『分別と多感』 / -二項対立の人間造型-
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(2) ῌ +3 1 +- . : Jane AUSTEN +11/ῌ+2+1 67!8 + "# !3 / 9: ;<=!>67"?3#@$ABC %D EFEGH&IJK"'( $LMN OEP&QR B( )*&S < TU3+VW ,&S -X,. 67Y.,Z[ \
(3) noblesse oblige /# ]301# 23 ^_E`4abPcP F^deP&f 3 AUSTEN !gh,W 5i674 %8j3klm 9 & :n n; &2o< +2 p AUSTEN =+W Dr. JOHNSON 3>&0 >> 3?@S \ , ;67W qA,r^Os3S Sense and Sensibility 9&:n AUSTEN BCD"E. (3/ t/(3FG,! !"# $" %&'()*+,-. / "
(4) sense &
(5) sensibility n; uv,wxS (&yG( , ad^N& ,H=zm - I , , ;{ sP|3JW W & HARDY LAWRENCE, CONRAD KI !83SRSR !,: }ῌ~L}35 MN &= u12 3](S,' AUSTEN 3lm O"]*+ ,P # &Q.(W \ %} R367 "m :D , !STW U;"#2 : EFEGH /3V2WX >> 9 :n ῍῍῍῍῍῍῍῍῍῍῍῍῍῍῍῍῍῍῍῍῍῍῍. I
(6) Jane AUSTEN *Z! 0 ;BC"# [ !3\ ]^BC Elinor and Marianne ,]/ , +130 3\ W & First Impressions ,]/. c TW \S 3 Lady Susan 31 ( 32 3( ]( 8e ]/S f( $ ! \ Sense and Sensibility, Pride and Prejudice, Northanger Abbey j"# $&5( g]! 3h,i ]/jS ^,k[ g,lW !,=mS Northanger Abbey Gothic Novels o¡pqm !o( &¢mE!r3 £ul %vw1=]o¡xy0zx3¤S 0 12345 Sense and Sensibility AUSTEN %/_3S ad^N§ /w,' ©E!"# &o[ \ !, ad^N >%ª&f3 wk«ῌ«, ¯ Pride and Prejudice, Mansfield Park, Emma, Persuasion &°/± ²m +2 pD³(3( 67BC3 %8 j , ;µrPN¶0 \ r'4·¸¹ '4 "#= o<,k[ & »&²»"# * . Samuel RICHARDSON & Laurence STERNE !Y, Henry FIELDING & Tobias SMOLLETT ],&o [ sense, sensibility &25i674 %8j _ `(3\? "#= $o< Gothic Novel >&!"# The Mysteries of Udolpho a + b3] d[ As she [Emily] advanced in youth, this sensibility gave a pensive tone to her spirits. . . . But St Aubert had too much sense to prefer charm to a virtue. . .+. Sense and Sensibility D" $123n67W qA , ^ IS s t Elinor & Marianne "#= $ , 6{4/_|:¥}~ &¦5=D"'( !, Jane AUSTEN 3 / ¨ + \S + Cassandra & Jane 3stm ,¬ Z[) , %3:mh® = H=0 IW Jane ]R(= \$3 Sense and Sensibility Pride and Prejudice 3st \ ]D&´ ( &2º)5+ Jane h® 8e S f, & Jane & Cassandra 3\ .
