The Japanese Psychonomic Society
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201O,VoL29,No,1,83-84
Summary
ofAwardedPresentation6-116
Audio-visual
integration
of
offset
signalsi}
Fuminori
ONo*
andKatsumi
WATANABE*・
*2・ *3
71}re
Lihiversit),
of
7bizyo',
fS7"'2,
andAIST'"
Accumulated
evidencehas
shown that the perception of a visual objectis
alteredby
an auditory stimulus. This study investigatedhow the"offset" timingof an auditory stimulus would
influencethe perceived positionof a moving visual object, A visual targetmoved smoothly ina
horizontal
direction
and disappeared at an unpredictable position.Concurrently
with the visualtarget,a pure-tone sound was continuously presented. The onset of the sQund was temporally
aligned with thatof the visua] target
but
theoffset timing varied.The
results showed thattheperceived
final
posjtion
changed systematically with the temporal gap between the visual andsound offsets. This findingsuggests that an offset of an auditory signal may signal changes of a visual object.
Key words: audio-visual integration,motion perception,mislocation
Information carried by differentsensory channels
is
effortlessly and automaticallyintegrated,
Numer-ous studies
have
also shown that subjective visual experience canbe
dramatically
alteredby
auditorysignals
(e.g.
Shams,
Kamitani,
Thompson,
&
Shi-mojo, 2000). For example, Scheier,Nijwahan,
Shi-mojo,
(1999)
have
shown thatvisua] temporal resolu-tioncan be either improved or degraded by sounds,depending on the temporal relationship, They
showed thatwhen two
lights
were turned on with a small temporal delay,the accuracy of temporal erderjudgment
wasbetter
when one sound preceded, and another followed,the visual stimulL Incontrast, thesubjects' perforrnance
became
worse when two sounds were insertedbetween thetwe visual stimuli.This findingdemonstrated that auditory signa]s can
positively
interact
with the timing of visual stimuli,Whereas most of theprevious studies have examined
stimulus "onsets",
less
attention
has
been
devoted
to stimulus"offsets".
We therefore asked the question of whether an
offset of auditory signal woulcl alter visual
percep-tion.
To
address thisquestion,weinvestigated
how
the offset timing of an auditory stimulus would
infl-uence the perceived offset position of a smoothly
moving visual object.
Methods
Participants. Fourteen paid volunteers
partici-pated.
All
participants repertedhaving
normal hear-ing and normal, or corrccted-to-normal, vision.Apparatus and
Stimuli.
The participants wereseated
in
front
ofa rnonitorinaquiet
dark
room, andwere wearing headphones. The monitor background
was split
into
two gray areas which weredifferent-iatedby the screen luminance: the upper area was
brighter
than thelewer
area(Figure
1).
A
whitefixationcross was presented at 7degrees under the
center of screen. The target was a black disk
(1
degree
in
diameter),
which wasO,5
degrees
above theboundary lineof the background, The auditory
*
b
Research
Center
for
Advanced
Science
andTechnology,
TheUniversity
of Tokyo, 4-6-1,Komaba, Meguro-ku, Tokyo 153-8904
The study was supported by the Hokuriku
Innovatien Cluster for Health Science,
Japan
FigureSociety for the Promotion of Science,
Japan
Science
and Technolegy Agency, and MEXT,Copyright 2010.
1,
Schematic
representation of thestimulus. The arrow indicatesthe directionof
the target's motien.
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84 t
stimulus was a continuous pure tone with a
fre-quency of
1,OOO
Hz.
Procedure. The participantinitiatedeach trialby
pressing the space
bar
of akeyboard.
The
initial
positionof thetargetwas 15 degrees away from thc
midpoint of
the
disp]ay.
After
adelay
of500ms
from
theappearance of thetarget,it
moved smoothlytotheright and
disappeared
at one of threerandompositions:either
-O.3,
O,
orO.3
degrees
frorn
thedisplay center. Concurrentty with thevisual target,
a pure-tone sound was presented.
The
onsettiming
of the sound was temporally aligned with the onset
of the
targct
motion. Thetemporal
delay betweenthe targetoffset and the sound offset was either
-120,
-80,
-40,
O,40,80,or 120 rns. After200 msfrom thetargetoffset,a mouse cursor was prcsentcd
at the eenter of the display. The
participants
wererequired
to
indicate
the
offset positionas accurately as they couldby
using the mouse cursor.Each
participantperformed 21O trials.
Results
Figure 2shows the mean mislocation of the target
for
each timedifference
between
the sound offsetand the visuai offset. A positiveva]ue mcans that thc offset position of the moving target was
per-ceived as after the actual offset position.
Analysis
with a one-way ANOVA revealed a significant maineffect
[F(6,
78)=-
10.42,
P<O.OOI].
Planned
compari-sons showed that whcn thesound offset was
-120
ms the perccived tcrmination positionof the visual
targetwas earlier than
it
was at a sound offset of Oms
[t(13)=2,99,
P<O.Ol]. Furthermore, when the sound termination was 120 ms after thc target offsct,the perceived target
location
was more advancedthan
it
was atOms[t(13)=2.54,P<O.Ol].
Discussion
Our results clearly showed that the offset of an
auditory stimulus
influenced
the perceived positionat which a moving visual object disappeared.
Spe-cifically, when
the
offsettiming
ofthe
concurrentsound was earli6r than that of thc visual target,the
offset positionof the targetwas perceived as
before
{i.e.,
earlier than) the actual offset position. Incon-I'he
Japanese
Journal
of PsychenomicScience
Voi.29,No. 102 oo.15 g :Ol : !. O.05 e :o
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Figure2. The mean mislocation for each
temporal
delay.
Vertical
bars
indicate
thestandard error.
trast,when theoffset tiniingof theconcurrent sound
was laterthan that of the visual target,the offset
positionof the targetwas perceived as ahead of the
actual location. These
findings
suggest that the offset of an auditory signal and thatof a visual signalcan also
be
integrated,
A phenomenon relevant to thepresent study
is
thetemporal ventriloquism effect, in which the per-ceived timing of a visua] stimulus
is
associated withthat of the sound to which the visual stimulus is
bound
{Morein-Zamir,
Soto-Farace,
&
Kingstone,
2003; Vroomen
&
deGelder,
2004). The prescntfindjng
canbe
attributed totheoffset timing of thevisual target also
being
advanced ordelayed,
de-pending on theoffset timing of the concurrent sound.
W'hether
thisintegration
occursin
other modali-tics(e,g.
vision and touch), and whcthcr the effectsdepend
on the spatial proximity of the stimulus,warrant
further
investigations.
References
Morein-Zamir, S. Soto-Faraco, S,,& Kingstone, A.
(2003).
iXuditory capture of vision: Examiningporalventriloquism. CognitiveBrain Research, 17,
154-163.
Scheier,C.R. Nijwahan, R,,& Shimojo, S.
(1999).
Sound
alters x・'i'suaitemporal resolution.tiveOPhthalmology & VisualScience,40,4169.
Shams,
L.
Kamitani, Y.Thompsen,
S.
&
Shimojo,
S.
(2000).
What you see iswhat you hear. ?Vature,408, 788.
Vroomcn,
J.,
&
de Gclder,B.(2004}.
Temporaltriloquism: