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Graphic Symbols as Mediation for Self-Regulation in the Processes of Revision

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Graphic

Symbols

as

Mediation

for

Se-Regulation

in

the

Precesses

ofRevision SUZU-Manami

Doinlj,o[17ihersity

Abstmct

lhepresentstudy explores second languagewriters'use ofgraphicsymbolsassemiotic mediation inthe

processes

of theirselfrevisions and peerrevisions of theirwritten compositions withinthefhamewotk of socioculturaltheoryand socialcognitive theoryLVVritersuse grqphicsymbols as one ofmeans fhrse1firegulation orwhtingstrategies

(Villarni1

& Guerrero,1996;Zirnmerman& Kitsantas,1999).[lhepresenistady considers

graphicsymbols as semiotic resources forproblemsolving. The meaning of serniotic mediatiori

(signs)

isthekey

,

to selfiregulation incognitive processessuch as languageleamingor writingi Participantswere 24 Japanese universitystudents of Englishas aforeigrilanguage

(FL).

Ianalyzbd thedata:

(aj

thethink-aloudprotnoolsof

participanis'

selflrevisions;

(tD

transcriptionof theirdiscussionsduring

peer

revisions;and

(c)

sdmulatedrecall interviewswhh them.Among alltheparticipatits

(N

- 24),6 studerTts

(25%)

usod

graphicsymbolsintheir revisiens. ThequaiitativedEtaof thestudy dernonstratedstuderrtsused some grpphic'symbols as semiotic mediation of revision inselfrevisions and mediation of communidation inpeerreyisions. Thedifferentuse of graphicsymbolscan beexplained

by

cogtiitivewriting theoryGraphicsymbols sbow thaistudents ncniced gaps

berweentheirinter]anguageand thenorms ofthe targetlanguage.

Key Wbrds :Graphic Symbo1SeliReguladonRevision SocialCognitiveTheorySecioculturallheory

1.introduction

Thepresentstudy explores theprecessesof second language

(L2)

writers' selfrvvision and peerrevision focusingon theiruse ofgraphic symbols assemiotic mediation withintheftamewotkofsocieculturaltheoryand socialcogrlitivetheory:

SeMregulation

is

necessary in

the

processof writing and revision because"writing activities are usually selfiplanried,seMinitiatea and se1fisustairked"

(Zimmerrnan

&

Ksembetg,

1997,p.73),Writersuse "a graphic

representation" as one of means forse1flreguladon orwriting strategies

(Zimmerman

& Kitsantas,l999,p.242),

Selfregulaionorsolitarymerrtal eflbrt

is

necessary intheprocessofwriting and revision

(Bereher

& Scardamalieg

1987),Furthermore,toexamine theuse of graphicsymbols might explore theprocessesof revision thatrevision research hasnotclarifiedyet

Fitzgerald

(1987)

reviewed research on revisionofwritten textsinfirstlanguage

(L1)

education and defined

revisionthus:

Revisionmeans making any changes atany pointinthewriting prooess.It

involyes

identifying

discrepancies

between

intendedand insLarrtiatedtext,docidingwhat could or shouldbechanged inthetext

and howtomake desiredchanges, arid operating, thatis,rnaking thedesiredchanges, Changesmay ermay

notaffectmeaning ofthe ten,and theymay bemajcrrorminotAlsQ,changes may bemade inthevvriter's mind beforebeinginstamiatedinwritten texiIattheime tenisfirstwritte4 and/or afiertextisfiistwritten.

(2)

-13-fp.484).

Revisionstudies haveused thinlc-aloudprcrtoools,imerviews,orquesdonnairestoexamine

the

processesof revision

(Fitagerald,

1987;Hayes,Fleweg Schriver;Stratman,'& Carqy,1987),Resea;=hon graphicsymbols could demonstratethewriters'menta1 processesbeforechanges were

instantiated

in

writtentext,

inthepreserrtstudy,Iassume thatgrqphicsymbols 'arecme ofL2writers'semiotic resources forproblem solving as well as communication

Clanguage),

Insociocultura1 theor)sthreeculturalfactorsare importantfor

human psychologicalpsocesses:

(aj

activhies,

(b)

artifacts

(including

signs and language),and

(c)

concepts

CLantoIC

2006).[[Ihepresentstudy focuseson graphicsymbolsas one of artifacts.Ihemeaning of serniotic

mediadon

(sigris)

isthe"key to

self-regulatiort' incognitive processessuch as languagelearningor writing

(Lantolg

2oo6,p.74).Donato

(2000)

explajned thatsemiodc toolscould

be

speech, writtentext,gesuires,or other

aspects of thecontextua] environmerrt, AccQrdingtoTversky

(2001),

graphicscan haveseveralfunctionssuch as

"attracting

attention, supporting memoryl providingmodels, and facilitatirtginferenceand diseovery"

(P.

