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(2) I Read t h ef o l l o w ing 同 r op a s s a g e s and c h o o s et h e most a p p r o p r i a t e wor do rp h r a s ef o r. 4 ) . Markyourchoi c e s (a∼ d)ont h es e p a r 凶 ea n s w e rs h e e t . e a c hi t e m (1∼ 1 (A). h 拭 “t h et r u t hs h a l l make you f r e e ， ＇ ’ b ecame a The p r o m i s e we f i n di nt h eB i b l et タ. c a r d i n a la r t i c l eo fs e c u l a rr a t i ona l i s m and o fp o l i t i c a ll i b e r a l i s m .P u r s u et h et r u t h g e ti tr i g h t, ラ. ( 1 )you wil be amore c o m p l e t e , af r e e r human i n d i v i d u a l . The s c h ol a r ,t h es c i e nt i s t , were t he ( 2 )of mankind whose o f t e nb i z a r r e , s e e m i n g l yp r i v a t el a b o u r s must b e u n d e r w r i t t e n by s o c i e t y . The j o k e sa b o u te c c e n t r i c gr e a ts c i e n t i s t sf a l l i n g down a w e l l when t h e ya r cl o o k i n ga ts t a r sフ gor i g h t bad く t ot h eb e g i n n i n go fGreek p h i l o s o p h y and t h e ya r e d e e p l ys u g g e st i v e . They a r ej o k e sa b o u t human g e n i u sb e i n gs t r a nge and b i z a r r e . Bu tt h e y h ee s s e n t 凶 e x c e l l e n c eo fad i s i n t e r e s t edp u r s u i to fo b j e c t i v et r u t h . n e v e rp u ti n ( 3 )t However, t h e r ea r es t r o n g ( 4 )v o i c e sa sw e l l . The my s t i c a lt r a d i t i o nh a s a l w a y si n s i s t e d on a v i s i o no ft r u t h beyond r a t i o n a lg r a s p , beyond e x p e r i m e n t a lc o n t r o lo r. ：’. ti ss a i d , somewhere t h e r ei s a" t r n t hh i g h ert ha nt r u t h o fi m m e d i a t em y s t i c a l r e f u t a t i o n .I. r e v e l a t i o n . Thec h u r che sh a v ef o u g h tb a c k . They h a v es a i dt h a tt h et r u t hi si nt h e i rk e e p i n g . I ti sr e v e a l e dt o man by d i v i ne i n t e r v e n t i o n . The l o n gs t r u g g l e oft h eC a t h o l i cC h u r c h ,f o r. e x a m p l e ,a g a i n s tG a l i l e oi st h es t r u g g l eo far e v e a l e dt ot a limage oft h eu n i v e r s ea g a i n s tt h e t h r e a t of c h a n g e ,a g a i n s t ( 5 ).The c h u r c hb e l i e v e dt h a tt h e new a s t r o 1 u n s e t t l ea n dh e n c ee x p o s et oa r b i t r a r yc h a l l e n g et h ev e r yc o n c e p to fp r o o fand oft r u t h . They タ a nE i n s t e i na si tw e r e , mi g h t come a nd s a yt o saw t h a to n c e aG a l i l e o had b e e na t work う. G a l i l e o， “You too a r e( 6 ） ” ．I ti st h i s un p r edi c t a bl ei n s t a b i l i t yo ft h es e a r c h i n g mind whicht h ec h u r c hf e l ta s ap r o f o u nd ( 7 )t ohuman o r d e randhumanh a p p i n e s s . ( AdaptedfromGeorge S t e i n e r ,N o s t a l g i αfort h eA b s o l u t e . ) ※出典は下記ζ l明記しております。. (a)and. o r. (d) t h o u g h. (b) b u t. (C ). e n e f a c t o r s 2 . (a)b. (b) d e t r a c t o r s. (c)m a l e f a c t o r s. (d)s u b t r a c t o r s. 3 . (a)debt g r e e i n g 4. (a)a c c e l e r a t ion 5.(a)a 6. (a)e v il. (b) d e p t h. (c)d e t a i l. (d)d o u b t. (h)d i s s e n t i n g. (c)overwhelming. (d)uni f y i n g. (b)f r a g m e n t a t i on. (c)p r e s e n t a t i o n. (d)t e m p t a t i on. (b)good. (C ). r i g h t. (d) wrong. e n e f i t 7. (a)b. (b)c o n t r i b u t i o n. (c) i n di f f e r e r. (d)menace. ※W巴b公閣にあたり、著作権者の要請によりとH 典追記しております。 ExcerptedfromDoestheTruthHaveaFutureフInNostalgia f o rtheAbslout 巴 ， Copy 「 i g h t⑥ 1974 f byGeorgeSteiner Reproducedwithpermissiono HouseofAnansiPressL t d . ,Toronto. www.houseofanan s i .com 目. 2 一一一.
