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Kobe Shoin Women’s University Repository

Title

The Revelation of Character in Kazuo Ishiguro's 'The

Remains of the Day' and 'An Artist of the Floating

World'

Author(s)

Peter J.

Mallett

Citation

Shoin Literary Review,No.29:1-20

Issue Date

1996

Resource Type

Bulletin Paper / 紀要論文

Resource Version

URL

Right

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TheRevelationofCharacterinKazuo

Ishiguro's`TheRemainsoftheDay'and

`A

nArtistoftheFloatingWorld'

PeterJ.Mallett

Inhisnovels,`TheRemainsoftheDay'and`AnArtistoftheFloating

World',KazuoIshiguroemploysanagingnarratortotellthestory.

Bothlookbackovertheircareers,atfirstwithsomesatisfaction,and

thenwithmoretruthfulness.Though`AnArtistoftheFloatingWorld'

issetinJapanand`TheRemainsoftheDay'inEngland,andthough

bothhaveanatmosphereauthentictotheirsetting,thecharacterin

eachisessentiallythesame:amaninlatermiddleagetryingtojustify

thelifehehasled.ThispaperwilldiscussthetechniqueIshigurouses

torevealthecharacterofhisnarratorineachnovel.

Intheeighteenthcenturytherewasarevoltagainstformalityand

symmetryinlandscapegardens,ledbyphilosophersandmenoflitera-turelikeAlexanderPope,whogavethefollowingadvicetogarden

planners

Letnoteachbeautyeverywherebespied

Whenhalftheskillisdecentlytohide.

Hegainsallpointswhopleasinglyconfounds,

Surprises,varies,andconcealsthebounds.

(EpistleIV)

ThisnewaestheticforgardendesigninEnglandissimilartowhatis

foundinatraditionalJapanesegardenwithitswindingpathtakingthe

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visitoronacarefullyplannedwalk,revealingalittleofitsbeautyata

time‐verymuchinamannerthatwouldhavepleasedPape

.This..

seemstobeafeatureofJapanesecultureingeneral:thewholeisnot

presentedatfirstviewing.Intraditionalarchitecture,thehouseis

surroundedbyawall,andentryisthroughatallgate.Onceinsidethe

house,slidingscreensoffertantalizingglimpses,butneverapanorama

.

Evenafoldingscreenmeansthatthewholescenehastobeviewedfrom

differentperspectives.ThisisverydifferentfromaWesternideaof

presentingeverythingonagrandscaletobeviewedallatonce.

ThenovelistKazuoIshigurobringsauniqueculturalbackgroundto

hiswriting.BorninNagasaki,hemovedtoEnglandattheageoffive

anddidnotreturntovisitthecountryofhisbirthuntil28yearslater

.

IshigurohassaidthatheknowsverylittleaboutJapaneseculture

,

admittingthathereadscontemporaryJapanesefictiononlyintransla-tionandthatheisasbaffledasaWesternreaderbymuchofitandby

howheissupposedtoreact.'(Hisfirstthreenovelsdo,however

,share

withJapanesenovelsalackofplotwhichIshigurohasadmittedthathe

isnotveryinterestedinbecausehefindsitrestrictive.2)Furthermore

heclaimsthatheis"dismayed"atthewayhisbookshavebeenreceived

inBritainasprovidinganinsightintoJapan

,sayingthathedoesnot

writeaboutJapan,butusesitandtheperiodasasettingforhis

themes.3ThoughhemaynotwriteaboutJapan

,thetechniqueheuses

is,Isuspect,inheritedfrontJapaneseculture:theway

,asdiscussed

above,thatthewholeisnotpresentedatfirstviewing

.Thisishow

Ishiguropresentshisnarrators,in`AnArtistoftheFloatingWorld'and

'TheRemainsoftheDa

y',revealingtheircharactersgraduallytous.

TheantithesisofhistechniquecanbeseeninJaneAusten'sintroduc-

tionofSirWalterElliotintheopeningpagesof`Persuasion'‐admit-tedlyathirdpersondescriptioninanovelofaverydifferentperiod