79).

Lantolf

(20oo)

hasargued "a

symbo1isasignthatderivesbsmeaning fromthesysternwhich supports itand must beagreed upon

by

itsusers"

Cp.

22).

Villamiland Guerrero

(1996)

rqported L2writers' use ofsymbols as one eftheir mediating strategies during

28of

40

peerrevision sessions.inVillamiland

Guemero's

study,

54

iritermediate-IevelESL universtt}r students used fivemediaing strategies:"1) emplcying symbols and external resouroes; 2)using

the

Ll;3)

prvviding

scafiiolding;4)resoning toiTTterlariguageknowledge;and 5)vocalizing privatespeech"

ip.

61).Villamiland

Guerrerodescribedtheuse ofsymbols: "Tb facilitatethewritingoftl)efinaiversion,thestudentsused numbers or astedsks (m draftsand RevisionSheets,cirvledponionsofthe textlaswell as utitizedsymbolssuch as parentheses, hracketsand arrows"

lp.60),

Villarni1and Guerrero

(1996)

didnot focuson how graphicsymbolscould facilitateL2writers' revision.

Furthermore,theirstudy examined

the

use of symbols only

in

poarrevisiori,As

Cresswell

(2000)

pointedout,

thereisyery limitedresearch {m seifrevision.Iliereismuch lesssystematicresearch on graphicsymbols,which could Explore themental processesbeforcchanges were instaintiatodinwritten text

CFitzgerala

1987).Baseden

theliterattncroview above, Iformnlatedtworesearch questions:

1. Whatkindsofgraphic symbols doL2writersuse duringtheirself-revisicmsand peerrevisions?

2. Forwhatpurposesdotheyuse thegEqphicsymbolsintheirserrevisioms and peerrevisians?

2.Method ・

Thepresentresearch was conducted as partsof my thesisstudy ofL2 writers' revisien

(Suzuki,

2006).Tlable

1shows

the

timetable

for

my

data

collection.

2.1Panicipants

[IWenty-fourJErpanesesec(md yearuniversity EFL students who enrolled ina two semester longgeneral

Englishoourse vohmteerod toparticipateinthepresentstucly,lheywere al1registeredintheEnglishdepartment

ataprivatemiversityinJapan.They were lfom amiddle class socio-economic background,The curTent study was condueted in

the

middle of

the

fhll

semester The students were placed

in

the

class

by

theirresultsen

the

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TOEFL I[IPtest

CIk,st

ofEnglish asa・Foreign LariguageInstiaLnionalfestingProgram)develQpedfiomthepast

TOEFL tests

by

theEducational[[bstingService

a]TS).

Participarrtstook

the

roEFL ITP

before

thecourse started

inApri1.Themean ofparticipants' scoreson

the

TOEF]LITPtestwas 515,3and thestandarxtdeviadonwas 22.7.

22Grollpingof Students

[[hepresent study required two equivalerrtwriting t4sksas contexts to cornpare graphicsymbols that students made duringselerevisions and peerrevisions.Partieipantswere dividectintotwo groupswhich were sirpposed tobeas sim'lar as possibleinL2

Mnglish)

proficiencMEnglish writing proficiency}gendegage or

lengthand context ofL2 learning.

TXvogrvups,A and B,were formedmndomly inreference tothefo11owingcriteria: individualparticipants' means of theadjusted standard deviatienseoreson

the

roEFI.ITPtesttwo rnters'holisdcassessments and the

totaInumber of words of thestudents'written draftsthatthcyhadwTitten attheend of theprevioussemester as

course wotk.

