『悪魔の弟子』の成立過程についての覚え書(1)
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(2) 48. 鈴. 木. 龍. 一. ロマンス作家ということになっていたろうo実際には,彼は両方の世界を見事に つなぎ合わせているのであり,親客は,この芝居から得られる快感が知的なもの であると自分に信じさせながら,大いにロマソティックなシチュエーショソを楽. しむことができるわけだ｡つまり,親客は,一見したところでは作品の中に巻き こまれていないようでありながら,同時に巻きこまれているのである｡これほ以. 前には一度も行われなかったことで,ショー以前の劇作家たちが,芝居をあたか も現実であるかのようにしてその中に観客を巻きこもうとしたのにたいし,ショ ｢単なる現実の再現では真実の印象を与えるこ ーは,ブレヒトが認めたとおり, とができない｣という事実を承知していたのである｡次のように述べたのもまた ブレヒトだ｡. ｢ショー劇の全登場人物がもっているあらゆる特徴は,私たちの出. 来合いの連想を動揺させ混乱させるのを楽しむというショーの態度から生じたも のと考えうる｣というのはつまり,ブレヒト劇の中心となったあの｢異化効果｣ をショーが発明していたというこである(4)0 ショーのテキスト研究の第一人着であるダソ･ Sbaw interest. is the. only. one. in his texts. who, and. until. H･ロレンスによれば, now,. in the processes. has. failed. by which. to. generate. he. created. a. scholarship his works(a).. 『ピグマリオン』の結末などについては,早くから広く関心が寄せられていたが(6), 1981年に出版されたBernard 巻は(7), British. Shaw. Early. Texts:. Play. Manuscribts in. Facsimile. 12. Library秘蔵の原稿を間接的ながら一般研究者の手に届かせたものとし. て,その価値は非常に大きく,これをもとに特に初期の作品に関して,本格的テキスト研 究が今まで以上に進捗するだろう｡ロバ-ト･F.ホイットマソはこのシリーズの中で The Annual Shaw Studiesに 『悪魔の弟子』を担当し, 2年後にShaw: of Bernard 寄せた論文で,上記テキスト解説を要約し,特にこの作品の最後の部分に焦点を当ててい る(8)0. 筆者の究極の目的はホイットマンの作業を吟味することであるが,この小論はそれに先 立って,ホイットマンの提出した資料,ショーの日記,手紙,評論の中からこの作品に閑 適するものを抜粋して,この作品の成立過程を年代を追って概観することである｡従って 利用で これからはSelf-explanatoryな資料の提出に終始していることをお断りしたいo ｢自伝｣の形に纏める器用さを発揮したのはワイントロ-プ(9)で きうる資料を活用して,. あるが,ここではその連続性はない｡しかし本格的な伝記として期待されたホルロイドの ショーの伝記第一巻(10)ち,ロレンス編の『ショー書簡集』(1乞),ワイントロ-ブ編『日記』(12) に全面的に依存してその域を越えていない(少なくとも『悪魔の弟子』に関しては)ので ある｡. 1894年,バーナード･ショーはリチャード･マンスフィールドに『武器と人』のアメリ カとカナダにおける一年間の上演権を与えた｡その契約の第5条はショーが自分の戯曲を.