-2一

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VanitywasthebeginningandtheendofSirWalterElliot'scharacter; vanityofpersonandofsituation.Hehadbeenremarkablyhandsome inhisyouth;andatfifty-four,wasstillaveryfineman.Fewwomen couldthinkmoreoftheirpersonalappearancethanhedid;norcould thevaletofanynewmadelordbemoredelightedwiththeplacehe heldinsociety.Heconsideredtheblessingofbeautyasinferioronly totheblessingofabaronetcy;andtheSirWalterElliot,whounited thesegifts,wastheconstantobjectofhiswarmestrespectanddevo-tion. (Persuasion,Ch1) ThatisallweneedtoknowaboutSirWalter;thatisallthereisto know.,baneAustenrevealsall,guidingusinhowtojudgehimand respondtohim,and,aswereadthenovel,thereisnothingabouthim thatsurprisesus.Nothingcouldbemoredifferentfromthewayin whichIshiguropresentsthebutler,Stevens,tousin`TheRemainsof theDay'. Onfirstappearance,Stevensisnotaverysympatheticcharacter. TheveryBritishstiffupperliphealwaysmaintainsinhispursuitof `dignity'makeshimappearpompous;hislackofhumour ‐asshown inhispatheticattemptstoentertainhisnewemployerwith`banter'‐ ascoldanddull.Butourfeelingstowardshimchangeaswelearnthe truthabouthislife‐andhowithasbeenwasted. Asthenovelopens,Stevensisabouttoembarkonajourney.Hedoes notrevealthetruereasonforthisjourney(thatheisalonelymanin latermiddleagewhowantstotryagainwiththewomanwhoonce lovedhim),claimingthatitisfor`work'‐tosolvehisstaffing problems(inthisheissoJapanese!‐hecouldnodgoonatrippurely forpleasure,buthastohavea〃aokuteki,orpurpose): Thefactthatmyattitudetothissamesuggestionunderwentachange overthefollowingdays‐indeed,thatthenotionofatriptotheWest Countrytookanever-increasingholdonmythoughts‐isnodoubt

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substantiallyattributableto‐andwhyshouldIhideit?‐thearrival ofMissKenton'sletter...Butletmemakeitimmediatelyclear whatImeanbythis;whatImeantosayisthatMissKenton'sletter setoffacertainchainofideastodowithprofessionalmattershereat DarlingtonHall... (p.4-5) Sowhenhisemployerironicallyasitturnsout‐referstothe possibilityofStevenshavingromanticthoughtsintapingthetrip,heis quicktodefendhimself Inanycase,MrFarradayseizedtheopportunitytogrinbroadlyatme andsaywithsomedeliberation `My ,my,Stevens.Alady-friend.Andatyourage.' Thiswasamostembarrassingsituation NaturallyIfeltthetemptationtodenyimmediatelyand unambiguouslysuchmotivationsasmyemployerwasimputingto me...

CA.14)

Itisthisjourneywhichprovidesthestructureforthenovelandthe

walkthroughagardenis,therefore,aparticularlyappropriatemeta-phor,becauseateachturnintheroadwearepresentedwithanew

view,allbuildinguptoourfullunderstandingofthewhole.Stevenshas

nottravelledmuchbeyondtheconfinesofDarlingtonHallduringhis

Iifeandthisphysicaltripisalsotobeamentalandemotionaljourney

duringwhichheistodiscoverandrevealthingsabouthimself‐ashe

realizeshimselflaterinthenovel

AsIsay,Ihaveneverinalltheseyearsthoughtofthematterinquite

thisway;butthenitisperhapsinthenatureofcomingawayonatrip

suchasthisthatoneispromptedtowardssuchsurprisingnewperspec-

tivesontopicsoneimaginesonehadlongagothoughtthroughthor-oughly.

CA.--7)

Ashesetsoutonthejourney,leavingbehindallthatisfamiliar,he

-4一

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isanxiousaboutwhathemightfind ButtheneventuallythesurroundingsgrewunrecognizableandIknew thatIhadgonebeyondallpreviousboundaries.Ihaveheardpeople describethemoment,whensettingsailinaship,whenonefinallyloses sightoftheland.Iimaginetheexperienceofuneasemixedwith exhilarationoftendescribedinconnectionwiththismomentisvery similartowhatIfeltintheFordasthesurroundingsgrewstrange aroundme....ThefeelingsweptovermethatIhadtrulyleftDarling-tonHallbehind,andImustconfessIdidfeelaslightsenseofalarm ‐asenseaggravatedbythefeelingthatIwasperhapsnotonthe correctroadatall,butspeedingoffintotallythewrongdirectioninto awilderness. (p.23-24} TherevelationofSteven'scharactercomesaboutgraduallybecause hehasputupafacadeforsolong.Hehaspreservedhisdignityatall timesandneverbetrayedhisemotions.ItisMissKentonwhoobserves thisinhim `Why ,MrStevens,why,why,whydoyoualwayshavetopretend?' (p.154) Thisisagoodpoint,anditbecomesnoticeablethatpretence,far fromjustbeingforprofessionalpurposes,isanessentialpartof Stevens'character.Itreachesitsclimaxinthescenewherehehasto stopforanightunexpectedlyinavillageduetothecarbreakingdown andismistakenfora`gentleman'.Stevensdoesnotenlightenthe assembledcompanyonhistrueidentity. Sowhydoeshepretend?Whatishehiding?Thisisrevealed graduallytoo.WhatwelearnaboutLordDarlingtonreflectson Stevensandaltersouropinionofhim.Stevensdescribeshisformer employerasa`great'man,onewhohasalteredthecourseofhistory . ButashedropsinremarksaboutLordDarlington,andotherpeople's reactionstohim,webegintodoubtthesortofamanhereallywas.The