(7) 126. % &'() Jane ' *+) 6 7*"'῏ῐ8 7?7A @ ?7745 B>C! 3D E"5, 3 F0 L M ' Tom Lefroy ( '9+ ) .?74 <'/3<538, 66 7$3789
(8) #:;U<8#7 V*=W' X7 % >*Y ZC7 ?@ [AB\E]5, AKD'E5C`L 37 MX bc 7 ( ' O 5b6d P 3 James h4" # <i?75 E Mary 9l 6#mC nXbc+ (o97 #L? 3-33 (o974 5#E5s]-E33 x ` y3z j#4" a {ub7 Mary g8' E+36 DVhE , o9y<36#mC6 X - Dr. JOHNSON # @7L&" "X XTU-#Z))?7 vz# ] b 7 , 9 j 5 E AUSTEN | e " Marianne Elinor #Z)@ " Ej c E3|}R#@ 37!, Sense and Sensibility D@ 54$ 3 x]', 3 X Sentimental Novels < ῎8E +2 S#> # B8 Dr. JOHNSON # 7 AUSTEN 33 45pC Elinor " 74EN +FGHI#¢ "-#d£8 6 %4 ]86') X7 Pride and Prejudice, Emma ¦N § 45¨j# 8 ¡¢_£! 3 ª1«¡?7 Marianne 6 ' i]86 E)+ 4 ¦ Elinor Marianne , ¦' ". 6N- sense ' sensibility #®8 f3¯C,h sense ©t#ῑ?7E < Ejc °E3pC 234 sense /01¬ sensibility /01¬ @5, EjcB Elinor " ´ B Marianne 4 , ,J,z« µ¶·1< , $#¸¹W#³8 6 ' Northanger Abbey Catherine Morland +" 4Z ['·¼£ 36 A. Walton LITZ AUSTEN ' +2 [the] division between the ethic of rational experience and the ethic of natural feeling
(9) i @< ¹º [the] desire for an accommodation or compromise between the extremes
(10) #E @ ½3iD½ 3/. . , -./012 /345 96 :)#843 # ";< = 34 >84 +? ?)"@5,6 , !"# $
(11) # ' -$G#HI8% ,J,&#K *)+<,# 6N-% suspense revelation #O780 E0,'51 234 5E'P@ AUSTEN Q43RS #T6 73. IIῌ. Elinor Dashwood. 4^%C'_DE' sense FGHIJ3 Mansfield Park Fanny Price, Persuasion Anne Elliot NaE' 4 ^eQ ! Elinor FGRf# SgJ TUHIJ# j +3 k'5 V:WXWFY i?7 p. 0 3Z[' Marianne ' N\ dAB\pC5,qr#( t ^_ Elinor 'O#B\]u,vw bc# $3de f#'XX|} ~ ij#kp83 sense #fl 3fC+ 4^no e[p:q, H _ " V Mr. John Dashwood 9'rst Elinor, Marianne V:'ut w 3x :? Mi' y)z t{ v#w }3~3'5 \ e# @, 3< X7 Marianne 'd A# 8X"Y3@> ,# Elinor Marianne Willoughby C4EO,33 Bi@ Mrs. Jennings 3? M <6 7i' % Mrs. Jennings # 7 V ¡!b#8 e M )X"z" 4?7 Elinor " K45¤ 37 ῌ¥ <8 p. +0* #<:) @ 6῍ W# '5#@?7 " z#¤" V:)¨© sensibility #¥ '5 \D*)#8 sense /01¬B Elinor ' E sensibility §3 AUSTEN T¨O#B Aª3*pC5,3Ei?7 , $z«W±N¬+ round character1 #²£ *)*) 74#N"n7 ®¯³° ,7 jx [A}< dA'±4 ?7' ,#²C&#O? 37 p. 0 < sense, sensibility ´#¡!b j'5 º = 8µ' sense N¶» 34] C 64 Emma Jain Fairfax #῏ῐu b2 6 Mr. Knightley ' ¸u$3 Her sensibilities, I suspect, are strongand her temper excellent in its power of forbearance, patience, self-controul. . . .
(12) Emma, p. ,23 ^3»¼54 .
(13) . Edward 6
(14) Elinor )7 '1 Marianne 8 p. +3 9: Edward ;<,&3. Of his sense and his goodness. . .no one can, I think, be in doubt, who has seen him often enough to engage him in unreserved conversation. The excellence of his understanding and his principles can be concealed only by that shyness which too often keeps him silent. . . .I venture to pronounce that his mind is well informed, his enjoyment of books exceedingly great, his imagination lively, his observations just and correct, and his taste delicate and pure. His abilities in every respect improve as much upon acquaintance as his manners and person.2 p. ,*. 2&$i Edward + &1 ++/3 567 1 k+ V8)
(15) l;3 /1 q:1 Marianne ;<1 => i2 Miss Grey OP*&)! Willoughby C >w @@1 AMB{|A Elinor 1 }'bC ~ 1 Marianne G" " ), ] ,& p. +2,3 +!:= 1 I` ,*& Elinor
(16) sense 3 Edward Ferrars
(17) K& Lucy Steele 1 Elinor sense N,&3 Lucy 1 Edward VP1>] 1 _7OP z) h\)&3 C Lucy @#1 Q)&W OP*&) W)1 Edward Z [ 8)R#, )&3 +1 )\ , )P1&C 1 Edward S nEE1 OP)&3 Lucy 1
