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(2) . 北海道教育大学紀要 (第1部A) 第 40巻 第2号 lof Hokkai do Uni i i Jouma ty of 政iucat ionIA) VO I ver s on(Sect .40 ‐2 , No. 平成2年3月 公僅arch ,199o. 新しい エミリ ー への バ ラ A. New Rose for Emi ly. Shi ro IKEDA. ’ l f no mani s past shimse , ,hesthe sunn ofhi 1 andin a way・・・ofhis future,too‐. ‘ ‘A Rosefor EI 1ofpo1ari i 1y“i tenthe casein thinversIons ofro1es, asi rnages Wi I 1 sfu1 sof 1 1 iam Fau1kner‐ other wo rksbyv▽i. ly Grierson whotriesto pu Thestory ofE mi i rsue happiness. i feofa Southern Woman but a1so a history of ibesnoto l my episodesi i nthe1 ntheSouth ,descr the Southin general re aresome key Wordsto interpretethe work; “ponrait,” ”torso,“ . The ” ” ‘ ‘ ” “ The po ly Gr i t ar ld tableau. ersods father r rair i s a crayon portrait of Emi ,the torso lyi i lhoue t teorshadeofE1ni n a window,andthe“tableau“representsanimageofthe meansas i ly andherfather townspeople toward En spaper aimsthroughthese pictorialscenes at ・ . Thi ly Gr i fyi i i lar ng a new role for En l ersoni nthi sshort story aboutthe South c ‐. The theme of Parents’ 江口日uence on the i i i ldren of ten aPPear terature i n many si nl r ch fof parent‐ lknerfrequently selectsthe mot i f ferentvariations. ln stories ofthe South di ,Fau ‘ ‘ ’ l h b f E h i l d i i t d i i lゾ i t to呼,and A Rose or mi reatons ps o escr e tshi c s sonesuchexampl e ‐ jus i deni l l boundby Zarespe as Add e Bundrenin AsZ Lの 上り初g andJoanna Bwr n L名れZi れ A%g撚s low he ly af fectedby herfather who did not al i lyi i the I 1 sgreat rto mーarty any rfathers ,so EI. IVVar ipeenoughto mar thenl tertheCivi eraf young Sou l 「 yandneededsomeone ,whenshewasr to love ‐. , l on her and of fer Af l l the ladi ter her father s death n the town prepared to ca. es i ,a ly Whoi i d ff condolencesanda sa woman o si ew stheomysceneinthestory where Emi , ,andthi k tD[ words th no r sthem atthe doori n her usual dress .Grierson. She meet ,spea s abou , wi. 2 trace ofgr iefon herface l l i 123 ] notdeaf ( ) sthem that“[H]erfather[ s . Forthree ,andte daysthetown triesto persuadehertoburythebody th mi tersanddoc torsattemptingto ni s ,wi l igiousand phys i l aspects‐ Jus d convince he tbeforethey are to resorttolaw ar rf rom re ca 1 force shebreaks down and a l lowsthem to bury herfather buti ti l not sobvi ousthatshe car , ,. ‐ ’ ” ”“ ’ accepthe rfather sdeath . VVhenshesays Ddyfatherisnotdead , father means morethan. ‘ her biologi lfa t : 1 〕 father” whi f t means the‘ ca er;i ch af ect s her ways ofthinking andi s the 37.
(3) . Sh i roIKEDA. ‐ ” ic sou l直 wi i ionsf thi t ari t stocrat sglorioust rad rom beforethe Wrar snot yfatheri . Hence , M[ dead” can bei nterpreted to mean “The Southi s not deadぞ. A1 l ica thoughthere i s a pract. i ldecompos i ion,i fphys l i landi lthatthetownsmenburyher aspecto ti t ca sbothsypnbo ca roni ca fatherqui i t n l teofせ】 i i f i nsP tgenu eordi na ckly entthatN1 r ersoni sthelas neof spr ng ly sent .Gr ,i h S h ht h ft i h h i l l h l d out w c o eo ey a c ers ‐ ’ Herdenia lofherfather lys i印ロ i f i l ionofhi tencedomi sdeathc esthatthenot ear sexi s nates l i i ty 1 菖 ofher menta tutesforhim thecrayon po貴raitshehaddrawn,Probably a pa . Shesubst i i d h d h i h terh lor taf t i jus n c terfu s ea ,an w c s ethenhasbeen kepti nthepar l コ l shedroom ,abet thati susedforthe recePtion ofi est s: 罫i The Negr lor i t wasfu i oledthem intothe par l コ ユ shedi n hea\ urn ‐ たy,leathercovered f . 1 ture henthe Negr indsofone wi l 国dseethatthel ndow,theyco oopenedthebl eather . Wr. l ly aboutthe i intdus trose s wascracked; and whenthey sat down, a fa uggi sh rthi ghs , l low motesi ing l lbefore the th s t ease spl n Umng wi n thes e sun-ray‐ on a tarni shed gi ? f i i ly 120 t tof Mi ) replacestood a crayon por ra sS Emi sfather ‐( The crayon port i tcomfortabl ti rai s setin f ront ofthef replace ntheroom, e placei ,the mos l ly occupi ig igu止ei lys dthefatherf l t ed bythe centralf usua 1 reofthe house, ar sactua a u ldi ng ・ l 3 l l ththes t low‐ The tease tasinthetabl wi raddl ・ni shedgi edl egsoftheta eaudi scussedbe ,jus ’ l i t i t t t t t i i h l h f h t i t t t h d lrs a r a c s a t s e o e e n n t r t c e o s o o n m r a a n n a c a ro e s s ly, e ayofEmi