タイトル
W.B.イェイツとアイルランド・ナショナリズム
著者
川上, 武志; KAWAKAMI, Takeshi
引用
年報新人文学(8): 172(80)-251(1)
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Union'HËwtÓEFBCÏò;@"K@!9HµHÄGI!æ òIâ¦ÊD/RUVnlpgHh]khm_j5!ÞöGPBCVZ m^4QHàó#ØôTyÖ;P1Eq~Mh]khm_jHvÙ EFBC!?HTL>R9EGOFR"?;C´G!UVnlpgH h]khm_jI!Yfmc[HÎÃwßHÒ»&(Î÷»)Land War,*-,.−-+'E;C?HÇÌT2RHD/R" ¿7H¤5Ôq;C0R9EG!h]khm_jHÓ6I×ÈH vÉTRE01OH5/R"ñí=RE!¬I¸7¶¢ÊF}øT @F0¹äFè¾Ê#áuÊFrHP1FOH5/R"¡G?ST ãHP1Gð0Rá²&£²'Á5u;C!©ÊGèªH ®T¨8RÀëFh]khm_jHtÓJE!?HÛT§®8;C 07E01OHD/R"0L<7O!h]khm_jIáz¤HÛéÝ AE|Ú;@HI!h]khm_jHzÍ E. \gW%m%D/B @&*'"UVnlpgG30CI9Hì{TNRH5!ioe^ap f#U`pbp]%xG½=R¤E019EGFRHD/R5!« µçG!VXVd5¥Õ;@(UVnlpgáß)&Irish Literary Revival'HÆI!9SQH¤ÁH§GPBCº6ôCQS@!h]k hm_jHHåõHP1FOHD/B@"æI!h]khm_j GîSRUVnlpgG30C!áßHtÓT³±=RVXVdH U`pbp]%E;CHô¯T!?HÅTİE;CÐ;C07O HD/R":QG!h]khm_jsÜH¼TÑK2@12D!UV nlpgHh]khm_jH÷5>Rï$F êEH}T2F 5Q;C079EG=R" &004'248
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`a`lP^u`°×Ò'.3-0ò(OVHJ"?E¤ïQ! ^`{y~pO7<Yú£ù PÑLNHJAY"=Pá.\ ]FÇO$\éBYL!S. J. be|`n_'Standish James O’Grady( P+^`{y~pP/´$*ºà,'History of Ireland : Heroic Period, .212(L56}v~èN¨ÙOZYíÉ\§ÄA=L9K:Y"8I J`a`lQ!^`{y~pú£ù ïQbe|`n_P+^`{y ~pP/´,PÈ\UHJ¶SYL¬HE=L94Y"^`{y~p ¯P!¸P·ÜL?J!f&dOÐSZEbe|`n_Q!÷ËP «\åHJ)ozrm_#c|kh*'Trinity College(O]F4L! =]MQDPOô?JþÛOÌ\î@V6L¥Ê?J5E"äìD ]N&ÔO!ESESÿZJ5Eê¼PöKO§ø[Z!³ýN; D=PÎÅ»K>A=LONY"Å\HJ5Y6GO¢ÕÀO? E S. bs}y~'Sylvester O’Halloran(P+^`{y~pP/´L© à¦ÆÓ,'An Introduction to the Study of the History and Antiquities of
Ireland,.11/(OVHJ!þçûµONXEJP=PñÃ0±P¾½
Q!^`{y~pP©àÏOAH8X#CWZJ?S6"jtz~R %HEbe|`n_Q!ÚÝ)+^`{y~pµ *'Royal Irish
Academy(Ræ5¶T!bs}y~P+^`{y~p´,'General History
of Ireland,.110(²PâðO¿X8YPK4Y" be|`n_\=PV6O^`{y~pP(ØN/´ÏO)HEP Q!ß!K4HEP8%^`{y~pKQ!O'Ï¡;Oë HJ8NXP-P©ú¹,PÁÂL¦9®N[ZJ5E9!DZWQ ½P¦»8úÅüÞªOóTWZYF<K!Ö;õPÍPãYL '005( 247 W.B.`a`lL^`{y~p#qgxqziw
;\LNK4EB"=4U!_axw{qMÉ/#ÿ/] Y8;J 5I6Z·U!UNVg%xmsp(Gaeltacht)JO[Z_axw {qÎôùLª$JúX>íÿÝ]Ä1HN1K4EBMI0Z"j hnpw{qLN,di_{-(Ossian)0Y!bc%xkLN,vtr %ed{-(Mabinogion)50Z5!_axw{qLNA212,MU M5K1;JL!dfyao`NãDLG1BL}1K1"ñN÷ ÁMLº]ÑTZJ6!¤·4X&3X[B_axw{qM-®³*]åL¾>ZC9INþÙ=K4EB",_axw{qM -®-MÃ÷I¾QH1ZW2L!*;M§MÒÐ5ÖEH6BÍ]! Õ×åKuzljLWEH¨ÔØ>ZBT+(for the reconstruction by imaginative processes of the life led by our ancestors in this country)(.)M ¥ðK¬*]!-®Lä>Z;J5I6Z¿òNLÌEH1Z" ²SX[BºüN!¹YÆ:X[Z%µÜM-®L½åK)Ó] 3Z;JLWEH!&Í6B'-®J=Hõ>ZJ12UMI0E B"ÛåLN!-®]çÜM¦MîLWEHÅX<[B¡Lß 1HÏ3?âTZK4I!I6ZC9$±ÊMóMjmaxVéá ]¹Yë[!RB=O=OñèM¶«M(]'>ZJ12ûüI0 Z(/)"12K[OAMÈNÜM"·µÜM³*]01! ø=! ½åK)Ó]3B_axw{q®!~»M´±]Á7;JL£ 9X[BMI0Z",_axw{qM-®-¼ïMêìLÁ4[B. ÷,À$±ÊM÷-(Early Bardic Literature)IN!©'<[B ºüLF1HNÚ$|.50EHU!_axw{qM-®]ËM§$ Là°<@Z!~M#¢IÞ0ZUMJ=H!*¯57ý^I1Z ;JN!;M%µÜ]¨P;M§MÕ×+M~ôL>Z;J!RB4 FHA2I0EBW2L!§MÊ$MÈ5AM¸CEBæÇÊöL!