(3) ※この問題は、著作権の関係により掲載ができません。. ( AdaptedfromMikeC r o n i n ,S p o r t .) i v i c 8 . (a)c 9 . (a)Admitting. (b)e q u a l. (c) mass. (d) p u b l i c. (b)Given. (c) Seen. (d)Taking. 1 o . (a) arranged. (b)c o d i f i e d. (c)i n f e r r e d. (d)u p l o a d e d. 1 1 . (a) forms. (b)l 別 1 d s. (c) names. (d)p l a c e s. 1 2. (a) d i s c u s s e s. (b)f o c u s e s. (c)i n s i s t s. (d)s p e a k s. 1 3 . (a)degraded 1 4 . (a)economic. (b) i l l u s o r y. (c)s u p p l e m e n t a r y. (d)t e n a c i o u s. (b)p o l i t i c a l. (c)val ue. (d)v i r t u e. 3.
(4) 耳 Read t h ef o l l o w i n gt h r e ep a s s a g e s and mark t h e most 叩 p r o p r i a t ec h o i c e (a∼ d)f o r. 4 ) ont h es e p a r 瓜 ea n s w e rs h e e t . e a c hi t em (15∼ 2 (A). The s t u d yo ft h eh i s t o r yofmass commur 巾a t i o nmustc o n c e n t r a t eo nt h e eme r g e n c e. o fmediai n d u s t r i e s and a u d i e n c e s . On t h es u p p l ys i d e ,t e c h n o l o g y and economic o r g a n i s a t i o n a r en e c e s s a r yf o rt h ed e v e l o p m e n to fmedia i n d u s t r i e s .I nf a c t ,d i f f e r e n th i s t o r i c a lp e r i o d sa r e d i s t i n g u i s h e d by t h e i rt e c h n o l o g i e s . The g r o w t ho ft h e newspaper i n d u s t r yi nt he n i n e t e e n t h c e n t u r y was i n f l u e n c e d by t h e development o ft h e r o t a r y p r e s s , which a l l o w e d t h e r e p r o d u c t i o n of more s h e e t sp e rh o u r , and l i n o t y p e , which a l l o w e d newspaper p a g e st o be composed on a k e y b o a r dr a t h er t h a n by h a n d . The t e c h n i c a li mprovement a l l o w e d more ・ c u l a ti onp o p u l a r n e w s p a p e r st ob epr i n t e dmoreq u i c k l ya nd e n c o u r a g e dt h eg r o w t hofm a s s c i 1. p a p e r s . However, t h e r e l a t i o n s h i p between t e c h n o l o g y and communication i s n o t s t r a i g h t f o r w a r d . Technology i so f t e nr e p r e s e n t e da sh a v i n gi t s own i n t e r n al d r i v e which d e t e r m i n e st h en a t u r e and c o n t e n to fwhat i sc o m m u n i c a t e d . Such a view i g n o r e st h es o c i a l , economic and c u l t u r a ld e v e l o p m e n t st h a ts h a p et h ea p p l i c a t i o n of media t e c h n o l o g y . How media t e c h n o l o g i e sa r e adop t e d ,a d a p t e d and i n s t i t u t i o n a l i s e d and by whom and f o r what p u r p o s ei se s s e n t i a li nu n d e r s t a n d i n gt h ed e v e l o p m e n to fmassc o m m u n i c a t i o n . ' , 1 eA MurderA Day/) ( AdaptedfromKevin W i l l i a m s Get1. ※ Web 公閣にあたり、著作権者のぎ請により出典追記しております。 SPORT:AVERYSHORTINTRODUCTIONbyCronin(2014)309wfrompp.61-62. Bypermissiono fOxfordU n i v e r s i t yPress 目. 1 5 .I no r d e rt ou n d e r s t a n dt h ed e v e l opmento fmassm e d i a ,t h ea u t h o rs a y swe s h o u l d. (a)a n a l y s ehow c a p i t a l ism d r i v e sb o t ht h es u p p l yo fanddemandf o ri n f o r m a t i o n . (b)c o n s i d e rt h ep r o b l e m a t i cr e l a t i o n s h i p between t e c h n o l o g i c a la n d c o m m u n i c a t i v e f a c t o r s . (c)f o c u sont h eways i nwhichmediat e c h n o l o g i e s wereb o t hfonnedandr e c e i v e d . (d)l o o ka teconomic o r g a n i s a t i o n s fromt h epe r s p e c t i v eo fi n d u s t r i a l i s a t i o n .. 