(3) 49. 『悪魔の弟子』の成立過程についての覚え書(1) いかに大事にするかを示している｡ At. of the. all performances. copy. by. supplied. intentional. time. be. may. or. necessary. in the. customary. bring. place. as. savlng. the. be. shall Only. such. performance for. of performance. in. contained. Manager. alteration to. text. the. to. author. interpolation. as. ment. the. the. comedy. the. prompt. without. spoken. reasonable within. plays. curtaiレ. the. limits. of. its class(13).. of. The Saturday Reviewで劇評を担当し ショーは1885年の1月から1898年の5月まで Three た.その間の奮闘ぶりは plays for Puritansの序文冒頭に生々しく伝えられてい る｡. "Two. 1895年4月20日,. Bad. Plays"と題する批評の中で,彼の理想とする｢メロド. ラマ｣像にふれている｡. …. I bold. Adelphi. is offirst-rate. melodrama. become. to. ration. action. motive. is. of fun,. high. of youth. feminine,. the. and. depending. ridiculous,. so. and. the on.. as. conduct. in actual. wbicb. whole. greater. heads. swiftly. life it only. All. centuries.. tbe. producing. of which, and. surer. the. laborer,. variety. of human. sympathy and. and. the. and and. obviously, than. on. the. race. requires we. the. the. spite. the. on. the. of. the. masculine and. it. must. individual course. for its accomplishment in. the. represent. the of. results many. rather service. playhouse(14).. 翌1896年3月7日,ショーはアデルフィ劇場にウイリアム･テリスを直接訪ねた｡この. メロドラマの牙城の俳優兼経営者は,世界巡演を計画してショーにその目的にふさわしい メロドラマを所望した｡すでに幾つか作品を書いているとはいえまだロンドンで公演され ることがなかったショーと,当時のメロドラマの巨頭との間では格段の違いがあった｡こ. の結果を同年3月26日付けのエレン･テ1)-宛の手紙にみよう.. the. be allegorical,. in the. commonly缶nd. by. contrasts. sublime. must. lessonsl;and. certainly on. sel丘shness,. of the piece. moral. not. broad. on. frivolous,. character. produces. hands. but. and. relieved. in. people. circumstances,. drama. of passion. character,. individualize. Adelphi. sincere. and. age,. idealistic, full of generalizations. and. pbilosopber. and. serious The. simple. elabo-. needs good. tract. which. and. a. really. vast. for. sex,. it only. a. Adelphi. good. that. the. idiosyncrasies. types. be. wellwithin. to. Of age,. It should. get.. really. because. Unfortunately,. …. kept. common. similarlty. between. to. A. consideration.. Importance,. masterpleCe. bard. and. comedy. closest. literary. feeling,. and. which. plenty. a. is very. melodrama of. in high. melodrama. of.
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(7) 『悪魔の弟子』の成立過程についての覚え書(1) into. then. soldiers. be. comeand. intimidate. to. She. exultation･. the. Sc･ II The. is led more. people. that. only. is. that. she. sbot･. (The. bear. can. his is. death.. execution. The. be. to. public,. effectually.) Awill. for. man. be. to. out. execution･. is jubilant, asks "Stop:. imaglneS. 53. one. not. not. sure. far above. got. pray-has. in the丘ring. shot. that. now-. party.. husband."(17). my. 上記に続いて,速記ではなく普通の書法で書かれ,シナリオを拡大したように思われる 2貢が残されている｡. Richard,. Anderson,. Judithの名前が登場する｡軍事裁判が明記さ. れ,いがみ会っている二人の将校によって執行されることになっている｡両者がgeneral とhis. Richardはやさしいが, superiorと言及されるのみで,名前がないo Juditbの愛 を知っても最早喜んでいない｡シナリオの第2幕で一行で書かれた結末では,アンダーソ. ソ牧師が救い手として戻ってくる戯書を予想させるが,この｢メモ｣ではジュデイスがリ チャードの妻ではないことを宣言して終わっている(18).. 1896年9月10日,ショーはリージェソト･パークで書き上げていたシナリオを基に, 『悪魔の弟子』の執筆にとりかかった.ショーほ8月1日からウニップス夫妻とペイン･ St･. タウンシエンド嬢と一緒にサフォークのStratford. Andrew. Rectoryに6週間滞在. し,フェビアン協会の友人を歓待していたのである(19)0 1896年9月25日付け,エレン･テリーへの手紙｡ 〟Candidaけdoesn't in comparison. to the. the血st. would. bore. i read. it to. scene. Unless. agaln･. I begin. :. matter. i have. one. to. just. you,. begun.. death. to. you. you. it. think. must. an. You you. and. wait. overrated. play,. simply. couldn't. would until. especially. it up. take. never. it:. read. it is produced,. if it. is(20). ever. ウエストエンドでの公演は1907年を待たねばならないのだが,ここではエレン･テリー がなかなかこの戯曲に接する機会がないところが興味深い｡ 1896年10月16日,エレン･テリー宛の手紙. The. play. I sit. in an. with the. at. British. new. progresses-the a. little hole. easel same. LibraryAdd･MS･. propped. of. a. up. one-the. room. melodrama-such Road. offEuston. before. me. so. that. l. can. a. the. on. w･rite. corner. and. melodrama′! of be. a. table. painted. time(乞1).. 50606B-D. (3冊のホログラフ･ノートブックで,現在ファ. ックシミリで入手できるもの｡この段階でほ副題ほ"ADrama 幕も3場に分けられている)く22)への書き込み｡. in. 3Acts"であり,第3.