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36;@!)WYwuziFÀ*G!\{Vz#pel%Emain Macha&F B¤%the Red Branch&!'_$v$F§0(%Táin
Bó Cuailnge&!gWiu%Deirdre&FµÁDCUPKQ"D3A LBPT7}U¹?FG!orycF)YvWc*E27QW^xZ cE¶<I5¯A/P!r$n%Queen Meave&B¤B F¥E½<Q_m$vz%Cuculain&F¾A/Q"]`xYgX 4_m$vzU<QU!)WYwuziFÀ ª²*%,..+ ³&D3E@JN1"8>¡¼G!_m$vz4aklhF r$nBF£BF¥F¦E!_uzj#vsZvXF ·F3O ¾HU/8QB9SA/Q"
But he, Cuculain, the son of Sualtam, stood afar upon the rampart of the Clanna Rury, a portent of war clear seen like flame against the dark western clouds, terrible in his beauty, and his voice rang across the battle like the shout of a battalion, or the sound of some mighty trumpet explored by the blasting of the breath of a giant. As when mariners in the western main plying southwards past Dûn−na−m−arc and the House of Donn, whose ship the tempest shakes, and the wild billows buffet; and they, in the darkness and the storm, hear around them the thunder of the waves upon iron coasts, who, being impotent, anticipate certain death; and as when, to them rounding suddenly and
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unawares some concealing promontory, there shines far away the ship −protecting light which crowns that black rock that was the grave of Iar, and afar over the tossing waters there streams the glorious ray.$*%
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The legends represent the imagination of the country; they are that kind of history which a nation desires possess. They betray the ambition and ideals of the people and, in this respect, have a value far beyond the tale of actual events and duly recorded deeds, which are no more history than a skeleton is a man. Nay, too, they have their own reality. They fill the mind with an adequate and satisfying pleasure. They present a rhythmic completeness and a beauty not to be found in the fragmentary and ragged succession of events in time.
Achilles and Troy appear somehow more real than Histiaeus and Miletus, Cuculain and Emain Macha than Brian Boru and Kincora.(/)
òH7Zfi~cpbLP!g%{c}&Thomas Carlyle'8*ñ JñÄâ+&Heroes and Hero−Worship,,0-,'L63H¹Þ?Dv ØKñ!GT[¶?DÅ_¬GÂO¨ÉW¢ 8ô¦_ Ó A\!J3FDô¦LîA\J=^82FD"=O²Ö_®£ac }{rLµNHU\J!ä®ÀV¸ÊA\ÃÏOLç?H3\a i#ac|nkxOªã8!j%}&gq|nh'7ZC O²Ý_³[ð?H!ÐOñOY4L=O£O©ÝLÛZK;] QKZK3J34¾8Ü;HU5\"*q%|%²Jq%|%í² ²+&Toryism and Tory Democrasy,,00.'IP!M\TÚLG7FDY 4Kai#ac|kxOK77Z!£ØÔȽLè`Eñ OY4K±°8¶A\=JROÍ8!37LVäZ?3Á÷K×§
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_!=O£OÂ$L¿?U_@\Y4KË¥L>B\)J3FDfi ~cpbOïõUV!ßL®êOÊA\OÂ$L;Z]DVOI 2\J¡5Z]!ä®ÀOskzs|mw¯8¼á:öU¶DVOJ óA\=J8I9\" cdcoPCO*®Ù+&Autobiographies'OK7Ifi~cpbO =J_?H!(ÆL63HPytftlqI2[!ac}{r I¤Vë´ØKpc|b#ehlu~l«&Daily Express'O²åI2 [!2ZX\ÎOí²²_FD)ÌêL»àØI9KÂé
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L!AKJË@X¹#BQJG4DBH56<HJR>F5 X"`bq^h]HL)å9RÍÂJ>F5XRKÅFJE5F!A KÚW9%âÔK{&HIX*¹G4DB"A>F)O=>;AKû ÷8V!4VTX\^pnrjKÇÊ×IzL!AKKuì[`b q^h]ëDF5XKC*'for that very reason every Irish imaginative
writer owed a portion of his soul(H56Á>PI5¨[^_^gLÉ
DF5X"5P?;R<Kù9¦@U6J+\^pnrjþ,L! JðíGö@X<HJIXª5zÐJÍ:Ix[N>F 5;9!^_^g§¸R¬ÌKJ`bq^h]K<K°ïJUDF¯ QF!\^pnrjKÆÍIÌ»~[ÓQX<H9G:BKG4X" A>F!A<Gé8YXyøÐK¿:¿:H>B¡L!J+\c$r Kñ",'Wanderings of Oisin,.223(S+h\jn,'Deirdre,.3-1(S +am$or ì,'Cuchulain cycle(HIDF©>F5;"
ðíwÜKê²HIDBK9!C. S. l$kp'Charles Stewart
Parnell(¢K\^pnrj³¼G4X9!<K4BWK£³JR±>
µYF7;"M. es]j'Michael Davitt(8Vv:5C\^pnr jK)ÙÒõÏ*9! bnfjdi$r'W. E. Gladstone(KÖ>B ÙÒò'Îߤ!.22.á(JUDFuÕKôØ9E5BHäÑ>Bl$ kpL!¤IX¾¥ôç[)§¥õÏ*'home rule(JÕQB".22/á K¬uJIZYBÈÄJ75F!l$kpü5X\^pnrj |Û'Irish Parliamentary Party(LÍîJAKÝèº[¶M>ã¬# À[Ý@X9!)\^pnrjõÏ*K}Jà·CDBbnfjd i$r[Û«H@X§÷ÛÞ'Τ(K½ýJL!<K |ÛK À9æúG4DB"y |[PIîGó!@Xl$kpL!bn fjdi$rHKÿý[´J!.220á JtK\^pnrj§¥
êq(Àt)[˨>CX"=NU5L|[ÄXL7J!j%io [ MÉ4Rvë8©á>YX"j%ioÝxNuJ3GE W. _a^]¿s7V>YE!&ô'(Ê)[S;X·¬Mj%ioO 9QYXNJ3X"µKøõPNw[®ÝAX`mdgb f%pNýMÒ@B!r¶K?IУJ3Wº<Xj%ioN½ÎM ÐÖOæ?!H4M\]ompg}ÐOå÷AX=KMLX"«± ÛKLGEj%ioOÈFMñ´NöM¨XNJ3X8!DNàù8§ LGI/12/×N¤M¦×NÚòMìFE³[ç@XNJ3X" íN¼[t¯MÜäGI4Ej%ioNÕ¶NMUGI!\]om pgN²OtMÓy?I?Q5" ¾N²z[ GIé¶ ?E\]ompgO!3X¢NÃM¥ZYEK4GIU4"j%i oN\]ompgO!*ÏÆïÁ+M64IO!DY8~AXL 7JÏÆ[ÔEÙí¸Oì¹?è¡y?I49!*ïÁ+TDYM ß»AXè¡ÐN*ð̲+(constructive unionism)MUGI°$ NØó7VôYI4:"]^]eO=NU5LîNtÅ[!,üûN ÇÂ-(The Cutting of an Agate)ªNãú,{KÍÑ-(Poetry and Tradition,/2.0)NL7J!NU5MâÞ?I4X"
###Power passed to small shopkeepers, to clerks, to that very class who had seemed to John O’Leary so ready to bend to the power of others, to men who had risen above the traditions of the countryman, without learning those of cultivated life or even educating themselves, and who because of their poverty, their ignorance, their superstitious piety, are much subject to all kinds of fear. Immediate victory, immediate utility, became everything,###(/.)
