐșȣȡȠȝİIJȐIJȘȞİʌȚȜȠȖȒĮȣIJȫȞIJȦȞĮȡȤİȓȦȞ... 77
ǼȚțȩȞĮ 51: ȊʌȠșȑıİȚȢțĮȚȖȡȐijȠȢțĮȜȪIJİȡȘȢĮȞIJȚıIJȠȓȤȚıȘȢ... 78
ǼȚțȩȞĮ 52: ǹȞIJȚıIJȠȓȤȚıȘĮțȠȜȠȣșȚȫȞ... 78
ǼȚțȩȞĮ 53 ... 79
ǼȚțȩȞĮ 54 ... 79
ǼȚțȩȞĮ 55: ǹʌȠIJİȜȑıȝĮIJĮĮȞIJȚıIJȠȓȤȚıȘȢıİʌİȡȓʌIJȦıȘįȠțȚȝȒȢ... 79
ǼȚțȩȞĮ 56: ǻȚȐȖȡĮȝȝĮİȚıȩįȦȞ-İȟȩįȦȞIJȘȢǺĮșȝȓįĮȢǹȟȚȠȜȩȖȘıȘȢIJȘȢǼțIJȑȜİıȘȢ. ... 83
ǼȚțȩȞĮ 57 : ǻȚȐȖȡĮȝȝĮIJȠȣıȤİįȚĮıȝȠȪIJȘȢǺĮșȝȓįĮȢǹȟȚȠȜȩȖȘıȘȢIJȘȢǼțIJȑȜİıȘȢ. ... 85
ǼȚțȩȞĮ 58: FLow mf ijĮıȝĮIJȠȖȡȐijȘȝĮ... 88
ǼȚțȩȞĮ 59 : GMid mf ijĮıȝĮIJȠȖȡȐijȘȝĮ... 88
ǼȚțȩȞĮ 60 : AUp mf ijĮıȝĮIJȠȖȡȐijȘȝĮ... 88
ǼȚțȩȞĮ 61 :BMid mf ijĮıȝĮIJȠȖȡȐijȘȝĮ... 88
ǼȚțȩȞĮ 62 :ȉȡȓȟȚȝȠȠijİȚȜȩȝİȞȠıİțĮțȩıȣȞIJȠȞȚıȝȩIJȦȞįĮțIJȪȜȦȞ... 89
ǼȚțȩȞĮ 63: ȉȡȓȟȚȝȠȠijİȚȜȩȝİȞȠıIJȠıIJȩȝȚȠ... 89
ǼȚțȩȞĮ 64: īȡĮȝȝȚțȩ ijȐıȝĮ IJȠȣ IJȩȞȠȣ FLow mf țĮȜȒȢ ʌȠȚȩIJȘIJĮȢ ȒȤȠȣ țĮȚ IJȠȣ ʌȡȠȕȜȘȝĮIJȚțȠȪ squeak IJȝȒȝĮIJȠȢ İȟĮȚIJȓĮȢ țĮțȠȪ įĮțIJȣȜȚıȝȠȪ țĮȚ țĮțȠȪ ıIJȠȝȓȠȣ ĮȞIJȓıIJȠȚȤĮ. ... 90
ǼȚțȩȞĮ 65 GMidIJȡȓȟȚȝȠ... 90
ǼȚțȩȞĮ 66 : ĭȐıȝĮIJȠȣʌȡȠȕȜȘȝĮIJȚțȠȪĮʌȩIJȡȓȟȚȝȠ GMidIJȩȞȠȣıIJȘȞĮȡȤȒțĮȚıIJȠIJȑȜȠȢIJȠȣıȣȖțȡȚIJȚțȐ ȝİIJȠȝȑıȠȖȡĮȝȝȚțȩijȐıȝĮIJȠȣțĮȞȠȞȚțȠȪIJȩȞȠȣ... 91
ǼȚțȩȞĮ 67: DZįİȚĮ FLow Įʌȩ țĮțȒ țĮIJȐıIJĮıȘ ıIJȠȝȓȠȣ... 92
ǼȚțȩȞĮ 68 : DZįİȚĮ FLow Įʌȩ İȜȜȚʌȒ ʌȓİıȘ IJȦȞ ȤİȚȜȚȫȞ... 92
ǼȚțȩȞĮ 69: DZįİȚĮ FLowĮʌȩțĮțȒțĮIJȐıIJĮıȘIJȠȣıIJȠȝȓȠȣ... 92
ǼȚțȩȞĮ 70: ȂȑıȠ ȖȡĮȝȝȚțȩ ijȐıȝĮ IJȠȣ FLow IJȩȞȠȣ ıIJȚȢ 3 įȣȞĮIJȑȢ ʌİȡȚʌIJȫıİȚȢ ȐįİȚĮȢ ȞȩIJĮȢ țĮȚ IJȠȣ țĮȞȠȞȚțȠȪ FLow... 93
ǼȚțȩȞĮ 71: DZįİȚĮǹUpĮʌȩțĮțȒțĮIJȐıIJĮıȘıIJȠȝȓȠȣ... 94
ǼȚțȩȞĮ 72: DZįİȚĮ ǹUp Įʌȩ İȜȜİȚʌȒ ʌȓİıȘ IJȦȞ ȤİȚȜȚȫȞ... 94
ǼȚțȩȞĮ 73 : DZįİȚĮ ǹUp Įʌȩ țĮțȒ țĮIJȐıIJĮıȘ IJȠȣ ıIJȠȝȓȠȣ... 94
