Roles of Mass Media and Music Education played on the Musical Tastes of Students. : Research on the Trend of Public Taste

Roles of Mass Media and Music Education played on the Musical Tastes of Students. : Research on the Trend of Public Taste

著者 KIDO Tomoko

出版者 法政大学社会学部学会

journal or

publication title

Society and labour

volume 34

number 1

page range 109‑137

year 1987‑09

URL http://doi.org/10.15002/00006646

ＲｏｌｅｓｏｆＭａｓｓＭｅｄｉａａｌｌｄＭｕｓｉｃＥｄｕｃａtion

playedontheMusicalTastesofStudents．

－ResearchｏｎｔｈｅＴｒｅｎｄｏｆＰｕｂｌｉｃＴａｓｔｅ＊－

bｙＴｏｍｏｋｏＫｉｄｏ 1．ThePurposeoftheResearch．

Theaimofthepursuitofthissubjectforyearshasbeentoin‐

vestigatesocio-culturalfactorsexertinginnuenceonthedevelop‐

ｍｅｎｔｏｆｍｕｓｉｃａｌｔａｓｔｅａｎｄｔｏａｎａｌｙｚｅthechangesinstudents，

musicaltaste，Ｉｈｏｌｄｔｈａｔｔｈｉｓｓｔｕｄｙｗｉｌｌｇｉｖｅａｃｌｕetothestudyof JapanesecultureandthebchaviorofJapanesepeoplethroughmusical activities・Therefbre，ｔｏｍｙｖｉｅｗ，ｔｈｉｓｓｔｕｄｙｉｓａｓｔｅｐｉｎｉｎｖｅｓｔｉ‐

ｇａｔｉｎｇｔｈｅｇｒｏｗｔｈａｎｄｃｈａｎｇｅｓｉｌｌｍｕsicaltasteandmusicalstyles associo-culturalaspects，

Ｗｈａｔｈａｓｂｅｅｎｍａｄｅｃｌｅａｒｉｎｔｈｉｓｒｅｓｅａｒｃｈｓｏｆａｒｉｓｔｈａｔｍａｓｓ‐

ｍｅｄｉａｈａｖｅｈａｄａｓｔｒｏｎｇｅＨｅｃｔｏｎｃｏｎｔemporaryurbanstudents，

musiclife・Inaddition，Iwondel･edifmusiceducation,ａｔｈｏｍｅｏｒｉｎ ｓｃｈｏｏｌ,exertsaninHuenceonstudents'musicinterests､Ithasturned outthatmusiceducatiｏｎｉｎａｂｒｏａｄｓｅｎｓｅｈａｓａｎｅｎｏｒｍｏｕｓｅｆfecton developmentoftastcfOrmusicandcertainotherissuesalso、These findingsshouldbehighlightedbycomparingthemtoexamplesof othercountries・Aninquiryintothesocio-culturalfactorsaffecting theprocessoffOrmingmusicaltasteswillshowdistinctlytheoutline ofJapaneseculturcandsocialstructure。

＊Theresearchinl982wassubsidizedｂｙＨｏｓｅｉＵｎｉｖｅｒｓｉｔｙａｎｄｗａｓ ｄｏｎｅｉｎｃooperationwithM息．TatsukoTakizawa，assistantprofessorof AichiUniveristyofEducationandMr・KazuyukiTanimura，ｐｒｏｆｅｓｓｏｒｏｆ ＨｏｋｋａｉｄｏＵｎｉｖｅｒｓｉｔｙｏｆＥｄｕｃａｔｉｏｎ．

110

Ｉｎｌ９８２,ｓｔｕｄｅＩｌｔｓｗｈｏｍｉｇｈｔｂｅｃｏｍｅｃｏｎｎｅcte(Iwitllmusiccduca- tiolIandthosemajoringillnlusicwerea｡(1edtotlleI)oolofstu(Ients atlal・ｇｅｗｈｏｈａｄｂｅｅｎｐｏⅡe〔Ｉｅｖｅｒｙｙｃａｒｓｉｎｃｅｔｈｅｅｎｄｏｆｌ９７０，siI1

or(ｌｅｒｔｏｔｒｙｔｏｎｎ(Ｉｔｈｅｃｏｒｌ･elationbetweentheirbehaviorall〕atterl1s

inteHratedwithmusiclife・

A1thougllthisseriesofsurveyshａｓｌ〕eendolleollcollegestu‐

del〕ｔｓｓｏｆａｒ,clearillgul）ｈｏｗｔｌｌｅｙｏｕｎｇｇｅｎｅｒａｔｉｏｌｌａｓａｎａｇｅｇｒｏｕｌ〕

throughouttllecoulItryischal･acterize(１，ｗｅｍａｙｄｉｓｃｅｒｎａｃｌｕｅｔｏ ｕｎ〔lerstandillgJapancsemusiccultu1℃ａｓａｗｌｌｏｌｅａｎ(levelltuaⅡy expcctanorielltａｔｉｏｎａｓｔｏｗｈａｔｍｕｓｉｃｅ(Iucationshouldbe・Fo1･ｔｈｉｓ ｐｕｒｐｏｓｅｌｗｏｕｌｄｓａｙｔｈａｔｌａｍｎｏｗａｔｔｈｅｓｔａｇｃｏｆｓｅｅｋｉｌｌｇ（1ata・

Iwoul〔lIiketosummarizetll(Dstudylllavecompletc(1sofarasfollows．

2．Ｂ１･ｉｅｆｒｅｓｕｍｅｏｆｐｌ･eviousnll(lillgs．

WilliamWeberhasworke(lontllehistoricalstudyofmusical tastcsand“tastcpublics”inEuropc(')，alldcurrellttren(1sare broughtforwal･ｄｂｙＭＥＩ〕1ＡＣＵＬＴ(2)ｔｈｒｏｕｇｈｗｈｉｃｈｉＩ１ｆＯｒｍａｔｉｏｎｏｌｌ ｎｅｗtrendsareintcrnatiollaⅡｙｃｏⅡcctedalldexcIlallgc〔１．Ｔｈｉｓｓｔｕｄｙ ｉｓｔｏｂｒｉｎｇｔｏｌｉｇｈｔｔｈｅＪａｌ〕illleseresultsalollgMEI)ＩＡＣＵＬＴ'slilles, Asmentiolledal〕ove,onecflll1lotdiscussthissubjectwithoutconsi- derillgmusice(Iucationil】describingtllestatusofthemusicｌｉｆｅｏｆ ｔｈｅｙｏｕｎｇ・Themattersl)eaksfOritselfevenwithoutturningto musicsociologist，Prof、ＫｕｒｔＢ１･aukol)f'swords・Ｔｈｃｒｅａｓｏｎｉｓｔｈａｔ ｔｈｃ“sociologyofmusic，，ｆ()1．ｍｓａｌｉｌｌｋｉｌｌｔｈｅｃＩｌａｉｌＤｏｆ“educationof music''．Ｔｈｉｓｓｔｕ(ｌｙｗａｓｓｔ(11.tedfromthewriter'ｓｅｘI)erienceillthe courseofteachil〕Ｈｔｈｅｃｕｌｔｕｌ･ａｌｈｉｓｔｏｒｙｏｆｍｕｓｉｃａｔｃｏⅡｅｇｅｓａｌ】ｄｔｌ･ied afactnndingsllrvey、

Recelltlythclll･ballstu(Iellt'smusicaltastehasI)Ｃｅ、challging drasticallyandsllowsa1℃mal･kabletell(Iellcytowardsdiversity：the divergellceofvalllesnotolllｙｉｎｍｕｓｉｃｌｉｆｃｂｕｔｃｕｌｔｕｒａｌｌｉｆｅｉｎｇｅｌｌｅ‐

ral・Ｉｎｏｔｈｅｒｗｏｌ･〔１s,ｗｅｓｅｅａｎｉｎｄｉｖｉｄｕ【llizationoftaste・Ｔｈｉｓｔｒｃｎ〔１ｉｓ

particularlyremarkableinmattersoftasteinpopularmusic・

Popularmusiclovers，ａｓｗｅｃａｎｓｕｌ〕pose，ovelwhclmclassical musicloveI･ｓｉｎｎｕｍｂｅｒ､Ｉｎｔｈｅｌ９７０'s,I〕referenceha(Ibeellconcel”

ratedonfOreignpoI〕ularmusic，amongothersrockmusic，withill that,ａ〔liversity，ｂｕｔｉｌｌｔｈｅｅａｒｌｙｌ980,s,tastchasgraduaⅡychallged toJal)aneseI)Cl)s,ｔｈａｔis,fromrocktoso-calledJapallcse“fOlk',（not traditioIlal）Ｃｌ・“ncwmusic”sungbysinger/sollgwriters、Ａｔｔｌｌｅ ｓａｍｅｔｉｍｅ，ａⅡ-round-type-1istenerswodoll，ｔｓｔｉｃｋａｌｌｙｓｌ)ecialgenre ofmusichavealsobeeIｌｏｎｔｈｅｉｎｃｒｅａｓｅ・Theylistel1tol〕ｏｔｈｌ)Cl)ular andclassicalml1sic・Thismeansclassicalandlx)pularmusicl)uil(1ｏｎ ｃａｃｈｏｔｌlerandfuseil1tooneorharmollize；popularlyarl･angcd classicalmusic,forexample,“Jesus,ＪｏｙｏｆＭａｎ'sDesirinR'，（Cantata l47byJ.Ｓ、Bach-pianoversion-)，Ｃｌ・ｔｈｅｌｏｎｇｂｅｓｔｓｅⅡel悪 amollgclascicsillJapan：Vivaldi'ｓ“FourSeasons'’１)crh)ｒｍｅｄｂｙ

"IMusici''，flndbackgl･ouIldmusicoreasylistenillglikcRichard CIaydermall，PaulMau1･ｉａｔａｎｄｓｕｃｈ,ａｒｅｐｏＩ)ularo

Whattypeofmusicdostudentsmostfl･equentlylistento？Vio‐

Iellt，furious，heavy、etaⅡｉｃｒｈｙｔｈｍｓ１ｉｋｅｈａｒｄａｌｌｄｐｕＩ１ｋｒｏｃkare shunIled，ａｎ〔Imtllel・aHable，suave“softalldmcuow'，tyl)esfusing variouselemclltsarewelcome(１．IfOundthistendellcyiscloselyrela‐

ｔｅｄｔｏｔｌｌｅｍｅ(1ｉａｂｙｗｈｉｃｈａｎｄｔｏｔｈｅｗａｙｉｎｗｈｉｃｈｓｔｕ(Ientslistento music：thatistheylistelltomusic，doingotherthiI1Rs（workillg，

readｉｎｇ,etc.)，ａｎｄalso,ｔｌｌｅｙｌｉｓｔｅｎｔｏａｎｙｔｙｐｅｏｆｍｕｓｉｃｃｏｍillginto hearingrang【e、llence，ｓｏｌｏｎｇａｓｔｈｅｙｌｉｓｔｅｎｔｏｍｕｓｉｃｗｈｉｌｅ（1ｏｉｎｇ ｏｔｈｅｒｔｌｌｉｎＲｓ，ｉｔｍａｙｗｅｌｌｂｅｌ･easonablethattheylikemusicwhicｈ ｇｏｅｓｉｎｏｎｃｃａｒａｌ１(ｌｏｕｔｔｈｅｏｔｈｅｒｗｉｔｈｏｕｔｃｏｎｃｅｎｔｒａｔｉl1Rontllc musicitselfOfcoursctllereisindividualvariatiollastowhattype ofmusicisconsi(lere(１“ｓｏｆｔａｎｄｍｅｌｌｏｗ',ｏｒｅａｓｙｌｉｓｔｃｎｉＩ〕ｇ；ａｇｅｎｅｒ‐

alizatiol】，howevcr,tosomeextelltispossible、

Inadditioll，ｔｈｅｓｕｌ･ｖｅｙｓｓｌｌｏｗｔｈａｔｔｈｅｍｅｄｉａｓｔｕｄｅｎｔｓｍostfre‐

queIltlyuse〔1ｗｅ1℃FMstatiollsandcassettetal)esuntill983、Ｉｎｌ９８ｉ

112

listeningtomusicollTVdrasticallyincreased（thatwillbeconsi‐

deredlater).Anothercharacteristicisthatthereismusicfromwhich youngl〕eol〕lｅｈａｖｅｂｅｃｏｍｅｅｓｔｒａｌｌｇｅｄａｎｄｎｎａｌｌｙdislikcsincethey baveseldomanol)ｐｏｒｔｌｍｉｔｙｔｏｌｉｓｔｅｎｔｏｉｔｏｒｈａｖｅｎｏｉntentionof listeningtobecauseit'salientotheirlifestyle・Asmentionedabove，