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VD¦õcdcrO)ÛgnMV_D£%*%The Words upon the Window−pane,,2./&Ny$tNL8I!z$xN¶M[FH86F H!'¢½NѺYðé#æ>\MѺîLÞLK8\ÙÝ'9ÿ >_DNI3]!VDÙÝîvmvo}Yk$§Y¤äNü§ S!>\MOÄÈîL·YNU5SJ!ÙÝ'9©<\_^=JM LFD(%,,&JÁTH4^"ì;à4DѺîvmvo}NÜ9P JVA¿ß@^=JM[FH!ýîvmvo}aë@^ýú N¾'I3^bj #bcqm´øM!CN¾ó a^ =JNI:^ª9ÂFH:DJ45`<I3^"=N=Ja T. c$ jtO¹N[5MÓ"?H4^" 4A_MB[k$#vmvo}9¹åMѺî&aÐû @^MG_!ýO'vmv(³©Nbj #bcmN è»ÌDE9!L7X´ø a«°?6DÍÆL4ѺãNPJ GJLFD"®!Má?HѺî¾ó aR^5=JM¼÷?Dù \O!¯¦NðçÇIÒÊî|k~w$M×6!ô*M®!ýa ú>B[5J?D"%,-& ÀÎÃòMchnJNþ¬I²V]!D. elxN¨ 'ftqiÿ((%,1-2&!>\M'bcu®Nöµ( %,102&Y'ðéÔÚ(NËï%,11+s&JÕ?HZ;+Nbc uÈÏa!k$#ftqiØ9bj #bcmN{ sn ptØMä`FHCN$aê½M¥WH4;)±J?H¡^=J9 I:^"C=IíÅ>_^vmvo}9!k$#ftqiîL ѺÉaâQ^NXVDñÖN=JIX3^"=N[5L¸ãa!=_ %012&240
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ª=AZUMJ>Hð!J=[ZI1\3J"*ÆL1Z^zdy#^ `wgtN!<MW3L>Hf$x#bmwicMȲÜoguowh rM-%]XB3J>CMI1Z" ]¬ÿ@Z÷óëMÙ© N!f$xMUM6XN¶I1YÑìÜKUMI1ZJ23svzM ïé]#OZK6I!`a`jXM÷óëM÷·ÕN³öÕMÙ ©åLWFH!õ¶ÜK!]øº@ZȲÜoguowhr6X!^ `xvzn]§@Z<J7I8ZDJÔÃüýLÁ?H2CMI1Z" ^zdy#^`wgt7ù2C<MW3Kò}]!{_cmw^Ú M¤ú¤MØ«7ù4C~´J)¯>C¾J>HÎ4Z< J7I8Z"GRY!îâ7«MíÞLWFHÔ&LÉS»=[C+ ä·V%ÇY¿7Y&MÓãLWFH6=[Z®ÐN!bmwi cL6=[Z^zdy#^`wgtJæMUMJZ<J7I8Z J23UMI1Z"îâNRC!±ÒMõ¶¸Ü¡VÂCKÝL WFH!¹ÊNJ>H2CÁMáÓ7¥ú6Xþ=PX[!Ç Mçè#($7UNVÛÿ>K9KFH!³XM^`lzk_k_]µ 26:H2C"<MW3K±ÒM%û×½&]£ô@ZCTL°E»= [CM7÷ 'culture(I1FC"<<L!)<MÅL52H¢4X [!ÖX[3ZYM¦ËUM*]Ö\3J@Zà'JN!ÄÇQ M"'culture(LÏKXK2J@ZÍ];C!qgt$#^$p xn'Matthew Arnold(MßÀ]SZ<JLKZ"
/. qgt$#^$pxnMexmJ`a`j
ñ,+Ë|Mê,'Ideas of Good and Evil (¼¨M)÷LSZe xmÜ!Ì*'The Celtic Element of Literature,.0-/(MK6I!`a`
ePbsfçÄOÒ¬JL=[ZUO]!E. sht(Ernest Renan) O,bsfçÄO§-(The Poetry of the Celtic Races)Vlco%#^ %isgO,bsfàO-(On the Study of Celtic Literature)OL 6OÊèLàµ]î2H¢´?H2Z"bsfçÄMP*ªÁCOUO MD2AZuVªÁOä³MD2AZ·ÀL71FD7!<[XM Pº7ªÁJ62¡FH!ªßOJwé]Z¾7ªÁOL6 6Xá<4H9ZW3M¥3J8MÉZ!1Oêô7@Y¡FH2 Z+I1ZJ6!*ªÁMD2AZbsfçÄO¶ÔP!5UMªÁO UG&Ú'J23WYU&¹Ù'6X½@Z7!CO¶Ô7ªÁM &æñJäñ']G;~4ZOI1Z+J2FDI1Z(./)"=XM! <OW3Làµ7º$M±É=[H2Z¨¶]?L7XU!xà MTX[ZJ=[Z<[XOÒ¼7!ARHbsfMCO]×?H2 ZJ23¿P!°J?H^%isg7ðÝ=BDJ23<JU Ó? H2Z"?6?L7X!<[XOM1SYó¯AZ<JL91F= YíÓAZ_`_eOÆÐM!2==6Oò2]@>Z]4L2O I1Z"^%isg7&bsfÎLÒ¬'LZUOMÒMÌ?«A ZïìMG2HO_`_eOÜ}7PF8Y?L26XI1Z"DE< OA:I!^%isgOvOKOÏ7ëyIKOÏ7ë6 ¤B NQLXL2J?!_`_eP*=UL;[QÍ7¦ÈOjqz]Y â?H!Ç\YMankeÕ]£Z<JMULY6NL2(the enemy root up our rose−garden and plant a cabbage−garden instead)+(.0)J2F DW3Lvå¸ËL2?]?H2ZOIP1Z7" 6M!²Ö» O¡ï°J²»OÞ¬°OØÑ7@Y¡FD©»M52 H!bsfçÄOÂüJêôMP!,bsfàO-I|ÐU Yâ=[Zà]®YHÛA[Q!&¨O{ãMÅAZ¶ÔÎI (015) 237 W.B._`_eJ^_sqtg#hcphrdm
A 5 " ¤ O ý ó'(a passionate, turbulent, indomitable reaction against
the despotism of fact)(.0)L5HFè2¼-:á@XWOK4Y6"L
?Y:!·SÔ$NBH9VíçAF?Oh~rîMôÅLP!]%u ~s:!VNÏ7W^gr}]éO*Ý#Ç+(philistinism)[ ë¶BWFQNç@XFROK4HJ!ß$N3îNÙVÐ>UX FØKR4HFOK4W"ðÀèÒO#ÅîM¾¡Æ[¦7FÊ£ Õ¯üO_f}lN85J!EXNû6§MæO&NTHJ 0ùAFÔ$P!EOT6MÆOà4N89XW(ÄU:øAJ; F)uln~kogMïòîÆ[!ÄU:ÚÜAF*h~r+%M WRONâ³@DT6LAF"ipelr[&7JêQWL!f}j z#%y×Ó[ AJìAJ;F{%ovÆ:!/Ö[Î LBW?LN³;HF¨!EO?L[ÛàBWÈåLAJðµT <&ú¬'AFRO:!{%ov*®++K4VA9R*ñç+O *h~r+%K4HF" ,h~r%O«-P!]%u~s:coglxb%sÁ ÉÑ N4HFº¯OÃO.310ö)9U.öOÌN9=J³MHF´: NMHJ5W"ÿ:h~rNÒ[±=W?LNMWP!h~rO ©[<~tO1%,h~r*ÞOÁ-[õ\G?LN4HF:! .31/öON`a%~mO|q^su(Llandudno)K¹@XF *]_lpmb%s+(Eisteddfod,*¢,ÁÔã+)['XF?L R!EO5óLMHF"¿NZFW´PÍQ½Â,i%w~ #ydk-(Cornhill Magazine)N¥»@X!.12öNä³(LAJ Ëþ@XW?LNMW"L?YK]%u~sPh~r°[¸!9!R!/B W?L:M9HFOK!h~r%NI5J´BWL56?LNI5 JPß$N65BWL?Y:4HFPCK4W"²5M?LNEOª÷ (016)236