p p p g pe “ f l wi i lybeneath a massofbought nowers, wi ththetown coming to.ook at ルー th tmera ss Emi “ ingprofot d l b h b 1 i 1 2 9 i i d b l f h t thecrayonfaceofherfathermus t 立 l ya ove e er( ) sー 韮. avo a e or er ‐ rawing hi l = 「 i toant tabl zethed l opomoq) shedSouth ch ,becausesheczmnotconcedethatthees ,whi 士 1 lough herfather l 山d not survive the Ci I Wrar ti she acknowledged only ヒ vi sthe ‐ Now i ,co fatheri he crayon po忙rai ly can put hertl1lsti tthatEmi nt n . The Gr i i lyfurn i lori i thi t erson house wi sr ch shedpar sabigsquar shf rame mansion, whose i i l lyrepresent heavi l i lyandthe eemblemat ersonfami ca sthegrandeurofthe Gr somestyl yl ght istocrat ic Sou ions af t ter the Wrar th ofthe past t wi th i ts ar n the condi sl ef , l ,the house i. i tubbo t t select street. Then s ln and coquet sh decay on the once mos eanth Brooksi s not ,C1 lypoint l mi i ter t ti ngtotakethe Gr correct s atypi ca sreadi s outthati erson house ,when hebi h for a symbolofthe pas Th h b l l b l i t esame ouse sym oi sm i s asoreco za ein t e Compson き第i housei 1an Poe 1綾 so”7 T疑 お” n7 2α αれd 7 1 ・dthehouseof クり,the House ofUsherby Edgar AI ,a h IHawtho theseven gabl esby Na位ani e lne ,andthey contributestronglytothesuccessoft ese ‘ ‘ ” ies he qui ia lofEmi ly’ lthatthe monuumental housei ti stor ck bur si ca s sfather roni . Ast ,i h lated twice by the townsmen: first he ce l lari i i vio s broken open to spr nkl el nle to , w en t h he upperroom where Homer Ba1窪on’s ingu i i b l l l ngsme ext sh a horr e decayi , w en t ,and next colpse ha s been keptfor many years wasforced open to view. Thei rony herei sthatthe. lk themselves destroy‐a par townsfo tofthe ol dSouththathasremained‐ , Af l terハはr ts Emi theiresstothe yto serve astheve ! r ylas .Griersons death ,thetown expec ‘ ‘ l lu ion,thel i nher i t tanceofthe old South jmt radi vi ngi antebe ,andshe becomes a tradition,a duty,and acare; asortofheredi 119 lyasani i ionuponthetown”( do lofthe ta ) ly obl gat ‐ Emi. 38.
(4) . ‐Emi A New Rosefo l 1 y ‘our h l town i i bed earlieri s descr nthe opening scene ofthe stoly, where, when she died,‘ w oe town Wen f . h t h h f f h t o er tローera :t e ment roug aso【 o respect u1affectionforafal len monUmQent , ly out of curiosity to see the ins the women most ide of her house’( 119 lowi )5 The fol ng. -. ‘ fEmi lyasa‘ ≦海agesareo i torso”i ikethel も血espr na Window obse inkl i pa I▽edonoccas onsl ng: Ast heyrecrossedせi i d Mi lysat elawn,awi ndowthathadbeendark wasl l l ssEmi ghteda ini ightbehind her, and her uprighttorso motionless as that ofani t do l 123 ) ,thel ‐(. Now andthen we wo l 鴎d see heri ly dent n one ofthe downstairs Windows--she had evi loorofthehouse--l ikethecanrentorso o fanido linani shutupthetopf che ng or ,looki l wh i notl 128 ooki ng at us, we could nevertel ) ch .(. ” and ”window ” Here t ive f ly e laborated wi ike“ idol th wordsl rd “torso”i sef ect , he wo . A window in generali inkbetweenthe snoto副y an air Passage but also a bounda1 ry andal i ld andtheout ide wor i deβ Emi .yasat○rsoIsIn a Wi l ns i 1yft口.ctionsas s ndow,whi ch pract ca ‘ 1andscape‐window“ used to appreciatet f a painting, asln a‘ the fra 1 [ ne o he outdoor scenery‐. The Window restricts ar ly whom they Id focuses the attention ofthe townspeople on to Emi “ “ be l i h l l b h S d i i T h eveto e t e out e 1n Lt thershei ra ton‐ ey can neverte whe ln or slooki ng atthe h i not; however l sthe mainreason whythey canreconf l lthe more rbondsto Emi rm thei ya ,t ati. lancediudgment fthati lowsthem torees strongly‐ Eveni tal i i tabl i sanu .ba l ty shthe rident ,i to t he South lar to there lat ionshi tesi中i i ngs p between God and humnan be , Qui ‐ Through. Emi ly actingi r l leofa minor i l 士 i i nt ero eofthetownreco zethe rsou te en] sm d総pi をmi ,thepeopl k i h low oft ime i i i h thef t t t r n t o ow ng . w ou ,W The question may berai 1yi sed why Emi s po【rayed as a torso,thetrt立Ik ofa statue wi th i ther head nor ID鴎bs‐ Two al i ne ing it negatively or lswers may be f t nte urn shed, by i re l . ) ly;thatthe head andl立ねbs are mut i ive t i la ted i l 主 i sl pos e貴 un達 shed to be ,orthatthe torso i F f i h l di t i h i i l po nt of v ew, t e torso seen by the townsfolk te n t e u u tor ; l re‐ compe rom a h s ca ‐ has i ndi catesthe presentchangingsituation ofthesouth l▽V terthe Ci ch af vi ar ,theSouth Whi l l decined a・nostto thelas t mai B f n constituents oftheland andthe people on i t t r u om a ‐ i ive vleマカpoint the torso may show dle prospect of the south ▽▽hen the statue i t pos s , ‐. ’ d E l lbe born again as a beaut t wi i fulandf i lour ected i l i bi i pe shi ngregion t es glve ,i ‐ Theseposs Enl i i ly a s i f i i i l lb t l me di h h a n n a s t c a n t t w eanayze n e nex c ap er gn g, .. 