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firstoftheseisonp.73 Andwhentodayonehearstalkabouthislordship,whenonehearsthe sortoffoolishspeculationsconcerninghismotivesasonedoesalltoo frequentlythesedays,Iampleasedtorecallthememoryofthat momentashespokethoseheartfeltwordsinthenear-emptybanquet-inghall.Whatevercomplicationsaroseinhislordship'scourseover subsequentyears,Iforonewillneverdoubtthatadesiretosee`justice inthisworld'layattheheartofallhisactions.' {p.73) Another50pagespassbeforewearegivensomemorehints Thenhisvoicechangednoticeablyasheinquired:`Youmeanyou actuallyusedtoworkforthatLordDarlington?'... 'Ohno ,IamemployedbyMrJohnFarraday,theAmericangentle-manwhoboughtthehousefromtheDarlingtonfamily.' (p.120) Then,loweringhervoice,MrsWakefieldhadsaid:`Buttellme, Stevens,whatvasthisLordDarlingtonlike?Presumablyyoumust haveworkedforhim.' 'Ididn't ,madam,no.' (p.123) Onbothoccasions,Stevenslies--hepretendsthatheneverworked forLordDarlington.Heattemptstojustifythisandtodefendhis employer,butbynowthedamagehasbeendoneandwehavelostfaith inLordDarlingtonasthegreatmanStevenssodesperatelywantsusto believehimtohavebeen Ofcourse,therearemanypeoplethesedayswhohavealotoffoolish thingstosayaboutLordDarlington,anditmaybethatyouareunder theimpressionIamsomehowembarrassedorashamedofmyassocia-tionwithhislordship,anditisthisthatliesbehindsuchconduct.Then letmemakeitclearthatnothingcouldbefurtherfromthetruth.The greatmajorityofwhatonehearssaidabouthislordshiptodayis,in anycase,utternonsense,basedonanalmostcompleteignoranceofthe facts.Indeed,itseemstomethatmyoddconductcanbeveryplausibly explainedintermsofmywishtoavoidanyossibilitofhearinanv ‐s‐

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furthersuchnonsenseconcerninghislordship;thatistosay,Ihave chosentotellwhiteliesinbothinstancesasthesimplestmeansof avoidingunpleasantness.Thisdoesseemaveryplausibleexplanation themoreIthinkaboutit,forititistrue,nothingvexesmemorethese daysthantohearthissortofnonsensebeingrepeated.Letmesaythat LordDarlingtonwasagentlemanofgreatmoralstature‐astature todwarfmostofthesepersonsyouwillfindtalkingthissortof nonsenseabouthimandIwillreadilyvouchthatheremainedthat tothelast.Nothingcouldbelessaccuratethantosuggestthatlregret myassociationwithsuchagentleman.Indeed,youwillappreciate thattohaveservedhislordshipatDarlingtonHallduringthoseyears wastocomeasclosetothehubofthisworld'swheelasonesuchas Icouldeverhavedreamt.Igavethirty-fiveyears'servicetoLord Darlington;onewouldsurelynotbeunjustifiedinclaimingthat duringthoseyears,onewas,inthetruestterms,`attachedtoadisting-uishedhousehold'.Inlookingbackovermycareerthusfar,mychief satisfactionderivesfromwhatIachievedduringthoseyears,andIam todaynothingbutproudandgratefultohavebeengivensucha privilege. (p.125-6) Asthestoryprogresses,welearnthatDarlingtonwasamisguided Nazisympathizerwhowaseasilybeguiledbythefascistsintoaccept-ingtheiranti-Jewishsentimentssothatheevendismissedthetwo Jewishrefugeeservantsinhisemploy,thoughhelateradmitsthathe waswrongonthispoint.Stevenshasavoidedhearing`nonsensecon-cerninghislordship'becausehewasintheserviceofthatmanfor thirty-fiveyears:hiswholelifeonlyhasanymeaningintheworkhe hasperformedforhim.Itisthereforeessentialforhimtoremember Darlington,untruthfully,asa`gentlemanofgreatmoralstature'andthe householdashavingbeen`distinguished'. Stevenshasearlierdiscussedwhatitmeanstobea`great'butler,and itisentirelydependent,inhisview,onhavingworkedinagreat

