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(1)

ῌWashington SquareHenry James

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Mary Walsh and her younger sister Catherine would sit in the family parlor at No. 19 Washington Square and listen to the strange and vivid eloquence of the young Albany scion, as he expounded his unorthodox religious views; both girls were charmed and spellbound. In due course he proposed to the elder sister and was accepted. Catherine Walsh became a member of the James household, lived and traveled with her sister’s family and was in every way a second mother to the James children if not a second wife to the elder Henry. (Edel 10)

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“Don’t undervalue irony, it is often of great use. It is not, however, always necessary, and I will show you how gracefully I can lay it aside. I should like to know whether you think Morris Townsend will hang on.”

“I will answer you with your ownweapons,” said Mrs. Penniman. “You had better wait and see!”

“Do you call such a speech as that one of my ownweapons? I never said anything so rough.”

“He will hang on long enough to make you very uncomfortable, then.”

“My dear Lavinia,” exclaimed the Doctor, “do you call thatirony? I call itpugilism.” (148, emphasis added)

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The Doctor almost pitied her.Poor Catherine was not defiant; she had no genius for bravado; and as she felt that her father viewed her companion’s attentions with an unsympathizing eye, there was nothing but discomfort for her in the accident of seeming to challenge him.The Doctor felt, indeed, sorry for her that he turned away. . . . (49, emphasis added)

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“It’s much better than being under some one; and he has never been used to that,” Mrs. Penniman went on. “He is just as good as his partnerthey are perfectly equal!You see how right he was to wait. I should like to know what your father can say now! They have got an o$ce in Duane Street, and little printed cards; he brought me one to show me. I have got it in my room, and you shall see it to-morrow. That’s what he said to me the last time he was here‘You see how right I was to wait!’ He has got other people under him, instead of being a subordinate. He could never be a subordinate; I have often told him I could never think of him in that way.”

(139, emphasis added)

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He was tall and slim, but he looked extremely strong. Catherine thought he looked like a statue. But a statue would not talk like that, and, above all, would not have eyes of so rare a colour.He had never been at Mrs.

Almond’s before; he felt very much like a stranger; and it was very kind of Catherine to take pity on him. He was Arthur Townsend’s cousinnot very

(13)

near; several times removedand Arthur had brought him to present him to the family.. . . (20, emphasis added)

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It was an epistle of considerable length, measuring five large square pages, and written at Philadelphia. It was an explanatory document, and it explained a great many things, chief among which were the considerations that had led the writer to take advantage of an urgent “professional”

absence to try to banish from his mind the image of one whose path he had crossed only to scatter it with ruins. He ventures to expect but partial success in this attempt, but he could promise her that, whatever his failure, he would never again interpose between her generous heart and her brilliant prospects and filial duties.He closed with an intimation thathis professional pursuits might compel him to travel for some months.. . . (175, emphasis added)

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“Is it to-morrow? Is it next week, or the week after?”

(16)

“I shall not go away!” said Catherine.

The doctor raised his eyebrows. “Has he backed out?”

“I have broken o#my engagement.”

“Broken if o#?”

“I have asked him to leave New York, and he has gone away for a long time.” (177)

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Catherine meanwhile had made a discovery of a very di#erent sort; it had become vivid to her that there was a great excitement in trying to be a good daughter. She had an entirely new feeling, which may be described as a state of expectant suspense about her own actions. She watched herself as she would have watched another person, and wondered what she woulddo.It was as if this other person, who was both herself and not herself, had suddenly sprung into being, inspiring her with a natural curiosity as to the performance of untested functions. (83, emphasis added)

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“I should like you topromiseme something before I die.”

“Why do you talk about your dying?” she asked.

“Because I am sixty-eight years old.”

“I hope you will live a long time,” said Catherine.