2 Theepi ly Grierson, nanated repeatedly a・nong the people i sodes about Emi n the town, “ deve lopi A Rosef nto al egend,andi nturnbecomecomprehended asfactual ly” once orEmi ‐ ‘ 7 ’ofthe Gr descr i besthe ‘ tabl i lageofthefami eau ersons ly whi chthe ,acommonly acceptedin town ha 1 A h h h i i t l t i b i t l slong cradl t ed n o a t o t u s s r a n i e a c u r emo n e o a n t g u o e c an be p ‐ ,. lpi trai timag ldedbythewho anal ctu ‐and mo l 二 re ゴned yzedasarea tycan 1 T 1 eco l nuni ,becauseapor 39.
(5) . Shi … { EDA rol. inted one. berecogni s more realthan a Pa zed as a picturethati i lenderf i tei i ly a s nthe VVe hadlongthoughtofthe ss Emi l m as atableau gUばein Wh , 1 led s i lhouet background t s back to her and ein the foreground ,hi ,herfather a spradd f lungf lutchi rontdoor ramedbytheback‐ c ng a horsewhi p ‐ So when ,thetwo ofthem f l i l lsingle, we were not p I “r t ndi cated; ty and wass eased exactly, but vi she gotto bet ’ fthey l lofherchanceSi lyShe woul dn thaveturneddown a tyinthefami thinsani e▽en wi l l ia l i 123 hadrea ) zed y mater ‐( ’ l iar ly The character銘ation of Emi e under the pecu Stabl eau i s understandabl s fatherin thi ldnotaccePtany ofthearistocratic youths f IVVar terthe Ci ci rcu umstances a vi . Herfathercou. ‐ in‐ law because a lsui tors wen l lofthe potent ia tto the VV i ar and n the town aS a future son‐ , ’ f lyshusband i i r fnot deadthen,wounded,and so wでre unqual ed as Emi returned,i ‐ . Thus ,~[ ’ Gri ioni ject ersonSr sobvious e . f i the non‐Southerni f i i l l h h How′ sm which causes the ever , w at e more spec ca y re uses s. l i i ts b回i t the t Nor iona ISouthto changei t l叢 qua es aspa忙 ofi t t ngandtoad s waysofthinki radi i ly ( l d thelas t he th a horsewhipi lrsfather stands wi r ofthe o twe n front of Emi cul ‐ Emi l lfactors( iona the Nor th)f South t eof rom creepi ngi n )inordertostoPtheno止t radi ‐ Thepeop i ttheVVar thetow「口 havebeenchangi ngs ncetheylos ,andsothey areforbiddenbytheavatar ‘ ‘ ’ ly i )tocomenearEmi erson oftheprewarSouth(Mr . The back‐餐tmg doorsuggeststhat ‐Gr ’ i thei sresistance andhedi esintheend, r erson s much strongerthan ~l ncoming pre藻;urei ‐Gr i l l 国ytheendofhi [ i ths i l “ L i t ta onbuta sothedeath sgenerat snoto sdeathi ngto wi E I ]di va ytry . H 7 iketheSouthaf ter tl lゾSf ig lone iona loldSouth ta z u 1 t Sformedjus str radi l j 口ei ofthet . Lef ,Emi “ ” i h f h i E l l d i i t i t d d n a l l w n Th t n n o c e n n e r r e e c IVVar m y, ase ges the Ci gu r e ‐protece an vi ew . ’ th Homer Ban÷on‐ l lowi terherfather ng her encounter wi s death,fo af. ’ ly igu‐ i ionofEmi i Ananal ransf st scuss s necessar ↑ y here priorto a d sof Homer Banroni ys. ion. l ー αon comesto the toWn as a foreman rat nthesu l測mer after Mr.Grierson’s death , Ba. “wi lks i bed as idewa 124 )to pave the s s descr th niggers and mul nery” ( es and machi . He i fo l lows: thabigvoi -- aforernanna ce imed Home rBanon g ,wi ,dark,ready man ,a Yankee--abi 124) i sface and eyeS1 ghterthan hi .( 124 ) - Pret ty soon he knew everybodyi ntown .( l 1 2 4 d b ( ) - a Nor themer r r a a o e a y ‐ , th fhadremarked -- hel iked men,andi -- Holner h imse l t wasknownthathedrank wi 126 ) ng man the yowlger meninthe E1kS C1ub - thathe wasnota mar ryi ‐( sback the Barrods origlns are as 班lcertain as Lucas Burc甘si n 乙省膚 彰 A“g硲云 ‐ Behind hi l i ly acceptedbythepeop eand l l town ca seas s Barron a Nonhernerand adaylaborer ,buthei i l h i h h h hi t l t t s a efor foundin the center oflaughi s com ca enoug t att etown,w nggroups . ti ldto i i l thenlwor i ioni i thouthes tat ngthe Nor eofint roduc sro nh the No鷲h ves Barron wi ,rece 40.