(18) 1 ()\#TM); 1 +U@V , W!Z£1 $i ¤ sense !) &3 Lucy 1 Elinor ]"]^P1_=`"&( )1 )C aMb¦§e&cd) 1 Elinor 6 ©ecf1 g P1ª
(19) h« j k , 1 Elinor Edward C ® " W ! * &3 Elinor Edward z)mC¯)1 V°) $S OPo,,1 p;O )&& 1 +! Lucy ²e &+ &3 C1 Elinor 1 ³ ´(.t¯!3 u\ #1 ]^px*&ª,+ a1. I certainly did not seek your confidence. . .but you do me no more than justice in imagining that I may be depended on. Your secret is safe with me ; but pardon me if I express some surprise at so unnecessary a communication. You must at least. 127. have felt that my being acquainted with it could not add to its safety.2 p. +-,. ()=1 >?@AB!*&3 C1 Lucy "D);E F 1
(20) G H*&3 , I , J ! 1 + , "K"LM N <, &3 Lucy 1 OPQR Edward STU# V 1
(21) OP W$ %X&Y')1 Z [ \ )+ #1 $ V(](!3 ^)1 $_7W! `7 a' b&*]
(22) +*&3 , Elinor 1 4 . . .have you none but that of waiting for Mrs. Ferrars’ death, which is a melancholy and shocking extremity? 52 ()1 Z[ ; # Edward c-])! Lucy (. 1 1 3 ! "# $%&' p. +.2 () *3 + ,* Lucy (.d/!3 /e0EM1 Of1 P1gh* & ^4))j! c )+(! Lucy 1 7m:n*9o@ p Elinor ((.1 rsA t1 u? v' ) xy )z'Cj! p. +/* ] 3 /, Lucy nD EF 1 , 1 Elinor EF nD "&33 Lucy Edward ;1 H Robert OP 1 Elinor -. /&3 0 I will be calm ; I will be mistress of myself.2 p. -/2
(23) ()JC )$i& 1 +L\M )7 M N*&3 Elinor could sit it no longer. She almost ran out of the room, and as soon as the door was closed, burst into tears of joy, which at first she thought would never cease. p. -0*. ++ W 1 X¡C Y)!$i¢ &3 $i 1 b sense [)1 E) > _ 6.¥ sensibility NF1 n\* C]3 +1 sense TMM$i ¨)3 ,1 Lucy ¬i 8M1 e; Edward O# & Elinor & 1 +C l "T $ i ) sense n: TM)¢;+ &3 1 Lucy q'&±>rC)!+ #1 Edward %X Mrs. Ferrars B!3
(24) C s¥ &v )()w& Edward 1 C;µ) +]C ¶&FM] yz 1 Of Mrs. Ferrars z,1 N{ )"& ST·¸> Elinor 1 ++ sense N )&3 ++1 Elinor ¹)>w E)º\)3 /b1 Mrs. Jennings, Marianne p »¼½¼ i)1 | }%6~¦>w¹;3 i'.
(25) . 128. *
(26) %"+ Marianne $ ,-%- *.
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(29) Marianne <=%
(30) Willoughby >
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(32) %/
(33) G#%#H&#'+ I/#(/ , KLI 3% Willoughby Marianne 4M
(34) ?,5 F( Elinor % Marianne % Willoughby
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(36)
(37) -> ) V @W plea # AX demand # CDC
(38)
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(40) %I+[\J Edward % Colonel Brandon MN Oῒ1-V()
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(45) ); GH sense %'( P`
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(47) wijkl"* . ( ))%9|}: To JR understatement s?,4V ;V9|}: " # u"RMv/ I$V/ . IIIῌ. Marianne Dashwood. Marianne n>~ Elinor
(48) I ,
(49) CV R# sensibility z She [Marianne] was. . . eager in everything ; her sorrows, her joys, could have no moderation. . .she was everything but prudent. p. 0. GH Y ? E ; E 0%IUl/ + /- G%\ IMl T +
(50) j sensibility +GH o+ 4VK -% V -2%\- TV( Norland ?V$$4_&-)
(51) %/'( _ xV ) ῌ
(52) w% Dear, dear Norland! I45 `/-/'(0 ) % 42¡V)
(53) ¢,4V /
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(57) < ( AUSTEN 7 ° "# +I $ V/ «'¬+
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(59) *+* Marianne µ¶ ·,p%R + j YJ¹+
(60) 1I·%/V/ ; A Rµ1 ,G,E , u º+ /- p. +1
(61) j GH%¢ # 01);+*
(62) [\ Willoughby.