ｔｈｅｙｂｅｃａｍｅｃｕｔｏｆｆｆｒｏｍｈａｒｄｒｏｃｋｉｌ１ｔhebegillningofthel980's、

Somestudentsdistinctlydislikcd“rock''，femalestudentsamong othcrs・Ｏｎｔｈｅｏｔｈｅｒｈａｎｄ，Japaneseｎｅｗ“folk，，ｏｒ“newmusic', ｗｅｒｅａｌｓｏｄｉｓｌｉｋｅｄｂｙｓｏｍｅｏｆｔｈｅｍａｌestudentsbecauseofitsfe‐

maleHavor､Thedislikef()rjazzandclassicalmllsicshowsalmostthe sameproportions・Theformercaseresultsfrompreoccupationor prejudice（theydon，tknowwhatjazzis）ａｌ〕dthelattercaseforln whattheyconsidcritsintel･minablelenRthandboredom・Classical musictheyregardasrequiringintricateprillciplesormasteringof anarttounderstand，Lackingthose，itwouldnotbeenjoyable・

TherefOre，itistroublesomeandullpleasa11t・ＭｕｓｉｃｉｓｆＯｒｔｈｅｍ“life initself”ａｎｄｔｏｅｎｊｏｙｔｈｅｓｏｕｎｄｓａｓｉｔｍｉｇｈｔｂｅacceptedwithout logicalexplanation、AccordingIymusictheyfeelisunpleasantis shunnedanddisliked・Incidentally，Imightnotethattheirfavorite Iel)ｇｔｈｏｆｍｕｓｉｃｉｓｍｏｓｔｌｙ４ｏｒ５ｍｉｎｕｔｅｓａpiece.(3)

Themostoutstandillgfeatureconcernedwiththeirtastｅｉｎ ｍｕｓｉｃｉｓｔｈａｔｈａｌｆｏｆｔｈｅｔｙｐｅｓｗｈｉｃｈｔｈｅｙａｃｔｉｖｅｌｙｄｉｓｌｉｋｅａｎｄｔｏ ｗｈｉｃｈｔｈｅｙｇｉｖｅｌｌｏｅａｒ，ｅｖｅｎｔｏｔｈｅｐｏｉｎｔｉｎｇｏｆｓｗｉｔｃｈｉｎｇｔｈｅｍｏｆｆ ｉｆｔｈｅｙｈａｐｐｅｎｈｅａｒｔｈｅｍａｒｅＪａpanesetraditioIIalmusic（Gagaku，

Noll-gaku，Ｋａｂｕｋｉｏｒｌｌｏｈｇａｋｕ，Minyouh，Ｒｏｈｋｙｏｋｕ，Ｅｎｋａａｎｄｔｈｅ ｌｉｋｅ)．Ｗｈａｔｄｏｅｓｉｔｍｅａｎ？Thiswriterseesinitthetremendous effectsofmass-media，sstanceandmusiceducatioll・Todemonstrate thisfact,thewritertriedtoanalyzetheallotmentofmusicprogram‐

ｍｉｎｇｏｎＦＭｓｔａｔｉｏＩ１ｓｏｎｗｌｌｉｃｈｔｈｅｓｔudeI1tsmostfrequentlylisten tomusic；ｔｉｍｅperiod，duration，ａｎｄｔｙpesofmusiconUleairwllat considered・HavillgmadetlleallotmelltanaIysis，ｉｔｈａｓｖｅｒｉｌｉｅｄｔｈｅ

cor1℃1【ltiolll)etwecl】１.il(Iio，televisioI〕Ｉ)】･oHrammilllH，educatio1laIl〔l thctendellciesofI)ul)Iictaste､ＴｈｅｆＯⅡｏｗｉｎｇａＩ･efoulld：

（１）Verysllortlloul･ｓａｌ･eallotedfortra(litiollalmusicinRcneral；

ollehoul･ａｄａｙｉｎＴｏｋｙｏｄｕｒｉｎｇｔｈｅ（Ｉｉｌｙｔｉｍｅ，ｔｌｌａｔｉｓｔｈｅｔｉｍｅ

ｐｅｒｉｏｄｗｈｃＩｌｓｔｕ(lentshavenochancetolisteI〕.(い

（２）Ｖｅｒｙｆｅｗｓｔｕ(IeIltslladexperiellce〔lthclcilrl】ｉｎｇｏｒｌｉｓｔｅｌｌｉｎｇ ｔｏｔｒａ〔IitiolIalmusicathighscI1ool.(3)ｌｆｔｈｅｙｄｉｄ，ｉｔｗｉｌｓｓ(〕

ullimI)ressivethatt11eyhardlyrememI〕e1℃(ｌｗｈａｔｔｈｅｙｌｉｓｔｅｌｌ(､(Ｉ

ｔｏ．

（３）Ｔｈｅ1℃ａｒｅｖｅｒｙｆ(ＰＷＩ)ublicconce1･(ｓｏｆｔｈｅｔｒａ(1ｉｔｉｏｌｌａｌａｒｔｓ ｗｈｉｃｈＩ１１１ｔｈｅｉｒａu(Iienceswithlistcl】el･sRatllel･ｅｄＩ)1.ivatelv byl)ractitiol〕ersortlleirapprellticer、ＳＯＩ)ublicconceltsof traditiolMllmusic【lrclimite(ltoaval”IHar(Icoflshootsill(leI)end‐

ｅｎｔｏｆｔｌｌｃｃ()I1velltiol】ａｌ“lemoto''ｓｙｓｔｅｍ．

′l､hｕｓａｌｌ（〕l)I)ortullityforlistel〕ｉｎｇｔｏｌｌｌｃｔｒａ(litionalmusicis closcdtotI1cl)ul)Iicil〕lvcI1el･a1．Ｉｔｉｓｎｏｗｏｌ１(1ｅｒｔｈｆｌｔｔｈｃｍｕｓｉｃｆｒ()ｍ ｗｌｌｉｃｈｔｈｅｌ)uI)ｌｉｃａｌ℃natul･auyalienate(１，ｗｉｔｌｌｗｈｉｃｌｌｔｈｅｙｂｅｃｏｌｌｌｅ ｕｌlfamiliarall(ｌｔｏｗｈｉｃｈｔｈｅｙａｒｅｕｌｌｌｉｋｅｌｙｔ(）listell．′l､ｈｅｙｌｌ【11.(ｌ１ｙ ｈａｖｅａｃｈａｎｃｅｔｏｈ(wecolltactwithit、Ｔ１ｌｅｃｏｒｌ･elatiol〕１)etwe(ｐｌｌ ａⅡotmel1t()flloursilll(１１)Cl)ularitywillil】creflsc，ａｓｌｏｌｌｇａｓａ〔Iircclor editstllemusicl)ｒｏｇｍｍａｃｃｏｒｄｉｎｇｔｏｔｈｅＩＩ１ａｒｋｅｍｂＩｉｔｙｏｆｔｌｌｃｍｕｓｉｃ，

ｔｌｌａｔｉｓｔｈｅｔｒｉｌ(IitiollillisforseIliorcitizｅｌｌｓｂｕｔｌｌｏｔｆｏｒｔｈｃｙｏｕＩｌｇ，ｓｏ ａ（lirector（1oesll'ｔｅｘｌ)ｅｃｔｔｈｅｙｏｕｎｇｔｏｌｉｓｔｅｌ】ｔｏｔｌｌｅｔｒａ(1itiolMllmusic；

lowerrate(lmusicI)1.()ＨｒａｍｓａｒｅｐｕｔｉｌｌａｔｉｍｃＩ)cri(ｘｌｗｉｔｈｔｈｅｌｏｗｅｓＩ ａｕ(Iienceslua1℃・Ｔｌｌｉｓｉｓｌｌｏｔｔｌｌｅｃａｓｅｏｌｌｌｙｉｌｌｒｅｇａｒ(Itotraditional music,I61Furtll(pr，ｔｌＭＰｓｌｌｒｖｅｙｈａｓｓｈｏｗｌｌｔＩ１ａｔｍａＩｅｓａｎｄｆｅｍａＩｅｓｌＭｗｃ ｔＩｌｅｉｒｏｗｌｌｃｕｌｔｕｌ･ａＩｉ(IcIltities．

3．TheResl〕()'1.ｅＩｌｌｓｉｌｌｔｈｅｌｎｖｅｓｔｉｇａｌｉｏｎ．

Stu(ｌｃｌｌｔｓｉｌ〕'1,()ｋ)'()，siIlccl979andmusicslu(1ｃｎｔｓｉｎＴｏｋｙｏａｌｌ(l Sal)l)oro（Ilortllel･'１１)al･tofJapan）havell】５１(1ｅｕＩ)thcl)oolof1℃spond‐

1１４

ents，stu(IelltsillRellcral［romNaRoya（ｍｉ(1(ｌ１ｅｐａｒｔｏｆＪａｌ)an)，

Ｋｕｍａｍｏｔｏ（soutllel･'11)llrtofJal)an）Ｉ)eillgad(IC(ｌｉｌｌｌ９８２ｉｌｌｏｒ(Ierto comI)arcstu(ｌｅＩｌｔｓｏｆｍｕｓｉｃｔ()otllcrsillldt()ｓｅｃｉｆｌ)ublicl)I･efcl･ences varyin（|i｢｢c1℃Ｉｌｔｌ(〕calities・EacllRroul)ｏｆｃ()ⅡclHestudentsnulll1〕ere(I betweelll50-200・Ｔｈｅｒａｔｉｏｏｆｍａｌｅｔｏｆｅｍａｌｅｉｓ６：`1．Thesame llulIll)erofllMllealldfemale，１１】usicmajol･ａｎ(lminol･andreHiollill suljjectsmigｈｔｂｅ〔IcsirilblebuttlleI)u1.1)oscoftllisstudy〔Ioesllotlie in（1etermillillRcxactstatisticaI（li｢lerellcesbetwcellthcn1，ｂｕｔ ａｍｏｌｌｇ（|if(cringrcsults，ｔｏｚｃｒ()ｉｎｏｎｔｌｌｅｆ【1ct()l･swllicllmakcthclll difに1.ellt､ThemostimI)ortaI1tln(lttcristolin(Ithemaj(Drtelldencies inI)ublictastethl･oughsevcralsimililrsurvcys、Ｉｎｌ９８２ｉｔｗａｓｔｒｉｅｄＩｏ ｌｉｎ(1ｉｆｔｈｅｒｅｉｓｔｈｃｄｉ｢にreIlcel〕etweellmusicmajoralldminors111- (lellts,ａｎｄｒｅｇｉｏｎａｌｄｉｉ(ereIlces・Ａ（lucstioIlIlairewasuse(Ｉｔｏｇａｔｈｃｒ ｉｎｆ()1.matioll・Resl〕olldelltscoul(１（lesiRI1atetheirhworitemusicalld mllsicianswitllouIlでstl･icti()11s.*＊

ｔａｂｌｏｌ・lmspoIMlenIs（1982）

形）１ｔｏｔａｌ（形

DｑＯＨＣ

Ｘ］

4．FindingsandAIlalysis．

‘ｌ－ｌＤｉｖｃｌ･sityofvalues・

Stu(Ｉｅｌ１ｔｓｏｆ（1i｢[el･elltschooIssllows()ｍｅ〔1iIYc1℃ｌｌｃｅｓａｓｔ(）their favoritemusiciansiln(ｌＩｌｌｕｓｉｃｂｌｌｔｔhegclleraltendellciesare co】】〕ｍｏｌｌ．Ｉ)ivcl･siIicali(〕、（)fvilluesofcolItemI)Cl･arystudelltsis sus(aillc〔Iintheirmusicilctivities・IIl1982，forcxaml)ｌｅ，favorite