K!E. _c$x[&Eugene O’Curry'6,0--−.#I`mxkbèF ®HCB(Z\yw{n¥ç¸Á7»FID2EJ¯)&Lectures on the Manuscript Materials of Ancient Irish History'I T C E Ë < X W 6!;J¯K,0.,#I J. H. pu$s{&John Henry Newman'JÄ ITCEIÇ'<XE2BJF1W"Z$qynK!°í¶6 CE2B(ä.Ã)%+GÅ:J÷5UPEòäF1V!ûüG ÓJ÷5UPEáµF1V!ÏÓG×ÐJ÷5UPE<ëF1W; G&,.'%YÕ?WÄêG>E!cym;å6½Dý¿Ià2YóQB JF1W"Z$qynJ;J¯KÒJÏYæ2I¦M;GGH V!AJcym-J©Ú6!QUXE!,0//#I_kbir^$nJ h$fi#ezkhIcym0¯²6ÜE<XW;GIHW" *cym0J +I42E!Z$qynK\axiJ°;ÓI± ´>E2WG23dys{õCâGcymõCâGY*#/Ù>E2 W"dys{õCâK!(ÀðõHÀ<)&steadiness with honesty' G23£BF,<XW6!;JCâIK(¬(Hz|]yI49Wéî Hñä<G8A<61WGI!¹ID2EJ1USW+G¾1I4 9Wÿ)61WG23">5>dys{õCâIK!(2!ß®! .¼Y 98ìÀ#׫I·Í:W%G!ÑùJ1USW/?Y ø?Wõ$)G2CBïÈ61W;GR5X@Iºô>E2 W&,/'"~4!cymõÓ¿Y~§F,?G(Êõ)&sentimental'G 23§6³RöÛF1WG>!(<O=OHÌYâã85D838 ÔG!LG)>PI8&?WÖ7Ö7G>B¤Ó)6ÈF1 WGÝ><XE2W"cymÑJ¿K(.Â>:H}ØJH5IR! Î"õFÏIÞPþW@ÆJH5IR¡W;G6F7T3">5>!A J7¿KÖ=G¨GÎÉNJ"HHúXF1V!Ϭ86¢ª7FD &017' 235 W.B.\]\lGZ\yw{n#ogvoxjt
BH56=HK4V+H?!>TK
### and the impressionable Celt, soon up and soon down, is the more because it is so his nature to be up%to be sociable, hospitable, eloquent, admired, figuring away brilliantly. He loves bright colours, he easily becomes audacious, overcrowing, full of fanfaronade.(/2)
H5DAS6JݼYà@V"Z$ovmM!cvl±LÏ´½J¸ °H5DAQLHdvqw±L´½ÇJ§J§µHY¾Î@V=H KSDF!x[bluZÄL¿;XOUJ5Ô¦¨ 9T M!*¥ºLÙ«+(natural magic)YÉÅH@Vcvl¢}LS6JQ LM!?F·OWJ5H56=HYÆ?F5V"OAÍM!*½Ô ¨ +H*ÂØ×+(provinciality)YË?F»±Ç±¶LAPK Ð@N;QLM!*=L´~K85F7TW!ÁTWV£L6CG Q²JQL+(sweetness and light)!@JXC*Þ+(culture)G 4VHß¹@VLG4V:!=Lk$qM,ÞHÛÃ-(Culture and Anarchy,/213)K85Fy;:WF5<" Z$ovmM*iue_w(À]^$vgLÜ¢±)R`eZw LÚãKE5F<BTJ5âY@Vhwjswiufl+H56L:! ,i\rg¡-K>WA,cvlÖL-L¬ÑG4DA(/3)" =LS6JÑRÓ®?Ê5*cvl5+(Celt−hater)K¾?FZ$ ovmM!,cvlÖL-L*Ö+G*S!\auf:Z\ v t w m Ì @ V = H L Ê ? > Y+(&Behold England’s difficulty in governing Ireland !')(0.)H{ª?F5V"áLÒÕGQ!*¤L=H Y!³4VLJ9Gp[nZwzÈL¯5|©±G4V½ÔIQK
9C!YNí·MVºCûÄNGM=X1IOL04!eogl zd%tMis¬N°´^ÙÖ=!NW4LÆ5^é=H_a
tM"7Non%k^Û[:J^")&-,'JêUFH0[":
\YN:J4Y!_at*äM39[_%wtN©2H5!õ Mz`v_óN¥3MG0HO!aflNÜýæNÀ/ëL_a t¹øNâÈI/[J=H0[:J5þ4["=4=L5Y!i s&ÝMC0?[_%wtN:NX1L©ÍM\[áîN1 MO!¼NX1L%5<\H0C"(_atÅ&^T:N ïN?QHNÅ&^!ô>¬^8?àNVNJ=H¡Ã?[:JM XFH!BN^µ8.$LÌ^ÂZü0!RCB\MXFHª#N ç$ë&ÝÓ^!÷?[NO!;7¾ØNÔZ¯6I/Z###bc% m¬LKVB\5Ú7Ê)?\P?[D9!ahtMVbc% mMJFHVX0:JLNI/[)&--'":NX1L©$^=H0CN I!_atMG0HVafl5ß7N¾+^,2[Q6I/[ J01VNIOL7!@0A0ùY^VFJ®ëM1Q6I/[J 015!ÀO_%wtN%ÎI/FC&-.'" _%wtN*isÿN¨¢+NÁèO!BN(Çÿ)MOF6 ZJú]\H0["GRZ!ùNÉ2[(is)0JË-MO!i s¦NÐ$^0EÚ7ahtMô#¡Ã<@X1J?[Õ½ ëÑ5(4MöSÂ\[J01:JI/["<YM:\M2H³ Nare f%룱5/FC"z`xqN*tap³&M²8+M SY\[X1M!ð»N«Ï6¤N³J=Hãò=GG/FC{ a nNÞ¶^!õM¿=H0[.¸52[NI/["{ an M30H!tapñN·'^»N³b`|~,Ò4Yå<\ Cyl}g5!(ì§×)^¯LFCNO_%wtN*isÿ &019' 233 W.B.acapJ_at#ujum~
{H-G°ÜBòH9ED0A?"¢£uÀ¼RHk qXcrH^olr¿¢HØG·;C!y6X[nbªHÒ¬G I>HÙF^olr¿¢IOEPR!±D}¥¬Ï5F]of¿ ¢O @U=C4R!:QGIËH¸GÓß5BÝ¿G·w< SÄG½8C1Sholr¿¢LDVOÈ;C1SE1A? D0S"9HP2F¨V|s;CMSE!Zd\bjY%gHa%` b#_pdaG´$E]ofÌ{6©®:TS9EGFA?×6 Ûz:TS"gXeH^olrÒµt¡HÞG·<S?NGI! &WXomrgÔº'E12X[nbHG½ÃGÁACÂ7:A? V´G¤R§7!X[nbÒ6uÐ~GFQF8TJFQF1" >9D,]ofÌ{H-H*¦Ì+HD!W%hogI
Let the Celtic members of this empire consider that they have to transform themselves; and though the summons to transform themselves to be often conveyed harshly and brutally,###Let them consider that they are inextricably bound up with us, and that, if the suggestions in the following pages have any truth, we English, alien and uncongenial to our Celtic partners as we may have hitherto shown ourselves, have notwithstanding, beyond perhaps any other nation, a thousand latent springs of possible sympathy with them.(./)
E³3S"ÕÆ«GÁSxFWXomrgÅEÚK=¶8?ÊÍ HD!W%hogI9HP2G*¹v¾H]ofHª$+V¯7 Ö<HD0S"ÃGFAC!E. i%\(Edmund Burke)H»HÎ GPACW%hogI!WXomrgHÇEÉÑIWXomrgª
MºH34SU![]laM¨H¿©K2V;HYyQF£? V;HKJV"=7=J8T̵U@Mª½N+[]laM°Á,K2 VMBH34;HY=F3V;H7T!^kcfae%nM: VÉpJINZ%hmfKHCF˲|G2U!+Z[mknfË ²,MxK:FM»N!Z[mknfYSUÄKo4;HKS CF!Z[mknfM¯7T[]laHMÑY¥7T4S4KU T4;HK2CA)/0*" ´¹K3CF!Z%hmfM-_meÃ~M.M˲N!Z[m knf§¦KHCFR·7JTL'_me¹(JVRMY¬¸H =A45G!³¡#Ðv<WAʱYuÍ=F!tK6:V_ meMsKD3FMS4KÒ>F39;HK2V"
If I were asked where English poetry got these three things, its turn for the style, its turn for melancholy, and its turn for natural magic, for catching and rendering the charm of nature in a wonderfully near and vivid way, &I should answer, with some doubt, that it got much of is turn for style from a Celtic source; with less doubt, that it got much of its melancholy from a Celtic source; with no doubt at all, that from a Celtic source it got nearly all its natural magic.)/1*
[\[dR+Ã~KPV_me¹Î,K63F!+Z[mknfKD 3F¢9w$Mz8;WTM_me¹¼KRHE3FÒY®PÏF F3VHNXJ38,H OJ8TR!}ÅKZ%hmfMqK ¾YÇ9;HRJ9!¤MrÍ=AÀÂY@C9UUÆ=A2H G!MS4K«Y{¶?VMG2V"+;M;HYNÅM3È )021* 231 W.B.[\[dHZ[mknf#g`jglbi
Z=FOA1KB6!Q=ÊK·ÖR¹×JÂ3?ãCWF1I9 WM!ßLËIV¸Kí!·ÖJ9AÅ!·ÖK1AðÅ JèCF=N2KB"+(,.)<TJÉ9F!dxr!q\|x|l! d_|cmp[H`zkK§EKQKZ!w%{hoJ49VÊ K·ÖR¹×KÃH=F:F1V(,/)";WTKÃKI5GL! ÕJ`zkKQK6 ½JÑDFw%{hoßKâìK8J0 DAHÁæ<WV6!;KéÚH=F¬C²<WVK6!NA=FQz m|KG0U[%nzlK~IKG0V"@=F!*`zkÓH Lw%{hoK15IVÃJQÇ=FáÛIÃG0V(H]^]i 6¡3V)a%zÐÁZà>V;HJ0V+(&The Celtic Movement', as I understand it, is principally the opening of this fountain)(,/)!ENU ÞAC6ÀJ£Ï=S2H=F1V*ßÜ+JSDF!a%z ÐÁH12¼69TWS2H=F1VHKîZÔ²>VKG0 V"]^]iKçÎJQ!`zk»ïZug%qH=A¥ÙZQDF *ßÜ+ÓZÏ>VI5G![]zx|lK¢ä¿Z&À' >V;H60DA";KS2I]^]iK©¾L!¢5TKÞê¯ Kë¶Z°DF1A;HZ´9M![%nzlKQKH<=FÆ6I 1S2JQªYWV";;KH;XJ![]zx|l«ØJÌ=F7 As{jdf|kºKݦIë¶!@KJÈ>V®H=FK ]^]ië¶Z$L1ÍV;H6G7VKG0V"
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The success of these undertakings hinged on a return by the intelligentsia to a living past, a past that was no mere quarry for antiquarian research but that could be derived from the sentiments and tradition of the people. This meant a twofold strategy for furnishing ‘map’of the community, its history, its destiny and its place among the nations, and of providing ‘moralities’ for the regenerated community, ones that could inspire present generations to emulate the public virtues deemed to express the national character.'-.(
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ms}^~ÕØG[`{eL&YüECRJM!xm[jhl#Z [{hdwt~L*Y¿?WT3IøæIZ[|z~lL¤ÚM! ¹L±Ù&É'phk&William Pitt'JHDFÝ4ñ2LÊL T3J½DC"B:G!õMáq{j~HZ[|z~l7ì¬=F E L0¬YÑ?W(¬î")Y+/**óJÑ,;A!BL)óL·« YÞE:HJ=C"=6=I7U!¬î"Máq{j~LCRJÐæ; XCSLG1V!5TBáq{j~L+J¸?WSLG1DCLG! !-YÍJ'¬;AW:HJM7UI6DC"¬î§=NU8 Z[|z~lMÒ»çJåß=F2CLG1W7!B:J¥XCL7§ J(ÿ¾)&the Liberator'H¦NXW!_k{haéG1Vb{ %ÂLãÀÇÎLû¨µ D. ^c~o|&Daniel O’Connell'G1DC" (¬îèô)&repeal${p%|í'H_k{haJ4UXW®I þùJC2=F!°ÃçJÒOÏÇ?W=6I2H=F2C^c ~o|M!Ô@(_k{haéÿ)&Catholic emancipation'L íJBLÎYë>W:HJ?W"+/,-óJ(_k{ha)&Catholic Association'YÓ,?W7!LíY¶4W¡ rn%Lö(_ k{haãà)&Catholic rent'LäÁH23!²7©Y×=F!í MJPWáÄÒ»íOHú#=F28:HJIDC"^c~o|L íL.JÜ=F!°ÈBL(YðD1KF2C\]{~k~S! ¼Ò£&k%{%ê'Løæ;YƳ?WH!E2JÌýA<WYï I8IV+/,0óJ(_k{haéÿ/)&Catholic Relief Act'LÑ ,Yâ?W":XJTDF!M_k{haéJS6XW :HJIV!)óò¡LÈÖG^c~o|M!ÛL_k{haൠ´Å$HJ\]eku~eg%JËV¯Q:HJIDC"º2G!^ c~o|L%÷M¢L(¬îèô)Jª9UX!+/.*óJ(¬îèô &037' 215 W.B.[][iHZ[|z~l#mdym{fv