(63) , "# Allenham $%&'()
(64) Elinor 1(% 23'()
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(66) 1 1 1( % !/4 ; ; ?,(1@ 23'()
(67) 1(4AB- 1; AB(4E1F/* p. 02
(68) . ) <J*+ ))"# ?+, -.%/ 011 41I+23%A2I/ Marianne 6% 7%8(NC++ %OB- dramatic irony $ R# Marianne ST
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(71) %"#A2 B4/ EF/ Z1 gross and illiberal p. ./
(72) 1 ] ^K_ L` jargon p. 31 %/'
(73) @ - Marianne ? +, a- Q b1 * ; JJ sensibility TU f#g
(74) %V4V +, )
(75) /j% \
(76) %ῌ] English humour _ \ ῍ \ m G H ῏ + Willoughby e f6 qr 1(GH $RM mM
(77) n> sJI41 x%'(yz{z p%q/4/1+- G ~/&r
(78) w% Marianne '(Y%@"t1dz GH t y { 9 % s w 1 +. Marianne Willoughby
(79) xV(3 y 1z1{V(/4m /
(80) [\(*. |%}(h#'
(81) A/9"/MVm $ I1I'(*. p. 2-
(82) * ]/ +1 %&r+ Marianne
(83) sense + Marianne’s abilities were, in many repects, quite equal to Elinor’s.
(84) IV sensibile, clever, generous, amiable, interesting p. 0
(85) '( CV Margaret 6% Marianne sense %R zz6\ Margaret. . . was a good-humoured, well-disposed girl ; but as she had already imbibed a good deal of Marianne’s romance, without having much of her sense. . . p. 1 Marianne sense ῍ Mrs. Jennings Colonel Brandon
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(89) ΐ1£¤%I+¥/. ) p. -1 *
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(91) ®# w> G¨¯%$4V ( ©%1
(92) &±i# Willoughby % ² ª ®+M%V/-/'(
(93) ¯D°±²z6% V Marianne sensibility !% ¸¶CV(h῍ Edward Mrs. Ferrars Elinor ( screen 1(>%$4V ¸z¹ºz »`% a-QbCV(; ¼» Elinor *
(94) I'(f ¼ Mrs. Ferrars ; Edward ½HC
(95) %
(96) ½ῑd.
(97) . " Miss Morton > ? ῍ @A , !" D 'E῍ (F) 8, Marianne %) 0)- .&I1"2J8K/ Miss Morton % N: O8 0 PQ 4 %RF ῍ + Elinor 8U-1 2p. ,-/ Mrs. Ferrars 78. &(78#" ) 8 Marianne % ) W=+, +, X>:;Y %8#)[ - W=E >F%@\GH89 c- !" L8I L M.NOd+, P8&" sensibility " 898h&+ + screen Elinor %W( C& 89- screen +, H mR, \n B]%9, I L Yῌ YῌCF!" db L .1 Ws%# Yt- *, 8+, the maintainer of screens 89 Elinor ,
(98) the discarder of screens ) Marianne , p#D AUSTEN qr %] ! ku%9+/Marianne +, Willoughby %P "< , { |#} ~!- :;%<:= ) :%, + Elinor & Edward. , !"# $" % &'. (! ) , sensibility
(99) #) "# - *!+, Willoughby %+#8"< :f)|%9 )v &#" &) )3Oh, Elinor. . .you have made me hate myself forever.4How barbarous have I been to you!4you, who have been my only comfort, who have borne with me in all my misery, who have seemed to be only su#ering for me!5 2p. ,0.. ) Marianne +, 89%, sense 9G , !" b89), W=E890 S% !"- .!"+ , *! f8db" ) (x¡)- *!+ ¡ §J &)
(100) 8, § ¨+7 ª:)- !" @A+«F, ¬+ = F, *!MFb "(
(101) :)-1 2p. ,1* ) Marianne ±, j#
(102) 8"(, B# AUSTEN & S +L:- B#% Elinor X 8, Marianne "¦ / ) £oZ& - ¤F
(103) , A. Walton LITZ +, .¥m+B # G+ Elinor G9%, µ§ Marianne bªS 'E 1 +0, L.P. HARTLEY + .B# mind + Marianne %, feelings + *8+" )1+1 ku- °#&, Marianne sensibility +B#&j#&´KS!+ " ¸ ¶- Marianne , \f sensibility »F !)%῎ !, *j#%¹ º »½. 129. B#+$% :- )C&8, .AUSTEN * +,-. % Marianne G / ( H & L, 9 +*!MF, Marianne +3. 56ST !";!