*＊Ａｃｏｌ)ｙｏＩｓｕｒｖｃｙｓｌｌｃｅｔｓｉｓｏｌｌ]i(te(ｌｈｅｒｅｏｗｉｎＨlolinlite(ＩＳＩ)ace．

ｍｌｌｌｅ(形） (ｏｍａｌｅ(％） total（％）

Ｉｌ１ｕｓｌｃＩＩＩａ]ｏｒ

Stu(lCnls 6６（１２） 248（48） 341（58.7）

stu(loIlts

gcllcral 126（235） 9５（１８） 221（`11.3）

Iｏｔａｌ 192（359） 343（64」） 535（100）

ｔａｂＩｏ２・ＴＯＩ）tclloftbcfavoritcmusicians（1982）

toIal（｢*）

ordor

5２（40）

2９（23）

2７（１３）

2７（２１）

2３（１３）

2１（１２）

１８（１８）

1８（１５）

1７（１６）

1７（10）

OffCourse（Ｊｇ）

Ashkenazy（Ｆ１)）

SouI11erllAl1Stars（Jg）

C))()piI1（Ｆ１)）

BorlinPhil（Ｆｇ）

。●■●●●■Ⅱ■（叩夕鈩〕〈ごく〉。■狙い・一口【■〉

6．NakajimaMiyuki（

7．八rHorich（Ｆ１)）

Js）

８．MalslltohyaYllmi（Js）

９．ＯｚａｗａＳｃｉｊｉ（Jc）

10．Bcethoven runllor-ulル

Pollilli（Ｆ１)）

’1､heBcatlcs、

MatsudaSciko(Js）

1６（－） 1.7

（）１０､＝ＩＣ1℃ｉｇｎＪ＝japa

I)＝l)ｌａｎｏＩＩ１ｕｓｌｃｌａｎ ｃ＝ｃｏｌｌｄｕｃｌｏｒ

ｎｅｓｏｇ＝ｇｒｏｌｌＩ〕

ｓ＝Singer/songwriter

％＝ｏｌｌＩｏｆ９４６１ｈｃｙｍｅｎｔｉｏｌ】eｄａｓｔｂｅｉｒIavorites・

＊ｆ＝ｆｅｍａｌｅ

mllsiciaIlsaI】(ｌＲｒｏｕｌ)ｓｗｅｌ･ｅｌｌａｍｃｄｂｙ４５２ｏｆ５３５１･ＣＳＩ)olldeIlIs、Ｔｈｅ

ｔｏｍｌｌｌｕｍｂｅｒｏｆａｒｔｉｓｔｓａＩ〕(lgroul）I1amesrcached（》16.266ａｍｏｌｌＲｔｈｅ

`152（5()％）weremelltiolledbyoI11yoneresI)ondellt・Thisshowsa dccelltl･aliziltioI1ofI)refcrence・ＷｈｉｌｅｔｌｌｅｙｏｕｎｇｓｌｌｏｗｓｔｒｏｎＲｏｔｈｅｒ

oriente(1behiwiorall)atterns,ｏｌｌｅｃａｎｏｌ)servetheir(ﾉﾉ【ﾉe''SIi/ｉＷｋ)〃/〃

｢o"/i)ﾉﾘ""y・ＥｖｅｎｔｈｅｍｏｓｔｐｏＩ)ularmusicial]ｓａｍｏｎｌ：themRarners ol】lｙ５．５％（scctaI)Ｉｅ２).Thesametendencycanbesai(Itoexistfrom

l982alldlatcr．

`1-2WhattyI)ｅｏｆｍｕｓｉｃｄｉｄｔｈｅｒｅｓｐｏｎ(1elltslikeall〔I（1islike、

Ｔ１１ｅｉｒｆｉｗ(〕ritetyI)eofmusici&ｌｎｓａｌ】(Ｉｔｈｅｔｏｌ）tel1choicesare

1１６

ｔａｂｌｏ３，ＴｏｐｔｅｎｏｆｔｌｌｅｆａｖｏｒｉＩｅｍｕｓｉｃｉａｎｓｏnly generalstudcnts.（1985）

ＮｏｃＩａｓｓｉｃａｌｍｕｓｉｃｇｅｌｌｒｅａｐｌ〕eare〔ｌｉｎ’1,ｏｐ’1１０，．

table'1．Tllelllstrumontst1lattheycallｐｌａｙ（1982）

Dｔａｌ（影

F1 Ｌ｣

Ⅱ】

ｒＬ

＊ＴｈｉｓＩ１ｕｍｂｃｒｓｈｏｗｓｏｌｌｅｐｅｒｓｏｎｃａｎＩ)Ｉａｙｓｅｖｃｒａｌ

ｋｉｎｄｓｏｆｉｎｓｔｌ･uments・

ＡｌｍｏｓｔａｌｌＩ<ＯＩＯ＆ＳｈｎｍｉｓｅＩｌａｒｏｂｙｍｕｓｉｃｓｔｕｄｏＩ１ｔｓ．

or(ler total（１）

1．ＳｏｕｔｈｅｒＩｌＡｌｌＳｔａｒｓ 2．ＭａＩｓｕｔｏｂｙａＹｌｌｍｉ 3．SanoMotoharu（Js）

4．’１，heBeatlCs

5．ＳｕｇｉｙａｍａＫｉｙｏｔａｋａ＆ｈｉｓ group(Jg）

6．’1,heSquarc(Jg）

AnzenclliIai（Jg）

Ｈａｍａ(laShohgo(Js）

9．BillyJoCl（jg）

10．Cassiopcia（Jg）

ＭａｔｓｕｄａＳｅｉｋｏ

2６（15）

2４（20）

1４（４）

1３（］）

1２（８）

1０（５）

1０（９）

10（４）

９（４）

８（４）

８（４）

or(1ｏｒ total（％）

1． I〕ｌａｎｏ 2．ｌ１ａｒｍｏｎｉｃａ

３１)rass＆ｗｏｏｄｗｉｎ(１ｓ 4．ｇｕｉｔａｒ

5．ｓｔｒｉｎｇｉｎｓｔｒｕｍｅｌｌＩｓ 6． p０１℃ｕｓｓ１０Ｉ】ｓ

７．ｋＯＩＯ(JapaneseharI)）

8．Ｓｈａｍｉｓｅｎ（JapaneHctraditional t]】1℃estringspluckediI】strument）

9．Syntllesizers １０．otllers

358（66.9）

232（43.4）

139（２６）

128（23.9）

9３（17.4）

4７（8.8）

2７（５）

2５（4.7）

2３（4.3）

3５（6.5）

Ｔｏｔａｌ 1107＊

ｓｈｏｗｎｉｎｔａｂｌｅ２ａＩ１ｄ３・Botllclassicalalldl)opularmusiciallsare listedtogethertllere、Accor(1illgtotllese，ｉｔｉｓ（listinctivethat l)ianistsan〔ｌｔｌｌｅｌ)iallomusiccomI)osersareraIlke(１ｈｉｇｈ、Obviously enough，ｗｅｃａｎｒｅｃｏｇＩｌｉｚｅａ（Iifferellcebetweellmalean(１female，

Ｔｈｅｓｔｕｄｙｌ･evealsaII（ＩＳＳ()ci【Ｉｔｉｏｌｌｏｆｆｃｍｆｌｌｅｓａｎｄｌ)iallomusic，

correlatillgwiththeillstrumelltsreslx)Ｉｌｄｃｎｔｓｓａｉｄｔｈｅｙｃｏｕｌｄｌ)lay (seetHlble4)，ａｎ(Ialsosllowssyml)olicallyachnracteristicfeatureof todays，Japallesecultul･(llsitllationirl･cspectiveofmajorillginmusic (sexualfunctiollofmusicculturewiⅡbecoIlsidcl･cdlater)．

Pianoisarequirc〔1illstrumcI1tforfutul･emllsicteachersatmost leacher'Ｓｃ()Ⅱeges・Musicstudelltsatmusican(Iteacller'ＳｃoⅡｅＲｅｓ ａｒｅｒｅ(luil･ｅｄｔｏｓｔｕ(IyclassicalmusicandllcxttollＯｌｌｅ(lislikeclassical music・Itisl1aturaltlMlttheclassicalnlusicloversamoIlgthem illcl･easc､Statistically,clflssic【llmusiciansI･el)】･esentthemajorityof theirfavoritemusicians、However，tlledecelltralizationoftasteis stiⅡIlotable,alldtlIefavol･ｉｔｅｌ】lusiciansofmusicstudelltsealsocorrc‐

sl)olldtotheirmajol･subject,tlMltissay,l〕iilllo,sillginR,strillg,brass，

ａｎｄｔＩ１ｅｌｉｋｅ、Musicstu(ｌｅｎｔｓａｌｓｏｌ１ａｍｅｍｏｒｅＩ)erfol･ｍｅｒｓａｓｔｈｅｉｌ・

filvorites・ＴｈｉｓｉｓｔｈｅｓｉｌｍｅａｓｉＩｌｔｈｅｐｏＩ)ularmusiclovcr'ｓcase・I1l short，ｌ)rofessionaltechllicaltraillinＩＨＩ〕rovi(lesｆ()1.thefutul･ｅｖｏｃ針 ｔｉｏｎａｌ)ｄｔｈｅｓｔｕ(Ielltsal･ｅｅｘＩ)ectedtorealizctlleil・ｏｗｌｌｉｎｔｅｌｌtions，

Hellceitseemsl1atul･(lltlMltmusicmajol・stu(1el1tslikeclassical musicmoreｔｌｌａｌｌｌｌｏ昨musicsIu(lellts，

table５．１(esponseＩｏｒ〔mdagainsItraditionalmusic（1982）

【］

『ＪｒＩ‐Ｌ

【】

）（３８

＊（ｍｓ)＝musicmajorstudents

cons（ｍｓ） ％

155（78）

153（79）

5０（38）

186（126）

2９（248）

2８（２５）

9.3（12」）

34.8（40）

麺

tra〔lｉｔｉｏｎａｌ classic811music fｏｌｋｓｏｎｇ ｐｏｌ〕ｕｌａｒｓｏｎｇ Ｅｌ１ｋａ

1１８

Stu(lentsoflnusicteacherll･ａｉｌｌｉｌｌＲｓｃｈｏｏｌｓｓｈｏｗｔｈｅｓｉｌｌ】Ie tendeIlcyasstudelltsillgeIleral、Theil･fworitetyI)eofmusicisllew music，ａｎｄｍｏｒｅｔｈａｎｈａｌｆｏｆｔｌｌｅｓｕｌ)l〕orIersarefelllale・Ｂｕｔｔｈｅ ｍｕｃｈｍｏｒｅｉｍｐｏＩ･taI1tI〕lattcl･llereisIhHltabou（７０％stu(lentsIisten toanytyl)eofmusicwitlloutstickillgtoasI)ecilicIHenre，ＩＩｏｔｒｅ‐

spondillgthattheylikemYlilllyclflssicalorl･ock,ａｌｌｄｔｌｌｅｌｉｋｅ．'rlley havemusic()ｆａｔｙｌ)etllatllleyhilrdlylistellto,butaccel)ｔａｎｙｔｙＩ)es thatllilpI)ｃｎｔｏｃｏｍｅｉｌｌｔｏｔｌｌｅｉｒｅａｒｓ・Ｔｈｅｙｐｉｌｙｌｉttleattelltiollto sometyl)esalldclloosethcil･IistellinHt(）ｎｔｔｉｍｅ，l〕laccall〔loccasioll、

Ｗｅｃａｎｅａｓｉｌｙ（1iscemthel･casolIwhyllewmusicisl)Ｃｌ)ulaTasall illterll〕e(liatecoll1binationofvariollselemellts、Ｔ１ｌｉｓｉｓｒｅｌａｔｅｄｔｈｅ ｗａｙｏfIistel)illgtomusictobcdiscusse(I1aIcr、

TIlemostullerrillgtl･ell(Ｉａｓｔｏｆｉｗｏｒｉｔｅｍｕｓｉｃｉｓｔｈｅｌ･eactiollto JaI〕ancsetra(1itiolMlllllusic，１〕otllclassicalHlII(１１)Cl)ulflr・Ｔｈｅｒｃｓｕｌｔｓ ａｒｃｔｈｅｓａｍｃｆ()l･music、〔ljors【ｌｓｗｅⅡａｓothers,ａｔleast２５％ｏｆ them(Iislikethctra(Iiti(〕Ilaltypes,ＣＳＩ)eciallyEnka（35％)，traditional clHlssicsall〔１〔olk（Millyoh)．ＭＯＩ･ever,sllrp1･isillglyellough，stu〔lellts ofthe（1el)artmelltsofmusicatT()kyoUniversityofArtsil1l982had actuallyattellde(ｌａＩ)I)reciatiol1cl〔lssesoftra(litiollalmusic､Inascllse theirsavillggraccisthat,tllerewerestudelIts,ｖｅｒｙｆｅｗｔｌｌ()ugh（7.6