Ihemeans and thestandard deviadonsof ages ineach groLrp

(Grotrp

A and GroitpB)were almost thesame

(M=

20,1vs.M==

19.8;

sw = O.5vs.5LD= O.8).Each

group'smean and staridarddeviationoflengthofEnglish learningwere alsoslrnilar

(M==

9.0yearvs.M= 8.8year;st)= 2.3vs.st)= 1.7).Group A consisted eften female

and twomale students, whereas

Group

Bcomprisod eigtTt

female

and

four

maie students.Eachdyadforthepeer revisiontaskwas randomly selected

by

acomputer program.

23 Procedure

The datawere collected over two weeks

("ieeks

6and 7)inthemiddle of thefaglsernester:Thesehedule

for

the

twogroxps'perfrorrnanceofselirevisions and peeriovisionsis

given

in[ial)le2.Panicipantserigaged in thewitingtasksand revisions inthelangLJage1ahoratory;where theirclass was always held."Ilie

language

laboratoryand theequipmentwere

fatniliar

to

the

participants.

The followingisan explanation ofadministrationofFirst WritingThskand itsrevision.AfterIascertained

thepresenceand seating 1ocatlonsof participarrtsand explainod theschedule, al1participantswrote an essay of TWE of ETS inwrting[Ilask1

(Famous

PersoninHistory)forthirtyminutes. Ihe panicipants'teacherand I selected two essays forWritiirg[Ebsk1and WritingTlask2,considering

these

two promptSmight beasequivaleni as possibleinstructtirediMculty;and participants'interest

(see

Appendix).Beforethepanicipantsbegantowrite

theessaM ItoldthernthatthepromptofWriting [[bsk1was selected ffom

the

TWE. [[he4

Group

A studerrts

(thc

SelfirevisionGToxp)filledout a questionnairefordemogrqphicdatafortenrniriutes,GroupA studerrtsnext

listenedtothethink-aloudinstructionsthatIhadtape-recordedand practicedbowtothink-aloudwhile selving a

multiplicationproblern.Ihadpreparedtheinstructionstapeand thehandout

(a

scriptofthe instmctions)basedon proceduressuggested

by

Ericssonand Simon

(1993).

The recorded instructionswere spoken inEnglishand in

Japanese.Tbillustrate,I

thought

aloud inJapanesewhile solying amultiplicationproblem.Tlieparticipantswere

then

given

a similarproblemtosolve,Followingthat,studerrtsinGroLrpA engaged inselirevision forfifteen

minutes. Studerrtswere toldthattheycould use either Japanese

(their

firstlanguage)or English

Ctheir

second language)whi]e thinking-aloud.The think-alouds which occurred duringtheselfrevisions were tape-recorded.

Finallylthestudentsfillodouttheirrterviewsign-irpsheet,

GreupB studerrts

(the

PeerRevisionGromp) listenedto thetape-recordedinstnictionsfbr

peer

revision

immediatelyafierthey

finishod

writing theirfirstdrafts,Theinstructionswere spokeninEnglishand thenin

(4)

-15-Japanese.Thescriptoftheinstructiomswas distributedtostudentsas ahandout,Studentsrevised one student's essay forfifLeenminutes, and thentheether students'essay

for

ancxher fifieen minutes, fo11owingmy directions.I askod studeritsto read-aloud a partner'sdrafibeforetheydiscussedtheessay

for

fifteenminutes. Participants'

discussionsduringthesepeerrevisionswere tape-recorded.Finally,stttderrtsfi11edouttheinterviewsign-up sheet

Tal)le1Datathlationnmetable

Week6Writing [[bsk1

(30

mins) GroLrpA GreirpB Week7Writing Tbsk2

(30

mins)

GrvupA

GroupB Survcyof Participants' psofile(1 Omins) Peerrevision

(15

mins per paperm)tota1 3Omins) Peerrevision

(15

mins per pqperbtotal 30mins) Surveyof Participants' profile(10 mins) Ttaininghew tothink-aloud

(5

mins) interviews

Cwithintwe

days) Interviews

(within

two

days)

Ttainingbow tothink-aloud

(5

mins) Selffrevisien inthink-aloud

(15

mins) SeMrevision inthink-aloud

(15

mins) interviews

(withintwe

days) Interviews

(withiri

tWO days)

All-participantsused blackpensthatIdistributedforthefirstdrafts.intheselfirevision group,panicipants used much thickerblueperisthantheblackpenssothattextchanges that

they

made could bedistinguishable,In thepeerrevisiongreLrp,studerTtswho revised theirown draftsused bluepenson theirown drailsand used greefi

pensontheirpartner'sdrads.