(104) " " 1+2 RF+E 9 K- AUSTEN V:& 4& Thomas HARDY, D.H. LAWRENCE, Joseph CONRAD ";<B Z%? @O8W)A, B CF, ! BD
(105)
(106) ] ! .B# I^_`aJ_ bK, * !eQ" & +RSf1 TU+ V(g& 89XY%iZjJ, ! [ # 3klC. ^o Marianne +, _`%a Xb%c) G p@ eq, W#) H fr*!:;8+"(, gub h!, + i . L 1 0 v w jk 8& + l x+ 9 y% m %:c Elinor +!" * .nE"1 z{ oa& , * + \!"%|A s}~"), * t v"wxb%y ]= Lz, j#& zf- m English humour " + " Elinor honoured her for a plan which originated so nobly as this ; though smiling to see the same eager fancy which had been leading her to the extreme of languid indolence and selfish repining now at work in introducing excess into a scheme of such rational employment and virtuous self-controul. 2p. -.-. * +, Marianne sensibility $ & - - +* 8 ! Marianne lC+ the rapid flow of her self-reproving spirit 2p. -.0 & 8, >6)T UD , . ) , D " @A%A
(107) J ! Marianne + @AS!, extraordinary fate 2p. -12 , -/ ?| , ¢£¤¥ );< , U3 ¦ ;h! ")- & AUSTEN Marianne D © K %] !, sensibility +®V¯S! !o#& ° !+ " % - .Marianne +, l L> ¦%8#" )- `%!" +, \ Willoughby ), !" - o. ¡¢²)1 2p. -13 89Marianne ³ k # + ¦ h 8, k ´ , note ¶ 89- :; I^¨©, v + .J "(«!¬ \\ ®:;· 81 2p. +2* k(- Willoughby ¯S!)³, , 1 8±²%§ S!!" ³+, !D ¦³`, ¹ µ ) @A`, 9(f8&º¸-C = ) @A%k !) .¦³·¸¼!)1 - ¼89- «!³ \;½X+, !" .
(108) . 130. sensibility. #"#) ,(. IVῌ. John Willoughby. Willoughby !>?@ (*( !51 C @ ! D E F Marianne EE( C* # ?@C VQ67* Marianne !# W! XY )(6 Marianne )$E** B#%0?&'=]! G )def0=6# *F+gW! hW. !G#/l#mnRn(#01 26" # p. .- ?@ ?W)jL6#! H#3o ! manly beauty common gracefulness his exterior attractions ?@G Sir John #>?)@L
(109) As good a kind of fellow as ever lived, I assure you. p. .- A BQ # #vj!,*1 wx #CD) AUSTEN !E5(y(1 Marianne !FGz D\{H#(*|I) 1pQ6# Willoughby !0 (6/?@Q6 # rS # K(# h , #{H!~Q6 (*( w )p ! Marianne #M NL {H)~,= O@ @% % P%1QD#E1B#Q)+ 0?yi1*Q6(" ! #B# S+1Q(0#?@G "(*R E6G " 2A#ES T#E (0# Q6 p. .1 Marianne \i sensibility U#VW""%C# )XQ Y Z ( [ ( 1?# + \] 1 Elinor ! *i # ^ ) _ ( propensity. . . of saying too much what he thought on every occasion, without attention to persons or circumstances hastily forming and giving his opinion of other people sacrificing general politeness to the enjoyment of undivided attention where his heart was engaged slighting too easily the forms of worldly propriety pp. .2ῌ.3 Q6#cD0 Marianne ¢ hG W!^?@d£ Marianne Willoughby ! ¤g#T"W=]De # Lfw¥+ T"! *] , # g¦hG iH#§j1¨h©k(?@ # sensibility # )ª l a +#! m « 2 nop)*L¥,D¬4#qDh?@ C Marianne lrs #"®1G 0?) 0(-jL6 )¯°(yLjL 6! Elinor ¨("@t( in a voice rather of command than supplication p. -+1 ?´µ +# #E5y {5 ! Marianne #I )cL ( º» L Q6 # j#*#M #1Q6 0?. ##- ) ( . /01#23+ 4567 Miss Williams )
(110) (86 9: .;) Willoughby <= (6 Mrs. Smith (0 2A !B) 1G Marianne H#I JK*1#2 3) *L MN) OPQ6# Q6 C RSTS?# Marianne #UV 3 N Miss Grey # Z")[(5 Miss Grey #\00# (6^_#`a)(b+9)1G #^_)cL PQ6 Marianne ) , i - jL2k). 6 ?@Q6 #45#%! 6178#^9?!1i p: q0Q6#PG;(6W$%) ,+rstu#<=
(111) Had I known as much half an hour ago But since I am here. . .what does it signify? For once, Miss Dashwood it will be the last time, perhaps let us be cheerful together. I am in a fine mood for gaiety. Tell me honestly. . .do you think me most a knave or a fool? p. -+2 Q6}~?@ p:) j1rstu)<=(jj J)5l! * Elinor #W$%)*( ( in spite of herself Elinor #L1)/l
(112) Is this the real reason of your coming?