(8) 鈴. 54. of Act. I. End. of Act. Ⅱ. End. of Scene. End. of ActⅢ. End. Finished. 木. 龍. 一. [British. Library. Add･. MS. 50606B]. [British. Library. Add.. MS. 50606C]. 23/10/96 16/ll/96 Ⅱ 29/ll/96. 30/12/96. the. business. stage. 20/2/97. Library. [British. Add･. MS. 50606D]. 次に掲げるエレン･テリーへの手紙に見られるように,ショーほ11月29日で一応原稿を 完成している｡彼はト書きはせりふが出来上がってから書き入れるのを習慣にしていたか ら, 11月29日から翌年の2月20日までを修正とト書き記入に費やしたと考えられる｡原稿 を直接調査したホイットマンによれば,この間5回,もしくは6回版を改めた｡テ1)-へ tiny. scrawl. of. notebooks"の一部分は紛失した可能性がある｡ 30/12/96の書き入れのある京ほ,最後の部分が不満で最後の真を破り捨て,残された唯 の手紙に見られる"a. 一のスペース.すなわちその前の真の裏に書いたものである,という(23)｡それぞれの版 がどんな順序で善かれたかはホイットマンをも含めて,かなり推測の域を出ないように. 思われるから,この点についてはこれ以上触れることはできない｡現在標準版とされる Bodley. Editionによると,この作品の完成期日ほ1896年12月30日とされている｡いずれ. にせよショーは,後述のようにこの作品が出版された1901年迄,棟会を捉えてテキストに 修正を加えたのであり,その後も版を改めるごとに適宜なんらかの修正したであろうと推 測するのは,的はずれではなかろう｡. 1896年11月30日,エレン･テリー宛の手紙｡ my. ...Ifinished like wastlng in. few. a. Three. time?. my. weeks,. do. today-what. play. of a. scenes,. six. Paris. to. trip. a. with. acts,. think. you. and. Does. that?. masterpleCe. Ibsen. those. look. that. all completed thrown. articles. ln-.‥. I have &. "a. have. for. the. an. made. dramatic. for. it will. Tell,". ously not.. I think. at. get. of the. it like. you. a. time);. stage. &. And. &. l. carpenter. you. l have really. Man''. &. will tell. me. W.. &. &. have. oplnlOn;. T.. whether. hanged. declamations, that. honestly. dry. oplnlOnOn. "You. Never. (the heroine to. bin. its heroic. with. absurdity. side, like Candida and. your. speeches. a. The. want. (imagine. yet me. promise. to. my. thing,. of farcical. couldgive. like "Arms. this. piece. this. and. piece. sympathetic. your. but. its execution. laughter.. with. kept. bin;. !), its sobbings. monstrous. tickle you,. not. through. most. for. part. martial,. Adelpbi. shriek. effect.. nor. hero. the. the. audience. for. or. be. possibly. court. l have. that. before;. melodrama. of the. eyes. a. with. its impossible. sacrifice,. may. tried. never. tell him. to. drama". strong. l have. before. Terriss. to. written. drudge it is. ever. tried it; Can is not. conscientia. burlesque.