(6) . ‐Emi A New Rosefo l 1 y. the South d not have happenedbeforethet ア var scoul - Thi ‐ ’ Af terherfathersdeath i l l fhastof i ndasu i tabl t yherse ehusband Who mee n sthetowっ s ,Enl. l las herneeds. Butherfather hasshownthatthereisnosuch a maninthet。Wn Rosa as we . ‘ ‘ C。 ldf i ldin A毎〆の鶴 A泰雄om /expla insthes i ionfor Emi e l tuat ing y,say , / 勿の≠初考 え才 力”” [Thomas Sutpen] 虎 雄雄g z z 云辺 =‐α“〆 “戊 んγ m″か物g 勿 挽禽 ”粥eα”d p如” U餌 卸““g s ’ ’ 8 瓦 Z 2 ‘ Z“” 彰 放声‐ oγ 解〆 のo zかば え“ おりe/ 彰 甥夢 彰鱗 粥汐 o Emi l 7 2あ c y chooses Homer “ ” Barron because in he i h h i h l v ew t i h i e d h b r n t s c a c e e ony n s an e can e an aristocratin , , , ‘ ‘Emi ’ ’ ’ 1ys South where he supervises the b1ack Workers ofthe construction company and , ‘m ‘ ‘ ’ hen iggerss ing cusses‘ i l lofp eniggers i i nginttmetother ly ) seandfa ckg 124 s ,andt . Emi “ South i s a mi crocosm ofthe souロコand a stereotyped pa ゴ ー rody ofSou thern economic society‐ Pavi idewa 1kscan berep1acedby cotton pi ngthes 1aves Working 1 dSouth,wi ths cki ngi ntheo i ands ngi ng and foremen cussing and Whippi i lyi ngthem‐ lnthi spar。di i edSouth ・ rnag nes ,En that Barronisan aristocrat Who dominatesslavesand makesaprof i tf i romthe rwork,andshe i ion to love him as a future husbzmd makes a dec C 1 h B k i m s t ly t ean roo s p。 s 。ut that Emi ‐ fo貴 to resist herfathersinf luence and to secure a husband thatshe needs ar makes an ef d I 9 wants .. However t luence rei s no needforherto resist herfathersinf ry, , he ‐ onthe contral “ ion completely‐ As Faulkner 。nce said, Emi t ly i she accepts hi st radi tjus t s a yowlg gi rltha ’ ’ 1 0 l d h d t d t f l wanted to bel Th h b i h i d ove an o ove an o ave a us an and a am y‐ us , n t e natural ‘ ‘So thel ’in her‘ ‘vi h B r t H co皿r se ofevents i a c c e a r r n s . I s e o a s a e 0me r s n th“ u p o a 1γ Sou ,. ‐ Though rom the vi eWpoint ofthe town, she chooses the l t apPropriate man as her eas ,f 1 I husband i ing of g1 〕式ance i ld ofth Un i ce has a me2 n the Wor reat inlp。 s short stoly. ,the cho. Homer Barroni lkeぎ’and “a Northen・er” but al sdepi ctednoto縦y as“a Yar so a s“abig ,dark, “ Thi h i i h b i f t d l i h h h i i i a v t ready man W o c e a t t t i f e e s r I a c e e r s c arac erza 。n s one o y an s g g . , thosepo lar i ieswhi t i i bi l i ch Faulknerfrequently employsinh ty herei s works. Thep。ss sthat ’ mar Ba ]けoni ini ionofthe w。rd ーi s not a ”White’ ntheSouthe t ーn def ,but whattheSouth Would. l l a ”blacに’ man ca ‐. one evening at dusk, Homer Ban。n isseen t。 be ad b ヒ ni lrs tchen doorby Emi t ted atthe ki i cook. Th s reception at the back door d South, ch i s usual for black peoplein the ol , Whi “ ” ind i h i l t b k i caest athe s a ac i n o i lar to man n 勘ds town. Homer Ba1ばon as a black mans Lucas Bw long wi r chi n L省膚 初 A”ぎ撚立 can be supported i th his unknown l neage ,a ,by the ” ” 2 1 fasc inat i i。nbyja ng assu u E npt jmes A‐SneadthatLucasBurchhas blackblood A1 thoughi t . l latdusk whetherthe man attheki may notbeeasytote l l B t tchendoori t sac ua y arr。n orno ,. i l i bi thi tyl l ionthat sposs d whereblack ar d Whi eads ust。theconc i ly us teareexpl r I t I ci ,inthela d i i i t s ngu shed ly accepted bythe sprobably a No直he ・n mulatto‐ Hei sreadi , Homer Ba]菖oni l(whethergood orbad town,andi r i st rulyt )ofanew generat ca i tmasin y Pi on s ,justas1oe Chr Lを粥 彰 A”翌郷Zi i i t t f iy and nte≦;ratethe Wor ldsofblack and Whi s a new mm who res o un te ‐ ‘ ’ ’i ln‘ hel iked med’ ar i ld ”not a ma t i d B t ma h i r n h i l n s u e t t s e s a ] ばo n a ly g gg s p yscaly , “barrenぞ1 3 1 fthi i i l i ter ty has a s igni f i si s true l ss cant meaning for Emi t y‐ As the las ,h descendantofthe ol d South,she hasto produce new l i f eforthe coming generations by any bl i i meanspos t s e sdes nedt。 bethe motheroftheSouth sher m禽o 7 2 ば省力管i n ‐ Shei ,andthati 41.