ǼȚțȩȞĮ 74: ȂȑıȠ ȖȡĮȝȝȚțȩ ijȐıȝĮ IJȠȣ ǹUp IJȩȞȠȣ ıIJȚȢ 3 įȣȞĮIJȑȢ ʌİȡȚʌIJȫıİȚȢ ȐįİȚĮȢ ȞȩIJĮȢ țĮȚ IJȠȣ țĮȞȠȞȚțȠȪǹUp... 95
ǼȚțȩȞĮ 75: ǹıIJĮșȑȢ Flow... 96
ǼȚțȩȞĮ 76 :ǹıIJĮșȑȢ GMid... 96
ǼȚțȩȞĮ 77 :ǹıIJĮșȑȢ BMid ... 96
ǼȚțȩȞĮ 78 :ǹıIJĮșȑȢ AUp... 96
111
ǼȚțȩȞĮ 79 :ȂȑıȠ ijȐıȝĮIJȠȣĮıIJĮșȠȪȢțĮȚIJȠȣțĮȞȠȞȚțȠȪ FLow țĮșȫȢțĮȚIJȠijȐıȝĮIJȠȣȓįȚȠȣIJȩȞȠȣıİ
IJȡİȚȢ įȚĮijȠȡİIJȚțȑȢ ȤȡȠȞȚțȑȢ ıIJȚȖȝȑȢ... 97
ǼȚțȩȞĮ 80 :ȂȑıȠ ijȐıȝĮ IJȠȣ ĮıIJĮșȠȪȢ FLow... 97
ǼȚțȩȞĮ 81: ȂȑıȠ ijȐıȝĮ IJȠȣ țĮȞȠȞȚțȠȪ țĮȚ IJȠȣ ĮıIJĮșȠȪȢ BMid... 98
ǼȚțȩȞĮ 82: ĭȐıȝĮIJĮIJȠȣĮȡȤȚțȠȪIJȩȞȠȣıİIJȡİȚȢįȚĮijȠȡİIJȚțȑȢȤȡȠȞȚțȑȢıIJȚȖȝȑȢ BMid... 99
ǼȚțȩȞĮ 83 :ǻȚʌȜȩȢ GMid IJȩȞȠȢ... 100
ǼȚțȩȞĮ 84 :ǻȚʌȜȩȢǼMid IJȩȞȠȢ... 100
ǼȚțȩȞĮ 85 :ȂȑıȠ ȖȡĮȝȝȚțȩ ijȐıȝĮ IJȠȣ ʌȡȠȕȜȘȝĮIJȚțȠȪ įȚʌȜȠȪ GMid IJȩȞȠȣ... 100
ǼȚțȩȞĮ 86 :īȡĮȝȝȚțȐ ijȐıȝĮIJĮ IJȠȣ ĮȡȤȚțȠȪIJȩȞȠȣ ıİ IJȡİȚȢ įȚĮijȠȡİIJȚțȑȢ ȤȡȠȞȚțȑȢ ıIJȚȖȝȑȢ țĮȚ ȝȑıȠ ȖȡĮȝȝȚțȩijȐıȝĮIJȠȣįİȪIJİȡȠȣIJȝȒȝĮIJȠȢ, ǼMid... 101
ǼȚțȩȞĮ 87: VEMUS ... 104
ȆȓȞĮțĮȢ 1: ǼȡȝȘȞİȪȠȞIJĮȢ IJȠȣȢ ĮȡȚșȝȠȪȢ... 22
ȆȓȞĮțĮȢ 2 :ǹȡȝȠȞȚțȑȢ, įİıȝȠȓ țĮȚ ĮȞIJȓ-įİıȝȠȓ... 25
ȆȓȞĮțĮȢ 3 : ǹʌĮȞIJȒıİȚȢ 34 įĮıțȐȜȦȞ ȝȠȣıȚțȒȢ ıIJȘȞ İȡȫIJȘıȘ: «ȆȠȚİȢ Įʌȩ IJȚȢ ʌĮȡĮțȐIJȦ ʌIJȣȤȑȢ ȤȡȘıȚȝȠʌȠȚȠȪȞIJĮȚȖȚĮ IJȘȞ ĮȟȚȠȜȩȖȘıȘİȞȩȢ ȝĮșȘIJȒ ıIJĮįȪȠ ʌȡȫIJĮ ȤȡȩȞȚĮįȚįĮıțĮȜȓĮȢ;» (țȜȓȝĮțĮ 1= ȅȋǿȈǾȂǹȃȉǿȀȅ, 5= ȆȅȁȊȈǾȂǹȃȉǿȀȅ) ... 83
ȆȓȞĮțĮȢ 4 ȉȣʌȚțȐȕĮıȚțȐȜȐșȘıİȝĮșȘIJȑȢțĮIJȐIJȘįȚȐȡțİȚĮIJȦȞįȪȠʌȡȫIJȦȞȤȡȩȞȦȞįȚįĮıțĮȜȓĮȢ... 84
ȆȓȞĮțĮȢ 5 ǺĮıȚțȩ ıȪȞȠȜȠ IJȣʌȚțȫȞ ȜĮșȫȞ IJȘȢ ǺĮșȝȓįĮȢ ǹȟȚȠȜȩȖȘıȘȢ... 84
ȆȓȞĮțĮȢ 6 ȃȩIJİȢ țĮȚ Ș șİȝİȜȚȫįȘȢ ıȣȤȞȩIJȘIJȐ IJȠȣȢ... 87
112
ǺȚȕȜȚȠȖȡĮijȓĮ
[Alp80] B. Alphonce. Music analysis by computer. Computer Music Journal, 4(2):26–35, 1980.