1 6 . The growth o ft h e newspaper i n d u s t r yi nt h en i n e t e e n t hc e n t u r yi sd e s c r i b e da sa n example o f (a)t h eI n d u s t r i a lR e v o l u t i on. (b)massc o n s u m p t i o n . (c)t h er o t a r yp r e s s . (d)t e c h n o l o g i c a ld e v e l o p m e n t .. (B). t e n ment a u t h o r s hoped t oc u l t i v a t e One s p e c i f i cm o r a l out l ook t h a t many E出 gh. t h r o u g h e d u c a t i o n was c o s m o p o l i t a n i s m . T h i s g o a l was p a r t i c u l a r l y pr eva l e n t among 1 7 2 4 1790), t h e i n t e l l e c t u a l s i n t h e German E n l i g h tenment . J o h a n n B e r n h a r d Basedow (. e d u c a t i o n a lr e f o r m e r ,h e l dt h a tt h ep r i m a r yaim o fe d u c a t i o ni st op r e p a r es t u d e n t st o become a t h e rt h a n of a s p e c i f i c pr i nc i p a l i t yo rs t a t e . And Immanuel Kant " c i t i z e n so fo u r wor l d r 刊. 一− 4.
(5) ( 17241804)s t r e s s e dt h a tt h ec o r r e c tp l a nf o re d u c a t i o n “must be made i n ac o s m o p o l i t a n 『. manner ， ＇ ’ u r g i n gt e a c h e r st os t r e s s" p h i l a n t h r o p y toward o t h e r s and t h e na l s oc o s m o p o l i t a n d i s p o s i t i o n s i nt h e i rl e s s o n s ,s ot h a ts t u d e n t s would e v e n t u a l l y come t o" r e j o i c ea tt h eb e s t 円. f o rt h e worldeven i fi ti sn o tt ot h ea d v a n t a g eo ft h e i rf a t h e r l a n do rt ot h e i rown g a i n . 刊. ManyAmerican c o l l e g e s and u n i v e r s i t i e sa tp r e s e n t do s t r i v et oo f f e rc u r r i c u l aaimed a t promoting world c i ti z e n s h i p and c u l t i v a t i n g humanity i nt h e i rs t u d e n t s,b u t no h a r dd a t a e x i s tt os u p p o r tt h ec l a i mt h a ts u c hc u r r i c u l aa r es u c c e s s白 li na chi e v i n gt h ei ra i m .C e r t a i n l y t h er ei s no g u a r a n t e et h a ts t u d e nt s who r e c e i v ea n ed uc a t i o ni n t e n d ed t oi m p l a n tc o s m o p o l i t a n di s p o s i t i o n sw i l la c t u a l l yd e v e l o ps u c hd i s p o s i t i o n s and a c tc o n s i s t e n t l y from t h e m . Some p e o p l e a r er e s o l u t e l y s e l f i s h , and no amount of e x p o s u r et o a world ”c i t i z e n model o f e d u c a t i o ni sg o i n gt o change t h e m .E d u c a t o r sc a no n l y trγto t e a c hc o s m o p o l i t a nd i s p o s i t i o n s p e r s i s t e n t l y and e a r n e s t l y and t h e n hope f o rt h eb e s t−一 ・ a c t i n g on t h e hi g h l yp l a u s i bl e タ. a s s u m p t i o nt h a tt h eh a b i t s oft h o u g h tr e f l e c t i o n , and emotiona lr e s p o n s e human b e i n g sl e a r n ヲ. when young u s u a l l y , butn o tn e c e s s a r i l ya l w a y s ,i n f l u e n c et h e i rm o r a lo r i e n t a t i o n sa sa d u l t s . ( Ada p t e d 什omRobertB . Louden, T he WorldWe W a n t . ). 1 7 . Some German Enlightenment i n t e l l e c t u a l si n s i s t e dt h a t (a)t h ep r o v i n c i a l shoul d be g i v e np r i o r i t yo v e rt h eu n i v e r s a l even i ft h el a t t e r1 s d i s a d v a n t a g e d . (b)t h ep r o v i n ci al s h o u l d be g i v e np r i o r i t yo v e rt h eu n i v e r s a lu n l e s st h el a 口e r1 s d i s a d v a n t a g e d . (c)t h eu n i v e r s a l shou l d be g i v e np r i o r i t yo v e rt h ep r o v i n c i a l even i ft h el a t t e rr s d i s a d v a n t a g e d . (d)t h eu n i v e r s a ls h o u l d be g i v e np r i o r i t yo v e rt h ep r o v i n c i a lu n l e s st h el a 抗e r1 s di s a d v a n t a g e d .. 