(113) Upon my soul it is, was his answer, with a warmth which brought all the former Willoughby to her remembrance, and in spite of herself made her think him sincere. p. -+3
(114) You are very wrong, Mr. Willoughby, very blamable, said Elinor, while her voice, in spite of herself, betrayed her compassionate emotion. . . p. -,3. sensibility )+#`ay C Elinor L?1i KN"H#)\y ¡L+3 #45! Mrs. Dashwood "b " sensibility #$%&#'( )*+ Mrs. Dashwood did not hear unmoved the vindication of her former favourite. She rejoiced in his being cleared from some part of his imputed guilt ; she was sorry for him ; she wished him happy. p. -.3. her [Miss Grey’s] own happy thoughts and gentle diction 5*( delicate tender truly feminine p. -,2 uv)5±*+ Marianne ²#³w#^ _! x¶ @16#h^_)xcy( yG·z[ (|¸0+ *40G @16#¹}(~( John Willoughby ?¼, , #*(½ kz #"#p D?@ Marianne ! #^.
(115) . + G, -0 ./@Q %R : 0 S1 sensibility (@ 234 %0/U %869G:0F6 V V4 Lucy / 7 I54= >%(/7/ sense W?%Y@ Miss Grey A (@ BC =+ 80Z[\]^=/& V 4 sensibility
(116) 77
(117) `%a Elinor GC%(D HV4 IJ 7%?g . Vῌ Colonel Brandon ( )H Marianne IA Brandon Dashwood K L8hMN Sir John O Barton Cottage iPH Sir John Q%( RS )T
(118) 7 silent and grave! "p. -. / -/ U jkV&WXl mK6
(119) YZ[\] &+ ,- Willoughby #F( aTB br/ Marianne 3( : GdefGgb uf=vwTx\ z w{dZ h iJ| Elinor V sensible man! "p. /* ? jD. }&~%( 7k r( AUSTEN Marianne I5q&k
(120) 7G(+ lm sensibility = + &V ?ga& 4 *J DK Sir John LM
(121) N=OP= Marianne z t 6Q u % , v .
(122) Brandon
(123) 2Q %(jk/
(124) 3 - |} V~ Q "p. / Willoughby 9& // /+. lZ s
(125) _%( ;
(126) Brandon VV Marianne
(127) _&V Bm (@% (?g Marianne %(r/& second attachment! aJ Eliza & % % 3 . r ( ¡: /I 5 q9& 4V Brandon W-i ¤Y 4+ 0@Q 1/I5 5 H & gi % DK %(¦%& 4 9&/%j§. ¨© 6/ 7 Eliza + Marianne %V4 sensibility gi G/q Willoughby ¬X Elinor ;V Marianne 89 Willoughby Emma Mr. Knightley T Pride and Prejudice Darcy ¬,0 <>no %®¯°± <=>=Q / 7 <>no%&²6
(128) -/&Z³Q/ ,7 ¬,0 Mr. Knightley + Darcy +%
(129) 7<>no: ; % #F Marianne R. : . ; Brandon <=>=%(. ! "?@/-A/7/ %
(130) %/ 7 Elinor - BC(9& DE%( Marianne R . (Q Willoughby Marianne 56. 131. %&' (%( Elinor )* Miss Grey 56%( Marianne .7 T3 ( Elinor ; 6W-K- X< V V Willoughby
(131) Brandon Wickham
(132) Darcy #F(8 Brandon. %9 %7 X D_ Willoughby Eb 7bF
(133) 6(/+ VV+cdef. $ %& ' (@ ? 0G7 My object my wish my sole wish in desiring it I hope, I believe it is is to be a means of giving comfort ; no, I must not say comfort not present comfort but conviction, lasting conviction to your sister’s mind. . .# "p. ,*.$. <>no Elizabeth pq7^_G%(
(134) F` DKDK % sg =+ tcg Darcy
(135) y/ Brandon 86? gK
(136) cg =+ /0 '%/ 77 4= SC sensibility (@( Willoughby
(137) Willoughby n % Miss Williams 4 Eliza K( o p Y7bY7b Marianne R . ; t/3(V+qrs %
(138) K(: % ./0 1/ 23 Eliza 7: w x( Marianne G% yTB z Wickham K( Darcy, KQ { C- %( %/
(139) 3 Darcy ? -/0 r( Darcy n%9 &% Wickham Darcy #F 4 5
(140) 6
(141) 7 Edward Brandon 86}@q(7+ def/ %/0 )+/%