(9) 55. 『悪魔の弟子』の成立過程についての覚え書(1) But. tlny. a. as. l think. that. now. I shall. in my. scrawl. have. to. the. history. to. the. typist. to. other. people,. to. But. when. American. of the. the. be. War. Meanwhile. to-well,. not. th･ing is typed,. stage. then. no. can. pOCkets･. besides. before. l. exists. in皿y. about. matter:. will. you. only. play. business,. of lndependence. copied･. readably but. all the. out. work. The. l carry. books-things. note. it &. revise. up. and. it, all this is premature･. of. I. reading. can. it. send. it to. Terriss,. won't. you?(u'. read. ･･･. it for. read. me,. アメリカ独立戦争については,妻のシャーロットの協力が大きいが,その前に12月30日 の版を紹介する｡ JUDITH-Promise. you. RICHARD-Don't. be. JUDITH-I. suppose. afraid.. learnt. know. RICHARD-I No:. hands.). neck since. exactly. off up. the. has. quarter. of. She. him,. at. then. lesson. one. all･. come. (The. clock. strikes. hour. an. gazes. face. their. terror. quarter･. He. her. with. for. me･. his. writhes. it). round. him･. after. the. Goodbye･. ago.. her. ih you?. change. his hand. covers. lost. have. that. it, passing. loosen. street.. at. marry. Tears. now.. use. when?. if to. as. tO. the. madam:. good. never. (She looks. no. when. RICHARD-Since. now･. My. me.. you.. that's. JUDITH-Since. lS. yesterday. despise. JUDITH-You. Essie!. Marry. since. Essie. marry. will. you. RICHARD-(amazed) l have. tell him･. never. will. her. (He leaves. goes. and. Curtain)(26). ショーが典拠したFoublanqueについてほ,ショー自身が『悪魔と弟子』のあとがきで. 詳しく述べているから,ここではシャーロットの協力が何時ごろであったかを示すために 1897年1月1日,同じく7日付けの彼女あての手紙を転記するにとどめるo our. is. arrangement. myself. with. Thanks. for. the. that. American. flowers. &. I war. to. am. come. and. other. tomorrow. afternoon. and. occupy. follies(26). Foublanque(27).. テリスに読んできかせた可能性についてほ,後年ショーが新聞紙上で語っているエピソ ードがある.ホイットマソはショーによくある誇張癖の一つだとして一蹴しているが,内 容の真偽はともかく参考までに引用する｡ Terriss was. "no. fell. sound. further. asleep. discussion. "three of the. or. four. minutes. play."(乞8). into. Act. Ⅱ,Hand. there.
(10) 56. 鈴. 木. 龍. 一. アメリカのリチャード･マンスフィールドは,以前Candidaの上演を引き受けたが, 結局梧古中に上演不可能として放棄し,又ショーが彼のた捌こ書き下ろしたThe Dest.inyも突き返した.このフソスフィールドがThe. Devil's. Man. of. DisciPleを1897年10月に. ニューヨークで上演して大成功を収め,ショーにも多大の印税をもたらして,彼がシャー ロットとの結婚に踏み切るきっかけとなった｡そのマンスフィールド夫人あての同年1月 8日付けの手紙｡ last. My. just the. for. play. lndependence･. simple. Besides. the hero his. D's. it. just. as. to. have to. copy on. one. the. to. send, your. not. see. you. unless. you. will l. do. can. it performed. clever. or. New. York‥. of 50 who. and. effective. copy. the. let. I can't business. stage. l hope. on me. "The. of. in melodrama.. later. first,. a. you. out. but. typist;. very. of. individ-. and. minister. send. to work. time the. a. War. leadi喝part,. for. enough. is. and. the. splendid. Presbyterian. what. in. of singularlty. subtle. last act…I. for. ready. amount. and. Disciple,". incident. an. through-and. shew. l have. Devil's. Richard-a. man-a. in the. because MS. any. village,. older. "The as. for. play. heroall. just. the. a. an. Burgoyne). now. of. is. with. D.〟 someday,. do. for. there. own. the. occurs. situations,. enough. (General. part. death. it. as. It is exactly. uality,. holds. America,. life and. powerful. (OP. 8) is called. play. completed. have. to. it to. read. so a. you. visits(29).. 一方,ショーは友人である当時の一流の演劇人に,出来上がった作品を読みきかせてい る｡この中からどんな改定が行われたかは非常に興味のあることだが,正確に突きとめる のは甚だ難しいノo 1897年1月28日,シャーロット宛の手紙｡ have -I including any. to. undertaken York. three. or. Powell, four. on. others. 〟The. read. Sunday will. do. Devil's. Disciple〃 so. evening;. don't. to. certain. reserve. people,. it for. instead(3o). 1897年1月31日,日記から｡ Read. Devil's. 多分Florence. Disciple Farr. at. Pagets'. at. 76. Park. Rd.,. Haverstock. Hill.. (Henry Paget夫人の姉で女優)も妹の新居に同席して,シ. 1月28日の妻に宛てた手紙では,ショーは警戒して ーEの朗読を聴いていた. Powellの名前しか記していない(31)｡. York. Forbes. RobertsonやMrs･. Campbellらの反応も得て,改定作業は終わりに近づく｡. ショー自身の作品解題として引用する一連のエレン･テリー宛の手紙(特に3月8日付け) で分かるように,この大女優は間接的にも改定作業に加わることほなかったようだo. me-.