(%Repeal Association&UÂ$;S"°/«òksw_úG~ U@J9E¥:>>ME!ì÷&Uº·C:A/>êGƵH!OH R̲UÜy:>'̳(%monster meeting&U¢:A!¾ïC ÚR0C/0NGB.?>"mwao±¯B.SY]whuEC? A!'¿(CHVXuswfGZetb[ÙE'£ÌɼG£Ì ñ(U;S8CE.?>"=G'¿(HC4EöÖE¸ôUþ D59<QTS8C3.?AN!í)VXuswfEUð;S8 CE6QT>":2N=GH8TKBGlvc_aweбEP SàÄBHD5!Zetb[Ò¦ EPSÅýCKBH/2D/C: AN!¶D5CNËî9T½9TFIDQD/"Y]whuG£G ³H!)-+*ãE2@AGÁÆGÐB.S[vwa$kB=G¢3 9TS3!ÊU´Ü9<>ÛG/Òªú'EP?Aá¡:A: K0"88B!Y]whu3ÇÜ:>qw_a$#n$cw\3.?6 D5:>GH!=GóøD±E.SCëè;S¯Î3´§M S"8GP0EËGVXuswf#g^rgt`oH!Zetb[Ö ßÓ3¹ä5(L´SNGC:AçÀ:>GB.S3!T. X$\uew N¨Õ:A/SP0E!VXuswfE16Sg^rgt`oG£ÌG ûÍH!®#¤ÖÿPRN¾¬ÖDÿUüÃ9<SÔ%GNG C! ùÖ#¾¬ÖDâÏU/@NÞQTS8CGD2?>®Ö#
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(J. B. Dillon)E45¹¤J¨ºÁ94A"¾¶K.20/ºH¸º J_m$gp`eD3BA G. D. bjV(G. D. Duffy)Ey4!¸ D{,hW^nr-(The Nation)T½{?R;EH¸t?R" JK!;JJNÅSAs¤D3R J. C. kr[r(James C. Mangan)J&The Nation’ s First Number'E45¿J ©D3R 9!@J¯ÃF7Q,hW^nr-J®uJ½{T»=C < SANJD3R"
‘Tis a great day, and glorious, O Public ! for you% This October Fifteenth, Eighteen Forty and Two ! For on this day of days, lo ! THE NATION comes forth, To commence its career of Wit, Wisdom, and Worth% To give Genius its due%to do battle with wrong% And achieve things undreamed of as yet, save in song. Then arise ! fling aside your dark mantle of slumber,
And welcome in chorus THE NATION’S FIRST NUMBER.(10)
,hW^nr-T~x=A;J¤9!Y]rhqT¬=G9P N!¾JZepc\§¢(clericalism)T£Â=3:MDNy T } : ¥ L J Ê Q 8 P!*¨ º U W q o r f ´+(Young Irelanders)T¦?RJN¸>ºJ;ED3R",hW^nr-{ JıK!µªJ;EG9P*¸²¼+H3BA9!¨ºUWqor f´KY]rhqJÇTIR4E|>G9PN!¾Jpi$q v·T6C4:G8D!¡HOBCKÀÈH«6CDN!w8P UWqorfJÆT°?REJÉT³z=C4:";;H!Y] (039) 213 W.B.WXWdEUWqorf#g^ngpal
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K4B]`_(Lament for the Death of Owen Roe O’Neill)L7_=!C R¾$RO<L*HRÃ=*¹D`_+ÊÛ´Rjfi#gS!c ezRÆ2RIXPº®Mâ9ºR3MEKË^a`K 8 _*Had he lived'had he lived, our dear country had been free;/ But he’s dead'but he’s dead, and ’twas slaves we’ll ever be.+"E < E,c e zú/âå-*Irish Confederate War,1531−42+URjfi# gRÀRÙS!º*÷ÿ!¥ÿ+Mrouyzñ>ÿM R¶å!:Kn&éñìRçÖ=@O<L!7a\@T1506þ P¡CJIÑ,!ÉRù+-P\JKÇa`I!%L7_ëýêwd &!~ &#j|&*Hugh O’Neill, 2ndearl of Tyrone+R;ðb
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?-.6?1KJ=-I":BtAC[OgNYB}{!COS cY>,I1!CU$dBRVc^f#_Mj(O’Sullivan Beare) ?shklLy<Te`PQdBjoBpLi-=-I?-.6?1, I0F8J@-":JC?F,J!zA5I*]OXaf+wAnu 7J;[OgNYBx&Celts and Saxons'C!:.8;Bq/L 8;FB>,I" BC!zBG.A
We hate the Saxon and the Dane, We hate the Norman men%
We curs’d their greed for blood and gain, We curse them now again.
Yet start not, Irish born man, If you’re to Ireland true,
We heed not blood, nor creed, nor clan% We have no curse for you.
~2vEHJ=-I"8-MOdbf\rLm9I;EAC!M Odbf\C Celtic >C@3= Irish >@4JD@H@-"6B6?C nBYZfWL|4=!
As Nubian rocks, and Ethiop sand Long drifting down the Nile, Built up old Egypt’s fertile land
For many a hundred mile; So Pagan clans to Ireland came,
And clans of Christendom,
Yet joined their wisdom and their fame To build a nation from.