1 8.According t ot h ep a s s a g e ,e f f 0 1 i so fh i g h e red uc a t i o n a li n s t i t u t i o n si n America show (a) t h ea imso fs u c hc o u r s e s 訂 eb e i n gs u c c e s s f u l l ya c h i e v e d . (b) a w a r e n e s s ofworld c i t i z e n s h i pi s goingt o changep e o p l e nom a t t e rhow s e l f i s h . ラ. (c) c u l t i v a t i n g humanity i nt h e i rs t u d e n t sl e a d st oc o s m o p o l i t a n i s m . (d)t h e ymayn e v e r t h e l e s sf a i lt oe q u i pe v e r ys t t 此 n tw i t hc o s m o p o l i t a nd i s p o s i t i o n. 1 9 . Which oft h ef o l l o w i n gi st r u e ,a c c o r d i n gt ot h ep a s s a g e ? (a) E d u c a t o r s hope f o rt h eb e s ts t y l e oft e a c h i n gi n ac o s m o p o l i t a nmanner. (b) E d u c a t o r ss h oul dt e a c hc o s m o p o l i t a nd i s p o si t i o n so n l yt ot h e most s e l f i s hs t l en (c) H a b i t sa c q u i r e de a r l ya r el i k e l yt og u i d e one’ sm o r a lo u t l o o k on t h ew o r l d . (d)I ti s assumed t h a t humanb e i n g sc a n n o to r i e ntt h e m s e l v e st o w a r d smoral c o n d u c t .. 一 一− 5.
(6) ※この問題は、著作権の関係により掲載ができません。. 一− 6.
(7) ※この問題は、著作権の関係により掲載ができません。. (Ad a p t e df r o m Sa 刈1 T omley WhatWouldFreudDo?) ヲ. 2 0 . Youa r ea p tt o makeas l i po ft h et o n g u e (a)duet ot h ee d u c a t i o ns y s t e mi nwhichyou h a v el e a r n e dg r a m m a r . (b)s i mul t a ne o u s l yw i t ht h es l i p syoumakei ny o u rb e h a v i o u rw h i l eyo ua r es p e a k i n g . (c)whenyouc o n f u s ev o w e l sw i t hc o n s o n a n t si nt h ewords youwantt ou s e . (d)whe t h e ryoua r ei n c l i n edt os a ys o me t h i n gd i f f e r e n to ra r es i m p l ya b s ent -mi n d e d .. 2 1.Accordingt oF r e u d ,Gordon Brown’ scommentc o u l dbe (a)a ne x a m p l eofas l i pwhereh er e a l l yd i dwantt os a v et h eb a n k s . (b)ar e a s o n a b l ee x c u s ef o rh i sf a i l u r et oc o 曲 o lt h ef i n a nc i a lc n s 1 s . (c)i g n o r e db e c a u s eh ed i dn o ti n t e n dt ob et a k e ns e r i o u s l y . (d)i n t e r p r e t e da sshowingh i sa r r o g a n ti n t e n t i o nt os a v et h ew o r l d . 22.SigmundF r e u dan dDonaldNorma n (a)a r g u e do v e rt h ed i f f e r e n c ebetweent h eu n c o n s c i o u sandh a b i t . (b)b o t ht r i e dt omake c l e a rwhatl i e sb e h i n dword s l i p sh a p p e n i n g . (c)h a v emuchi n commoni ni n t e r p r e t i n gt h emeaning o fwords l i p s . (d) s h a r et h eviewo fword s l i p sa si n d i c a t i o n so fah i d d e np e r s o n a l i t y . 2 3 .P o l i t i c i a n s ands c h o l a r sa r e (a) l i a b l et omake as l i po ft h et o 時u eb e c a u s et h e i rj o b sa r es os t r e s s f u l . (b) l i k e l yt obe c o ndemnedf o rmakingt o omanya p p e a r a n c e s onTV. (c)me n t i o n e da se x a m p l e sofma k i n gs e r i o u sm i s t a k e si n a d v e r t e nt l y . (d) r e s p e c t i v e l y aF r e udi a ne x a m p l ea n d ac o g n i t i v ep s y c h o l o gi c a le x a m p l e . 2 4 . Th et e x ti sb e s td e s c r i b e da s同 r od i f f e r e n ti n t e r p r e t a t i o n so f (a)howas l i po ft h et o n g ues o u n d s . (b)whatas l i poft h et o n g u eca u s e s . (c)where as l i po ft h et o n g u el e a d s . (d)why as l i po ft h et o n g u eh a p p e n s .. 7一 一一.
