全文
劉 文兵
目 次
はじめに ··· 1
第1章 集団と個人の葛藤――1990年代後半までの日本映画受容 ··· 2
1．社会主義的イデオロギーとの親和性――日本の独立プロ作品と中国 ··· 2
2．「個人」と「家族」の再発見――1980年代の日本映画ブーム ··· 4
第2章 ネット時代と都市富裕層の小市民化 ··· 6
1.「退行的」な欲望への共感――宮崎駿作品に対する中国人の見方の変化 ··· 7
2．是枝作品の小市民的価値観――大都市と地方の対照的な反応 ··· 8
3．岩井俊二と中国の「中産階級」 ――『Love Letter』から『チィファの手紙』へ ··· 11
終わりに ··· 14
編集後記 ··· 21
The Monthly Bulletin of the Institute for Social Science Senshu University
ISSN0286-312X No. 695 2021. 5. 20
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