(7) . Shi B 【 EDA roI. ld haSto many Homer Banon 。fthe new. ld wor i ly 。fthe o thi l s southenュtown‐ Thus, E” im to makehim stay wi th her,because Banoni Butshe has no choi s n。t a ce butt。 poison h r larrylng 庄lan‐ l. th H0mer Barron 1γs trzulsformation begi Emi ns after her encotmter wi . justbefore the ld l l ight woman th co t nnerthanusua ngshei rayed as ”a s soni spor poi , wi ,haughty ,thoughthi l i l black eyesi t rai ned across the temples and aboutthe eye‐ ch wass n a facet ef esh of whi ident 125 terthe mc ) ighthousekeepersfaceoughttolook”( sockets as youima g面e al , ,butaf ‘ ‘ f i l t h d d i h l t t h h i i l n h i l l t i h c n r a s t o n r e t n o es e e a [ 1 1 a s a s er r gr y ‐ u o np gUば sx mon s aer ,s e s pu 1 4 ”sheis as Brooks assens qロi t t e e s te e u o whi g r q ‐ , , , l l ionofthetow司 rosewhensheentered - asma They[ thedeputat ,fatwomaninblack, 1 i i t 1dchaindescendi tandVan th athi ngintoherbe eanmg on an shi s wi ngo ngtoher wa ,1 landspare perhapst hat ldhead i thata l コ O shedgo ebonyCanewi . Herskeleton wassmal ,. i ly pluロ tyi n another was obe n her ヒ ロPnessi s was why what wo可dhaVebeen mere ‐ she l d l i i i h a l t ft b d t l k b d l t i lookedbloated n mo n s s wa e r a n o e a o p dhue . , , ea 。 y ongsu merge lpressed lpi iketwosmal i dges。fherface Hereyes,los tyr ti ecesofcoa nthefat ,lookedl i beendof i ibl l 阻dhearthei i ngatt nvi s e watcht cki nto alumnpofdough ‐=. Thentheyco ld cha in 121 theg。 ) .( ’ i f l lyembodi l i Emi lrs pluj tera s ミ渇 shows 廿 ]貫on ebutalso hi n npne ed notonl sl atshehasl y Ba l i i lt。h i l lyga山edf r s si sa so 軍lpl edbyherhai carcass eshand we equent ghtequa . Thi ,andcons I i ikethe hai ) ca r 。f an active mad 128 ro 1 止gr ay whi chturned “故at Vigorousi . Her phys ,l Chをmgessuggestthatshe has 嶺1dro鶏′nousfeatWres - A= androgynouscharactercalul。tbereal ,. 1 5 l i i feformst鏡rough 社l i l fgeneratenewl t i l l ly can byherse but me taphor osequa es ca y Emi . 1n l iVi i d product ty ion ofherf 1 式i ty ar l e s an i ndi cat other words,her fatn{海si ‐ iona lsouthe i tme t she w欲] tsto denythepa l 1 l erin her Veasat radi ≦ 鵜ing oft ,andcravestol ュ 6 h b h i h h l k t l i i h i h h i d i i E i . h t t a t a n w mu a V e een her a ma c s n n e m y as wac W vson go c a . フ l i lcordl i砥にedtoanew organism i ikeanu幻nbi i fa tl n thers ca s ,thecham descendingtoher wa 7 AS Quent 1 i topthet i her womb s ckingofhi 7 2α αれd 劫8 Fのり camlots n C0mpsonin T嫁 So” . he iVei t。l E l ts も m dh t fi i t t t i n i h山er c am l o n a s ea ted watch eVen bytakmg of m o s o shands p y , i ble watch, i i ingtothebeat luc i ten to ft t α 1einthef tuat ng ofherinVi s ーぼents o ng south s ,l. 3 i l l t and l l l li th dus fouェ she fa Emi ly di ed wi s “i n the house f es at the age ofseVenty‐ th a cUばtai i t i n e d。wnstairsrooms,in a heavy walnutbed wi edin one oft shadows , .“- she di ” l h 2 8 一 ‐ 2 9 k f i 1 dl ldy wi ) l low ye l low and mo th age an ac o sun g t ( hergray head propped on a pi . ly and sE D ロply ief Her deathi ngin a s ponrayed br . But we haVeto pay attention to her dyi downstai ] □on edby HomerBa chi soccupi rsroom,noti nthesecretupstairsroom whi . shehad ” ” ft h s h l d l l i t l i s l 室 d t。 d i t s a e ou ‐ egen o ln a y oremana ve a e a one as a ou e 42.