(142) %/,* & Mary POOVEY GT Marvin MUDRICK +% Edward Ferrars /~& /7 Colonel Brandon & ¢3£&V/,+ & vq¥ / . VIῌ. Edward Ferrars. Elinor ) HIA Edward ª2« " <= >= AUSTEN ¡ +¢% shyness. q l T:7w
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(150) 6789 <=>?@A B3 <) +C,4 . JK(# L" sense M N O 4 Elinor " YZ![ "/#$W(B abZc ^ defghi & " a matter of hearsay,, oI p*qB3 + AUSTEN 5Ost (Q: uF" sense sensibility #:2 -/B(. S, z{ ( His errand at Barton, in fact, was a simple one. It was only to ask Elinor to marry him. . . . How soon he had walked himself into the proper resolution, however, how soon an opportunity of exercising it occurred, in what manner he expressed himself, and how he was received, need not be particularly told. This only need be said ; that when they all sat down to table at four o’clock. . .he had secured his lady, engaged her mother’s consent, and was. . . one of the happiest of men. p. -0+. VIIῌ ῑ. ΐ. Sense and Sensibility , ,8FQW 8 =,>? ,(^3 "ab23 , De'\ Z" >C3iD# IW ^E "F(1GR3 W It $2B Q#\(J $$ Marianne ! Mrs Jennings " P ,1 K1( D"LMN' O3 !\P" ++(= " S8 9T ¡ ¢\;23,- R DTQRB %1$I ST>?"U VB3 He [Mr. John Dashwood] was not an ill-disposed young man, unless to be rather cold hearted, and rather selfish, is to be ill-disposed. . . p. / Wl X($ Y§ Wl.
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(154) dt + humour ¬ irony º23#»6]]1 Marianne ¼we Z" ½7Q. ( -./ 0$1 23 sense sensibility #:2" $ ;(1 #: 2-DE8F 2$ G4H 23 I PQ3 R ST Mrs. Brandon UVW X 3T\]1 Willoughby ^_JK%` jkl-ab23 ^m' <)" (n) +r,(]-. punishment in the form of domestic misery Tony TANNER ,. vw\( L G403 0$ xyU V./ AUSTEN D1-|} (3 . ~ 2" P But that he [Willoughby] was for ever inconsolable, that he fled from society, or contracted an habitual gloom of temper, or died of a broken heart, must not be depended onfor he did neither. He lived to exert, and frequently to enjoy himself. His wife was not always out of humour, nor his home always uncomfortable ; and in his breed of horses and dogs, and in sporting of every kind, he found no inconsiderable degree of domestic felicity. p. -13. +I 3iD#4 AUSTEN IW |} 4 5 6 Norland " Marianne 4" _-7Q2 9 : ;bI ++ <(DE @< 'Y<=T\A4DEB"%$3 ^ DED^- AUSTEN kl H"ab23 ῏῍῎ῐ Sense and Sensibility. Vol. I of The Novels of Jane AUSTEN. Ed. R.W. CHAPMAN. -rd ed. (London : Oxford Univ. Press, +3--). £g¤¥'¦B3 ¢V++$2- Emma. Vol. IV of The Novels of Jane AUSTEN. Ed. R.W. CHAPMAN. -rd ed. (London : Oxford Univ. Press, +3--). ῒ + Ann RADCLIFFE, The Mysteries of Udolpho (London : The Folio Society, +321), p. /. , Jane AUSTEN, Jane AUSTEN’s Letters to Her Sister Cassandra and Others, ed. R.W. CHAPMAN, ,nd ed. (London : Oxford Univ. Press, +3/,), pp. +ῌ,. - Jane Austen’s Letters, pp. -*ῌ-+. . Darrel MANSELL a double heroine Andrew H. WRIGHT twin heriones
(155) cf. Darrel MANSELL, The Novels of Jane AUSTEN : An Interpretation (London : Macmillan, +31-), p. 0+. Andrew H. WRIGHT, Jane AUSTEN’s Novels : A Study in Structure, ,nd ed.(London : Chatto and Windus, +30+),p. 20. / A. Walton LITZ, “On Sense and Sensibility,” in Jane.