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household ...Ibelieveitmaywellbetruetosayitisaprerequisiteofgreatness thatone`beattachedtoadistinguishedhousehold' (p.113) A`great'butlercanonlybe,surely,onewhocanpointtohisyearsof serviceandsaythathehasappliedhistalentstoservingagreat gentleman‐andthroughthelatter,toservinghumanity. (p.117) Stevensspendsmuchofthebooktryingtopersuadeus,andconvince himself,thathewas,thoughnotquitetheequal,atleastinthesame moldas"the`great'butlersofourgeneration,suchasMrMarshallor MrLane,"whomhesogreatlyadmires.Wecanonlybelievethisifwe acceptthatheworkedinagreathousehold.Therearetwoclimaxesin Stevens'career.ThefirstistheinternationalconferenceatDarlington Haliin1923,anditisonthenightofthefinaldinnerthatStevens believesheachievedthe`dignity'onlyshownbythegreatestbutlers Evenso,ifyouconsiderthepressurecontingentonmethatnight,you maynotthinkIdeludemyselfundulyifIgosofarastosuggestthat Ididperhapsdisplay,inthefaceofeverything,atleastinsomemodest degreea'dignity'worthyofsomeonelikeMrMarshall‐orcometo that,myfather.Indeed,whyshouldIdenyit?Forallitssad associations,wheneverIrecallthateveningtoday,IfindIdosowith alargesenseoftriumph. cp.lia) ThisisthenightthatStevens'fatherdies,whileStevensI5busy attendingtotheforeignguests,believingthathisfather"wouldhave wishedmetocarryonjustnow."(p.106}.Helosesonthisnightthe onlylivingrelativeheevermentionsandsohehastobelievethatthis dinnerwasconsequential,that,ashehadpointedouttothestaff "Historycouldwellbemadeunderthisroof ."(p.77).LordDarlington hadwarnedthatwhathappenedinthehousemighthave"...consider--8一

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ablerepercussions.OnthewholecourseEuropeistaking."(p.62). But,infact,theconferencecomestonothing,thecourseofhistoryis notalteredandLordDarlingtonisprovedtobethe`amateur'thatthe Americansenator,MrLewishasdeclaredhim.Stevensallowsthe readertoseethis,buthegoesonpretending. Thesecondclimaxisthesecretmeetingonenightsomeyearslater betweenLordDarlington,thePrimeMinister,theForeignSecretary andtheGermanAmbassador.Stevensalsoremembersthisevening withsatisfaction WhowoulddoubtatthatmomentthatIhadindeedcomeascloseto thegreathubofthingsasanybutlercouldwish?Iwouldsuppose, then,thatasIstoodthereponderingtheeventsoftheevening‐those thathadunfoldedandthosestillintheprocessofdoingso‐they appearedtomeasortofsummaryofallthatIhadcometoachieve thusfarinmylife.Icanseefewotherexplanationsforthatsenseof triumphIcametobeupliftedbythatnight. (p.227-8) AnditisonthisnightthatMissKentongetsengagedandhandsinher noticetoStevens.Thus,duringthissecond`triumph'ofhiscareer,he losestheonlyotherpersonwhohasanythingmorethanaprofessional interestinhim‐apersonforwhomhetoohasmorethanaprofes-sionalinterest,thoughhedoesnotadmitit,andperhapsdoesnoteven realizeitatthismoment. Stevenshasafearofbetrayinganyemotion.Hewillnotallow anyonetoseethatthereisachinkintheprofessionalarmourhe inhabits,thathetoohasemotionalneeds.WhenMissKentondiscovers himreadingaromance,hepretendstousthathisonlyreasonfor readingthebookisthatitwas`anextremelyefficientwaytomaintain anddevelopone'scommandoftheEnglishlanguage.'(p.167).He believesthata'butlerofanyqualitymustbeseentoinhabithisrole,

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utterlyandfully;hecannotbeseencastingitasideonemomentsimply todonitagainthenextasthoughitwerenothingmorethanapanto- mimecostume.'(p.169).Partofthisroleisthathemustshow`emo-tionalrestraint'atalltimes.Stevenshasearliertoldusthatonlythe Englisharecapableofbeingbutlersbecauseonlytheypossessthis quality Continentalsareunabletobebutlersbecausetheyareasabreed incapableoftheemotionalrestraintwhichonlytheEnglishraceare capableof. (p.43) Whetherhisjobisthereasonforhis`emotionalrestraint'orwhether itisjustaconvenientexcuseforamanwhodoesnotwanttoallow anyonetoseehisvulnerability,Stevenslosesthewomanwholaveshim becauseofit. StevensdoesnotmeetMissKenton,nowMrsBenn ,foranother twentyyears.Hehasgonetofindhertofillhisstaffshortage ,denying thathispurposesareanythingotherthanprofessionalanddeluding himselfthatshewouldbegladtoreturntoDarlingtonHall Itisofcoursetragicthathermarriageisnowendinginfailure .Atthis verymoment,nodoubt,sheisponderingwithregretdecisionsmadein thefar-offpastthathavenowlefther,deepinmiddleage ,soaloneand desolate.Anditiseasytoseehowinsuchaframeofmind,thethought ofreturningtoDarlingtonHallwouldbeagreatcomforttoher . (P.48} Hefindsthathermarriageisnottragically`endinginfailure'and departsfromherrealizingthatitisthedecisionshemadethathaveleft him`soaloneanddesolate'.MrsBenn,whohadgivensomanyhints whenworkingatDarlingtonHallofherfeelingstowardsStevens , admitsthatshewouldhavelikedtospendherlifewithhim .Finally Stevensstopspretendingandtellsusthetruth -10一