(8) . A New RoseforEmi l y. ’ The door to Ba]ばon’s room i ly l s broken open by the townsmen after Emi sb -甘ia s ‐ Thi ica ISouthel trole m t hesto1 ina lscene,the rn house plays an impo貴a room inthet男p ・ 1 ry. Thef deta l ipt ion oftheroom in whi i i l ed descr ch Homer Barron l es dead so hasthe mlage of a ,a コ re: pictu - ′ .. Theviolenceofbreaki i l .t hdsroom wi i thpenr ngdownthedoorseemedtof t ngdus ad . A id pal l as ofthetomb seemed to l i thi n e eveだyWhere upon thi sroom decked al ld ,acr fu ida l:uponthe valance cu = r tains off l d d h l亀i shed asforabr r t o s e c r n o o ,upo ae erose‐. ー h d dl ingtabl l i landthe mads ta s a e ight s e cate a1nay ofc s 1 3 ′ ,uponthe dress ,uponthede letthingsbacked wi toi i l i l i thta 1ni shed s ver ver so tarn shedthatthe mono 1n was ー草a ,s ie asi l lar ar fthey hadjus obscured‐ A1 t been removed, Which, nongthem lay a co ld t , l f f i d d l f h U h l i i t 刀 r ace a pae crescent n t e ust e , et upon t e sl r hmlgthe suit, pon a cha ‐. l lyfol ded; beneathi tthetwo muteshoes al i carefu Idthe d scarded socks‐ The man hi l flayi rnse nthebed- Foral l tstoodthere df l e wejus ong whi l l eshl es s gin ‐ ,lookingdo▽m attheprofo・mda. Thebodyhad apparently oncelai i t tudeofan embrace,butnow thel nintheat ongsleep ‐ tha t outlastslove,that conquers even the grimace oflove h d k l h i n d d l. VVhat , a cuc o e ね,rot tofhi tedbeneath what wasl i tofthenightshi r t wasl l ef ef next r cabl e ,hadbecomei h f b di h i hh l d i h i l h d t l b i d h i nl h ro ・ n e e n w c e ay; an upon 1 1 lan uPont ep ow es e 1 ayt ateven ing of日 he pat i coat t ng dus ent andbidi ‐. Then wenot i l low wasthei ionofahead t cedthati nthesecondpi ndenta . oneofus l i賃edsomethingf intzmdi i bl t id tdryandacr rom i eani ngforward,thatfa nvi s edus ,andl i i l t trand ofi 129一30 nthenos r s ) ron ‐gay hai r , wesaw alongs ‐( Theroom i i l led wi th the atmosphere of death th such words as “dust,” “tomb,” and sf , wi ” dt “s leep, l i eadthereadertotheshockingscene an heydi rect es HomerBanon yl ‐ onthebedl. ,. l i ig t l as cf at represents the non‐Southe・n i n thi s Southe 1n town‐ ln some sense, ylnbo - ゴ ロe t Ba l l i ins ]ばods deathi tthe North by a Southe sto the town a we ‐accompl shed revenge aga 1n ‘al l low makesthi woman‐ But‘ ongstrzmd ofiron‐鱒「ay hair“ onthesecond pi to ss imbigu ‐ ly a. dfasc血at ing‐ ous a ・ l ln contrastto 位ec lear ly di i lden Cau l f i ldin Z物e Cαた殻… videdha rof Ho e γ 初 物β Rye ch ,whi i i f i ldsofthechi s esthatthesixteen‐yearold protago国sti ld sontheborderbetweenthe wor g p n “楓ーeven e erimd‐ E l mt i l h i i l i h f 1 2 i t 7 r andad m r n l i f h t s a ) sa ro l 企gray p pp gves e ee ngo armony , ‘ e er” d‘ ”black and whi between‘ l h o l dS h t t l 誼 dt t an ‘ l力 sa p pp e e o a n u e New South , , ,andthesou i th a r ldthe Nor calchange to fatnesssuggeststhatthe Southi sbecomingfat ‐ Her phys ,that i i dthatthereforethepsuedo lya d Ba i f s ve l i i 1 ‐maniagebetween Emi l l 1 ばoni ss czmt g ゴ ロ ,product ,a . ‘ ‘ ’ ’ Barrodsdeath( l h i l dEm d lゾs 紅enecessa or s ongseep )al l ld meaningE ulforthebi rth of -γ a1 thecomingnew age‐ For Emi ly dyingi l l lbe sno morethzm s eeping , Nobodyinthetown wi h b l t f a e o orget er‐ ’ Emi ly forethe Civi l「Warandl ivedthel f rn be i iona sfather was bo1 ISouthenler t eofat radi and ofthe generationin whi l d Southhadi t chthe o sown culture,pride, and confidence. ○n 43.