(11) 57. 『悪魔の弟子』の成立過程についての覚え書(1). 1897年2月28日の日記o call. Mrs.. at. Disciple. Devil･s. her. to. 10 Mandeville. Campbell,s,. Patrick. Forbes. and. Place,. 15, and. at. Tile. read. Robertson(32). 1897年2月19日,エレン･テリーの手紙からo is it Johnston. play. ...which. has. F･R･. Just. got?. tell. that'33'. me. (卜善作業の終わったあと) 1897年2月23日,エレン･テリー宛の手臥 to. seem. …you I. suppose. have. And. so. a. Play! for. copy. It is. so. this ill old Mrs･. love. you. now. good?. But. wretch. to. She's. P･C･?. Ⅰ,ve always. amusing.. and. clever. and. bavent. you. you?. Terriss,s. mean. liked. down. here,. lovely. lady,. read very. a. her,. tho'I. very. ill?. itis･. course. of. know. scarcely. her(S4). 1897年3月3日,エレン･テリー宛の手紙. Ellen:. are. that. got. a. play. of days. couple. itl.. I have. to-ah!. unable. that. Sure. qulte. you. not. you,re. is. ago:. Million. it possible. million. You. should. have. have. been. you. that. million(35'. 1897年3月5日,エレン･テリー宛の手紙｡. it. for you. suits him. part. which. to. if it would. play. ending,. between. Henry. get. and. happy. nice. is imprisoned. Sunday:. it until. a. the. you. send. it has. once:. at. affection. me. I would. think. you. …Do Read. and. read. breath. a. it to you;. good･. you. of my. Or. of leaves･. pair. do. not. heart's. stay-no-keep. and. then. has. anything. tell. can. you. best(36)･. 1897年3月8日,エレン･テリー宛の手紙o woman･s. ...The but the. listening. that. last. act. to. the. difncult. so court. unless. tell. you. where. will. be. exactly. me. the. she. holding. martiaトtbe. laughing-that. the. throughall. is not. part. No:. difnculty･. how:. on. Ⅰ,d rather. to. to. horror. the. 1 wont. write. say;. you. rewrite another. play(37). 1896年12月30日から1897年2月20日の間に,次の台詞が追加されたが･これは明らかに ショー自身の発想によるものではない(88). JUDITH-(Seizing. his hand. RICHARD-When. i quit. to. commit. all. my. sins. as. he turns. the devil,s. privately･. away). service. When. shall. ; for then,. you. I see see,. you. again?. I shall. have.
(12) 58. 鈴. JUDITH-Still. 木. 龍. hero,. and. 一. unchanged?. RICHARD-She. has. found. a. now. to have. she wants. him. changed.. Goodbye.. JUDITH-We. meet. shall. again,. all the. same.. かくて出来上がった版ほ,元のノートブックに善かれた材料を残しつつ,平板だった結 末に"musical. pageantry"の色彩を加えている｡リチャードとジュデイスのロマンスの. 展開は無くなっているが,リチャードと-シーの間での可能性を残している｡大きな欠陥 は冗長で劇的盛り上がりに欠けることである｡ショー自身後に削除している｡. (棒線で消. してある部分｡). 以下,左偶に初版のものとなった原稿を示し,右欄に現在の標準版であるBodleyHead 版からその部分を抜きだして,比較できるようにした｡ COpyright performanceから これから後の改定について触れるべきことほ多くない｡ ウェストエンド上演に至る上演上のエピソードを含むその後の経過についてほ次稿に譲り たい｡. BURGOYNE-My writing for. last. settle the. six. matter. at your. Richard). See. you,. boy.. Now,. her. me,. will. bin.). to. over. busily. Dick. BURGOYNE.. RC,. up. together. down. Come. ANDERSON.. Richard] you,. boy.. my. Now,. him].. two,. then. Oh,. Richard) I shall lunch. look. glad. at. half. green. Swindon: for. George.. to. see. past. be. will yellow body. (Exit after. so. to. Dudgeon,. good.. over. has. except. turns. lt,. foreseen. you. Anderson,. at. and up. moment. and. slyness]. Bring. will. Major. fuming]. King C. don. be. War. so. him. up. and. turns. Ob,. by be. will. busily. goes. the Town. step to. ui). Hall,. together. two;. or. then. Richard].. the. glad. to. over. Mr.. way,. to. see. at. you. [He pauses. a. u)ith politely Veiled. Mrs,. Anderson,. [To. if. Swindon,. it quietly,. Major. the British. to anything. me,. her. one.. adds,. friend. O缶ce.. a. [To. sir.. Richard. and. good.. Take. : your. stand &. [He. half-past. at. Don't. this. General.. I shall. lunch. Mrs.. at. ･matter. for. hands. himself. step. Bring. aristo-. service,. [He. follows. BURGOYNE.. lunch. an. the. Judith home. Judith. or. Dudgeon,. at. one･. &. past,. Mr.. you. if she. every. months. and. by the way,. be. Anderson,. himself. checks. your. place towards. market. checks a. have. settle. At See. Burgoyne. bin. and. a. sir, without. quarters.. leaving. BURGOYNE-(follows. good. cannot. you. cracy.. the. LC).. My. Conquest. my. sir. (To. for. (Goes &. and. quarters.. service,. (hands. Judith. O庶ce. Come. Judith home. General.. eaving. my. been. War. the. months.. ANDERSON-At. my. to. else. nothing. the. sir, I have. good. except. who. is. Swin-. soldier the. she. can. British. [He follows Anderson]..
(13) 59. 『悪魔の弟子』の成立過程についての覚え書(1). off L.) SERGEANT What. orders,. are. Back. orders. to. Orders. !. There's. now?. be. and. quarters;. no. R･). SERGEANT-'Tention March.. ; the. band. diers ; and. the. time. the English. Back. to. jeering. band. his heel. them,. R the. with. Doodle.". "yankee with. L. them. Bessle,. cock. and. then:. em. dous. town. goes. up. rest,. playing. ; and. ike. English. to. jiantly. their. a. Essie. in. comes. o# detownsfolk. march. u♪ the. them. town. the. and. brings. a#air,. Doodle･. Yankee. i,laying. rear,. who. them;. tremen-. Brudenell,. follow. at. Slope. up二British. The. Primitive. very. u♪ the. troops, quarters･. jeering. band,. a. with. strikes. and. shew. march!. the Sergeant,. press in behind, market,. and em･. time. the band. bang;. chins,. !｡Quick. mark. Grenadiers and. in. comes. Wheel. drums. The. you. up. careadamnfor. ! Fours!. the. up. dont. you. arms. Richard.). to. runs. and. repudiating. and. Who. turns. d-[He. Now. the. and. dow･n. in up. follow. be. and. army.. no. marks. L･ The. off up. them;. at. comes. out. and. up. march. in &. street,. British. There's. now!. quarters;. SERGEANT. your. Serge■ant, Brudenell,. troops. press. What. Grena-. drum. (The. strikes. people. Orders!. goes]. [Pugnacious and patriotic, ike idea of defeat] 'Tention･. ! By. ! Fours. orders. are. use. army･. d-(Exit. [savagely]. SWINDON. What. on. left, forward.. orders,. sir?. sir?. SWINDON-(Savagely) use. What. [to Swindon]. SERGEANT. Swindon). to. -(Crossing. with. them,. to. runs. Richard. BESSIE-Oh,. Dick. but. RICHARD-(goodbumouredly, fully) Now,. cried. hanged,. being. mind. but. wiト. tries. cannot) soldiers. to. mind. being. cried. over.. I-I are. going to. pretending. to. want. look. to.. 1'11 be her. restrain. where. (She. after. good･. tears,. see. goes. Now,. be. not. the. cannot].. them)I. L,. trys. way. me. you. never. the. JUDITH.. not. going. [She. to.. RICHARD-Don't shake. be bands. afraid. on. it). tears,. but the. where a. little. to. look. goes. pretending. crowd]. Promise. RICHARD. They. be. Ⅰ'11be good･. me. you. tell bin.. tell him.. (They. will. are. i will. see. to. want. wilfulI dont. her. restrain. u♪ the market,. after JUDITH-Promise. but. come!. I promise.. to. I-I. soldiers. but. hanged:. No,. [she. come,. now･.. BESSIE.. but. up. Dick!. [good-humoredly,. 1y]. I will. I promise.. RICHARD. I don't. over.. BESSIE-No,. (She. come･. come,. now,. Ob,. BESSIE.. !. Dont shake. hands. be. afraid. on. it.. will. never.
(14) 60. 木. 鈴. jtJDITH Dick.. Do■n't. You. him. mAy･tC11. 18Yed. you,. ･tht. rnyoelf･. if you. like.. But. 一. lrn.-. th上_Ⅰ 5JLid I. I 9hnll. don't. tell himdoftb. plcn9C. [.三F.ttT.at･王!G3t fa王t[.王T.ti三芯.. 一昔マC.-{c!l. I promisH>. -R指HARD. 寸甘DITH. Thnnkg.. Now. ー蜘ri:. I only. づ由e9･･. Hc. 1hh9Clf. what. loved. codld. hyc. love. hiせト. like. to,. prctcndcd. ncvcr. A=.d. I'll tcll･ yo計. I hewer.上帆11y. ･斡methi由.. ー■･T.e.. misundcr5tAnd. 龍. mo9t-. taught. i9.I But. me-. t加由仁. ydu. !王〇.JC･h王芯:-I I:3rl'こt[l誌-. ニ〇T.. 【≡≡翌 Hc. Quite right.. ･RICH^RD. i8. t*t出-. a. tヒ己ニ!こ=.. --≡三三r.-I But. サロDITH. I甲i9h. I c.ould h8YCtAught･. 了〇･J tti王r.!王?･･. RICH^RD. If it ig, then. 1℃廿氾in the. Devil'g Oh. ･JUDITH BESSIE. (calling down. coming An people. of. rush. in. enthusiasm the. (She. outburst. stage;. shoulders,. and. Dick, to. up. their hand bois上 Richard. cheering. him.). to. The L. I. BESSIE. Tbey're. down. runs. again. plcA9C.. them). cheering.. with. 81w叩9-. Di9Ciph. do, dear. back.. I 9hll. ing. Dick.. in. ; pour. folk. wild down. on. back.. They. Fublication. town-. their. They're. [calling to them]. surge. want. you.. in the market.. back. with. their. band,. their. shoulders,. again and chemng. com-. in wild hoist. The. towns_. enthusiasm Richard. on. him(40).. Curtain(39).. 注. (1)ちなみにArmsandtheManとPygmalio叫ま`a romance. (2)中川龍一:. 'で`. melodramatic. romance. romance'と副題にあるo勿論`Shavian 'ではない｡. ｢非メPドラマ的メロドラマ-ショオ『悪魔の弟子』｣. (『劇作』第9巻第5号,. 6号,. 1940). (3)山本達雄: 『バーナード･ショー-虚構と現実』 (開文社,昭56) Bernard Shaw: A Reassessment, (4) Colin Wilson: (Macmillan, 1981), p. 146 訳文は中村保男訳『バーナード･ショー』 (新潮社, 1972)より｡ Bernard Shaw Early Texts: Play Manuscripts (5) Dan H･ Laurence, gen. ed.: (Garland Publishing, 1981), p. iii [以下Garlandと略す] mile ｢Pygmalionの結末｣ (6)例えば,升本匡彦･･ (『アカデミア』 45･46集, 1965年);同: 1ionの結末一再論｣ (『名古屋大学英文学会IVY』, Vol. Ⅶ, 1968). in. Facsi-. ｢Pygma-.
(15) 61. 『悪魔の弟子』の成立過程についての覚え書(1) (7). Garland. (8). Robert. F.. Stanley. (10). Michael. (1983). [以下SCと略す] Shaw.I. &. (ll). Bernard. Holroyd:. H.. Laurence,. Reinbardt,. (13). State vania Cエ, Vol.1,. (14). Bernard. (15). CL,. (16) (17). Ibid., Vol.. p･617 i, p･625 Whitman,. F･. Int･ by:. Manuscript. (20). (21) (22). Ibid., Vol.. (23). SC,. p.71. (24). CL,. Vol.. (25) (26). BDF,. (27) (28). Ibid., Vol･. (29). SC,. (30). IbidリVol.1,. (31) (32). Diaries,. (33). Christopher. (34). stable, 1931), p. 154 155-6 Ibidりpp.. Vol.. (Chatto. Letters. 1874-1950. (4. Max. vols･･. The. the. Nineties. Bernard. (Garland. Diaries. 1885-1897. (2 Vols･,. Pennsyl-. Shaw:. (Constable,. Devil's. The. 1981),. Publishing,. 1932), Volt 1,. pp･. 2-ll. Disciple-A. p･ 93. Faccimile. of. [以下BDFと略す]. Ⅱ, p･ 1137 668-9. 1, p･ 680. 1, pp･70516 SC, pp･7112. p. 192;. Vol.. i, p･716 1, p･ 716. p.72 Vol.. de Fonblanque) (Edward Barrington Observerから引用しているo ホイットマンは1930年8月24日付けのThe. 1, pp.717-8 p･ 723. Vol.. Ibid., Vol.. The. for Love. pp. 12-3. BDF,. BDF,. Search. 12-3 1, pp1. (40). 1898-. Vol･ 2･. [以下Diariesと略す]. in. Vol.I,. Collected. Show:. Theatres. CL,. (39). Bernard. 1986). Vol･. BDF,. Shaw:. Press,. Diaries,. (38). The. 1856J898･. 1,. Vol･. University. Ibid., pp.. CL,. :. ed･. (18) (19). (35) (36) (37). Shaw,. p.441 Our Shaw:. Hologra?h. SC,. Devil's. [以下Cエと略す]. 1965-1988). Stanley. CL,. The. of. 1856-1898･. Vol･ 1,. Autobiography,. Bernard. ed･:. Weintraub,. (12). Robert. Completion. The. 1988). Windus,. Dan. An. Actors:. the. 1969). Reinhardt,. (Max. 1950. to. Listens. Weintraub:. Disciple. (9). Shaw. Whitman:. Vol.. Ⅱ, p･ 1156. Ⅱ, p･ 1158 St･ John,. ed･. :. Ellen. Terry. and. Shaw-a. Bernard. correspondence. (Con-. 1, p･729. Ibid., Vol.. 1, p. 730. Ibid., Vol.. Head,. 1, p･733 SC, p･73 p.192; SC, p･ 74 pp. 193-5;. Bodley. 1971),. Head Vol.. Bernard 2, pp.. Shaw-Collected 140-1. Plays. with. their. Prefaces (The. Bodley.
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