％)，ｗｈｏｌｉｋｅｔｌｌｅ［ra(Iiti()llalmusic(table５)．Ａ１ｍｏｓｔａⅡstu(1ents illgelleralillTokyolleveractivelyliketlletra〔Iitionals・Nomatter wllatsuhjectstlleynl(ljorin,their〔lislikefocusesoIlthcJapanese traditiol1almusic・ＩｔｗｉｌｌｂｅｏｕｒいｓｋｔｏｅｘＩ)lilinthistreIld・Ｉｔｉｓｗｏｒｔｈ ｌＩ()tillRthatrecclltJal)allcHel)Cl)lIIarsollgs（Kilyohky()ku）ｏｆａｔｌ･a(li‐

tionaltyl〕ｅｌ)avebecomeaccel)taI〕1e，I〕erhal)ｓｂｃｃａｕｓｅｎｏｔａⅡｏｆｔｈｅｍ ａｒｅＥＩｌｋａｔｕｎｅｓｌ)utwestel･Ilize(1．Ｗ１Ｍｌｔｍａｋｅｓｌｈｅｍｄｉｆ(erentisvery alllbiRuous，parliaⅡｙｔｌｌｅｙｍａｙｌ)eclmssilie(Iaccordillgtowhosings

them・

Ｉｎｔｈｅｌ９７０'ｓａＩｌ〔Ｉａｔｔｈｅｌ)egil〕ｎｉｌｌｇｏｆｔｈｅｌ980,ssludellt'sfworitc musicall(Iillstl･ｕｍｅｌｌｔｔｈｃｙｌ)Iaywel･ｃｆｏｌｋｆｌｎ(Ｉｇｕｉｔａｌ.、Rccelltlythey

begaI1tosillRI<al･a()kesongs（musicmillusolle〔)ｆＩ)opulilrsongs)；

ｔｈａｔｍｅａｌｌｓｌｌｌａｔｔｌ】ｅｓｔu(1entswhop1ayguitarbuthcsitatctosillg traditionalJaI)aI】escpoI)ularsonRs（whichmakeuI）ｍｏｓｔｏｆｌ〈ara‐

okesongs）willdccrease、

ＡＩthouR11EI1kaistllefavoritetyl)ｅｏｆｓｏｌＩｇｏｆＪａＩ)allesepeoI〕|e，

accor(1ｉｎｇｔｏｎａｔｉｏルwidestatistics，ｍｏｒｅｔｈａＩＩ１Ｉａｌｆｌｉｋｅｓｕｃｌｌａｓｏｌｌｇ ｉｆｉｔｉｎｃｌｕ(1ＣＳＩ〈ay()ｌ１ｋｙｏｋｕＨａｖｏｒｃｄｗｉｔｈＥｎｋａ、Ｔｈｃｌ･ｅａｓｏｎｓｗｈｙｔｈｃ ｓｔｕｄｅｎｔｓｓｈｕｌｌｔｈｉｓｔｙＩ〕ｅｏｆｓｏｎｇａｒｉｓｅｆｒｏｍｔｌｌｅｆｌｃｔｔｈａｔｔｈｅｒｅｓＩ)ＯＩＩ‐

delltsareul･Ｉ)ilIlyoullgal1(ｌｍｅｍｂｅｒｓｏｆａｌ１ｔｉ－Ｉｉｎｋａｇｅｎｅratioｎ．′I､ｈｅ ｒｅａｓｏｌ１ｓｗｈｙｔｈｅｙｄｏｎ，ｔｌｉｋｅＥｎｋａｌｉｅＩｉｒｓｔｏｆａⅡｉｎｔｈｅｌｙｒｉｃｓｕｌｌｃ(〕I〕‐

nectc(１totllcirlifestylesandfeelings、ＷｅｃａｎｃＨｌｓｉｌｙｉｍａＲｉｌｌｅｔｈｅ ｄｅｅｌ）collI)cctioIlsbctwcellurbqllity，ｌ)rovillciality，ａｇｅＨｌ･oul）ａｎ(l musicaltaste・C1assicalmusiclovers（ｌｉｓｌｉｋｅＥｎｋ(’（llldviceversa・

ＥＩｌｋａｉｓａｃｃｃｌ)te(１１)ｙｏｌ(1ergenerationsaI1dillregiolｌａｌ（1istl･ictsall(I sul)Ix)Ｓｃ(Ⅱｙｌ)eTformsflllostallYicfuncliol】tIMltmiglllcor1℃sl)ｏｌｌｄｔｏ ｔｈｃ“c()ulltrymusic'，situ【ｌｔｉｏｎｏｆｔｈｅＵ.Ｓ､Ａ､(7)Ｔｈｉｓｔｌ･ell(１，ｈｏｗｅｖｅｒ ｍａｙｌｌｏｔｙｃｔｌ)ewellestal)lished、

WhattyI)eofmusicstudelltsactuallyliketolistclltoforel1joy‐

mellt？Ｏｆｃ()urse，ＣｌassicalmusicbutalsoI)Ｃｌ)ulal・music，favourillg idolstars・Ａｍｏｌｌｇｔｌｌｅｃｌｉｌｓｓｉｃａｌｍｕｓｉｃｔasteiscollcclltratc(lollthe

stylefllldcoml〕oser：betweenｔｈｅＢａｒｏｑｕｅａｌｌｄｔｈｃＲｏｍａｌｌｔｉｃＥｒａ；

ａｓｆ()rcontemporilrymusic，Ｓｔｒａｖｉｎｓｋｖａｎｄｌ)ebussy，ａｌｌ〔IRavelas l)ｉａｎｏｍｕｓｉｃｃｏｍｌ)oｓｅｒｓａｔｔｈｅｍｏｓｔrccent、Ｉｔｓｏｕｎｄｓｒａｔｌｌｅｌ・ＣＯ、‐

serviltive・PiillIomusicall(Ipiallistscatchonwithfemales,orchestral

musican(1musicianswiththemalestudents．

′ｒｈｅｌ)０１)ularityofclHlssica］ｍｕｓｉｃａｍｏｌｌｇｔＩ１ｅｓｔｕ(ｌｃｎｔｓｉｓ８ｌｓｌｉｋｅｌｙ ｔｏｂｃａｆｆｃｃｔｃ(Ibymass・illformationasthatofpoI)ulilrmllsicThis Rellemtionissensilivetofashion・Theirflvoritemusiciallsarctllose whoarcweⅡkllowllinJapan，recentlythetalkofthecountry，or recelltvisit〔)1.ｓｔｏ上11)an､TI1ereforepel･lbrmcrsbecomem()】･ｅｐｏＩ〕ular thancomposers・Rcspoll(IcntscouldIlotdesigllatethｅｃｏｍｐｏｓｅ1.s，

120

ＩｌａｍｅｓｏｆｍｕｓｉｃＩ)iecesthatarcuse(Ｉｉｌｌ′l､Ｖｃｏｍｍｅｒｃｉａｌｓｏｒｎｌｍｓ，fol・

examl)Ie，Rave１，ｓ“Bolero"，JohallnStl･auss’Willtz，Ｒ・WaRIlcr,ｓ

"Ｗａｌｋ(i1.e”all(ｌｔｈｅｌｉｋｃ､Ｓｏ,thewriterilltell(1ｓt(〕ｇｏｏｌｌｗｉＵｌｔｌｌｅｑｕｃｓ‐

tiolllIairesal)()utmusicaltaste，ｎｏｔｓｔｕ(ＩｙｉＩｌｇｓｏｍｌｌｃｈｗｈｏａｌ･Ｃｌ)Cl)u‐

１arl)ｕｔｈｏｗｌ)1.efcreIlcesshift、Rescarchwillcolltinueontllestability ofstudents，tasteａｎ(ｌｔｈｅｄｅｔｅｒｍｉｎｉｌｌｇｆｌｃｔｏｒｓｏｆｔｈｅｐreferel】ＣＣＳ、

５．Ｗ１ｌａｔ〔letermillesthestlldellts'musicalmste？

Ｊｕ〔1giI1gfromlllcfactofthe(Iiversityoftlleirmusicaltasteall(ｌ

ｉｔｓｃｈａｎｇｃｓ，Iwoul(ｌｌｌｅｒｅｌｉｋｅｔｏａｎａｌｙｚｅｔｈｅｆａｃｌｏｒｓcausiI】gthe cllaIlges.』u(1IHillgthecllallgesinstudents'tastesisllotmyintelltioll

hel.c、Ililldccl･tail】ｌｙｓｏｍｅ〔1ｉｆ[crencesbctwecllgeIlel･alstu(ｌｅｌｌｔｓａｎ(l themusicmajols,alldyctthe1℃ａｒｅａlsosimilarbehilvioralpattems・

Ｈｏｗ（Iostudel)ｔｓｌｉｓｔｅｎｔｏｏｒｃｏｎｔａｃｔｗｉｔｌｌｍｕｓｉｃ..、ril(Iio，ｌ･ecor(１，

television，cassettctaI)csclc、Ｃｌ・collcerts？Almostflllstu(lents listclledtomusicviaFMstatiollsulltill983atleilst；ｈｏｗｅｖｅｒＴＶ ｈａｓｏｖｃｒｗｈｅｌｌＵｌｃｄＦＭｓｉｌ１ｃｅｌ９８４・

Musicstu(IclltsfrequelltlygotoclassicillmusiccollccrtsHlIl〔Ｉ ＳＩ)eIl(ｌｍｕｄｌｍｏｒｅｍｏｌ】eyonmusicactivitiestllanothers，lOrclassi‐

calcollccrtsareexI)ensiveexceptfbramateurper[ormilnces､There‐

fOrctostu(lymusiciIlJal〕ancoststhemdeal･ly､ThisreI}ectsolltIle pocketmolleytheysl)elldollmusic（seetablc6)．

Moststu(ｌｅｎｔｓ(ｌｒｅｔｈｅｔｙｌ)ｅｗｈｏ“stll(ｌｙｏｌ･worl《，wllilelistenil】ｇ ｔｏｒ(ｌｄｉｏｏｒｗａｔｃｈｉｌｌｇＴＶ''’１ｔｉｓｌｌｏｔｓｕｌ･Ｉ)risiI〕ＲｔｌｌａｔｆｏｒｔｈｉｓＩ)urI)ose theylistcl1（(）ｍｕｓｉｃｔｈａｔｇｏｃｓｉｌＩｏｎｅｅａｒａｎ(ｌｏｕｔｔｈｅｏｔｈｅｌ.、ＷＩ１ａt tyI)ｃｏｆｍｕｓｉｃｔｈｅｙＩ〕qylloattelltiolltoIisteniIｌｇｔｏｉｓｄｉｆｆｃｌ･ｅｌｌｔａｍｏｌｌＲ ｉｌｌ(Iivi(luals:ｈｏｗｈＣ/ｓｈｅｉｓｉｌｗｏｌｖｅｄｉｎｔｈｉｓｏｒｔｈａｔｔｙＩ)ｅｏｆｍｕｓｉｃ・Ａｓ ａｌ･csult，ａｓof（all(ＩｌｎｅⅡｏｗｔｙＩ)c，ｌｌｏｔａｌｌｏｉｓｙｏｌｌｅｉｓＩ)1℃fe1.1℃(1.ｓｏfal・

ａｓｉｔｇｏｅｓ,stu(ｌｅｎｔｓｌｉｓｔｅｎｔｏａｎｙｔｙｌ〕ｅｏｆｍｕｓｉｃｗｉＩｈ〔)ｕｔｓｔｉｃｋｉｌｌＲｔ()a ccrtaillolle・ＶｅｒｙfcwlisteIlattentiveIytomllsicI)uｔｔｌｌｏｓｅｗｈｏ（ＩＣ，

(Ｉｏｓｏａｃｃ(〕1.(ＩｉｌｌｇｌｏｔｉｍｃａＩｌｄｃｉ1℃umstilllces、Musicstu(lclltslistcl】

table６．Ｍｏｎｔｌｌｌｙｏｘｐｅｎｓｅｔｂａｔｔｈｅｙｕｓｅ ｆｏｒmusic（1982）

『】

DOC 000～200〔

､００～3-00（

000～５００［

000～８ＤＯＣ DＯＯＯｏｒｓｃ

､００～２０００（

0-000＆ｍｃ ＤＳＬＩｌＣ

（）Musicmajorstudellts・

attelltivelytotheirmajorsubject，classicalmusic，ａｎｄｈｅａｒｌｉｇｈｔ ｍｕｓｉｃｗｈｉｌｃｔｈｅｙ（1ｏｏｔｈｅｌ･ｔｈｉｎｇｓ・

ＴｈｅｍｅｄｉａｂｙｗｈｉｃｈｔｈｅｙｌｉｓｔｅｎｔｏｍｕｓｉｃａｒｅｒａｎｋｅｄｆｒｏｍＦＭ ｓｔａｔｉｏｎａｔｔｈｅｔoptocassettetal)ｅｗｈｉｃｈｍｉｇｈｔｂｅｕｓｅｄｔｏｒｅｃｏｒｄ ｆｒｏｍｒecor(lsandFMstations、Therapi(１developmcntofrental recordshol)ｓａｌｌｄｔｈｅｉｌ･uscistherefbl･ｅｌｌｏｔａｓｔｏｎｉｓｈｉｎｇｉｎｔｈｅｃａｓｅｏｆ ｇｅｎeralstudents､ＴｈｅａmouI1tofl)ocketmolleyfortheirmusicacti‐

vitiesuI1derscoresthistrend・Arentalrecor(lcostsabout250-300yen aday（comparetomorethall25()Ｏｙｅｎｆｏｌ･allewLP)．

Musicstudentscharactel･izetheirmusicactivities：ｔｈａｔｉｓ，fre‐

quentlygoingtoconcerts，bcingfolldofclassicalmusic，relatively

lessl〕rejudiceagaillsttraditionalmusic,becauseofsomeknowledge

andopporｔｕｎｉｔｙｔｏｌｉｓｔｅｎｔｏｉｔａｎｄｓｌ)e、(ｌｉｎｇａｌｏｔｏｆｔｉｍｃａｎｄｍｏｎｅｙ ｏｎｍｕｓｉｃ，Ｔｈｉｓｆｉｌｃｔｄefinitelyproveswhatanimportantfunction musiceducationperforms・

Mass-mcdia，modeoflistcnill鷲alldcducatiol1playmajorrolesin detCrminingmusicaltastes．

Amoul]ｔ（￥） ^{nｕｍｂｅｒ}

1,000 1,000～20000 2,000～3,000 4,000～５，０００ ６００００～8,000 lＯＯＯＯｏｒｓｏ 15,000～20,000 20,000＆ｍｏｒｅ．