(9) . shi roIKEDA. he i lder t lyin the ne×t generation camlotl ve as her father had done, ur the o値er hand , Emi i d ter herfatherS death t af 1circmnstanceS af ia terthe War spec . JuS ,the new and eStruct Ve t力e he sou ln town,andthen Homer Banon appeared there as a character wavesswept overt ly therefore is a marginal character between the two ing t hese new trends. Emi represent i t nk tha i i f i ] ばon values; one s ed by her father andthe other by Ba 1 n g ‐ She sellァes as the l l lf t lartothedecayi i ioni imi lds t ngsme rom herhousetha ss com・ect sthesetwo wor ,andherpos ” ‘ ‘ i 122 igh and mi ) ersons ( ink between the gross,teeming world andthe h i ghty Gr lotherl s al ‐ i i tocrat l i c Griersonsare s Thetownthi ossandteemingandthear eare gr na r nksthatord l ypeop ldi f f l sthe talso meansthattheg ng wor ossandteemi h igh and mighty l eve erentl 「 ,i ,butonadi d ld ofthe hi New South andthe wor sthe ol gh and mighty Griersonsi . ly can trusti ln to to Herfatherand accordingly hi n andtu s crayon portrait are what Emi dh i i f l i bly a mulatto,ar le Homer Balぼon, whoi ldorder sbodyi s luate 廿l l sl e es sposs eo eva ,whi l kt h G Z 〆参 i i i i l i 汀 加 t h E t t w l f t t hercueto adaptherse o e new soc e y. gs o n ose o m y rerso s m s o” L terher i so副 y af ng ordersto transfor1n the Southinto a new harmonious country‐ lti oppos “ h i l i b b d h d f fE i l t lki es” l e n iaous deaththatthepeop n ronto m yor er o y eofthetov職 canta ,no ion thoutheri thorwi 125 lvesnotonly asa 「adず ofthe 26 ntent ( )asthey usedto. Wi ,shese ,1 d Southtothe New. ol dSouthbutalso as a connection weldingthe ol ‘ ‘al i i l low,l h f t wi ththe corpse of d f b l t Thesy i r n ‐ a ef o r” onthe pi gr y a ong sran o 〕m o sm o “ ” “ “ ”“ lythelas t f i l i , energy, and rebi l lh Banr snot mere on . Shei , maybetakentoshow en ty 8 1 l t t T h h i f h N f S hb h i t n o a al l i lwomanoftheo d out utt e rst womano e ew‐ uss e s t t radi ona 1 9 Thi L l igurefortheSouth l i f i einthe sb中 aryro ideredadeath‐無‐ re otherf ef L cons gU . ,butasa M[ ” h d b i i t 1 tedby her1egendary pos rom gener‐ tes oninthetown, ecause s e passe f storyi soat sa 1ofthese l lpe ) i IVerse「128 iontogenera t IVious r額lqui nescapable on - dear at ‐ AI ,andpe ,t ,in ,i 2 O i the tsdenote at1east a pa rofcontradictory meanings- epi. lrs i ldthey tow; Mr Therearethreedeathsi ersods ss nthi ,al ‐Gr ,and Homer Banods ,Emi lrsandbetween i lated l linterre terhi ssucceededbyEmi ersodsSouthi sdeath area .Gr . Af ,Mr ’ ’ l ikewi i t i se the s ng; andl ys r deathsthe South goes onexi ‐ Hence ,the ,Barronsbody by Emi lrswor ld l i i ntoEmi ldthesetwo ldofMr ng edi wor ersonandthatofHomer Barron are mi ,a .Gr l i i i ly,a new South i f deaths produce new l ein Emi ‐ The South ,as a resut,suw ves ext nct on,. ld out ide s taki rom the wor ngi n many new factorsf . i dthe dras t i I Wa c chをmges afterthe The Ci rning po r ntforthe South l vi r was a greattul ,a 7 f h h d b i h f l i spo貴rayed Wrar are embodi e n Emi edi ysl ‐ Thethemeofdeat an re rt o t e Southi ia limages,wereach lys i tor ingthi i i feanddeath softhepi c oughtheana ssto nherl lytmr . Read i ly t ing ofthe ol f taneous rs dSouth and,si中Lul lyi tof the conclusion thatEmi sthelas spr ,thef ions ionsandl l ] i t torofthet egendsofformergenerat radi l n er li nthe New South personi . AS ,a i ly Gr tandthefutureoftheSouth idinaninte Faulknersa sthesu ゴ ロ 1ofthepas 1vi ersoni ew,Emi , S h i i ft h i l lcontnue tol e out. vei nthe m nd o andshe wi. 44.