(8) i l Choose the most appropriate sentence from the following l i s t (a∼ h) f o r each item 1 ) . Markyourc h o i c e s ont h es e p a r a t e answer s h e e t . ( 25∼ 3. (a) The c o n f i d e n c e oft h es c h o l a r s and e x p e r t si nt h e i re v a l u a t i o n so fp a i n t i n g s was t hus 自e d . foundt o be c o m p l e t e l yj u s t i. (b) However, a tt h et i m e ofh i sd e a t h Vermeerwas o n l y known w i t h i nh i s hometown of ラ. D e l f t , andf o ra n o t h e rtwo hundredy e a r sh i sworkremained i no b s c u r i t y . (c)I r o n i c a l l y ,h i s own p a i n ngs whi c h had been condemned by c r i t i c si nt h e1 9 2 0 sa s ラ. 叩u sc o u r tc a s e , though o f h o p e l e s s l yo l d f a s h i o n e d , became v a l u a b l ea f t e rt h en o t o r. c o u r s ei twas av i n d i c a t i o nt o ol a t ef o rt h e manh i m s e l f . l a i m e dt h a th e had produced s e v e r a lf o r g e r i e so v e rt he y e a r s , (d)Moreover vanMeegeren c ヲ. none ofwhich had been d e t e c t e d , and had made a f o r t u n e by s e l l i n gt h ef a k ep a i n t i n g s . (e) Nev 出 h e l e民 b e s i d e ss a t i s f y i n gh i s wish f o rr e v e n g e on t h eM. 側. a b l i s 凶 e n t , once h e. s t a r t e db e i n ga bl et os e l lh i sf a k e sf o r huge p r i c e s ,i t seemed w i s e rt o keep t h es e c r e t t oh i m s e l f , andp e r h a p st oh i sf a m i l y . o l l o w e d each c l a i m e dd i s c o v e r y , (f) A p r o c e s so fd e t e c t i v e work and s c h o l a r l y 訂 gument f w i t ha r te x p e r t s makingjudgements on t he s t y l e andq u a l i t y oft h ep a i n t i n g . (g) Van Meegeren had been an a r t i s tb e f o r e he became a f o r g e r and when he began t o i sm o t i v a t i o n was n o t ,i t seems s i m p l y a wish t o make money, b u t make f o r g e r i e s h ラ. ラ. more ad e s i r ef o rr e v e n g e . (h)When t h ewar e n d e d , ap r o c e s s ofr e t r i b u t i o ncommenced a g a i n s tt h o s e who hadp r o f i t e d t h r o u g hc o l l a b o r a t i o nw i t ht h e occupying f o r c e s . Nowadays, p e o p l et h r o u g h o u tt h eworldknow and l o v et h e work oft h e Dutch a r t i s t ,. 5 ) P a i n t i n g s such a sG i r lw i t h aP e a r lE a r r i n g,TheMusicL e s s o n , J o h a n n e s Vermeer ( 16327 幽. and T heMilkmaid appear on p o s t e r s and i na d v e r t i s e m e n t s and a r cr e c o g n i s e d even by t h o s e 凶u r y,h i s workwas r e a p p r a i s e d , who a r en o t connoi s s e u r s ofa r t . ( 25 ) I nt h el a t e1 9 t hc c. and t h eq u a l i t i e s of l i g h t c o m p o s i t i o n ,c l a r i t y and humanity were n o t i c e d by c r i t i c s . I t ラ. became i m p o r t a n tt ot h ep e o p l e of t h eN e t h e r l a n d s ,e s p e c i a l l y ,t h a tp a i n t i n g s by a g r e a t n a t i o n a la r t i s t be d i s c o v e r e d and p r e s e r v e d .N e v e r t h e l e s s ,s u c h had been t h en e g l e c t of t h e a r t i s tt h a t few ofh i sp a i n t i n g swere knownc e r t a i n l yt os t i l le x i s t ,t h o u g hi twasb e l i e v e dt h a t h ea r t i s t On t h e one h a n d ,t h e pai n t i n g s many w o r k s ,w i t h no c e r t a i no r i g i n mightbe by t ラ. were nots i g n e d , and t h e r e was l i t t l eo r no documentary e v i d e n c e ; on t h eo t h e r hand,t h e r e were f r e q u e n tc l a i m s on t h eb a si s of s t y l e and c o m p o s i t i o nf o rt h i s o rt h a tp a i n t i n g . 瓜 ( 26 ) When a new Vermeer was found and g i v e ne x p e r tv a l i d a t i o n ,t h e r e was g r e. e x c i t e m e n tandt h ep a i n t ingwouldr e c e i v e ah i g hp r i c ea ta u c t i o n . I n 1 9 4 0 ,t h eN e t h e r l a n d s was i n v a d e d by Gennany and s u b j e c t e dt oab r u t a l ラ. oc c u p a t i o nu n t i l1 9 4 4 . Some of t h eh i g h German o f f i c i a l s were a t t r a c t e dt oc o l l e c t i n ga r t 一一一 8 一一一.