[AP05] Jean-Julien Aucouturier and Francois Pachet. Ringomatic: A real-time interactive drummer using constraint-satisfaction and drum sound descriptors. In Proceedings of the International Symposium on Music Information Retrieval (ISMIR), pages 412–419, London, UK, September 2005.
[APH04] Jean-Julien Aucouturier, Francois Pachet, and Peter Hanappe. From sound sampling to song sampling. In Proceedings of the International Symposium on Music Information Retrieval (ISMIR), pages 1–9, Barcelona, Spain, October 2004.
[Bak89a] M. Baker. An artificial intelligence approach to musical grouping analysis. Contemporary Music Review, 3:43–68, 1989a.
[Bak89b] M. Baker. A computational approach to modeling musical grouping structure.
Contemporary Music Review, 3:311–325, 1989b.
[Bak92] M. Baker. Design of an intelligent tutoring system for musical structure and interpretation. In K. E. M. Balaban and O. Laske, editors, Understanding Music with AI: Perspectives on Music Cognition, pages 467–489. The MIT Press, Cambridge, MA, 1992.
[Bak96] Bakamidis Stelios G, (1996): “A New Frequency Domain Method for Amplitude and Frequency Demodulation”
[Bal80] G. J. Balzano. The group-theoretic description of 12- fold and microtonal pitch systems.
Computer Music Journal, 4(4):66–84, 1980
[Bam74] J. Bamberger. Progress report: Logo music project. Technical report, A.I. Laboratory, Massachussets Institute of Technology, 1974.
[Bam91] J. Bamberger. The Mind Behind the Musical Ear. Harvard University Press, Cambridge, Massachussets, 1991.