Here came the brown Phoenician, The man of trade and toil% Here came the proud Milesian,
A hungering for spoil; And the Firbolg and the Cymry,
And the hard, enduring Dane, And the iron Lords of Normandy,
With the Saxons in their train.&*+'
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5!ñ5ß¿=V^l{iaFs}jfg~lJ±ÿ#ØäJßK! ¡ÖISCDÈB;7õ,;A̰àݾJ[]|z~mEK!MFZ G´ÊJH0QJE/CA"[~b}#[]{exJs}jfg~l K@J[]k~j\j\Y³X>I!HVáåJ[]|z~mÇF æE6VÃYº:H8WLHTH4CA5!@JþJU¼5[] |z~mJ+«!ô!öJE/CAJE/V"-¤ÑIKÓ7 @1K<H4CAJE/V5![]|z~m¥JÁû5QAT:W AI¬PD![~b}#[]{exKneyn|HÐìIýPA F02V"@;D!+«#µ#±¥JóJH4I!̰à$EK ;DòE6H0 Irish E/VF01²Y!öàj$uI30D Ú;¬PAJE/V"öY¥ùJ̰²Y£#:?Vs}q_~ hF;D'$=VF01X8E/V5!k]\fIFCDJöK! ̰௴I»ÒAVêY!2VQJFHU!@J9FISCD̰ à¢çKSUÆHQJIHCD0CA"9JøI30D!öK( îF̰FJï¶FHCD07JE/V5!èIc$|ö JÉÀH 0Í6ªUE/Vpzim5Þý:WA"ãüJË Jç*FHVJ 5!'o]ey~(ÂJ×7Jdzv&YÄCApzimR%E/ U!neyn{j\J(Yù¸I2¦O·ÜF;D@WTYÙÛI '$=V9FYÞÕ;AJ5!k]\fF`wp~#hir\J)ú E/CA%-)&" *.,+íJ©I9WNEI'o]ey~(I§:WA®Rpz imY¹PA'¥ùJÎÅ(%The Spirit of the Nation&F01®¹5º ð:WV"[]|z~mJ+«Yé"F=V%Ïí[]|z~mâY ²;A&'[]|z~mÔ½(%The Library of Ireland &YëI¢=
V J. hr\%James Duffy&Y@J÷¶F;D%-*&!¨.t~fF01
}EÍÌ>VB"âÊJ¥I½ÉÑ:¨>VUJE5U:!AJÊJ ©IK,ÝJµ°-K!Ç~Z\yw{mE¨Î>VB69HU ÚRTPAJÍѲYI¬ CD6B"*.412ÊÅÎJ«Ó+I K!=J, ¦-J´K*Ò§F¹|FÖ³I¼XU!¿S?> F!ã»Fncvnxk[F67¯?6¶JÙ+F?DZ\yw{ mJàI8SV!*ncvnyHÆËJ¾F£®+YÂI¢?BF 5U(3/)"==EÄÃH,ÝJµ°-JÀY·EUÐY!.412 ÊÅÎJH9IÕ?DNR7"
&Hope no more for Fatherland,
All its ranks are thinned or broken;' Long a base and coward band
Recreant words like these have spoken, But WE preach a land awoken;
Fatherland is true and tried
As your fears are false and hollow: Slaves and Dastards stand aside%
Knaves and Traitors, FÁG AN BEALACH !(30)
=VK C. G. hr[JÐJªãE5U:!g\lyFPHCD6U= J JãJÛÏET×>VUa$y FÁG AN BEALACH ! K! *ÈY<W+F67ÜE5T!bpqlQs{eg$JѺJ¤ :!HGE¸YOUF;JåäE5UF67"FPßM?6 á:!ÔIMB}ÁF6CD66LGÞI@SVD6U"¡ I!lxok[#`zid¨±JØ E. ]_ycu(Edward Walsh)
(045)
J&The Songs of the Nation'F34³JJ´¶K! YE songs that resound in the homes of our island% That wake the wild echoes by valley and highland% That kindle the cold with their forefather’s story% That point to the ardent the pathway of glory !%
Ye send to the banish’d, O’er ocean’s far wave, The hope that had vanish’d,
The vow of the brave;
And teach each proud despot of loftiest station,
To pale at your spell−word, sweet Songs of THE NATION !(20)
F34T4IHCD3D!C. G. bf]JF¾I!ÁOE? T4Hª7¤3D39"w#¡M>A¯¿6URY6WT4I! bcf]K,~»J-J®©Z@AQI!¨U>9m7T9 °«Ht¹ZV[BµZn«I¡M>!\^ihkeJÀ JquI5:W±S²yTVR!RCLU| «H}½rSÀ« o{ZÂ3;W³ZRCD¸I¬ACD3W"<XK T. g\ (Thomas Moore)J,\^ihkepv-(Irish Melodies)7£EW &YXARJNJ§8'JªF|¥ZH>D3W">6>!,~» J-I=XA( ¼JITW)/1.·I¦>T4F@ WxK!z¸OXD3W*\^ihkeJp+J\kaj_$H GIK!¢IXA&Lament for the Death of Owen Roe O’Neill'Zs Pd^l]`J¸Z3DK!º[G;UXW<FKH3"
)mXdx}*°F¨8Q=E3B§LÊ¡Fñð8QA1P±G @F!t}]}G%Dark Rosaleen&40P"7G~¤ÒE±GÌ© F0=?At}]}H!J. n$iWt}'James Hardiman(4Þº9 =)VX{y}k걺*'Irish Minstrelsy,+/,+(GE3G%Róisín
Dubh&'Little Black Rose(S«¢F9=C8QA1P" ÝÀFå
9A1=n$iWt}H!¦FÔPa${G±'µáC¡Ä(S ¸º9!<QSËæGÁ·Fâé8;A)VX{y}k걺*Ù SÅ9A1="<GÞ®GèÒFH!VX{y}kG±H^zdv #|$tGÓFíNE1IDGÐ40O!7GM2E¼E¬S £ÛFÑ1¥T>GH¤GVX{y}kͪG¿F0P!C12l dxl{EK40?="n$iWt}³ÉGÚ×FH![b}m{G \jzg_ߨS9:PÈ40?=GB0P")걺* BH%Róisín Dubh&H!T. qU$|}`'Thomas Furlong(FM?A
â8QPGB0P4'.-(!n$iWt}F»2C!¦BHK=C7 RÜ96Eî~%Róisín Dubh&H!´H1Í²ÒÆ4ÇO¥J Q=ÒEoygkCEP"ZzcreÂÖ²ãF©NQ=7G à H! V X { y } k G ë p w $#[ k } m {'Red Hugh O’Donnell(4àç9A1PesX}3NVX{y}kS½9A5Q P7CSÏ@ÂG¯S2LGB0O!»?A7GîÊB0PÂH ÕÎVX{y}kSä:PLGC¶8QP"77B!t}]}G %Dark Rosaleen&G¾ïC§¹ïSì:P4! O my Dark Rosaleen, Do not sigh, do not weep ! The priests are on the ocean green,
'047(
They march along the Deep. There’s wine …from the royal Pope
Upon the ocean green;
And Spanish ale shall give you hope, My Dark Rosaleen !
My own Rosaleen !
Shall glad your heart, shall give you hope, Shall give you health, and help, and hope,
My Dark Rosaleen,
O ! the Erne shall run red With redundance of blood,
The earth shall rock beneath our tread, And flames wrap hill and wood, And gun−peal, and slogan cry,
Wake many a glen serene, Ere you shall fade, ere you shall die,
My Dark Rosaleen ! My own Rosaleen !