ａｌｍｏｓｔｎｏｎｅ others

5９（６）

5２（１３）

132（73）

9０（67）

4９（43）

6２（58）

3１（27）

1７（１５）

2９（４）

1１（８）

122

6．AnalysisofMedia

Ｔｈｅwriterlrie(ｌｔｏｉｌＩｌａｌＷｅｔｈｅｍｌｌｓｉｃＩ)roRl･ａｍｓｏｆＦＭｓｔａｔｉｏｎｓ ｗｈｉｃｌｌａⅡｓｔｕｄｅｎｔｓｌｉｓｔｅＩＩｔｏａｓｔｏｗｈａｔｔｙｌ)ｅｏｆｍｕｓｉｃｉｓｐｌａｙｃ(Ｉｉｌｌ ｗｈｉｃｈｔｉｍｅｌ)erio〔Ｉｆｏｒ１１()ｗｌｏｎｇ，ｉｎｏｌ･(ｌｅｒｔｏｉＩｌ(luirctowhatextellt mass-mcdiaareillvolvcdiI1deve1ol)ingmusicaltilstes、

Ａｒｅｔｈｅｒｅａｎｙｌｏｃａｌ（1i｢fercnces？Ｔｈｅｗｌ･itel･ｅｘａｍｉｌｌｃｄＦＭｂｌ･Ca｡‐

castmllsicI)I･oＲｒａｍｓｏｆl11cChuhl)uChiklI（lni(1(Ｉｌｅｌ〕ａｒｔｏｆＪａＩ〕ａｎ；

NaHoya）distl･ict,tlleHokkai(IoalldTohoku（､()l･therlll)al･tofJaI)all）

(listl･ict，ａｎ(１Tokyo・ＩｎＴｏｋｙｏｔｈｅａⅡotmellts（)ｆｍｕｓｉｃｏｎｔｗｏｓｔａ‐

tiollsremailledｔｈｅｓａｍｃｆｒｏｍｌ９８０,ulltilAl)1.ill985､CIassicaImusic llourswerecermillIyclItshortel・Nagoyil（Chullbu（Iistrict）ａｎ(I HokkaidodistricIsh()ｗａｓｉｍｉｌａｒｐ【ltterI１，１)utevenlesscla墨;ical musicthanTokyo・ReRilrdiIlgclassicillnlusic，ｅｖｃＩｌＮＨＫｄａｙｔｉｍｅ ｈｏｕｒｓａｌ･egivelloverＩＣＩ()ｃａｌｌ)rogramIIlilMHiIl（)utlyillgdistricts・Pri‐

vateFMstaIionsaⅡｏＩａｌｌａｖｅｌ･ａｇｅｏｆａｌ･()ull(1()､(Dholll･ａｄａｙｔｏｃｌａｓｓｉ‐

calmusic・InNagoya，tllerewasllotllillRclmssicalonSaturday，Ｉ〕ut ollellourbefOre9:００⑩、、ｏｎSunday，ulItill985．（SeeIiguressillcc l985）

RegardillgtTa(1itioIMllmllsic,ＮＨＩ（ｂｒ()【Ｉ(IcaststllekDlk“Minyoh'，

accol･ｄｉｌｌｇｔｏｔｈｃｓａＩｌ１ｅｓｃｈｅ(ｌｕｌｅａｓｉＩｌＴｏｋｙ()．Ｐｌ･ivatestationslla(I givelllMllfaIlh()ul･ｔｏｔｈｅｆＯＩｋ“MiIlyoll''（lul･il】ＨｔｈｅｄａｙｏｌｌＳａｔｕｌ･(1ay il1Nagoya,ａｎｄｌ１ａｌｆａｌ１ｈ(〕ul･befOre7:００ａ．ｍ．ollSatur〔1ａｙａｎ(ISull(1ay illSal)I)oro，ｌｌｏｋｋａｉ〔1(〕ｕｌｌｔｉｌｌ９８５ｂｕｔｌｌ()ｗｃｕｔ（)｢f､T11etraditiol〕alfolk musicisorigillaⅡｙｌ)ilse(ＩｏｎｌｏｃａｌａｌｌｄｓｏｓｕＩ)I)OSC(Ⅱysucceedsinevery daylifeevellwitlloutbeiIlgbroa(lcast，ｔｈｅｔＩ･a(IitioIlalclassicaImllsic，

esl)cciallyllohgaku,ｈａｄl)eelltakellovcrasmcl･challtclass'elltertaiル mellts・Ｉｎｔｌｌｅｌｏｃａｌ（Iisll･iｃｔａｗａｖfromtllelra(Ｉｉｔｉｏｌｌｏｆｌ)ourgeois cultureofthecelltl･illize(Ｉsociety，the】･ｅｉｓＩｌｏｆｏｕｌｌ(1ationoftraditio‐

Ilalclassicalmusicillldsilｌｃｅｉｔｉｓｓｅｌ(Ｉｏｍｌ)roa(Icas(，itisnaturaIthat peol)Iehar(11ｙ［()rlnalikiI】ｇｆｏｌ・ｉＬＴ１ｌｃｓｌｌｌ･ｖｅｙｂｙＮＨＩ（SCI･OII

G5X25） (1080）

川圏勿露薑□□

classicalmusic Ｗｅｅｋ

ｄａｙｓ

粥 _3.2 popular

２．３ (15）

Japanesetraditional

|||||||||||||llii11iilllllllllⅢ

^sut． ｍｉｘ（includeethnicfolk）

錫 1.4

(20.5）

japanesetrnditionnlfO1k（Minyoh）

||||Ⅱ||’

^Sun．

形 1.9

number一％

（）mixxute

ProgT仏TTI圏ｂｃ鋪ｄｅｓｍｕ$iｃ cｈｏｉｒ

］⑬⑬

124

［ ［

屡欝I:燕;;＃5::IDO･ｹﾞﾛ0..Ｊﾛ･･1,-･･･.●.｡.､PIP午｡■■■GIﾄ:｡:･息･宮｡:.:｡'卜巴｡●･＄･■●｡■■p'し｡■■~･ＧＢ･･･㎡I

Ｐ寸飼、園的則【開（

Ｃ高飼目［印忌日⑪【ト【①【、【》【田臼【【Ｃ【①②ト①、

（函態ｚ）⑩門。凶⑩函

震一薑

（函頭雇）○門出ｏ田

⑪【己已

望の①逹戸

吻跨ロ⑥

茎の①罠戸

図ｑ②

０s⑪

α句の

1２５

。笏⑪□』ゴー可ｍｐｏ

ｏ窃回【に一己Ｕ窃吻己［ＣＯ■

⑩。ＣＱ←

Ｑの。×の。届づ【慣

’’

一ｍ》、》》四四群》》、》、》ｗ》酢》酌一眼》》》岼呼岬牢岼嵌》印》叩》如群》竺

蕊》曇震

。①一ゴロ【ロ』１（）

①

功労ロロ塁①の芝｛

所⑪己ロゴ⑩

鑿

閉ロロ贋。塁い

^り

^{レロロ巾①ロで①逹戸}

iii

（Ｃママ［）

（８日）（Ｓｘｇ）

⑩厨ゴ｝盈口の①凸。②

三 ［

宇詞⑱【エ

】『

①［

虚

←

〆■、Ｌｒ＞８８、－’

（ＣのＣ［）

１ｍ⑭の［、、８○

○房呉○缶｝言四

］【

⑤

「 範

四 ｔ

〕旨

⑤ 的 ａ ト

Ｌ

一一一一（ヘニふふく》『錨》》・臣づめ

夏四コ。『く

Ｆ１」

グー、●コ

ミー’

（ロト）

⑩鈴ご□

暑のの崔戸

⑫房司で

塁の①邑一

・ロゴ、

韻

ぢご、

一関③

FukuokaＦＭ（Kyushu）

６７８９１０１１１２１３１４１５１６１７１８１９２０２１２２２３２４０１２

Ｗｅｅｋ

ｄａｙｓ

Ｗｅｄｎｅｓｄａｙ Thursday Sat＿

Ｓｕｎ．

ＨｏｋｋａｉｄｏＦＭ

６７８９１０１１１２１３１４１５１６１７１８１９２０２１２２２３２４０１２ Ｗｅｅｋ

ｄａｙｓ

'''''１'’１|||||’

ＷｃｄｎｃｓｄａｙＷｅｄ・

Ｔｈｕｒｓｄａｙ Ｗｃｄ．

Ｓａｔ．

Ｓｕｎ．

|||’ llllIll

OCP■0０９１ＯＢｆＱＯＤ９０００ｎＤＲ【

lllllllllll||鴎

ＩＤＩＩＩ

Ｄ００・ｏｏｎＯＯＯＯＤＯＯＩｏＩ

Ⅲ

PCリ｡ＣＤ、9０１９「ｌｌＵＯＩＰＵＵＯＩ

|llll |lllllll |||||||’

ｐ □ロワＱｏ９０ＰＯＯＵ１１ＩＣＯＯＩＵ９１

Ⅲ|’

００ＩＩＯＩＩＩＯＩＩＩＩ

llilllllllllllll

９０、０・０ヮｏＯＯｏＯＤＯＯｏp０１１「１０

５７８９IＵ ２２Ｚ３ Ｗｃｃｋ

ｄａｙｓ

ＷＣｄｎｅＳｄｎｙ Ｔｈｕ麺己ｙ Sat．

鰯''''''１

Sun．

ohsakaFM

６７８９１０１１１２１３１４１５１６１７１８１９２０２１２２２３２４０１２

Ｗｅｅｋ ｄａｙｓ

Ｍｏｎ． ｗｅ。．

sａｔ．

Sun．

聰『

Ｉｌｌｌ Ⅲ

６７８９１０１１１２１３１４１５１６１７１８１９２０２１２２２３２４０１２

－ロ■ ■●Ｑ ｌＯｎU ｌＯ １１１１

、

１０００0０００ＩｆｌＤｎＨＩＩ１１１１

■ ａ

’’１ lllllIl

■．●｡□■ロ００，００ロリ00006１１

■

Ⅲ lllllllll

ＩＯＩＩ ＯpＤＤＤＤＵｆｐＵFD０００１、Ｉ

■

llllllll

ＰＣヮＰｆＯ99ＵＤＩUＤｎｌＩＩ１１H

P D ■

Ⅲ Ｉ llllI

Ｉ

ＤＤｑｏＯＯＯＩｏＯＯｎＯＩＤＤＩＩＩH1！

1２８

CIlohs〔ljo（０１)illiollRcscal･Cl】Celltel･）als(）slIl〕I)orlsthisfact.(8) WhetllcroIlNlll〈ｏｒI)rivatestations,ｉｆｓｔｕ(1eIltslistel1tolnusicwhile stu(ｌｙｉｌｌＩＨａｔｌｌｉＲｈｔｏｌ・mainlyollSatul･ｄｉｌｙａｌｌ(ｌＳｕｌｌ(Iily，ｔｌｌｃｙａｒｅ

〔)bliRc(ｌｔｏｌｉｓｔｃｎｔｏｌ)()l)ulal・music、ＡｌＩｈｏｕＨｈｉｔｉｓＩ)Cs目il)Ｉｅｔｏｔａｌ〕ｅ ｍｕｓｉｃｗｉｔｌｌｉｌｕｔｏｍａｔｉｃＩｉｍｉｎＲｃｑｕｉｐｍｅｎｔｗｈｉｌｃｂｅｉＩｌＨｏｕｔｎｏｗ、ＩＢｕｔｉｔ ｉｓｗｅⅡkIlowlltllatthegelleriltiolｌｏｆstudeI1tsto(ｌａｙｗｌｌ(）ｈａｖｅＩ)ecll l)rouglltlll）inflsocietyillwllichtheyc()nforlllI11eirtastcsall(Ievell theil・ｗａｙｏｆｌｉｌｅｉｌｌａｃｃｏｌ･dancewiththebelliwiol・ａｌｌ(Ｉｔｈｏｕｇｈｔｏｆ ｏｔｈｅｒｓ,ｔｅｌｌ(ItolnailltilintheirmstesillcommolIwitllI11cirfrieI1(Isill ordel･tlMlttllc)’commullicatewelliI1tlleil･ｃｉｌ･cle．′1,ｈｅｙｌ】ａｖｅｔｏｂｃ ｉｎｆ()rlIlfltiol〕ｍ()ｌｌｇｅｌ･swiIlllliHhndelilyradal・Ｉ(）（1eliciltelyciltcllthe culTel〕tfasIli()Ｉｌｉｌｌｏｒ(ICI・ｔｏｂｅａｌｌｏＩ)illionlea〔1e｢．Ｆ()l・tllislxlll)ose theyillvestillittlem〔)neyillmusic,llMlkillguseofl･Ｃｌ】te(１１.cc()l･(Ｉｓｏｆ ｔｈｅｌｌｉtchar（Ｉｌｕｌｌ１１)ｅｒｓ（l･ｏｎｌｌ･eIltalsllol〕ｓａｌｌ〔１ｍl)ｅｔｌｌ(DII】，〔1isll･il)ｕｔｉｌｌＲ ｔｈｅｃ()I)ics＆1ｍ()Ｉ１ｇｔｈｅｍｅｍｌ)el･ｓｏｆｔｌｌｅｉｒｇｒ〔)uI)s・ＴｌｌｅｙｔｈｃＩｌｌ１ｌａｋｃ ｔｈｉｓｌ１ｕｕsictllelol)ｉｃ()「ｃｏｌｗｅｒｓａｔｉｏｎｗｌｌｃｌｌｔｈｅｙｍｅｃｔｌ(〕lFethel．、Ｔｈｌｌｓ ｍｌｌｓｉｃｉｓａｌｉｆｃｕＩｌｔ()itselffoI･tlleyollllRgelleriltioll，ｔｌｌｅｎ１ａｉｌＩｔｈｅｍc all(lills(ｒｕｍｃｌｌｔｓｔｏｃ()】llmunicatewitllil1tllccircle・Tl1cl･ｅｗａｓｏｎｃｅ ａｌｌａＲｃｗｈｅｌｌｌ)c()l)ｌｅｌｌａｄｔｏｃｏｌ]veytlleirintentiollsl()eacll（)thcrby writtellwor(1ｓｌ)ｌｌｔｌｌ()ｗｔｈｅｙ()ｕｎｇｈａｖｅｍａ(Ｉｃｋｎｏｗｌｌｔｈｅｉｌ・mutual ull(|Cl･smll(1ilMH1)ｙｓ()uII(ｌｓｉｌＩ１(lfashions・Ｔｏｔｈｉｓｅｌｌ(ｌｔｈｅｙｈｉｗｅａｔ Ｉｅａｓｔａｒａ(Iio-c【,ssette1℃cor(Ie1・ｆｏｒａｕ(Iio-e(I11iI)mellt、IftlleylMwe cllouH1ll)ocketmollcytheybuyavi(leo-deckall(Iml)Cｓ（[l･ｏｍ‘８４ ＯＩＩ)IivillRilloI〕ｅｉｌｌｉｌＩ)artments,ａⅡｈａｖｅＴＶ's,ａｌｌc(PCssitylbrisola‐