Inthefo11owingweek, stttdentsengaged inWtiting[[lask2

Cwriting

about aFamous Errtertaineror Athlete),

The

sarne pr<x)edureas describedabove forthe fustwriting taskand itsrevision was rqpeated. Howeveq participarrtsdidthecxher procedureinWritingTaslc2

Cwhich

theyhadnet doneinVVriting[Ilask1).GroirpA revised withtheirpeegwhiie GroupB performedsererevisions afierthcywrote firstdrafisofINliting [task2.

2.4interviervs

Withintwo daysafterparticipantshadrevised theirdrnfis,Ioondueted interviewswith studerrts individually intheirteacher'sofice. Studerrtsfirstdecidedwhich laiigLiage

CLI

or L2) to be used intheinterviewLThe interviewwas tape-recorded.Participarrtsand lidentifiedal1graphicsymbols on theirdradstoanswer Research

Question

1

(Graphic

symbolsused inrevisions), Jaskod participantsabont the

purpose

of individualgraphic

symbols theyhadused. Iherecorded datawere transcribedand qualitativelyanalyzed aswell as

the

think-aloud

prctoeolsinselfrevisions and thediscoiuscinpeerrevisions toanswer Research

Question

2

(Purpose

ofthe use

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2.5IianscriptionConvelltionsinthisStudy

TlietranscriptionconyerTtionsIdiduse were:

Italics:discourseoriginallyspokon inEnglish

Block1etters:disoourseoriginallyspoken inJapaneseand thentranslatedbyme intoEngtish

Quotation

marks: writtentext

Quotation

marks withparemheses:"lapanese discourseoriginallyspohen

by

studeiTts

Ony

Englishtranslation)"

Squarebraskets:my annotations

a

describeasituation or show thereference ofa pronouninparticipant's

speech)

Iused arrows todistinguishstudents'written textsof revised draffsffomtheirtextsof firstdrnfisinthis

paperwhen1compared them inthesame context inthepresentstudy. When students mikedabout amisspeLled word

in

their

written

drafis,

I

typed

the

misspe11ed word asitwas exccrptincases where studems nodced the misspelling intheirrevision sessions. Ialso

typed

grarnmaicalerrors instudents' discourseas theyoriginally appeared in

their

speech orwriting. Thenarnes ofparticiparitsareallpseudonyms.

Tahle2StrheciuleoflSeijrevision GraupandPeer RevisionGroup

Time SlelflrevtsionGtvup

10:45-10:50 10:50-11:20 11:20-11:30 l1:30-11:40 1l:40-11:55 11:55-12:15

Preparation

for

WritingTlask Writing[Ibsk

Questionnaire

InstructionforSelfirevisionincludingthink-aloudpractice

Selflrevision

FillinSign-upSheet

Time ReerRevtsionGroup

10:45-10:50 10:50-11:20 11:20-ll:30 11:3O-11:45 ll:45-12:OO l2:OO-12:15

PreparationforWriting[Ibsk WritingTlask

InstructionforPeerRevision

PeerRevisionI

PeerRevisionff

FillinSign-upSheet

3.Results

Arnong thetwenty-fourparticipants,sixparticipants

(25%)

used graphicsymbolsineithercondition for

revision.Haru drewgraphicsymbolsinbothtypes of revisien. Akiraused an asterisk twiceinhisselfrevision.

[fotallMgtaphicsymbolswere used twelvetirnes

C?V

= 12).[the

fiequency

ofthe use of graphicsymbols was the

sarne inselfrevisions and peerrevisions

(n

==6respectively). Thepurposesofeach graphicsymbo1 asstatedby

theparticipantsinthe

interviews

with

me arepresented

in

[lbble

3.

(6)

-17-3.1UseofGraphic Symbols inSereRevisions

Resultsofqualitativeanalysis showed

that

studerrtsused grpphicsymbolsas mediahon forproblemsolving inselfl・ievisions. Forexample, inherselfrevision.HanJwrete an asteriskbeforeare1adve pronoun,`twhich,"

in

thesentence

below

on herdrati:

.,,thereisacorniccalled"YatNara!" which heroin

[sic]

gir1was modeled

by

RyokoTanaka.