The Judgement Hour must first be nigh, Ere you can fade, ere you can die,
My Dark Rosaleen !$&&%
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s$n\wH+[]~|pû¹Å,GNí0>H5 S. uZ $ai'Samuel Ferguson(C/U"©G)þ[]~|p·* HÚGÏ9V8DGFUçHuZ$aiI!¹ÍC/T¨×[] ~|pßÓHù5¬6ì9VUd~oªÁCP/U"éI_c ]n\DG%uZ$ai4S[]~|pHüßÓHLDYE XY?&D!]^]lGP§W:OULEó ñGPÊ0Xý 2>ÍòC/U"uZ$aiH+[]~|pû¹Å,HóÝF ¡Xå0>¦:0êèI!+jv}غ,'Dublin University Magazine(G¶G#AB"³9V!=H²ÄI¥óXÙ¿GÀ: >uZ$aiH½ÌHùCÜOSV>"b[ÃHegmD01 ËïGRABƾÐG´SV>D9VU%Róisín Dubh&I!uZ$a iGRUD! U`o}kbHËï5ÿÍC/U%¯t|&D¢±; U>OG!ö4SHãôHÉXÖ@WJUÿD018DGF U"waGI%Róisín Dubh&HôZ$f{P/AB!8H´ ¹G30BPuZ$aiùXS6µ«G:>PHD«2SVU"G. D.l\w$wI!%Róisín Dubh&IE1QSÈOIîÛHÿ? A>PHG!®ÝFø05ë9V>¹?D;U¤õ5ÕàC/U
DÇKB0U'-.("0<VG:BP%Róisín Dubh&IÆÐHÈOH
°MCGI!Ñ¼Ýø0CäMVU8DIF4A>R1C/T!q f{q}hxHáH¬MTDDPG[c#[]}fyHóGR ABÔ!9VUF4C!8HR1F®ÝFm$wXæðW9VB06 HC/U" 4G!uZ$aiHùId~oªHÒ?7/AB!óÝ!§ ªÝÞ4SIúVB0>PHC/A>5!ÎFzr_rgo') â*¸»Á(C/A>½ÌH÷ù¹P!OB0ѼÝt][g5£ '049( 203 W.B.]^]lD[]~|p#qf{q}hx
4L8A5/>="<DÂC~7JMLD5X%k Ddi_c&The Fair Hills of Ireland'@/L"$8DtE[gYdRb(Jacobite)5 ©¹9M=X%k{DDN¦6A0>=pDHD@/>=D 5!±C<D¤²Ã»5!
Curl’d he is and ringletted, and plaited to the knee, Uileacan dubh O !
Each captain who comes sailing across the Irish sea; Uileacan dubh O !
And I will make my journey, if life and health stand, Unto that pleasant country, that fresh and fragrant strand,
And leave your boasted braveries, your wealth and high command, On the fair hills of holy Ireland.(,-)
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L<JI2Y!_azx{lªPmfwmzI2XNQLX@!_az x{l#mfwmyhtPªÒIL;[QLXL7FC'1-("<OW4 M!BO¼Ü]ìM;Zcy_y$OMP!Ö¬M6;Z¢øO ȸ8å5X[H3C"µ3O¶7XabajO£Þ]à3Cã P!ºôO_azx{lì]Î4±M!BOðÌL¸ÄOõ] ?RKMLZ"¢·!cy_y$7XabajM±Ô=[CO8!ka |`gJÃÝ_azx{lÕOæMLZª³I2FC'1.(">7>L 8X!cy_y$¿Uka|`gOªPë¿]} ¯M?ZMP >C8!BO¥èP2SYø3UOJP35L3JÛTH3COI2 Z"®¤!q`n_{O©+_ayfv#p`$rz,'The Irish People,-10/Ýß(OextMPË:Oª8Ù¯7XAX[H3C 8!í³¯Ocy_y$P% ±LªIU} ÒLUOLXQ63L >&J3FC<J8äYÑZéÏM~]¹5H3C'1/("JP35! ´ÁOáM63H!+ ñO¾,P} ÒªÀMJFHOuk zJLFH3C<JU7I2Z"ÃÝ_azx{lOJ>H ò]úNH3CabajU!ª¥?ZJ9M2FH)ñ²âO¨Ç7 X»Mª¥?Z*UOJ>H!ÐEMMÉ?ZªÀJ>HÛTX[ C3Jï^DCTM!ka|`gVs{d{OoxilMÌ3M¦= [Z<JU2FC"J<\8!ÁO¢O´ÝMLFH!abaj ]§TJ?Z°3ªÀÍP!ÃÝ_azx{lÕMWZ} ª8!3 GSIU3Ê;X[Z<JMG3Hó]î:W4MLZ"abaj P}¹=[Zñ²ÒL} ªOÓ×P!ÃÝ_azx{lÕOØMW FHÊ=[CUOI2Y!¡U«=[NQLXL3JöP>H 3C8!ÃÝ_azx{lIOØJP÷êM!Ú½IP+ ñO ¾,OL7OÌá8ÅùL¥èI2ZJOç] >H3C"ÖÆL '059( 193 W.B.abajJ_azx{l#mfwmyht
2N!WXW_N2jwDMPKE@C. ¨E5AS}D9 PL.CL!:EM/C F²¥C @-PA«£6Q;E@-P"5QDs7?F!(¸·E)$The Cutting of an Agate%E( A )$Poetry and Tradition%C1@!®@ G. D. ]cVE°Ev S>;WXW_2!&ED->; C. G. ]^cVyF!ªE0u D¤OE¦UWgfial¡Ej EC1@KKnC S¶¹ 7;AE5A<"5Q@.6QPE2!ª5:2RQRQk§D© 7;µE±@->;"'$,*%AH;5A2.¬1G"J;! WXW_A]cVAEqD0.?!WXW_E tD¢7?.; L.Zei\i$Lionel Johnson%K!WXW_Ah#g[`i$T. W.
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Literary Society%E~m@!dhbYi] FoEwDz3¯8;
KE@-PA7?K!IATB2n´Er@-PAE|SH?. ;$,+%"5 E - ; O E F D Q ;( A )$Poetry and
Tradition%EC1@F!EM/D
When I saw John O’Leary first, every young Catholic man who had intellectual ambition fed his imagination with the poetry of Young Ireland; and the verse of the least known of its poets were expounded with a devour ardour at Young Ireland Societies and the like, and their birthdays celebrated. The school of writers I belonged to tried to found itself on much of the subject−matter of this poetry, and, what was almost more in our thoughts, to begin a more imaginative tradition in Irish literature, by a criticism at once remorseless and enthusiastic. It was our criticism, I think, that set Clarence Mangan at
the head of Young Ireland poets in the place of Davis, and put Sir Samuel Ferguson, who had died with but little fame as a poet, next in the succession.%+)&
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