“I hope I shall!” But some day I shall take a bad cold, and then it will not matter much what any one hopes. That will be the manner of my exit, and when it takes place, remember I told you so.Promiseme not to marry Morris Townsend after I am gone. (184, emphasis added)

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(143, emphasis added)

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. . . Then he added, with a deeper tenderness, “Catherine, have you never forgiven me?”

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“Not if we forget the past. We have still a future, thank God!”

“I can’t forgetI don’t forget,” said Catherine. You treated me too badly. I felt it very much; I felt it for years. . . .

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“No, I am not angry. Anger does not last, that way, for years. But there are other things. Impressions last, when they have been strong.But I can’t talk.”

Morris stood stroking his beard, with a clouded eye. “Why have you never married?” he asked abruptly. “You have had opportunities.”

“I didn’t wish to marry.”

“Yes, you are rich, you are free; you had nothing to gain.”

“I had nothing to gain,” said Catherine. (19798)

(22)

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(26)

so authentic to the conditions” “the social context”

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2. ()(*+$,-./0 James W. Gargano(Gargano 355 62)' ,-123456789:0;<='

3. “There is no gender identity behind the expressions of gender; that identity is performatively constituted by the very>expressions’ that are said to be its results”

(Butler 33).

WORKSCITED

Austin, J.L.How to Do Things with Words. 2nd Ed. Ed. J.O. Urmson and Marina Sbisa.

Cambridge: Harvard UP, 1975.

Bell, Millicent.Meaning in Henry James. Cambridge: Harvard UP, 1991.

Berlant, Lauren. “Fancy-Work and Fancy Foot-Work: Motives for Silence inWashing- ton Square.”Criticism29.4 (1987): 43958.

Butler, Judith.Gender Trouble: Feminism and the Subversion of Identity. New York:

Routledge, 1999.

Chopin, Kate. The Awakening: An Authoritative Text, Biographical and Historical Contexts, Criticism. 2nd Ed. Ed. Margo Culley. New York: Norton, 1976.

Coulmas, Florian. “Reported Speech: Some General Issues.”Direct and Indirect Speech.

Ed. Florian Coulmas. Berlin: Mouton de Gruyter, 1986. 1῍28.

Edel, Leon.Henry James: A Life. London: Collins, 1985.

Galperin Stylistics. 2nd Ed. Np: Moscow “Higher School,” 1997.

Gargano, James W. “Washington Square: A Study in the Growth of an Inner Self.”

Studies in Short Fiction13.3 (1976): 355῍62.

Habegger, Alfred.A Life of Henry James, Sr. Amherst: U of Massachusetts P, 1994.

James, Henry.Autobiography. Ed. Frederick W. Dupee. London: W.H. Allen, 1956.

ῌῌῌῌ.The Complete Notebooks of Henry James. Ed. Leon Edel and Lyall H. Powers.

New York: Oxford UP, 1987.

ῌῌῌῌ.Henry James Letters. Vol. II: 18751883. Ed. Leon Edel. Cambridge: Bel- knap, 1975.

ῌῌῌῌ.Washington Square. Ed. Martha Banta. London: Penguin, 2007.

Kaplan, Fred.Henry James: The Imagination of Genius: A Biography. Sevenoaks, Kent:

Sceptre: 1993.

Klein, Marcus. “Washington Square, or Downtown with Henry James.”Arizona Quar- terly53.4 (1997): 721.

Lucas, John. “Washington Square.”The Air of Reality: New Essays on Henry James. Ed.

John Goode. London: Methuen, 1972. 3659.

Miller, J. Hillis.On Literature. London: Routledge, 2002.

ῌῌῌῌ.Speech Acts in Literature. Stanford: Stanford UP, 2001.

“The World of Henry James andThe Wings of the Dove.” Henry James.The Wings of the Dove. New York: Barnes & Noble, 2005. IXXIV.

Zacharias, Greg W. “Henry James’ Style inWashington Square.”Studies in American Fiction18.2 (1990): 20724.

(27)

!"# $%&'( )*+ ,- 1994. 400῍04.

参照

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