(first'dtatD

).,,thereisa comic called "Yiwara!" "which heroin

[sic]

gir1was modeled

by

RyokoThrnura

(revised

draft)

intheexcerpt belowHarutalkedabout theserrtence above. AfterHarurepeated are1ativepronounclcuJsein

(hesentence, Lkvhich

heroln

girl

was modeled

by

Ryoke[[bunura7'several

timeeg

she e)q)ressed thatshe felt something wmng with theclauseattheend ofthe erccerpt,AsHarLireported inherirrterviewlshe niodtoreturn to

theclause 1atertoexamine thepartagain byleavinganasteriskbeforearelativepronoun,`Cwhictr':

"7hete

isa comic caded theieisa comic callbd `Ibu,aiul',

which

heroin

gbilwas modeled

tty

Ryoko

TanaktLmmbied which heroingr'nemodeled uas modeled

bj;

ibokoTanaha"Vilell,ah,Trm Wtong,

Tlarmu-ra.Why didIwrite this?DidIwrite somewhere incorrectly?Onlyhere?

kwko

7innunghervin

gtri

was moclelbd

tvi

lbolalboko7bmurzl

herein

gt'rlwas modellea weva wcLs u,hich which story u,hieh storywhich was mocieled calZed}bwan which heroinginlrvcLsmode1ed t{BIfeltsomething hereweights Lrponmy mind.

SimilarIMAkiraalsoused ariasterisktwiceinhisselfirevisionfor

the

purposeas Haru.No one

adopted

graphicsymbolsforthesame purposeduringpeerrevision.

3.2Useof Graphic Symbols inPeerRevisions

inpeerrevisions some graphicsymboIswere used as a means of communication betweendyads,or

betweendyadsand theirpotentialreadeis.Forexample, Harudrewabiacketand acolon attheend of thefirst

paragraphon herdraftinWrkingTlask1

cramous

PersoninHistory)to make herwriting clearer to herpartne4

Aki.lnLine5ofthe fo11owingexcerpt,Harudrewabracketand acolon toshow Akithefirstparagraphclearlyon

herdrafi1as Harusaid intheinterviewafter thepeerrevision. [Ilienext excerpt was retrieved fromthepeer reyision

by

Hani andAki:

1Han]:How about organization ofparagrapbs? We don'thavetothinkofitdowe?

2Aki:Huh,

3Haru:[[hatis,inttoductiOnbodbland cDnctasion XM:11,therewas no conchLsion.

4

Aki:No.

wnere?

Whereaieparagraphs?

5Haru:Here,one paragrqph.

de

no, va no,Loek,here.

6AkiiHereis one lmrqgraphhereis anotherparqgraph, and thenhereis otherpatzigrqph, 7Haru:The4itcontinues totheend.Hbum-htmi.

8

Aki:

Isn'titOK?

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Tal)le3T]ipesandPu,posas

ofGmphicSYmbolsthatPartici

tsbkeddimiugSleef,evisionsandPeerRevisiolzs

SheclentT)tpe

ofmsk

clndnfVision

Zipe

ofgtzlphic

spnbols SleeLstatedPurpose AkiraWriting [[bsk1 Selerevision deanasterisk

(twice)

toreturntothepartand rethink atx}ut abetterexptession later

TarnakoWridng [Ibsk1

SelfirevisionNumbers1to5to

separaieparagraphs

by

contents

Oo

make an organization) Number 1referstoiritroduction,Numbers2,3,and 4belong

tothe

body,

Number 5isa conclusion part.

HaniWfiting Ilask1

PeerRevision

jabracket

toshow

her

partner

the

end ofa paragraph

HaruWtiting Tbsk1

PeerRevisionacolon toshow herpartnerthereisacelon here

HaruWriting [[bsk1

PoerRevision

flgrmphics

toshow a

newparagraph

tostartanew paragraph

MarikoWriting Ihskl

PeerRevision

NNN"

.