tedurl)ilIllif(p・Ｒｅｃｅｌｌｔｍｕｓｉｃｌ)ｒｏｍｏｔｉｏｌｌＴＶｉｓ()ｎｔＩｌ(ＪｉｌｉｒｉｌｔＩｌｌｉ(ｌｎｉＲＩ１ｔ，

mostlyrockl】〕usicf()ｒｔｈｅｖｏｕＩＩｇ・TIlercf()1℃，ｔｈｅ（lccliI1cillI･ock musichassu(1(1ellly１℃verse(litselfalHail1sillcel984・Ｔｌｌｅ「ockmusic l℃1〕oull(ｌａＩ)I)arelltly1℃[IectsllletelevisillH（)［１)】･ＯＩＩ】oti()Ilillmusic vidC()．

7．Music：Mal〕ａｎ(1Ｗｏｍａｎ．

Ａｓｔｌｌｅ（ullctiol】ｓ（)「、【ｌｎａｎｄｗｏｍＩｌｎｉＩｌｍｕｓｉｃｌｉｆｅｉｌlE111･()ｐｅｉｌｌ ｔｈｅｌ９１１１ｃｅｌ】turywe1℃（liffe1℃Iltfromolleall()ｔｈｅ1.,（ｈｅｓａｍｃｔｒｃｌｌ(ｌｉｓ ｓｅｅｌｌｉｌｌｔｌｌｅｍｕｓｉｃａｌｍｓｔｅｏｆｔｈｅｙｏｕｌｌｇｔｏｄａｙ・ＳｉｎｃｃｆｕｎｃｔｉｏｎａｌａⅡＣｌ‐

melltｌｏｍｃｎａｌｌ(１Ｗ()ｍｅｌｌｉｓ（1i｢ierelltI〕ａｓｅｄｏｌｌｔｈｅｓ()cialstructu1℃，

tIleirfunctioI1sillmusicａｌｌｉｆｅｌ)resulnably（1i｢化r・First，ｌｅｔ,ｓｌｏｏｋａｔ ｔｈｅｒｉｌｔｉｏｏｆｍｉｌｌｅａｌｌ(１fcmalestudentsatmusicscllools・Ｔｈｅｍｍａｌｃｓ ｌ)re(1()ｍｉｎａｔｅａｍｏｌｌｇt11estu(1el1ts・Ｗｈｙ，ｉｓａＩｌｏｔｈｅｒＩ)roblel1l・Asi(ｌｃ ｆｒｏｍｔＩｌｅ（lllestionllere，ａｌ)I〕arently，maleaI1dfell1illestu(1cntsiIl gellcrfllmajorill(1i[化1℃1〕tIicl〔|s､Theflctthiltfemillcll】usicstu(1ents predominate（1etermiIlestos()ｍｅｅｘｔｅｌ１ｔｔｈｅｔｌ･CII。（)ｆｍｕｓｉｃｓｔｌｌ(Iellts，

tastes・Ｔｈｅｈｙｌｘ)ｔｈｃｓｉｓｃａｎｌ〕ｅｂｕｉｌｔｕｌ）ｆｒｏｍｔｈｉｓｔｌｌｉｌｔｔｈｅｔｙＩ)ｅｏｆ ｍｕｓｉｃｆｃｍａｌｃ帥u(1ｅｎｔｓｌｉｋｅＩｃａ(1ｓｔｏｔｌｌｅｆｅｍａｌｅ（Iomillflllttel】(lcllcvill activiticsall(ｌｌｌｌｏｖｅｍｃＩｌｔｓｉｌｌｍｕｓｉｃｅ(Iucatioll・

WcfOull(ＩＩＩＣ】･etllatmusicalIastesamollHfemalcslbuow comm()Iltell(|(PI1ciesthrouRIloutinJaIxlIl，ｅｖｅｎ（lmonRmusic stu(1ellts、PrillMlrily，ｔｌｌｃｆｅｍａｌｅｓｔｕ〔1eIltsa1℃ｌ〕ｍ･ｔｉａｌｔｏｌ)illll(）ｍｕｓｉｃ

ａｎｄｔ(）llewnlusic（)1.ｆ()ｌｋｔｌｌａｔｉｓ“so(ｔａｌｌｄｍｅⅡｏｗ，，ｍ()I･etlwlllthilt ovel.､()willIHwithencr照eticvi()Ｉｃｌｌｔｒｈｙ(ｈｍｓ､Ｔｈｉｓａｌ)1)Hll･el1tlyl･(Dnects the（Iomestic（p(luciltiollinmi(1(11ｅclasses(1)Cu1.9(､()isfall1ilics）ｔｏ ｈａｖｅ（1ａｕｇｈｌｅｒｓｔａｋｅＩ)ｉａｎｏａｌｌｄｂａⅡetIess()ｌｌＨ，whiclltra(Iiti()llI1as beellIrace〔１１)ｉｌｃｋｔｏｌ９ｔｈｃｃｌｌｔｌｌｒｙＥｕｌ･Cl)eall1〕ourgc()ｉｓｌｉｌｍｉｌｙｃ(Iuc汁 tioll.(９１’1,1ICI)iillloill(1ustrytriestoexl)1ｏｉｔｔｈｅｍｉ(1(11eclassfamilv witllal)iａｌｌ(Dlcssollboom.(ｌｏ１ＡＩｌｄｗｌ】ａｔｔｙＩ)ｅｏｆｍｕｓｉｃ（1ｏｔｌｌｅｍａｌｅ ｓｔｕ(ｌｅｎｔｓｌｉｋ(？？’I､ｈｃｙｌｉｌ《ｃａｌｌ(１１)1ayorCI1estl･ａＩｍｕｓｉｃａＩｌ(liIlstrumcllts all(Ｉｉｌｌｓｏｌ)iiln(）music・’1,ｈｅｒｅｉｓａｌｏｔｉｎｃｏｍｍ()llwitlltllel9tllcelltu‐

ryEul･〔)I)cllncullul･alsillIation.(lIDFul･tIIern】Cl．e’１〕cｃｉｌｕｓｃｏｆｔｌｌｃ（Ievc‐

ICI)ｍｅｎｔ()ｆｔｌｌｅｌ)rassl)H1、(1ｓａｌｌ(ｌｔｈｅｉｒｍｕｓｉｃｉＩｌｃ()ｍｌ)uls()l･ｙｅ(I11Catioll，

studcllIsbcc(〕mefamiliarwilhbrassillstrumeIlｔｓｉｌｌｌ(lorchcstral

music.(Ｉ２１ＴｈｃＩ１１ａｌｅｓｔｕ(Iclltstakem()reiIltcrestil1u･ockilll(Ｉｊａｚｚ

130

tllantlle（emalcsall(Ialsolikellewmusic，folkal1〔Ｉｆｅｍａｌｅｉ(Iol silIgers､'1,11ｅｙＩ〕l･esllmilblygI･aspnlusicasakill(ＩＣ（fashioll，ｔｏl)ical musicol・musiciilI1sc｛１１)tivalethem・TIIａｔ脂ｔｈｅｌ)eh5wioralIxltterll commollto，music、(ljoriIlKstu(leIltsol・llot，］･egiolMllorurban，

col1teml)oraryy()ｕｎｇｌ)CCI)ｌｅ．（Thelllusicstudclltstasteismore lnal･ke(1ｂｙｔｈｅｉｒｉｌｌｄｉｖｉ(lualitytotlleexlellt（)finvcstinglnol･emoney illmusic.）IllmacroscoI)iｃｃ()ｌｌｌｌ〕al･isolIofm(ｌｌｅａｌｌ(lfemalestudellts，

thelattel･areinclille(ＩｔｏＩ)ｅｓｗａｙｅ(１１)youtsideiI1formatiolleasier tl】ａｎｔｈｅｈ)rmel.，illotllerwords，susceI)til)Ｉｅｔｏｔｈｅｆａｓｈｉｏｎｏｆｔｈｅ (1(ｌｙ・W11ilelMwillHatcndellcytowal･(’ａ（liversityoft&lstes，ｔｈｅｆｅ.、

ｍａｌｅｓｓｌｌｏｗａｔｅｌｌ(ｌｅｎｃｙｔｏｌ]loreconcelltrationtllantllemales・Ｏｎ ｔｈｅｏｔｌｌｅｒｈａｌｌｄ，lllemillessll()wralhermol･ｅ（Iecclltralizatiol1，ｔｈａｔｉｓ ｔｏｓａｙｔｌｌｅｙａ1℃、Cl･ｅｉｎ(livi(1ual・Wllilcthemalealldtllefemalestu‐

deI1tssll()ｗ（1i｢ferenttilsteslikethat，tlleyal)proacheachother，ａｓ ｔｈｅｙｂｏｔｌｌｌｉｋｅｌｌｃｗｍｕｓｉｃＧｃＩleraⅡｙｓｌ)cakiIlg，ｔｈｅｙａｌ･eabsorbedin

“softall(lmellow''･Ｔ１１ｉｓｉｓｔｌｌｅｔｒｅｌｌ(Iofthetastesoftllcgellcratioll withoutthecxl)eriellceofwilrs.Ｎ()tolllyillJapall,innuellce(ｌｂｙｔｈｅ Ｕ`ＳｉＡ、wllel．e，ｉｔｉｓｗｅⅡｋｎｏｗｌｌ，ａｆｔｅｒｔｈｅＲｏｌ〔ＩｅＩＭｌｇｅ（)ｆ】･ockmusic illthel960，ｓｆｌ･Cl】lthelatterllillfoftllel970,ｓｏｎｗｈｅｎＶｉｅｔｌｌａｍＷａｒ ｈａ(Ｉｅｎ(1ｃｄ，ｔｌｌｅｍｕｓｉｃｉｌＩｔａｓｔｅｏｆｔｈｅｙｏｕｌ】gRellel･aIionhasgradufllly cllallge(Ｉｔｏ“so〔ｔａｎｄｌｌＩｅｌｌｏｗ''orcross-ovcr・Jal)illlseemsrelatively t()ｂｅｆ()cuse(lonthecultureoftllcyollll９，ｓ(〕tableluxurieslikewille，

tea，ａｌｌ(Ｉｃｉｇ&lrettesal･ealsoiIlten(ＩＣ(ｌｆｏｌ・mil(IlIess('3)；l1ncommon

tastesa1℃sllullIlc(1．MusicwithoutexceI〕ｔｉｏ１ｌｓｗｉｍｓｗｉｔｌｌｔｈｅｔｉ〔1ｅｏｆ ｔｈｅｌａｇ､Ｃａｎｉｔｂｅｓａｉｄｔｏｂｅｉｌｌｌｅ[femilMltecuIture？

IfwerecoRIlizetlleestal)1ishe(ＩＨＩⅡoｔｍｃＩ１ｔｏｆｔｈｅｒｏｌｅｓｏｆｍａｎ ａＩＩｄｗｏｍａｎｉｎｔｌｌｅｓｏｃｉｅｔｙａｓａｗｈｏｌｅ，ｔｈｅｍｕｓｉｃｗｏｒｌｄｉｓｌｌｏｔｅｘ‐

ceI)tioIMll・Ｔｈｅｆａｃｔｔｈａｔｍｏｓｔｓｔｕ(1elltsoflllusicschoolsarefel〕Mlle

exl)ｏｓｅｓｔｈｅｓｏｃｉａｌｅｘｌ)cctatiollan(Ｉ１１ｏｍｅｅ〔lucationforwomall；“girls

arenotexpecte(Itobecol1troversial；ｒａｔｈｅｒｉｔｍｉｇｈｔｌ)ｃｂｅｔｔｅｒｆＯｒ ｔｈｅｍｔｏａｃ(IuirecomI)letel】Mlsteryoftlleirarts（specialskiⅡｓｌｉｋｅ

pialloaI1(Ibilllet）01【ｌｔｍｉｇｈｔｂｅｕｓｅｆｕｌｉｎｌ〕】ａｋｉｎｇａｌｉｖｉｌｌｇｉｆｔｌｌｃｙ ｈａｖｅｔｈｅｍ,，somcday．“Girls”ａｌ･ｅｓｅｃｕｌ･elywe(１．e(Ｉｔｏ“I)iallotrai,昨 il1g，'afterall､'１，ｈｅｒｅ&lsollwllytheymajorillmllsicilｌｔｈｅｎｒｓｔｌ)Ｉａｃｅ ｌｉｅｓｉｎｔｈｅ［ａｃｔｔｈａｔＩＩ１ｅｙｌＭｗｅｌｌｏｓｔｒｏｎｇｌ)oilltworthmelDtioninH exceI)ｔｌ)IayiIlgI〕iallo，ｆｏｒｉｌｌｓｔａｎｃｅ・Andwomeniltmusicschools relativｅｌｙａｎ(Iabsolutelyhavebcel1incl･eilsillgillnumbcr・Most seatsatpi【ｌｎｏｌ･ｅｃｉｔａＩｓａｓｗｅⅡａｓｌｘｌⅡｅｔＩ)ermrmal]CCS【lrcliⅡe(l witllyoullgln(lies;thissecmstyl〕icalforJaI〕､11.