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'Butthatdoesn'tmeantosay ,ofcourse,therearen'toccasionsnow andthen‐extremelydesolateoccasions‐whenyouthinktoyour-self:"WhataterriblemistakeI'vemadewithmylife.Andyougetto thinkingaboutadifferentlife,abetterlifeyoumighthavehad.For instance,IgettothinkingaboutalifeImayhavehadwithyou,Mr Stevens...' ...IdonotthinkIrespondedimmediately,forittookmea momentortwotofullydigestthesewordsofMissKenton.Moreover, asyoumightappreciate,theirimplicationsweresuchastoprovokea certaindegreeofsorrowwithinme.Indeed-一 一whyshouldInotadmit it?‐atthatmoment,myheartwasbreaking. (p.239) Attheendofthisjourney,Stevenshasrealizedthatitistoolate‐ toolatetochangethingsandmakeamendsforhiswastedIife.He admitsthetruthabouthisemployer,too.Andaswelearnthetruth,our impressionsofStevensasapompousandsomewhatcomicfigureare changed.Hebecomesatragicfigure‐notintheGreeksense,butlike ArthurMiller'sWillyLomaninhismodern-daytragedy`Deathofa Salesman',alittlemanwhosetragedyisthathecannotattaingrandeur inescapefromtheordinarinessofreality `LordDarlingtonwasn'tabadman .Hewasn'tabadmanatall.And atleasthehadtheprivilegeofbeingabletosayattheendofhislife thathemadehisownmistakes.Hislordshipwasacourageousman. Hechoseacertainpathinlife,itprovedtobeamisguidedone,but there,hechoseit,hecansaythatatleast.Asformyself,Icannotever. claimthat.Yousee,Itrusted.Itrustedinhislordship'swisdom.All thoseyearsIservedhim,ItrustedIwasdoingsomethingworthwhile. Ican'tevensayImademyownmistakes.Reallyonehastoask oneself‐whatdignityisthereinthat?' (p.243-4) Ishigurohassaidthatitisthisthemewhichinterestshim‐"how peoplejustifytothemselvesthekindoflivestheyhaveled.Peoplewho aspiretodosomethingthattheythinkisofmoralvalue,somethingthat

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will,astheyseeit,givetheirlivessomekindofdignity.1'minterested inpeoplewhotrytodothat,butfindthattheyaretooordinaryto transcendthemediocre.1'minterestedinthaturge ."4 0no,thenarratorin'AnArtistoftheFloatingWorld',isjustsuch anothercharacter,amantryingtojustifythelifehehasledandfind somedignityinit.WelearnhisphilosophywhenheappraisesAkira Sugimura,amanheadmires Forindeed,amanwhoaspirestoriseabovethemediocre ,tobe somethingmorethanordinary,surelydeservesadmiration,evenifin theendhefailsandlosesafortuneonaccountofhisambitions . (p.134) Onowouldlikeustobelievethathe,too,hasrisenabovethe mediocre,butattheendofthenovelwelearnthetruth‐notdirectly fromOno,butfromoneofhisformercolleagues‐thathewas,after all,onlytooordinary `Weatlea stactedonwhatwebelievedanddidourutmost.It'sjust thatintheendweturnedouttobeordinarymen.Ordinarymenwith nospecialgiftsofinsight.Itwassimplyourmisfortunetohavebeen ordinarymenduringsuchtimes.' (p.200) Onospendstheentirenoveltryingtopersuadeusthathewasfar frombeingan`ordinaryman'.Therevelationofhischaracteris somewhatdifferentfromthatofStevensbecauseitcomesaboutbythe reactionsofothercharacterstohim,ratherthanbywhathetellsus directlyofhimself. Fromthestartofthenovel,Onowantsustobelievethathewasan artistofgreatimportanceandisatpainstoemphasizehisreputation , thoughsimultaneouslyprotesting,rathertoomuch ,hisownunconcern aboutmattersofesteem -12一