awavy lineand a

qucslonmark

toskow

that

she and herpartnerdidnot findabetter expressionthere

HaruWriting [Ibsk2

Selfrevision

tc "t

quotatior1marksto e,pphasde thepart

Haruwnimg [[bsk2

Selfirevision

"anasterisk

toreturnto

the

partand rethinkal)outabetterexpression 1ater

M WtitingTbsk2

Selfirovision

mgrqphics

toshow a

new paragrqph

tostartanew paragraph

dyakoWfiting

[Ebsk2

PeerRevision

oacircle

tothinkofa synonym forthecircled word

Ayakownting Tlask2

PeerRevision

(

)

parentheses toshow thatshewondeied whether sheshould de1etethepart

GTaphicsyrnbolsasameans ofcommmication also

appeared

duringthepeerrevision ofMariko's draft.ln herinterviewMarikosaid thatshe used awavy lineand aquestlonmark on aphrase"bigor

and bigof'

[sic]

on her

drafttoshcFw readers

that

sheand

her

partnerdidnot findabetterexpression insteadof"biger and bigen"Mariko wrote inWritingrfask 1

(Famous

PersaninHistory):

[{bmeet and talktowonderful peopleisvery goodthingsforme inrea1lifeaswell.Ibelieveitmakes

me bigerand biger,

(first

draft)

-)It'sgood forme tomeet and talktowonderfu1 peopleinreal lifeas well. Ibelieveitmakes me tLlggit

(8)

-19-and/bigg!;L'.

(Ievised

draft)

Theexcerpt belowwas partof thediscussionarnong Marikoand Hanakoabout thesentence above on Mariko'sdraft.Theyniedbntfailedto

find

a

better

expression for"biger and biger:7'Marikodrewawavy 1ineand aquesdonmark duringthediscussionbelow:

1Hanalco:`Ybelieve

itnzcikesmq itmakes me bigerandbigei: "

2Mariko:IshereOK? 1don'tthinkso.

3Hlanako:Justamoment,

4Mlariko:Iwant tosay"seicyosasete

kureru

(make

me develop)",I,alwaysdon'tknowthis,

5Hanako:Ah,Isee. lstheusage of"big " OK? Hum..., 6Mariko:IAieEl,`igraw

up"isal)solutelyincorrect.Alwaysl'mwondering. ..,

7Hanako:wag waig wait,TbdaM I'mnot so well. I,hum....

8Mariko:Ah

9Hanako:"ooki

(big)",

"seicyoshha

(grew

up)'L ah,that'sOK? Isn't

it?

1

don't

know

ariything,this

incorrecgthemeaning. ,.,

1OMatiko:Hum,..,

11Hanako: "seicyoshita hitotachi

(grownrup

people)"hurn,"b[ger and

bigec

itmc

kes

me"

12Mariko:Idon'tknow, l3Hanako:Ne.

Ayako alsoanswered thatshe used parenthesestoshow herreaders that

slie

wondered whether she should

deletetheparenthesizedpart.Thus,some Epaphicsyrnbols were utilized as a means ofcornmunicatien between

partners,er betweena

dyad

and pcrtentialreadcrcs,duringpeerrevisions.

33GraphicSymbols and Lear"ing Histx)ry

Certaingraphicsymbolsinthecurrent study rqpresented individual students' personallearninghistory which displayscharacterisdcs of semiotic mediaien intermsof sociocultura1theory

(Donato,

2000;Lantolg

2000).Forexarnple, Tamako gaveanumber frem1to5toeach paragraphinherdraftefWritingJlask1

(Famous

PersoninHistory)as away to

pm

her

essay. inherinterviex-Lshe said thatshe learnodthestructureofan essay inbothJapaneseand Englishclassesathighschool.Iasked herwhy she didnct use thenunibers inWriting

Thsk2

(Famous

Entertaineror Ath1ete).Shesaid,"VV2:11,

Ididn'twrite thefirstessay byparagrqph,butthistirneI wrote thesecond essay while payingattention toparagrephscarefu11y SoIdidn'tthinkIsheuld write the numbers."

(my

trunsladon).

Anotherexample was Aki,who saidthatshe ]eamedthegraphicsymbo1toshow startinganew paragraph

in

theU.S.Herelementary school teachers used thesymbol. Shesaicl,"That isone ofthe syrnbols my teacher used.when shewairted ustochange our writing,Isti11sometimes use three1inestoshow caphatization, Ididn't use the1inesymbols thistirne,7'

(rny

translation).Haru alsoused thesame graphicsymbo1 tosihowa new

paragrqphand she reported thatsheknew itinthecomputen Thus,some graphicsymbolsinthepsesentstudy iepreseritfldindividualstudents'learninghistoryand theculture ofthe society towhich theybelonged,

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3.4Graphksas SemioticMediation

lncaseof Tatnako,graphicsymbols helpedhertofacilitateherrevisionofWritingTbsk1.Whilewriting

numbers, stieopmd heressay. Inherthink-aloudprotocolre1ated tothegrqphicsymbels,Tarriakoused

the

symbols as semi(rtic mediation

for

problemso]ving,HerfirstdraftinWritingTask1

CFamous

PersoninHistory)

hadonly asinglelongparagrapixahhough she numbered where each paragraphsLartedon herrevised draftOn

theother hand,herfirstdraftinWriting1[lask2

(Famous

Errtertaineror Athlete)hadfourparagrapbs,an

introduction,two bo(lyparts,and aconclusion. inherintervie-LTarriakosaid thatshecould organize herfirstdraft

withoutgraphicsymbols inWritingTlask2,whichrppresented herinternaiizationfiomtheinteFmentalplane

(otheFregulation

bymeans of graphicsymbols) to theintra-mentalplane

(self

regulation), as proposed

by

Xts,gotsky

(1987),

Her learningoforgantuion

for

writingwas internalizedinwnimg Tlask2.Belowisan exoerpt

related tothegrmphicsymbolsfromTamako'sthink-alondprotooolduringherWriting[fask1:

Uhm, mereoveg "specgec

reasons and exnmplas tosupport yozLrehaice," Iwrote naasons, and exnmptbs. Sincethereare fewparagrapbs,1willadd paragrapbs.Hum, firstl`tij'I

could traveL"

next 't&?

theu,`Dl"

thereare "Flns4" `LSecond' and "71iiid" buttheyarzi not paiagrapbs.SoImade paiagraphs."Ihe first

paragraphis`tU'I

could nzn,eibcu]kintime,;'thesecond paragrqphbeginswith `tlly

thewtof' and the

passageof`tFZrst."Thethirdbeginswith "Sboond' and theg"7Paird" isthefourthparagrqph.Ana thenthe ]astisthefifthpmpph beginningwith `tLike these."

4.Discussion

Among al1theparticipantsinthe presentstLicly

(iV

;=24), one-fourth students used greq}hicsymbols lntheir

revisions.Thisstudy showed thatstuderitsused graphicsymbols assemiotic mediatiog althoaghmy research about studerrts' uses ef graphicsymbols was atrulyexploratory smal1-scale study/ Furthermore,uses of grqphic symbols differedinthetwoconditions ofrevision. Graphic symbols can facilitate writers' problemsolving during self・revisions, Use of graphicsymbols can help L2 writers' revision. For example, Tamake develeped organizationofher writing,using graphicsymbols

(writing

numbers), Akiraand Haruused ariasterisktomm to

thepartoftheir wrhing and rethinkaboat abetterexpression Iaten

Duringpeerrevisions, graphicsyrnbolscan beused forcoTnmunication between

dyads

or between

dyads

and theirpotmtialreaders.Forexample, Haruused graphicsymbols tomake

what

shetallcedabout clearto

her

partnerMarikodrewawavy lineand aquestionmark toshow herreadersthatshe and herpartnercoutd nct finda

betterexpression. Ayako wmte parerrthesestosbow herpoterrtialreaders thatshe wendered whethersheshould

deletepartofher text.

4.1Distractienef Self-regulationinPeerRevhion

The

different

usesof graphicsyrnbols inselfrevision and peerrevision may derivefromcharacteristics of

suiting and revisien.Selfiregulationor solitary mentnl etfort isnecessary intheprocessof writing and revision

(Bereiter

& Scardamalia,1987).AccordingtoZimmermariand Kitsantas

(l999),

suitingor revisiondemands"a

highlevelofpersonal discipline"

(p,

241)and highdegreesefmetacogriition

(Scardamalia

& Bereite;1983).[[he cotlaboTative revision and itsgroLrpirrteractions

might

distract

studerrts'selfiregulaion inarevision taskiather

thanprovidethemwithmutual assistance. Furthermore,peerrevision mightdisruptwriters'memory loads,and

(10)

-21-thuscomplicate rather thanfacilitatethecoghtive processesofwriting and revision