[BBPa] Paul M. Brossier, Juan P. Bello, Mark D. Plumbley, fast labeling of notes in music signals Queen Mary College, University of London Centre for Digital Music
[BBPb] Paul Brossier, Juan Pablo Bello and Mark D. Plumbley, Centre for Digital Music. Real time temporal segmentation of note objects in music signals, Queen Mary University of London
[BDA+] Juan Pablo Bello, Laurent Daudet, Samer Abdallah, Chris Duxbury, Mike Davies, and Mark B. Sandler, A tutorial on onset detection in Music Signals, IEEE
[Bel03] Juan-Pablo Bello. Towards the Automated Analysis of Simple Polyphonic Music. PhD thesis, Centre for Digital Music, Queen Mary University of London, London, UK, 2003.
[Bent87] I. Bent. The New Grove Handbooks in Music: ANALYSIS. The Macmillan Press Ltd, London, 1987. With a glossary by W. Drebkin.
[BHJ93] Bagshaw, P.C., S.M. Hiller and M.A. Jack (1993). Enhanced pitch tracking and the processing of f0 contours for computer aided intonation teaching, EuroSpeech’93, pp. 1003-1006. (http://www.cstr.ed.ac.uk/~pcb/publications.html).
113
[Blo81] A. Blombach. An introductory course in computerassisted music analysis: The computer and Bach chorales. Journal of Computer-based Instruction, 7(3), 1981.
[Boe93] [Boersma, 1993] Boersma, P. (1993). Accurate Short-Term Analysis of the Fundamental Frequency and the Harmonics-to-Noise Ratio of a Sampled Sound, IFA Proceedings 17, pp. 97-110, Institute of Phonetic Sciences, University of Amsterdam.
[Bro06] P. Brossier, Automatic Annotation of Musical Audio for Interactive Applications, Centre for Digital Music, PhD thesis, Queen Mary, University of London, August 2006
[BWP] Marcio Brandao, Geraint Wiggins and Helen Pain, Computers in music education, Division of Informatics, University of Edinburgh
[Cai04] Carlos Caires. Irin: Micromontage in graphical sound editing and mixing tool. In Proceedings of the International Computer Music Conference (ICMC), pages 219–222, Miami, Florida, USA, November 2004.
[Cas05] Michael A. Casey. Acoustic lexemes for organizing internet audio. Contemporary Music Review, 24(6):489–508, December 2005.
[Cas94] Michael A. Casey. Understanding musical sounds with forward models and physical models.
Connection Science, 6(2):355–371, 1994
[CK01] Cheveigne Alain de H. Kawahara (2001): “Comparative Evaluation of F0 estimation algorithms”, Eurospeech 2001, Scandinavia
[CK02] [Cheveigné and Kawahara, 2002] De Cheveigné, A. and H. Kawahara (2002). Yin, a fundamental frequency estimator for speech and music. J. Acoust. Soc. Am., 111, pp. 1917-1930 [Col04] Nick Collins. On onsets on-the-fly: Real-time event segmentation and categorization as a
compositional effect. In Proceedings of Sound and Music Computing Conference (SMC 04), IRCAM, Paris, France, October 20–22 2004
[Con04] ǹrshia Cont, Improvement of Observation Modeling for Score Following, Memoire de stage de DEA ATIAM annee 2003-2004, Universite Pierre et Marie Curie, PARIS VI, 2004
[Coo93] J. Cook. Agent reflection in an intelligent learning environment architecture for musical composition. In M. Smith, A. Smaill, and G. Wiggins, editors, Music Education: An Artificial Intelligence Approach, Workshops in Computing, pages 3–23. Springer-Verlag, 1994.
Proceedings of a workshop held as part of AIED 93, Edinburgh, Scotland, 25 August 1993.
[Dan84] Dannenberg R.B, (1984): “An On-Line Algorithm for Real-Time Accompaniment”, International Music Conference, 1985
[Dan85] Roger B. Dannenberg: An on-line algorithm for real-time accompaniment. In Proceedings of the 1984 International Computer Music Conference (ICMC), pages 193–198, IRCAM, Paris, France, June 1985.
[Dan90] [Dannenberg et al., 1990] Dannenberg, Sanchez, Joseph, Capell, Joseph, Saul, ‘‘A Computer-Based Multi-Media Tutor for Beginning Piano Students,’’ Interface – Journal of New Music Research, 19(2-3), 1990, pp. 155-173.
[Del00] de la Cuarda Patricio A. Master, Craig Sapp, (2000): “Efficient Pitch Detection Techniques for InteractiveMusic”
[DG00] Durand N. E. Gomez (2000): “Periodicity Analysis using a Harmonic Matching Method and Bandwise Processing”