(9) w o r k s , and s o u g h tt o add t ot h e i r own p r i v a t ec o l l e c t i o n s from t h ec o u n t r i e st h e yr u l e d d u r i n gt h ew a r , though t he g e n e r a lp u b l i c of such c o u n t r i e sa sF r a n c e and t h e Nether l a n d s c o n s i d e r e di tc r i mi n alt o alowt h e i rownc u l t u r a lh e r i t a g et o be l o o t e di nt h i s way. ( 27 ) And t h u si t was i n 1945 t h a t a Dutch a r td e a l e r and minor p a i n t e r , named Han van ラ. Meegeren was puton t r i a lf o rs e l l i n g an a t i o n a lt r e a s u r e , ap a i n t i n g by Vermeer, t o ah i g hr a n k i n g German. At t h i sp o i n t van Meegeren made an a d m i s s i o nt h a tr o c k e dt h ef o u n d a t i o n s oft he ラ. a r tw o r l d :t h ep a i n t i n g , he p r o t e s t e d , was n o tr e a l l y a Vermeer, b u taf o r g e r y , made by van Meegeren h i m s e l f . ( 28 ) The c o u r t was unconvinced,b u t van Meegeren s e t up a s t u d i o , and d e m o n s t r a t e dt h et e c h n i q u e s and t r i c k s he had u s e d . Av o i d i n gt h eh e a v i e rc r i m e of s e l l i n g ar e a l Vermeer t ot h e Germans, he was c o n v i c t e d of f o r g e r y and s e n t e n c e dt o one y e a ri np r i s o n . However, Han van Meegeren d i e d ofa h e a r ta t t a c k ,i n 1947 ,j u s tb e f o r e he wouldhave s t a r t e dh i ss e n t e n c e . ( 29 )He hadbeguna s ap a i n t e rbywantingr e c o g n i t i o na sa na r t i s th i m s e l f ,b u t he had remained w i t h i nt h er e a l i s tt r a d i t i o n ofDutch a r t ,w h i l et h ef a s h i o ni n contemporary p a i n t i n g moved d e c i si v e l yt om o d e r n i s t and a b s t r a c t modes. E x a s p e r a t e d by h i sl a c k of s u c c e s s , he had come t ob e l i e v et h a tt h ea r tc r i t i c s ande x p e r t swere a l li d i o t s and c h a r l a t a n s . He undertook a c l o s es t u d y ofol d Dutch a r ti no r d e rt o make f o r g e r i e s , and t h u st o prove t h a tt h ee x p e r t s knew n o t h i n g . ( 30 ) VanMeegeren was p e r h a p st h e most s u c c e s s f u la r tf o r g e r ofa l lt i m e .( 3 1 ) His s o n ,J a c q u e s vanMeegeren, a l s obecame an a r tf o r g e r , but t he f o r g e r i e s he madewere n o tof ag r e a ta r t i s tl i k e Vermeer, b u tofh i s own f a t h e r ;l o w g r a d ep a i n t i n g s,whichwere s i g n e d‘ H. van Meegeren and s o l df o rq u i t eh i g hs u m s .I ti sa l s o po s si b l et h a tt h e r ea r es t i l l a number ヲ. of p a i n t i n g s by Han van Meegeren t h a ta r e hanging i n museums and p r i v a t ec o l l e c t i o n s a t t r i b u t e dt o Dutch m a s t e rpa i n t e r so t h e rt h a n Vermeer, s u c ha sF r a n sH a l s( 1582」666).. 9 一一一.
(10) N Chooset h emost叩 p r o p r i 批 p h r a s efromt h el 凶 （a∼ m)f o re a c hi t e m( 32∼ 38).Mark y o u rc h o i c e sont h es e p a r a t ea n s w e rs h e e t . Twos t u d e n t s、K臼' 1 j iα ndR o b e r t、meetandα tl k . K e n j i :. Hi ,( 32 ).You’ r eR o b e r tS m i t h ,a r e n’ ty o u ?. R o b e r t : S u r e ,y e a h , ( 33 ).. ，. Keザi :. I ' m Kenj ‘. Denver a n dI ’ mg o i n gt h e r ef o ray e a ra b r o a d ,s os h et h o u g h tI ( 34 )y o u . ラ. R o b e r t : OK s u r e , ( 35 ) Whatwould you l i k et oknow? ラ. K e n j i :. W e l l , Iwast h i n k i n ga b o u tt h ec i t yi t s e l f , andwhatk i n doft h i n g sIc o u l ddot h e r e .. R o b e r t : T h i n g st o do i nD e n v e r ? OK. I td e p e n d s on what you’ r ei nt o ,o fc o u r s e . Do you. l i k es p o 此s ? K e n j i :. Oh, y e s ,v e r ymuch;Ih e a r di t’ sgoodf o rs k i i n g .. R o b e r t : Oh, y e s , ( 36 ) Butt h e r ea r el o t so fa t h l e t i c s and o t h e ra c t i v it i e s you c a n do. t h e r e ,t o o . K e n j i :. Andm u s i c . Ir e a l l yl o v eg o i n gt oc o n c e r t s .. R o b e r t : R i g h ty e s,Is e e .W e l l,Ic a ng i v e you some g r e a tpl a c e s . Notj u s tt h eb i gv e nue s ラ. b u ts m a l l e ro n e sl i k et h eh i d i 1 民 a n d Mercury C σ戸 L o o k ,Ke 中 ， I( 37 )now; h e r e,l e tse x c h a n g ephonenumbers a n dI 'l t e x tyoul a t e r . ラ. K e n j i :. ラ. T h a n k s ,R o b e r t . You’ v eb e e n ag r e a the l p .. R o b e r t : N i c e ( 38 )y o u , Ke 可i S e eyoul a t e r ,b r o .. (a)c o u l da sk (b)e x c u s eme (c)g o tt o go (d)h a v ed i f f i c u l t y (e)I ’ m s o r r y (f)i ts u r e l yi s (g)j u s tdo i t (h)nop r o b l e m (i)s h o ul dt a l kw i t h (j)t h a t’ sme (k)t oc a t c hupw i t h (1)t omeet ( m)t os e e. 10一一一.
(11) PLEASEREAD THEINSTRUCTIONS CAREFULLY.. V Read 吐1 ef o l l o w i n gp a s s a g e and c o m p l e t et h eE n g l i s hs ummary i ny o u r own words m t h es p a c ep r o v i d e d on t h es e p a r a t e answer s h e e t . The b e g i n n i n g of t h e summary i s 0w o r d s . p r o v i d e d;yo u mustc o m p l e t ei ti n4・1. H i s t o r yw i t n e s s e dan unexpe c t e di m p a c tofE n g l i s hl it e r a tu r eo u t s i d et h eB r it is hI s l e s . During t h ef i r s th a l f oft h en i n e t e e n t hc e n t u r y,t h eB r i t i s hr u l e dl n d i at h r o u g h a company c a l l e dt h eE a s tI n d i aCompany.I n1 8 1 3P a r l i a m e n ti n c r e a s e dt h e company’ sr e s p o n s i b i l i t yf o r t h ee d u c a t i o n oft h eI n d i a np o p u l a t i o n and a tt h e sm ηe t ime made i t much h a r d e rf o rt h e Company t os u p p o r tt h e work ofC h r i s t i a nm i s s i o n a r i e s and p r e a c h e r s .P r e v i o u s l y ,t h eE a s t I n d ia Com pany h a dh e l p e dt oc o n v e r tt h eI n d i a np o p u l a t i o n ,b e c a u s et h ep e o p l ei nc h a r g e b e l i e v e dt h a tC h r i s t i a nI n d i a nswoul d be more h o n e s ta nd h a r d w o r k i n g ,a n d more s u p p o r t i v e sc o l o n i a le x p l o i t a t i o n . Theyt h o u g h tt h a ts t u d y i n gt h eB i b l e and C h r i s t i a n i t y oft h e Company’ m o r a l’ ，i f moral i su n d e r s t o o di nt h er a t h e rn a r r o ws e n s e of made t h ep o p u l a t i o n more ‘. ‘ b e i n gi na g r e e m e n tw i t ht h ep r i n c i p l e s oft h e Company'. However,manyp e o p l ei n London t h o u g h ti t was q u i t er i s k yp e r s u a d i n g someone t o become a C h r i s t i a n .