8．S11mmary．

Ｌ()okingfromanillterllalionalvicｗｌ)oillt，ａｌｔｈ()uｇｈｗｅ（)bserve moreyoungiludienccsattell(Iillgcl〔lssicalmusiccollcerts，ｉｔｃａｌｌｎｏｔ ｂｅ（1ｅｎｉｅ〔ＩｔｌＭｌｔｔｈｅｙｏｌｍＲ１１ｉｗｅｂｃｃｏｍecstTallgc(lfromcIassiCal

muslc･

judgillg［romthcsuccessivesurveysovel･ａｌ)crio(Ｉｏｆｙｅａｒｓ，ａ ｔｒｅｎｄｏｆｍｕｓｉｃａｌｂｅｈｉｗｉｏｒｏｆｔｌｌｅｙｏｕＩｌｇｎｔｓａＩ)【ltterIl、ＡＩ１ｅｗｌ)roblem wefaceisthefactthilttl】ellllmbel･offeIMIestu(lclltsmajoringill musice(Iucaliｏｎｉｓｉｌｌｃｌ･easingan(Ｉｔｈｅｌ･ｅｓｔｉｌｌｃｘｉｓｔｍａｌｅａｎ(Ifemale culturesinmusicallif(P・Ｈｏｗ（loestlliscollcerllmusiceducation？To

illvestigatethisproblem，ａｓｆｌｌｘｌｓｉｃ〔lata，ｗｃｌｌｃｅｄｔ(〕allalyzegell(1ｃｒ ａｎｄｔｌｌｅｓｌ〕ecialIieldsofstu(|c1ltsnImusicschoolsalldmusicteach‐

erstraillingschools、EspeciaⅡymusiceduciltioll，musicteachersilI coml)ulsoryc(1ucatiollcourseｓａｎ(Istudellts,musicalsurl･ｏｕｌｌｄｉｎｇｓ Ｉ)Ｉａｙａｎｉｍｌ)ortalltl･()|e・Ｔｏｌｌｌｙｌ)cstkllowledge，ＴｏｙｏＯｌｌｇａｋｕ‐

Gakkai（ThcSocietyh〕rRcsea｢chillAsinticMusic）ｈａｓsurveyed

howtheJapallesetril(litiol〕aImusichaHbeelUtreatc(ｌａｔｔｈｅｃｏⅡc鷹e level，butitismoreIlecessilrytoiIwestｉｇａｔｅｔｈｅｒｅａｌｉｔｙｏｆｈｏｗ ｍｕｓｉｃｉｓｔａｕｇｌｌｔａｔｔｈｃｃｏｍｌ)uls()ｒｙｅ(ＩｕｃａｔｉｏｎｌｅｖｅＩａｌｌｄｔｏｇｅｔｈｅｒａｎａ・

Iyzetheillstitutiollall)ｈａｓｅｏｆｍｕｓｉｃｅ(1ucati()11．Ｆｏｒｅｘａｍｌ)le，whatis requiredforamusicteacher，sIicellseillcompuIsorye(111cation versustheactualcurricuIaｏｆｍｕｓｉｃｔｅａｃｈｅｒｔＩ･ainingschools、Ｂｏｔｈ

1３２

sucllillslituti()I1alasl)eclsilI1〔llllusicillmsteall〔Ｉｉｔｓ（Ievclol)lIuclltin I)uI)ilsattllecompulsoryc(Iucatiolll(ｗｅ１，ｓ１１()ul〔１１)ｅｂｒ()uＲｈｔｔｏｌｉｇｈｔ・

ＩｔｒｅｍｉｌｉｌｌｓｔｏＩ)eillvestiHllIcdilltlle（l1turc、

IIltllegelleralview，tlIccllaraclerisIictrel〕(1ｓｏｆ１℃celltmusic l)ellaviol･ａｍｏｌｌｇｔｈｃｙｏｕＩｌＨａ1℃：

ｌ）AlthoulHhthel･ewilsastcildytastefol･Tocklllusicilltllc1970,s，

the1℃I1asbeenagl･；l(ｌｕａｌ（IiHtal】cil1gfl.o】ｌｌｉｔｉｎｔｈｅｌ)cginI〕ｉｎｇｏｆ ｔｈｅ1980,s､ColIse〔lllelltly，

２）tllelでisalIoticc【１１)leillclinatiolltoll(Pwmusic（ＳＣＣＩ)elow）all。

３）Iistenillgto(lllykil】〔ｌｏｆｍｌｌｓｉｃｗｉｔｌｌ()utloy【lltyt〔)ｉｌＩ)ilI･ticuIar

gellrc、

４）FormillglaHrolll）Ｉ(〕Ｉ)1ｉｌｙｔ(〕H(Dtllel.themselvesrilth(Prthall listcIlilllH、

５）Ｍ()rｅｉｎ(IiHe1℃llcc（)1.rejcctiollofthctra〔litionillmusicthal1 everbe[Cl.e、

６）'1,hcyoullga1℃ｅａｓｉｌｙｃｏｌｌ１ｅ１･oun(１ｔ(〕ｃｏｍｍｅ1℃ialislll・Wllethel・

classic8ll（)rrockmllsic，tlleirfav()1.ｉｔｃＩ)icces【11．ｅｔｌｌｅｏｌｌｃｓａｄｏｌ)．

ｔｅｄｌ)ｙｃｏｍｍｅｒｃｉａｌＩｉｌＩｌｌｓｏｌｌＴＶ、

７）Ｔ１１ｅｙｌＭｗｅｃｏｌｌ１ｅｔ〔）listel】ａｌ１〔Iwatclll)romotioI](ｌｌｖｉ(lcosol】

ＴＶｗｌｌｉｃｈａｒｅｎ〕ostl)'rocklIIusic,ｓ(）1.()ckmusiclMlscxI)cricnce(｜

ａ1℃viwllsincel98k1．（S(}ｅｌ)Clow）

８）ＴｌｌｅｓｉｌｍｅｓｏｃｉａｌＩ)Hychologicilll)elMwiorall)atterll〔)lmusic lovcrs,1)otllinI)Cl)ul(lrilll(Iclassicaln1usic,ｉｓｏｌ)Serve(１．

Ｆｏｌｋａｎ(１１.ockIIIusi(Pill1(lll1usiciilllsIl;wel1ourishc(１（r()ｍｔｈｃ ｅｎ(ｌｏｆｔｌｌｅｌ()(iO，ｓｔｏｔｈｅｌ９７０'s、RocklllusiclMldl･ｕｌｃｄｌｈｅｃｒｉｌｏｆｔｌｌｃ ｌ９６０，ｓ【ｌｓｉｌｓｙｍｌｘ)ｌｏｆｔｌｌ(、“yollthcuItul.c'，（)l・“coul1ter-cllltu1℃”ｉｌｌｔｈｅ Ｕ`Ｓ､Ａ､Lll)allwasil｢[ecIc(ｌａｌ１(Istruckbvill･ockwhirlwiI1〔１，１)utdif‐

ferentfl･ｏｍｔｌＭｌｔｏｆｔｌｌｅＵ.Ｓ､Ａ､,foriIlmosIcases,itfoull(Iitswilyinto acculturatiollolllｙａｓａｌｌ(Pwfashioll・SocioloRistsandI)oliticalsciell‐

tists（1isl)utetllesociololHy（)ｆｌ･()ｃｋ・Ｔｈｅｒｅｗｉｌｓｍｉｌｉｌ】ＩｙｉｌＩＩｉ(1e()logical allalysisofIhcwor(1ｓｏｆＩ)rotestsol〕ｇｓａｌ卿illstwaraIl(ltlleestab‐

lishment．′I､he1℃foresch()lars（1iscusse(ｌｒｏｃｋａｓａｓｙｍｂｏｌｏｆｔｈｅ ｃｏｌｌｎtcr-cultul･ｃｏｆｙｏｕｎＲｓｔｅｒｓ，ａｎ(１ａｌｌ（ＩＳＩ)ｅｃｔｏｆｌｌｌａｓｓ弓cultｕ1℃・Rock fevergra(luaⅡｙｗｅｌｌｔｏｕｔ〔)ｆｖｏＲｕｅａｆｔｅｒｔｈｅｅｎ(ＩｏｆｔｈｅＶｉｅｔＩｌａｎＵＷａｒ ａｎ(１（lisbandilllHoftheBeatlcs・Ｔｈｅ“so【ｔａｎｄｍｃｌｌｏｗ”ａｇｃｌＭｌｓａｒ‐

rive(ＩｉｎｔｈｃＵ.Ｓ､Ａ、Jal)alleseyoulllHl)eol)Iealsohavebcco】】ｌｅｅｓ‐

trallRe(’（1．ｏｍｙｅａｒｔｏｙｃＨｌ1..ｓ〔〕ａｎｅｗｔｙｌ)ｃｏｆｍｕｓｉｃｃｉｌⅡｃｄｃｌ･ossover，

fusioll，ｎｅｗwave，whatever，I11ismixc(Ｉｓｔｙｌｅｏ（Val･ｉｏｕｓｃｌｅｍｃＩｌｔｓ ｃａｍｅｔｏｔｈｅ［０１℃・ＡｍｏｎｇｓＩｕ(IeI1ts,tllCirfavoritesoll瓜shavetcllded illthcdil･ectiol】ofJapal1csel)Ｃｌ)ulal･sol11Hsrathcrthallfo1℃ｉＲｎｏｌｌｃｓ、

FCI･onethingJal)illlesesoIlgsalldI)erf(〕rl〕lancesil1℃rcacllil1Rtlle stan(Ial･ｄｓｏｆｆ()reiHnolles・StlldelltscalIletolikellloreJal)allese sollgswllosemcilllillgｔｌｌｃｙｌｌｎ(lerstall(１ｋ)ｒｌｈｅｙａｌ･etcchniCaⅡｙａｂｌｅ ｔｏｌ)ｌＨｌｙｔｌｌｅｍ，１.ａｔｈｅｒｔｈａｌｌｆ()】･cignsollg【ｓａｔｗｈｉｃｈｔｌｌｅｖｃｌｕｔｃｈｅ(Iat Iirstbecausethcywel･eullusualan(ｌｃａｍ(Dfl･ｏｍｔｈｅＷｃｓｔ・Ｔｈａｔｉｓｔｈｅ ｒｅａｓｏｌｌｗｈｖａｎｃｗｍｕｓｉｃｔｙI)ｅｌｌ【ＩＳＩ･iscIltopromillellcc、Ｔｈｅｙｌｉｋｅ ｆｏｌ･eiHll，illtlliscascEnglisl１，ｓ()、g【s，１１()IbccauseofattractiveIyrics butbecauseoftllesillHer'H1)el･sonalityol･ｔｈｅａｔｍｏｓｌ)ｌｌｃｒｅａｓａｗｌｌｏｌｅ，