(10) . A New Ros l ef orEmi y. NOTES I i ck L‐Gwylm 鑓ld Joseph L B1otner . Freder S ‐ , eds , Eα”豹“好 物 劫8 び煽りe飼 お′ CぬS ‐ CO%ただ”c 7-ヱ958 (Char lot e s の 放8 ひれ力め噺か qf 湾 増加ね, ヱ95 l l U i P tesvi e: nv‐ ress of Vi ) rginia .47-48 ‐ ,1977 ,pp “ 帆 ′ 2 i l l i F l k 1 in COZ Z a i m a u n r z e ed 秘o”g ec s qf 粥辺如m 日α”豹“げ (New ‐ , A Rosefor Emi York: Ra I廿l i ) r ldom House eparenthes zedpageref toryaretothi erencesf romthi ss s ‐ AI ,1950 i i t ed on ‐ 3 larscenein Z綾 Rodれz i z qf α Lα妙 by Henw Ja sreminds 化l ereader ofasimi umes ‐ Thi , heinnocent Pansy osp wheret ingsofherprofanefatherGi l ber oond praisesthepai tosmond: nt “There werebooksi l odd elaborate nprofusion and magazinesand newspapers,and afew smal , , i ly i ef n water‐colou・‐ one ofthese productions stood on a drawing‐room easel pictures , ch beforewhi ch atthe・noment we beginto beconcerned withher,theyounggirllhave mentioned “ T礎 ハありgゐ αれd 7 hadp lacedherse l f i lence 1鰯偽 げ 鼠蹴 り cturei ns ‐ Shewaslookingatthepi , (7 ’ 1 1 1 N Y k i i d C h l s i b 膚 粥B S t 1 9 3 h 2 2 6 e w S o r n e o a r es cr ners ons ; , , ‐ , ,c . ) 4 s 班賜物加 配α“及”eγ二 owα“〆 玄oた”物α加wpj毎 α 7 2〆 βay 2α (New Haven: Yale ひ7 . See hi Uni ‐一86 ) v .Press ‐384 ‐ ,1979 ,pp 5. C Per B k d R b 賃 i a 1n Wr r o o s l ・ e 3rd ed o a 1 甘en state, in the r び7 zdB 7 sわれ筋“g Fた霧o 7 2( ‐ . , Eng l d C 1 i f f P i H l l l 9 1 7 9 2 2 9 ly i ewoo s: rentce a , nc t Emi ion ofido l and s a combinat ‐ . ) , ,p ,tha h ty. However scapegoatforthecon・ lnuni i snotexplainedi nthe r ,t e purposeofthescapegoati book. 6‐ The ねer i rearesomepz剃rticular wi teratmr ichp layinlpo ndowsin AI 1 はa trol czm Li ewh 1 1 es:. l ike windowsofthe House ofUsherar theeye - Idthehouse ofthesevengabl es ,the windowsof l laofGi 廿l lbe貴 osmond which refuse com・nunication wi ld evi ththe wor ,and so on. 7 he Gr i i storicalchangeoft bedinthedisappearenceofthe ersonhousei sdescr ‐ Another hi ‐ l db l k h f t h b k d t t E l o ac se・lran lking out ofthe scene i om e ac oor a er mirs death s wa s ‐ Hi. t l another ma rk oft eend ofthe era. 8‐ 訳′ i l l ia lkner ]m Fau sαわ伽, Aる鋤 か聡 /(New York: Random House ) , Aろ ‐169 ‐ ,1964 ,p. 9 . Brooks ‐153 . ,p 0 1 ‐ Gw mm and B1otner -185 ‐ ,p 11 l i H ive view tothei e x r deathatEmi r v n e 祭 ~ e s a n egat 1yrepresent w o e p g stheSouth and . Homer Banonthe Nor th i ia linterpretation‐ But Howe does not ti s a superf c ,sayingthati discuss the deep structure of the sto!γ stem ming f rom the contrast s ‐ See hi 月α“豹7 28γ′. 班 辺如 観. A Cガ沈溺 S初 の,3rded‐rev.andexp‐(Chicago: The Univ‐ofChicago Press 1975). , , p .265 ‐ 12 s Fを”陀s げ Dれゐお“′ Eα”庚れ“S 賜qi“ ハあり8ゐ (New York: Me thuen, 1986 ) .ln hi , ‘L ‘ Snead argues:‘ ’ i ucas Bu tmagsdarker doubl H l k 二 rchi s Chr s l k i f i e e o o s mo r e ea r o e e r g n ‐ i hehasa‘ and‘nigger and‘murderer than Chr tmasdoes( l i l s t t tescarby hi e whi s mout甘)=.. ‘ ’ Gi l lyeachothers darkdoubles’shar venthatjoeand Lucasarerea i d t ion n e v e r u tmct g y yandf , , ‘ i l lowthatthe‘darkcompl t mus tfo i i l i k l t h l ecte寸 Lucas tmas b k s s e o v a e a c y ,andnotJoeChr , 45.
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