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(157) . 0. 1 2. 3 +* ++ +, +-. AUSTEN : Critical Assessments, ed. Ian Littlewood (East Sussex : Helm Information Ltd., +332), Vol. III, p. +32. Rebecca Stephens DUNCAN, “A Critical History of Sense and Sensibility,” in A Companion to Jane Austen Studies, ed. Laura Cooner LAMBDIN & Robert Thomas LAMBDIN (London : Greenwood Press, ,***), p. +2. E.M. FORSTER, Aspects of the Novel (London : Edward Arnold, +3,1), p. 1,. Stuart M. TAVE, “From ‘The Sensibility of Marianne and the Exertion of Elinor Dashwood’” in Jane Austen : Critical Assessments, p. ,,.. ῌ !"#$ %& : '() +33- p. +,-. David CECIL, A Portrait of Jane AUSTEN (London : Constable, +312), p. 3*. D.C. MUECKE, Irony (London : Methuen & Co. Ltd., +31*), pp. ,2ῌ,3. TAVE, p. ,,1. Everett ZIMMERMAN, “Admiring Pope No More than Is Proper : Sense and Sensibility,” in Jane Austen : Bicente-. +.. +/ +0 +1 +2 +3 ,* ,+ ,, ,- ,.. 133 nary Essays, ed. John HALPERIN(Cambridge : Cambridge Univ. Press, +31/), p. ++1. Susan MORGAN, In the Meantime : Character and Perception in Jane AUSTEN’s Fiction (Chicago : Univ. of Chicago Press, +32*), p. +,*. Tony TANNER, “From ‘Introduction’ to Sense and Sensibility, in Jane Austen : Critical Assessments, p. ,+3. LITZ, p. +33. L.P. HARTLEY, “Extract from ‘Jane Austen and the Abyss,’” in Jane Austen : Critical Assessments, p. ,*-. Marvin MUDRICK, Jane Austen : Irony as Defense and Discovery (New Jersey : Princeton Univ. Press, +3/,), p. 3+. Mary POOVEY, “Sense and Sensibility,” in Jane Austen : Critical Assessments, p. ,-+. POOVEY, p. ,-*. MUDRICK, p. 22. MUDRICK, p. 21. p. 31. TANNER, p. ,+...
(158) 134. ῎῏. Sense and Sensibility ῌSeen from a bilateral viewpoint on human natureῌ By Akiko TERAMOTO* (Received May ,., ,**1/Accepted July +-, ,**1). Summary : Jane AUSTEN(+11/ῌ+2+1) is one of the greatest English novelists. Her works are rich with the depiction of the narrow world in which she lived, that is, the contemporary everyday life of the upper middle class in the countryside of England, by ῍realism’ῌto see things as they really are. The class called gentry maintained the stability of England, as those who served their community. Their spirit of ῍noblesse oblige,’ together with typical English humour and irony, enriches AUSTEN’s six mature novels. The terms ‘sense’ (reason) and ‘sensibility’ (emotion), based upon a bilateral viewpoint on human nature, were popular in the +2th century, or “the Age of Reason” represented by Dr. JOHNSON, who influenced AUSTEN very much. Sense and Sensibility is AUSTEN’s first work in which she focused on the way humans live. In this paper I will classify two heroines and three men around them into two categoriesῌthe group of ‘sense’ and that of ‘sensibility.’ The criterion for making the two groups depends upon how each of them deals with the issues of his or her life. In the process of analysis, we can find that AUSTEN does not deny a way of life di#erent from her own sense of values, unlike some later male authors, such as T. HARDY, D.H. LAWRENCE and J. CONRAD, who deny a way of life di#erent from their values in their writing. She always watches each character warmly as if she believed that everyone has his or her qualification to live a happy life. This is why not only the English but people throughout the world feel attracted to AUSTEN’s literary works. Key words : realism, noblesse oblige, the Age of Reason, sense, sensibility. * Foreign language studies (English), Faculty of Applied Bio-Science, Tokyo University of Agriculture.
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