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Indeed,Ihaveneveratanypointinmylifebeenveryawareofmyown socialstanding,andevennow,Iamoftensurprisedafreshwhensome event,orsomethingsomeonemaysay,remindsmeoftheratherhigh esteeminwhichIamheld. (p.19? Itwas,Isuppose,anotherofthoseinstanceswhenoneisstruckbythe realizationthatoneisheldinratherhigheresteemthanonesupposed . ButthenIwasneveronetoconcernmyselfwithmattersofesteem... (p.64) Thenovelbeginswithadescriptionofhisimposinghousewhichhe hadboughtatalowcostbecausethefamilywishedtosellitinan auctionofprestige Howsomuchmorehonourableissuchacontest,inwhichone'smoral conductandachievementarebroughtaswitnessesratherthanthesize ofone'spurse.IcanstillrecallthedeepsatisfactionIfeltwhenI learnttheSugimuras‐afterthemostthoroughinvestigation‐had deemedmethemostworthyofthehousetheysoprized. (p.10} Onothusestablisheshisreputationfromthestartbyshowingthathe hasgainedtheapprovalofthefamilyofAkiraSugimura,`unquestion-ablyamongstthecity'smostrespectedandinfluentialmen'(p.7). Inthefirstpartofthestory,Onorecallshissuccessfulcareerjust beforeandduringtheWar,andthehonourinwhichhewasheldbyhis pupilsatthattime 'IhavesuspectedforsometimethatSenseiwasunaware ofthehigh regardinwhichheisheldbypeopleinthiscity.Indeed,astheinstance hehasjustrelatedamplyillustrates,hisreputationhasnowspread beyondtheworldofart,toallwalksofIife.Buthowtypicalof Sensei'smodestnaturethatheisunawareofthis.Howtypicalthathe himselfshouldbethemostsurprisedbytheesteemaccordedtohim. Buttoallofushereitcomesasnosurprise.Infact,itmaybesaidthat respectedenormouslyasheisbythepublicatlarge,itiswehereat thistablewhoaloneknowtheextenttowhichthatrespectstillfalls

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short.ButIpersonallyhavenodoubt.Hisreputationwillbecomeall thegreater,andinyearstocome,ourproudesthonourwillbetotell othersthatwewereoncethepupilsofMasujiOno.' (P.25) Thispanegyricisbitterlyironicinthelightofwhatwesubsequently learnaboutOno,andthewayinwhichhispupilsaresoeagerto dissociatefromtheirformermaster:evenShintaro,theleastgiftedof hispupilsasksforaletterdisassociatinghimfromOno'sinfluenceso thathecansecureajobafterthewar(p.103}.Kuroda,hismost talentedpupil,barelyacknowledgeshimwhenheseeshiminthestreet (p.77-$)andwhenOnolatergoestovisithimheisturnedawayby Kuroda'sdisciple `Frankly ,sir,Iamamazedatyournerve.Tocomehereasthoughyou weresimplyafriendlyvisitor.' (p.113) Thisnovel,like`TheRemainsoftheDay',hasonlythebarestoutline ofaplot.Wearecarriedforwardbythenegotiationsforthearranged marriageofhisdaughter,Noriko,anditssuccessfulconclusion.Inthe preparationsforthismarriage,andtheaccountoftheabortedmarriage arrangementofthepreviousyear,westarttogethintsthatQno'spast isnotsoentirelyhonourable.Ono'solderdaughterwarnshimtobe carefulthattheprospectivebridegroom'sdetectivedoesnotfindout anythingaboutthemthattheywouldrathernotbeknown `1'msorry ,1'mnotsureIfollowyou.Iwasnotawarewehad anythingtohide. Setsukogaveanervouslaugh... ' ..,itisperhapswiseifFatherwouldtakecertainprecautionary steps.Toensuremisunderstandingsdonotarise...' `Misunderstandingsaboutwhat ,Setsuko?' `Aboutthepast .' (P.49) -14一