( P e r h a p st h i s was b e c a u s ec o n v e r t i n g someone i n v ol ved a s k i n gh e ro r him a l otofs e a r c h i n gq u e s t i o n s which C h r i s ti an i t yt he nc l a i m e dt oa n s w e r :t h el a s tt h i n gB r i t a i nandt h eE a s tI n d i a Com pany wanted was f o r anybody t oa s ks e a r ch i ng q u e s t i o nsa b o u ta n y t h i n g,i nc a s et h ei r regime i t s e l fcame i n t oq u e s t i o n. )The u p s h o t oft h i s was t h a tt he E a s tI n d i a Company h a dt od e v is ea n o t h e r way ofmakin gs u r et h a tt h e na t i v ep o p u l a t i o n would bekeent of o l l o w an 宝 n g l i s h wayof. ，’ atl e a s t enough t o begood Company s e r v a n t s . The l i t e r a t u r e ofEn g l a n d was s e e na sa l i f e mould oft h eE n g l i s h wa y ofl i f e ,m o r a l s ,t a s t e,a n d way ofd o i n gt h i n g s ,s o why n o tt e a c h I n d ia n s how t o be mo r eE n g l i s h by t e a c h i n g them E n g l i s hl i t e r a t u r e? S t u d y i n gE n g l i s h c i vi l is i n g’t h en a t ive p o p u l a t i o n . By 1 8 3 5,t hi st a c t i c was l i t e r a t u r e was s e e na s a wa y of ‘ made l a w by t h eE n g l is hE d u c a t i o n Act , which o f f i c i a l l y made E n g l is ht h e medium of i ns t r u c t i o ni nI nd i a ne duc a t i o na ndr e q u i r e dt h es t u d yofE n g l i s hl i t e r at u r e . ( AdaptedfromR o b e r tEagl e st o n e,DoingE n g l i s h. ) ※Web公開にあたり、著作権者の要請により出奥追記しております。 DoingE n g l i s h2e(ISBN9780415284233),RobertEaglestone, c2005Routledge,reproducedbypermissiono fTaylor& F r a n c i sBooksUK. S U J ¥ 仏t I A R Y :. 目. I nc o l o n i a ll n d ia ,E n g l i s h val ue s and m e n t a l i t y were d i f f u s e dn o tt h r ough C h r i s t i a n i t yb u t t hroughE n g l is hl i t e r a t u r e ,s ot h a tt h ei n d i g e n o usp e o p l ec o u l d. [ c om p l e t et h esummaryo nt hes e pα y α＇l eα ns we rs h e e t ]. 〔以下余白〕. 一 一. 1 1−一 一.
(12) コ一一 HH. 五ロ. 主 八. ， A. ﹀ −. ゐ. 一. 内〆 白 血. ーム勾 lll. ：. ︶剛 − ︵. つlu− − 1 la. −. FIt 4. 1よ開. n凸 ， 一. ︶司. 周一 H I ο η. ︵− q 一宵. 受験喬号. ) j. 採. 占. ｜ ｜. 氏 名 （ 注意） 所定機以外に受験番号氏名を 記入してはならない。記入した 解答用紙は採点の対象外となる 場合がある。. <2018H30121124>. 受験番号. 力. 百：十. 千. 一「一一. l. 氏 名. （注意）所定概以外に’ 豆験番号 ・氏名を 記入してはならないの記入した 解答用紙は採点の対象外となる 場合がある。. I nc o l o n i a lI n d i a ,E n g l i s hv a l u e sand m e n t a l i t ywered i f f u s e dn o tt h r o u g h C h r i s t i a n i t yb u tt h r o u g hE n g l i s hl i t e r a t u r e , s ot h a tt h eindi~enous p e o p l ec o u l d. H. 五口 円 ＝ ＝. 英. V. （ 記述解答用紙） ※解答欄以外には書かないこと. 4 関.
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