China21
Vol.20August2004
Contents
<ChineseDramafromtheViewpointofGender>
Role‑playingandGender・ ・・・・・・・・…YANGXiaoqing,LIJide,ITOShigeru, HOSOINaoko,NAKAYAMAFumiandMATSUOHatsuko
YangXiaoqing(楊 小 青)'s60YearsofProducingYueju(越 劇) YANGXiaoqingandNAKAYAMAFumi FemaleCharactersinVillageDramasseeninMulian(目 連)Operas
TANAKAIssei AnAnalysisofLuYou(陸 游)'sFeelingsinthePhrasè℃uocuocuo"
KAKEHIKumiko ImageofWomeninYuanqu(元 曲)KrNBunkyo
Tanyangzi(曇 陽 子)andthePeonyPavillionISHIINozomu RethinkingGenderinQing(清)Drama:Thesexchangein
Huanshenrong(換 身 栄)andFanhua〃zeng(繁 華 夢)HUAWei ChangingRevuesonKun(坤)DramainShenbao(申 報):All‑female
DramaticPerformanceinShanghai,1872‑1923・ ・・・・・・…TAMURAYoko Nuwa(女 蝸)MythologyandHuaxia(華 夏)DramaLIXianglin
ChineseOperaYueju(越 劇)andJapaneseRevueTakarazuka(宝 塚) HOSOINaoko NAKAYAMAFumi
3
25
37
51 69 87
111
127 149
CryingMan
WhoCouldEverSayThatWomenAreInferiortoMen
***
<Articles>
"TraditionalCulture"inContemporaryChina:
TheCaseoftheDragonBoatFestivalinPearlRiverDelta
LIJide 163 191 201
KAWAGUCHIYukihiro209 ViewpointstotheHistoryandtheMythology:
RestartfromVerificationstheThesisoftheDoubtingAncientHistory Schoo1(疑 古 学 派)aboutXiaYu(夏 禺)astheHeavenlyGod4
NAKAJIMAToshio SuzukiHyoken(鈴 木 豹 軒)'sViewoftheTaiwanPavillioninl903
MORIOKAYukari
227
264
<BookReviews>
Yuen‑FongWoon:TheExcludedWife・ ・・・・・・・・・・・・・・…KAWAGUCHIMitsuo251 ChineseFamiliesandWomenfromtheViewpointofGender
MATSUOHatsuko258
AichiUniversity,FacultyofModernChineseStudies