AstoJapanescsollgs,exceI)ｔｆｏｒａ（ewcases，theylikeordislike tlleml)ecauseofsyml)ａｔｈｙｗｉｔｈｔｈｅｗｏｌ･(１s・Ｔｈｅｆｏｌ･ｅｉｇｎｓｏＩｌＲｓｔｈｅ ｓｔｕ(Ielltslikenow(l(1ａｙｓａｒｅＩ)l･il1】al･ｉｌｙｌｏｖｅｓｏｎｇｓ，ｆｏｒｔｌｌｅｗｏｒ(1ｓａｒｅ ｓｉｍｌ)Ｉｅａｌ１ｄｓｅｖｅｒａｌＩ)atternsal･ｅｒｅｌ)eaIe(１，ｍａｋｉｎＲｔｈｅｓｏｎｇｓｌｌｌｌｄｃｒ‐

stall(Iilble・Acatchytunchelps，StevieWolldel･'ｓ“ＩＪｕｓｔＣａＩ１ｅ(ｌｔｏ ＳａｙＩＬｏｖｃＹｏｕ''bcill･ｓｔｈｉｓｏｕＬＳｕｃｈｌ)】･efel･eI1ccsa１℃ｔｈｅｏｕｔｃｏｍｅｏｆ ａｇｃｎｅｌ･ationwithouttlleexl〕el･iellceofwilr【１，(１ｔｈｅ（Iutyofmilitarv service,ｏｆａｍｉ(1(ⅡeclassyoullHsteepe(lillawell-oHlifepursuingtlle

“sofｔａｎｄｍｅⅡｏｗ”：apathctiC，ｓＩ)iritlessirreslx〕Ilsiblc（ｌｕｒｉＩ１ｇｉｌｍｏｍ－

ｔｏｒｉｕｍｏｆｃｏｎｔｒ()versy，ｒａｔｈ(Pl・tllal】sIatillRtlleil・ｏｗｌｌｏｌ〕ｉｎｉｏｎｓａｎ(l actillgol1tI1eirowllresIx)l】sil〕ility，Ｗｅｃｉｌｌ〕rcildsuchilphilosopllyill thewｏｒｄｓｏｆｆｏ1℃ｉｇｌｌＩ〕Cl)ularsongs，fol・examI)1e，ＢｉⅡyJoel,salld BruceSprinRstcen'ｓ(1)Cl)ulill・ilmongJal)allesesIu(lel)ts)．０１】t11e othel･hand,ｔＩ１ｅｃ()ntentsoftllesongsI)ｙｌ)Ｃｌ)ularncwlnusicsillRer／

134

songwritersill･emostlytllesiml)IC（lcscriI)tiol】ｏｆｔｌｌｅｄａｉｌｙｌ･outille life､YumiMatsutohya（kIlowllasYuhmill）［orcxaml)|e，maintaills contiIluousI)Cl)ulilrityamongfemalestudel1tsl)ysingillgaboutfeel‐

ｉｎｇｓａｌｌｄｌｉｆｅｔｈａｔ(11.ａｗｔｈｅｉｒｓｙｍｐａｔｈｙ､Femalestu(Ｉｅｌｌｔｓｗｈｏｌｉｋｅｈｅｒ ｓｏｎｇｓａｒｅａＩ)l)eale(Ｉｔｏｌ)ｙｔｌ】ewords・ＩｔｉｓＩｌｏｔｉｍｐｏｓｓｉｂｌｅｔｏｋｌｌｏｗ ｔｏday，ｓｙｏｕｎＲｍｉｌｌｄｌ)ysucllacontcl】tallaIysis・

T11ismusicitselfisI1otdi｢lerelltfroml)Cl）ｓｏｌｌｇｓ，ｔｈｅｍass‐

I〕roductiollofwhichhadgottellitssmrtiIITiI1Pal1AIIeyＲ１１ｙｔｈｍｓ ａｓｒｅｌ)etitio1】ｓｏｆｔｈｅｓａｍｃｌ)Hltterlls，Ｆｏｒｔｈｅｓａｍｅｌ･eilsons，ｓｔｕｄｃｌｌｔｓ ｃｏｍｅｎｏｔｔｏｂｃｌ･eluctal1ttohearI1leoldtypｅｏｆＪａｌ)aneseI)ops (Kayohkyokll)，ｔｈａｔis,ｔｈｅ()1(ltyl)eofJal)allesel〕opsandllewmusic becameindistillguislMlblefrollleac11()ther､ＴｈｃｆｏｒｍｅｒｉｓｓｕｌｌｌＨｂｙａｎ ｉ(1olsiI1ger（Irawllintocommercialisll1，ｔｈｅｌａｔｔｅｒｗｒｉｔｔｅｎａｎ(ｌｓｕｌｌｇ ｂｙｌ)crsonalitieswlloscl(1omapl)cal・ｏｌ１ＴＶ・Mol･eover，sillcenew musicsingel．／sol1gwritcrsmakemelo(1iesforidolsillgel･sflll(lthc samepel･sollsoftellfll･rallgcfbrthcIIlbotll,('`）ｔｌｌｅｏｎｌｙ〔Iｉｆ｢eｒｅｎｃｅ ｍａｙｗｅｌｌｂｅｔｈＣsingers．′I､llereforc，ｉｔｉｓｔｌｌｅｖｅｒｙｌ１ａｔｕｌ･ｅｏｆｔｌｌｅ ｔＩ１ｉＩｌｇｆＯｒｌ)e()l)ｌｅｔｏｌｉｓｔｃｎｔｏａｎｙｔｙｌ)ｅｏｆｍｕｓｉｃｗｉｔｌ１ｏｕｔｓｔｉｃｋｉｎｇｔｏ ａｌｘlrticularolle，ＩｅｔｔｉＩｌｇｉｔｇｏｉＩ１（)Ileearall(ｌｏｕｔｔｈｅｏｔｈｅｒｌｌｌｒｏｕｇｈ ａｍｉｘｅｄｌ)rogram・lloweverthesetelldellcicshaveｌ)eellcllanging sincel983､'1,Ｖｉｓｌｌｏｗｒａｌｌｋｅ(ｌａｔｔｌｌｅｔｏｌ〕ａ、()11円audio-visuallllediato takeilImusicbecaus(Pl)romotiol1alvi(IeoliImsareteIevisedatnigllt liter(lⅡｙｔｏｌ)romote（Ｉｌｃｌ･evivalofrockmusic、ＴＶｉｓｓｔｉｌｌｔｈｅｌｃａ(1‐

illgentertaiIlmelltiIlJapallwheretllereares()manyTVstati(〕I1sthat l)eoI)ｌｅａｒｅｏｒｉｅｎｔｅｄｔｏｓＩ)ell(ｌｆｒｅｅｔｉｍｅａｔｌｌｏｍｅ・ＴＩｌｉｓｉｓａ（Iifferent characteristicfromacar-oTientc(I1wlIiolDIiketheU.Ｓ,Ａ，wIlichllas morcspecialize(IFMstati()11s；rocl《，ｊｉＭｚ，Ｃｌ)era，classicalmusic，

countrywestcm，ｅｔｃ･

Ｓｏｔｈｅｔａｓｔｅｆｏｒｍｕｓｉｃｗｏｕｌ(ｌｂｅｌ)I･esumablycontl･olledl)ysocio・

culturalstructures・Ｔ１１ｅｉｍｌｘ)rtalltmatterislｌｏｔｗｈａｔｔｙＩ)ｅｏｆｍｕｓｉｃ ａｇｒｏｕｌ）Ｉｉｋｅｓｏｒｌｌｏｌ，ｂｕｔｈｏｗｔｈｅｉｌ・tasteclIangesorwhatcolltrols

ｍｓｔｅ，Ａｓａｎｅｘｉｌｍｌ)le，ｔｌｌｅｌ･ｅｃｅｎｔｒ()ckrevival，sllowsdennitelyan illl1uellcｅｏｆｔｈｅｍａｓｓ－ｍｅ(Iiil、'1,ｈｅｐｏｉｎｔｉｓｌｌｏｔｔｈａｔｒｏｃｋｒａｔｈｅｒｔhan somethinHeIseIhasrevive(１１)ｕｔｗｈ【1ｔ「(lctorschallge(IoriIlOuellced tastcsandl)chavior、Attllisjullcture，mass劃ｍｅ(ｌｉａａｎ〔１ｅ(lucation denllitelyl･egulHltemusicaltasteall(１１)ellavior・

Inconclusion,Iwoul(Ｉ１ｉｋｅｔｏＩ)ｏｉｌｌｔｏｕｔｓｏｍｅｂｅｈａｖｉｏｒｏｆｃｌ(lssical concert-goers・T1Mltyoul】ｇｉｌｕ(Iiellcesal･ecollspicll()usamongClassi‐

calcollcert-goel･ｓｃｏｕｌｄｂｅ(lpal･ticul(lrkatureo小11〕allesesocioty,２０ ｙｃａｒｓａＨｏｏｒｍｏｒｅ,classi(valcollcertgoel･ｓｗｅｒｅｍｏｒｅｌｘ〕IiteaIldquiet，

ｂｕｔｎｏｗａ(1ays，ｔｈｅｂｅｈａｖｉｏｒｏｆｙｏｕｎｇａｕｄｉｅｎｃｅｓｅｓｌ)ciaⅡｙａｔｔｈｅｅｎｄ ｏｆｌ)erformallces,hasbecomesllowy・ＴｈｅｙｏｕｎｇＩ･ｕｓｌｌｔｏｔｈｅｓｔａｇｅｉｎ ｏｌ･ｄｃｒｔｏｇｉｖｅｔｈｅｉｒｇｉ(ｔｓｔｏｔｈｅｓＩａｌ・ｔｈｅｙｌｉｋｅａｌｌｄｔ(）ｓｈａｋｅ ｈａｌ〕(1s・Ｔｈｉｓａｔｔｉｔｕｄｅｉｓｌｌ(〕ｔ（Iifferelltfl･ｏｍｔｈａｔｏｆａｒｏｃｋｓｔａｒ,ＳＯＩ･idol sil1lHer'sgrouI)ies・Moreovel．，ｔｈｅｙｔｃＩｌ(Ｉｔｏｆａｖｏｒｔｈｅｐｅｒｓｏｎａｌｉｔｉｅｓ ｗｈｏａｒｅｒｅｌ)ortc(ｌｏｎｂｙｔｈｅｍａｓｓ－ｌｌｌｅ(1ｉａａｎｄｉｎｔｅｌ･Ｉ]ationilⅡｙｗｅⅡ kllownartists，withoutｃ()Ilcerllingtllemseveswithskiuａｎ(ｌａｌ･tistic iml)ression・Evellataqucstiol]ableperh)ｒｍａｎｃｅ，thcyIlevercriticize・

Ｆｏｒｅｘａｍｌ)IC，SeikoMatsu(1ａ，ｏｌｌｅｏｆｔｌｌｃｉ(ＩｏｌｓｉｎＲｅｒｓ……ａｎｙｏｆｌｌｅｒ ｓｏｌｌＨｓａｒｅｗｅｌｃｏｍｅ(I，tllesamctelldeIlcyolltheclassiｃａｌｓｉｄｅｃａｎｂｅ ｓａｉ〔Ｉｔｏａｐｌ〕Ｉｙｔｏｌ〈arlB6hmaIldStanislavBunin'scoI1certs.(I5DEvenif theirovertbchaviorｗｅｒｅ（1i｢ferent，tlleI)sycholoRic【ｌＩｂａｃｋｇｒｏｕｌＩｄｉｓ ｔｈｅｓａｍｅ・ＹｏｕｎＲｌ)eol)ＩｅｓｈｏｗｉｌｌＲｅｎｅｒａｌｔｉｍｉｄｉｔｙｔｏｗａｒｄｔｈｅｔｈｉｌｌｇｓ ｔｌ１ａｔｔｈｅｍｅｓｓ－ｍｃ(ｌｉａｗｉｌｌｌ〕ｏｔｍｋｅｕｌ),ｅｖｅｌｌｔｈｏｕＲｈｔｈｅｙａｌ･eofgreat quality・Regar(Ｉ１ｅｓｓｏｆ〔luality，illtern(ltiollalpoI)ularitycharmstllem；

youth，halldsomelless，Ｉ)retIiness，Iovelillcss，suchfeaturesmake l)ersｏｎ&lIiiesillt(）ｉ〔l()1s､ＴｂｅｆｌｃｔｔＩ１ａｔＩ)eI･ｆｏｒｍｅｒｓｍｋｅｔｈｅｍｅａｓｕｌ･ｅｏｆ ｃｏｍｌ)osersinviewillgtlleclassicalmusicwol･Idtellstllesamestory・

Accol･dingly，suchmusicalbebaviorofyounRI)eoI)ＩｅｉｓａｐＩ)arently mallil)ulatedI)ｙｃｏｍｍｅｒｃｉａｌＩ)rol)agallda・Ｉｔｉｓｌｌｅｃｅｓｓａｒｙｆｏｒｕｓｔｏ ｉｌｗｃｓｔｉｇａtetherelationshil）１)etwecl1mass-me(1ｉａａｌｌｄｔｈｅｍｕｓｉｃ ｉｌ１(lustrics､AIIａⅡoｔｍｅｎｔａｌＩａｌｙｓｉｓｏｆｔｈｅｔｉｍｅｓｃｈｅ(lulesofmusicI)ro‐