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Norikoalsoraisesourdoubtsaboutwhatisbeinghiddenwhenshe questionsherfatherastotherealreasonforherprevioussuitor's familypullingoutofthemarriage ` ...Theyfelttheyoungmanwasinadequatelyplacedtobeworthyof }SOU.' `Butyouknowthatwasjustformality ,Father.Weneverfoundout therealreason.AtIeast,Inevergottohearaboutit.' (p.52) Atthesametime,Onoiscommentingonthechangedsocietyand valueshefindsallaroundhiminthisyearof1948.Weseethisinthe wayhisgrandson,Ichiro,isbeingbroughtuponadietofAmerican heroesliketheLoneRanger,andinthecommentsandreactionsfrom membersofayoungergeneration,suchasOno'sson-in-law,Shuichi, andNoriko'sformersuitor,Miyake,whoareangryaboutwhathas happenedduringthewarandfeelthatthoseguiltyshouldtakeresponsi-bility: `Iseeyour point,'Isaid-Butthosewhofoughtandworkedloyally forourcountryduringthewarcannotbecalledwarcriminals.Ifear that'sanexpressionusedtoofreelythesedays.' 'Butthesearethemenwholedthecountr yastray,sir.Surely,it's onlyrighttheyshouldacknowledgetheirresponsibility.It'sacoward-icethatthesemenrefusetoadmittotheirmistakes.Andwhenthose mistakesweremadeonbehalfofthewholecountry ,whythenitmust bethegreatestcowardiceofall.' (P.56) AsOnoisfarfromreadytoendorsetheseviews,werealizethathe isperhapsnotsoashamedofJapan'smilitaristicpast.Hesoontellsus howhesupportedit,helpingintheestablishmentbeforethewarofthe `Migi -Hidari'bar ,aplacewhichwastobe`acelebrationofthenew patrioticspiritemerginginJapan...'(p.63)andadvertisedbyan `enormousilluminatedpolebearingthenewnameofth epremises

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againstabackgroundofarmybootsmarchinginformation.'(p.64). Theclimaxofthisnovelis,perhaps,theomiaimarriagemeeting betweenNorikoandherfatherandtheSaitofamily.Onosensesthe hostilityofthefamilytowardshim,especiallyoftheyoungersonwho islessskilledinhidingit,andmakeshisgreatconfessionandapology forhispast `Therearesome ,1VlrsSaito,'Isaid,perhapsalittleloudly,`who believemycareertohavebeenanegativeinfluence.Aninfluencenow besterasedandforgotten...' `Therearesomewhowouldsayitispeoplelikemyselfwho areresponsiblefortheterriblethingsthathappenedtothisnationof ours.AsfarasIamconcerned,IfreelyadmitImademanymistakes. IacceptthatmuchofwhatIdidwasultimatelyharmfultoournation, thatminewaspartofaninfluencethatresultedinuntoldsufferingfor ourpeople.Iadmitthis.Yousee,DrSaito,Iadmitthisquitereadily.' DrSaitoleanedforward,apuzzledexpressiononhisface. `Forgiveme ,MrOno,'hesaid.`You'resayingyouareunhappy abouttheworkyoudid?Withyourpaintings?' `Mypaintings .Myteachings.Asyousee,DrSaito,Iadmitthis quitereadily.AllIcansayisthatatthetimeIactedingoodfaith.I believedinallsincerityIwasachievinggoodformyfellow countrymen.Butasyousee,IamnotnowafraidtoadmitIwas mistaken.' (p.123-4) Ono'sreasonsforthisdeclarationatthispointare,heclaims,to securehisdaughter'sfuturehappinessbymarriage,butalsotosalvage somedignityfromthelifehehasled ...itmaynotalwaysbeaneasything,butthereiscertainlyasatisfac-tionanddignitytobegainedincomingtotermswiththemistakesone hasmadeinthecourseofone'slife. (p.124-5) AtthispointinthenovelwebelievethatOnohasbeennotonlyan importantartist,butanimportantwheelintheJapanesewarmachine. -16一

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However,justasPopeadvisedlandscapegardenersto`confound'and `surprise' ,soinhisrevelationofOno'scharacter,Ishiguropresentsyet onemoreviewwhichconfoundsourexpectations. AfterNoriko'smarriagehastakenplaceSetsukodeniesthatshehad eversuggestedherfathertakeprecautionarysteps(p.191)and, furthermore,reportshowastonishedeveryonewasathisbehaviourat themiai.Thenfollowsadiscussionabouttherecentsuicideofa composerofpatrioticwarsongs 'FromwhatIunderstand ,'shecontinued,`MrNaguchi'ssongscame tohaveenormousprevalenceateverylevelofthewareffort.There wouldthusappeartohavebeensomesubstancetohiswishthathe shouldshareresponsibilityalongwiththepoliticiansandgenerals. ButFatheriswrongtoevenbeginthinkinginsuchtermsabout himself.Fatherwas,afterall,apainter.' 'Letmeassureyou ,Setsuko,Iwouldn'tforamomentconsidert1Ze sortofactionNaguchitook.ButthenIamnottooproudtoseethat Itoowasamanofsomeinfluence,whousedthatinfluencetowardsa disastrousend.' Mydaughterseemedtoconsiderthisforamoment.Thenshesaid `Forgiveme ,butitisperhapsimportanttoseethingsinaproper perspective.Fatherpaintedsomesplendidpictures,andwasnodoubt mostinfluentialamongstothersuchpainters.ButFather'sworkhad hardlytodowiththeselargermattersofwhichwearespeaking. Fatherwassimplyapainter.Hemuststopbelievinghehasdonesome greatwrong.' (p.192-3} Onowouldhaveusbelievethathewasamanofinfluenceevenif itmeansadmittingthatinfluencewasbad.Buthisdaughterpresents thetruth:hewasjustapainterandcannotclaimtohavebeenagreat figureofevilbecauseofhiswarposters. TherevelationofOno'scharacteriscomplicatedasitbecomesclear thatheisanunreliablenarrator.Itisfurthercomplicatedbythefact