CFIower

& Hayes,198];

Hayes,1996;Hayes etal.,1987).Thepresentparticipantswere able touse graphicsymbols as a forrnof mediation ofrovisionintheiroognitive processesof selfrevision,But

they

could not alfordtouse graphicsas a revision strategx and so

just

employed grqlihicsymbols forcommunicahon witheach otheq duringtheirpeer revisions.Furtherresearch on what

kinds

of collaborative writing taskcan reduce thecognitive demandsof writing orrevision,and facilitateL2learningisnecessary withregard toL2 learners'proficienqyleveland writing expertise.Scardamakaand Bereiter

(1983)

suggested thatitwas diMcultfornovice writers te directcoghtive resources towriimg.

4.2PedagogicalSuggestionsforWriting

in

these

ways

described

al)ove,

graphicsymbols qppearedwherestuderrts noticed gapsbetweentheir

irrterlanguageand thenomis ofthe targetlanguage,Studerrtsofteri wrote graphicsymbolswhere thcythoughtit necessary torevise.Teacherscould capitalizeon thisbyasking studentstowritecertaingraphicsymbolsor cedes

on theirdraftswhere students・want togetadvice or feedbackftomtheirteachersduringtheprecessefwriting or

revision.Suchgraphicsymbols could

help

ateacher to

give

apprqpriat2 and timelyfeedbacktoindividualstuderrts. Many previousstudiesheweconcluded thatL2studerrtstendtoneglect theirteachers'

feedback

on theirwritten compositions

(Cohen,

1987;Cohen& Cavalcanti,1990;Leki,l990).Cehen and Cavalcantisuggest thatto counter thisproblemteachersand studerrtsneed tohaveconsensus on thepurposesand modes of teachers'

feedbackon L2writing.Graphicsymbols could beameans tofaciltatesuch consensual cornmunieation between L2writing teachersand students.Asthepresentstudy pf{}vided,some L2learners

(active

agerrts)used graphics symbols

(non-lingriistic

symbols) intheprocessof L2 writing or revision tasks.Some syrnbolsrepsesented their

personallearninghistoryand culture inthesociety thqybelongedto.Some graphicsymbols were adoptedto extend theirwrittenoommunication totheirpeersorpetentialreaders,which gffvean example ofhow L2 learners

developedtheirL2leaming.

5.Conelusion

[Ihepreserrtstudy examined EFL

miversity

studerrts'uses ofgraphicsymbols

in

the

psocessesof

their

selfirevisionsand peerrevisians.[[hisstudy didnot consider otherimportantknown factorssuch as LlorL2

1anguageeducaticmaland sociocultural backgreunds,gendegage,or teacherinstructionson students'revisionand writing

(Cmmng

199S,2001).Thisstudy only tbcusedon theuse ofgraphic symbolsinL2 writing. [[hepresent

studywas a small-seale exploratory study doneinone classroom

with

a selectgrempof Japanesestudents

perft)rrning

just

one vvritingtasktypewithin shorttimedurations.Larger-scalestudies of greq)hicsymbols in various contexts

(e.g.,

ESLcontexts,otherL2or FLwritingi may benecessary fordevelQpmentof theefiiictive use of graphicsymbolsinL2or FI.writing. lnspite of limitations,thepresentstudy shows thatgraphicsymbols appear where studentsnoticegapsbetweentheirinterlanguageand thenorms ofthetargetlanguage.[[heresults

(11)

NII-Electronic Library Service

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Appendix

Promptsforwnting[[bsk1and WrttingTask2

WritingTtisk1:Ifycucould travelbackintimetomeet afamouspersonffomhistoryuwhat personwould youlike tomeet? Usespecificreasons and examples tosupport yourcboice.

wrting[fask2:Ifyou could meet a famousentertainerer athlete,wbo would that

be,

and whY? Usespecific

reasons and examples tesxpport yourchoioe

Acknowledgment

Iam gratefu1toAlisterCumming Meni11Swaig Suzanne Hidi,CharlenePolio,NinaSpada,and Wataru

Suzukifortheirvaluable commerrts and suggestions.Iwould 1iketothanktheeditorand thereviewers fortheir

insightfttland incisivefeedback.Iam solely responsibie fortheposhienstakeriand any errors

that

may reniain in

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