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thatheadmitsonseveraloccasionsthatheisnotsurewhetherheis

rememberingthingsclearlyandmayinfactbeattributingthewordsof

otherstothewrongpeople(p.56aboutMiyake;p.151abouthis

formerteacherMori;p.158aboutSetsuko;p.177aboutMori}.This

throwseverythingelseintodoubt,andtherespectwhichOnoissup-posedtohaveenjoyedasanartistisfurtherquestionedbySetsuko's

assertionthatSaito,farfromreveringOno,hadneverheardofhim

untilrecently.

DespiteOno'sunreliabilityasanarrator,wearepresentedwith

differentfacetsofhischaracterandcareertillfinallywecanpaintthe

fullpicture.Onomaynotalwayshavethecorrectperceptionofreality

andtruth,buthedoesshoweverything,includingincidentsfromhis

pastandreactionsofotherstohimwhicharefarfromfavourable,so

thatattheendofthenovelweseethetruth:thathewas,likeStevens,

justanordinarymanwhowastrappedintobehavinginthewayhedid

bythetimesinwhichhelivedandthevaluesthatwerecurrent.Hewas

notagreatforceforgoodinthelivesofhispupils,butneitherwashe

suchaninfluenceofevil.Nordidhe,asheclaims,have`aqualityI

cametobemuchrespectedforinlateryears‐theabilitytothinkand

judgeformyself,evenifitmeantgoingagainsttheswayofthose

aroundme.'(p.69}

`TheRemainsoftheDay'and`AnArtistoftheFloatingWorld'are

bothsetinthepost-wareraandthecharacterslookbackoveratime

whenvalueswereverydifferent.InStevens'case,theclimaxofhis

careerhadcoincidedwiththeriseinfascismwhichenjoyedpopularity

inBritainwithasmallminority,includinghisformeremployer,Lord

Darlington.Hethuslooksbackwithshameonthefactthatheserved

amanbackingthewrongcause.Ono,too,findshehasbackedthe

wrongcause‐hehasusedhisartisticshillstopromotethepatriotic

-18一

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spiritofJapaninthethirties,aspiritwhichledtomilitarismandthe tragedyoftheSecondWorldWar.Ishigurodealswiththeconflictthis createswithinhischaracters "1' minterestedinperiodsofhistorysuchasJapanafterthesecond WorldWar,whenmoralvaluesdidasortoftopsy-turvey,whenalot ofpeoplewhohaddevotedtheirlivestosomethingthattheythought wasvaluablearesuddenlytoldbysocietyaroundthem,no,sorry,you weredoingsomethingwrongallthetime,infactyouwerecontributing tosomethingevilandwewillnowcondemnyou.Theythenhaveto somehowre-evaluatetheirlives‐thethingstheythoughttheycould beproudof,theyhavetobeashamedof."5 StevensandOnoareboth,toacertainextent,unreliablenarrators butduringtheirnarrationtheyshowuseverythingsothatwecan decidethetruthforourselvesaboutthem‐atruthwhichissurprising anddifferentfromwhatwehadexpectedaswebeganthenovel .In Stevenscase,hedirectlyrevealsmoreabouthimselfandhisemployer, sotheprocessissomewhatlikeaportraitbeingpaintedinoils,gradu-allybuildingupthecolourtorevealatruelikeness.WithOno,itis morelikelookingataJapanesefoldingscreenthathastobeseenfrom differentangles,withvaryingdegreesoflightandshade,tounderstand thewhole.Ishiguro'sgradualrevelationofhischaractersis,Ibelieve , influencedbythegentlerestraintofJapanesecultureandisanintegral featureofhisart. Notes 1.Lookjapan,Jan1990. 2.VideointerviewwithCliveSinclairintheseriesWriterstalk ,ideas ofourtime,TheRolandCollection. 3.ibid.

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4.ibid.

5.ibid.

Workscited

Ishiguro,Kazuo,TheRemainsoftheDay,London:faberandfaber,

1989

1shiguro,Kazuo,AnArtistoftheFloatingWorld,London:faberand

faber,1987

Austen,Jane,Persuasion

Pope,Alexander,EpistleIV

-20一

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